Boston Bandit

Honest Thief

Director: Mark Williams

Cast: Liam Neeson, Kate Walsh, Jai Courtney, Jeffrey Donovan, Anthony Ramos, Robert Patrick

Director of A Family Man, Mark Williams brings macho tough guy Liam Neeson back on the big screen to star as Tom, a retired bank robber, known as the In and Out Bandit who decides upon meeting a lovely woman, Annie played by Kate Walsh (The Perks of Being a Wallflower) to announce to the FBI the location of the millions stolen over his dubious career of theft and armed robbery.

Fortunately, Annie works in a suburban Boston storage unit facility where the money is located. However, the bad apples in the FBI come to find where the money is hidden and Tom has to go up against the two rogue agents Agent Nivens wonderfully played by Australian actor Jai Courtney (Suicide Squad, The Exception, A Good Day to Die Hard) and married father of two, Agent Hall played by Anthony Ramos (A Star is Born).

Agent Nivens proves to be the most ruthless of the duo when he casually shoots his boss Agent Sam Baker played by Robert Patrick (Safe House, Walk the Line) setting off a chain of events whereby Tom goes after Nivens on the Boston streets while desperately trying to save Annie from harm.

Tom’s only ally in the FBI proves to be the by the book divorced Agent Meyers expertly played by Jeffrey Donovan (J. Edgar, Changeling).

While The Honest Thief does not match up to the adrenalin fuelled excitement of the Taken films, it is a down to earth suburban thriller which is enjoyable and has some unexpected plot twists.

The Honest Thief is worth watching and gets a film rating of 6.5 out of 10 and while the dialogue does drag in places, the action picks up and the plot is cleverly constructed.

Go and see The Honest Thief in a cinema and support the economically stressed cinema chains during these trying times of streaming and awkward social distancing.

Death is Always with Us

The Traitor

Director: Marco Bellocchio

Cast: Pierfrancesco Favino, Maria Fernando Candido, Nicola Cali, Fausto Russo Alesi, Luigi Lo Cascio

If viewers want an authentic Italian mafia film, then watch director Marco Bellocchio’s brilliant and atmospheric thriller The Traitor starring international Italian actor Pierfrancesco Favino (Rush, My Cousin Rachel) as Tommaso Buscetta a former member of the Cosa Nostra, the Sicilian Mafia who flees Italy to go and live an exiled life in Rio de Janeiro in Brazil.

Buscetta then turns state witness and joins the Italian prosecutors in attempting to persecute the high ranking members of the Cosa Nostra who evolved their cigarette smuggling business into a multi-million dollar heroin operation. All the implicated members of the Sicilian mafia are ruthless gangsters who feel nothing at killing an opponent’s children or relatives as well as killing them off. People are murdered in broad daylight or have their arms hacked off.

Toto Riina is the mafia kingpin who controls all these high ranking gangsters and as Buscetta turns traitor and rats on all of them. They all get arrested and stand trial in a bizarre and outrageous trial which is chaotic, sinister and shambolic from the potential convicts having epileptic fits to stripping naked in a packed courthouse.

Buscetta’s turbulent life is balanced by the calm guidance of Judge Giovanni Falcone played by Fausto Russo Alesi who realizes that by helping the traitor he is putting a target on his own back. In a poignant scene between Falcone and Buscetta they both realize that their imminent death is guaranteed and that death is always with them.

Certainly in The Traitor, there are a lot of killings including a particularly brutal seen whereby Buscetta’s two sons are tortured along with a devastating explosion along a Sicilian highway killing a key character in the film.

Buscetta gets witness protection for himself and his wife Cristina wonderfully played by Maria Fernando Candido who was nominated for a Best Actress Award at the 2019 Cannes Film Festival.

They move to America and keep relocating to various places from Tampa, Florida to Salem, New Hampshire to Fort Collins, Colorado. Ultimately, Buscetta makes the decision to return to Rome to assist in prosecuting some of the remaining members of the notorious Cosa Nostra.

In the tradition of Francis Ford Coppola’s The Godfather and more recently director Martin Scorsese’s Oscar nominated The Irishman, director Marco Bellocchio’s The Traitor is more of an authentic chronological account of the rise and fall of the Cosa Nostra in Italy from Palermo to Rome, from Rio de Janeiro to Miami, a gritty and grand narrative of arrests, assassinations and sacrifice without an extravagant American flourish.

The best scenes in The Traitor are the bizarre courtroom scenes in Rome and Palermo and Bellochio’s method of pacing the film to not only shock audiences but keep them in utter suspense.

The Traitor is sometimes difficult to watch, violent, unapologetic and cruel but ultimately at the end it is a rewarding and thought provoking film about the Italian mafia which for over the last 50 years has been mythologized by the abundance of American films on this subject.

Thankfully, The Traitor is written and directed from a uniquely Italian perspective which gives it an operatic quality and gets a film rating of 7.5 out of 10. Highly recommended viewing, but be warned this is a two and a half hour film.

Love Demands Sacrifice

Narcissus and Goldmund

Director: Stefan Ruzowitzky

Cast: Jannis Niewohner, Sabin Tambrea, Roxanne Duran, Henriette Confurius, Elisa Schlott, Emilia Schule, Georg Friedrich, Matthias Habich, Andre Hennicke

Austrian Entry for the European Film Festival 2020

This film is in German with English Subtitles.

Winner of the 2008 Oscar for Best Foreign Language Film for The Counterfeiters, Austrian director Stefan Ruzowitzky returns to the Big Screen with the film adaptation of famed 20th century German author Hermann Hesse’s medieval novel Narcissus and Goldmund which is the Austrian entry for the European Film Festival.

Set in the 14th century in medieval Germany at the time of the Black Death plague which swept Europe, Narcissus and Goldmund focuses on the homoerotic friendship of two young men in the monastery Mariabronn. Narcissus is devoted to the monastic life of prayer and soliture and aims to become an Abbott.

His life is upended by the arrival of the gorgeous yet adventurous Goldmund, wonderfully played by German actor Jannis Niewohner, whose blond hair and sparkling blue eyes lands him in all sorts of trouble. Narcissus is played by Romanian actor Sabin Tambrea whose portrayal of tortured love and self-flagellation is nuanced and perfect.

Unlike Narcissus who has to constantly suppress his unrequited love, Goldmund on the other hand is a drifter, who decides that the Church life is not for him and embarks on a picaresque adventure as a young and handsome man who frequently lands himself in the beds of every available German maiden.

Goldmund is duped by the German noblewoman Lydia played by Emilia Schule and is taken up by the wealthy and entitled Julia played by Elisa Schlott. Riviera star, French actress Roxanne Duran also has a brief role as a noblewoman who seduces Goldmund.

Besides his numerous romantic adventures, Goldmund also has to use his wits to survive the growing devastation of the Bubonic plague which swept through 14th Century Europe as well as surviving the rage of his numerous patrons from Furst played by Georg Friedrich and Burger played by Matthias Habich. Goldmund possesses a unique talent of creating beautiful wooden sculptures and when he returns to Narcissus for assistance, his friend commissions him to create a beautiful altar for St Catherine at the Monastery.

Haunted with eternally searching for his lost mother, Goldmund creates a ravishing wooden sculpture reflecting all the woman he has met and seduced, a religious art piece that causes controversy amidst the cloistered monks. Narcissus confronts Goldmund about his suppressed love for him, but unfortunately their social circumstances forces them to remain apart.

As the prying Lothar played by Andre Hennicke says to Narcissus, a lifetime devotion to God is a love which demands sacrifice.

Narcisssus and Goldmund is a fascinating film about male friendship in the medieval times, about two diametrically opposed characters that ultimately lean on each other to survive in a harsh and judgmental society which was completely controlled by the Church.

Gorgeously shot with some unforgettable and enlightening sequences, Narcissus and Goldmund gets a film rating of 7.5 out of 10 and is definitely worth seeing.

Sylwia’s Stalker

Sweat

Director: Magnus Von Horn

Cast: Magdalena Kolesnik, Julian Swiezewski, Aleksandra Konieczna, Zbigniew Zamachowski

Polish Entry for the European Film Festival 2020

The Polish entry for the European Film Festival is director Magnus Von Horn’s intimate examination of the moral duplicity of a social media star and fitness trainer Sylwia wonderfully played by the beautiful actress Magdalena Kolesnik in his film Sweat set in Warsaw and surrounding areas. Sweat was also part of the official selection for the 2020 Cannes Film Festival held virtually this year.

Sweat presents Warsaw as a glossy and sophisticated contemporary European capital complete with upmarket apartment buildings and thriving shopping malls and the main character Sylwia is a vain and ambitious social media star whose only concern is how many followers she has on Instagram and whether her beloved dog Jackson is loved.

Director Von Horn follows his main character Sylwia around as he guides the viewer through her hollow and utterly vacuous existence as she tries to deal with her mother Basia played by Aleksandra Konieczna and her new boyfriend Fryderyk played by Zbigniew Zamachowski (Three Colours: Red, Three Colours: Blue, Three Colours: White).

Sylwia also has a rather weird relationship with her male fitness star Klaudiusz wonderfully played by Julian Swiezewski who she sexually manipulates to beat up a male stalker who has been following Sylwia and become erotically obsessed with. An incident occurs late at night whereby Klaudiusz forces Sylwia to directly confront and assist her stalker.

Besides the moral repugnance of the main character, Sweat is more of a direct commentary on the age of obsessive social media and as the overly long film portrays Sylwia does not come clean about her ordeal with a stalker but rather seeks the self-congratulatory limelight of Polish Television as she does more to increase her social media visibility and her brand by ironically portraying herself as a victim of her own success.

Sweat is a fascinating and incisive portrayal of social media obsession but unfortunately it needed to be drastically edited since basically every frame of the film focuses on the life of Sylwia and her media obsessed fitness world and its inherent darkness. This microscopic obsession does tend to drag the film down and perhaps the viewer might find the subject matter tedious without their being any form of cathartic release or even an alternative point of view.

Sweat gets a film rating of 6.5 out of 10 and unfortunately is not the best Polish film I have seen, but is certainly the most bizarre in terms of subject matter: vanity and self-obsession.

Desert Fox and the Informant

Curveball

Director: Johannes Naber

Cast: Sebastian Blomberg, Thorsten Merten, Dar Salim, Virginia Kull, Michael Wittenborn, Franziska Brandmeier

German Entry for the European Film Festival 2020

German director Johannes Naber’s brilliant political satire Curveball is an absolute must see and this year’s European Film Festival held virtually in South Africa and scheduled to be released in Germany in November 2020. Curveball premiered in the Berlinale Special section at the 70th Berlin International Film Festival held in February 2020.

Sebastian Blomberg (The Baader-Meinhof Complex, The People vs Fritz Bauer) plays the unassuming but slightly naïve German chemical weapons expert Dr Wolf who unwillingly gets roped into a political conspiracy to prove that Saddam Hussein, the former Iraqi president was harbouring chemical weapons.

Set between 1998 and 2003, Curveball is the terrifyingly true story of an Iragi fugitive Rafid Alwan wonderfully played by Iragi actor Dar Salim who has also appeared in Lee Tamahori’s brilliant film The Devil’s Double opposite British star Dominic Cooper.

Alwan is questioned by Dr Wolf on the existence of anthrax and other chemical weapons and their existence in Baghdad, which he eventually concedes that there could be such weapons driven around Iraq on trucks which is flimsy and unreliable intelligence at best. What makes Dr Wolf rely on this informant even more is that in Curveball they form a formidable friendship with Wolf teaching Alwan how to use a snow sleigh and Alwan proving that he is quite an unreliable source especially after his drunken escapades with whiskey.

Thrown into this bizarre friendship, is Dr Wolf’s feisty and ruthless CIA agent Leslie played by Big Little Lies star Virginia Kull who exploits Dr Wolf’s naiveté to steal the informant from the Germans to assist the Americans to construct a premise for the 2003 invasion of Iraq. No matter that both the German and American espionage service know that the Intel that Alwan has fed them is entirely fabricated.

Director Johannes Naber skilfully guides the audience through the key events of that period from the chemical weapons experts employed by the UN to search for biological weapons in Iraq in 1998 to the election of George W. Bush as U. S. President in November 1999 to the 2001 World Trade Centre attacks in New York City.

Curveball is both surreal, hilarious and utterly unbelievable made more bizarre by the Kafkaesque bureaucracy of the intelligence services of America and Germany.

Thorsten Merten plays Dr Wolf’s ambitious boss Schatz while Michael Wittenborn plays the more pragmatic Retzlaff.

Curveball is fascinating viewing especially as it deals with recent historical events and demonstrates that the truth can be constructed for a political purpose in this case used to invade a foreign country. Curveball gets a film rating of 8 out of 10 and is highly recommended for those that enjoy incisive political satires.

Zaheer’s Journey

Mogul Mowgli

Director: Bassam Tariq

Cast: Riz Ahmed, Anjana Vasan, Aiysha Hart, Andrea Hart, Alyy Khan

British Entry for the European Film Festival 2020

British Pakistani actor Riz Ahmed’s fame in Hollywood rose quite substantially after his initial big screen performance opposite Kate Hudson in Mira Nair’s stunning film The Reluctant Fundamentalist. Since then Ahmed has gone on to star in Rogue One: A Star Wars Story, Venom and Jason Bourne.

Riz Ahmed and director Bassam Tariq co-wrote the British Pakistani film Mogul Mowgli which will be screened virtually at the 2020 European Film Festival, which focuses on the unlikely tale of a Pakistani rapper in a British city, the son of a traditional Pakistani family who immigrated to the UK to make a better life for their children.

Riz Ahmed plays Zed which is short for Zaheer a loud-mouthed and confident rapper who has proven his worth against a group of Nigerian immigrants at a rap competition and is on the cusp of a British tour aided by his manager Vaseem played by Anjana Vasan when tragedy strikes.

Zaheer, after an altercation in an alleyway with a disgruntled rap fan, collapses and is admitted to hospital. After several tests done, Zaheer is diagnosed with motor-neuron disease and his muscles are slowly deteriorating. The diagnosis comes as a shock to Zaheer and his parents particularly his father Bashir played by Alyy Khan.

Zaheer’s reflection on his condition which forces him to revaluate his hopes and dreams and specifically the side effects of the stem cell treatment which will make him infertile, makes up the basis of director Bassam Tariq’s over-directed film Mogul Mowgli which is saved by a stand out performance by Riz Ahmed who is basically in every scene of the film as he shows all of Zaheer’s vulnerability and subsequent humiliation especially as he has to rely on others to survive.

There is a particularly touching scene between Zaheer and his father in the hospital bathroom. Overall Mogul Mowgli is confusing to watch and the script is lacking some form of closure as to the real destiny for Zaheer, but nevertheless it’s his personal journey that counts. Riz Ahmed carries Mogul Mowgli and although this film has a niche appeal, it does showcase the lives of an immigrant community in contemporary Britain.

Mogul Mowgli is an interesting film, but it will not have a broad appeal as it deals with a very specific immigrant community and the strange and difficult choices they have made in attempting to integrate into a Western culture.

Mogul Mowgli gets a film rating of 7 out of 10 is a flawed film about a performance artist that has to deal with a devastating disease.

Clarke’s Catastrophe

Greenland

Director: Ric Roman Waugh

Cast: Gerard Butler, Morena Baccarin, Roger Dale Floyd, Scott Glenn, Hope Davis, David Denham

Film Rating: 7.5 out of 10

Angel has Fallen director Ric Roman Waugh reunites with his star Gerard Butler for the latest doomsday disaster film Greenland. The hunky Scottish actor Gerard Butler who become a household name after the smash hit 300 and then went onto star in the Fallen trilogy plays American structural engineer John Garrity who is trying to reconcile with his wife Allison Garrity played by Homeland star Morena Baccarin (Deadpool, Spy) who both live a comfortable life in suburban Atlanta.

That comfortable life is shattered into a million pieces when John and Allison have been selected to survive an extinction event after a Comet called Clarke’s Comet hits Earth and breaks up into a million asteroids which demolish cities and towns across the planet. The Garrity’s only chance of survival is to head towards a secret government facility to house survivors located in Greenland. The only problem is how to get there.

To add to John and Allison’s woes their young son Nathan played by Roger Dale Floyd is diabetic and cannot be without his insulin injections which proves difficult when the entire family get separated and Nathan gets kidnapped by some desperate hillbilly’s Ralph and Judy Vento played by Hope Davis (Proof) and David Denham (Logan Lucky, 13 Hours).

In the meantime the world is literally going to hell in a handbasket as fiery asteroids start striking the earth and the Garrity’s need to reunite at Allison’s father’s ranch in Knoxville. Allison’s father Dale is played by Scott Glenn (The Bourne Legacy, The Paperboy). Fortunately once the family gather there John confesses to his father-in-law that he hasn’t been the best husband.

Whilst Greenland’s doomsday scenario could be the metaphor for a broken marriage, the rather lacklustre script by Chris Sparling is fortunately punctuated with some dramatic action sequences including the airport chaos sequence and the asteroid crushing car sequence on an American interstate.

Greenland is great entertainment and doesn’t pretend to be anything superb. It’s a good old fashion disaster movie in the tradition of director Mimi Leder’s Deep Impact and Michael Bay’s 1998 smash hit film Armageddon. Greenland is worth seeing on a big screen and is a reasonably enjoyable action disaster film which certainly needs cinematic support in these uncertain times when audiences are not rushing back to cinemas in a hurry.

It did help that the star Gerard Butler did broadcast a preview message thanking South African audiences for supporting Greenland in cinemas. With that being said, audiences should watch Greenland – it’s an exciting two hour family adventure film which gets a rating of 7.5 out of 10.

The Emperor’s Saviour

Mulan

Director: Niki Caro

Cast: Yifeu Liu, Gong Li, Jet Li, Donnie Yen, Jason Scott Lee, Tzi Ma, Ron Yuan

Film Rating 7 out of 10 – Catch Mulan in Cinemas now or on DisneyPlus

Disney’s bid to attract the massive Chinese cinema going audience with Mulan which was scheduled for a worldwide release on the 27th March 2020 was an ill-timed affair as the leap year that is 2020 brought along a vicious virus from the Far East and ravaged the world, closing down cinemas and forcing cities into lock down.

The effects of the Coronavirus Pandemic on world cinema in 2020 has been devastating and only films like Christopher Nolan’s exceptionally brilliant Tenet will attract reluctant audiences back into the cinemas. Many big budget film productions have postponed their release dates until 2021.

Nevertheless, the New Zealand director of Whale Rider Niki Caro did a fairly good job of taking on Mulan, an adventure tale set in ancient China with a completely Chinese cast. Built on the premise that a young and feisty girl from a Chinese village Mulan disobeys her father Zhou played by Tzi Ma (Skyscraper, Arrival, Million Dollar Arm), disguises herself as a man and joins the Imperial army to fight Northern invaders led by Bori Khan played by Hawaiian actor Jason Scott Lee (Alaska is a Drag) and aided Xianniang, a witch played by Gong Li (Coming Home, Curse of the Golden Flower, Memoirs of a Geisha).

Mulan is played by rising Chinese actress Yifei Liu (The Forbidden Kingdom) who rises above her male counterparts in the Imperial army and comes to the rescue of the Emperor played by Martian arts legend Jet Li (The Forbidden Kingdom, Hero, Kiss of the Dragon).

Although the script of Mulan leaves much to be desired and the dialogue seems stilted and uninspiring, the action sequences are great and at least the cast is authentic although it would seem better if this film’s dialogue was in Chinese with English subtitles, but director Niki Caro was obviously appealing to Western audiences while paying homage to her Disney employees.

Unlike Ryan Coogler’s Black Panther which successfully captured the zeitgeist of 2018. Black Panther was released by the Disney owned Marvel Films and was part of the Marvel franchise of superhero films with sufficient legacy to back up the main character.

Mulan on the other hand was a Disney produced film which while brilliantly shot and cinematically constructed, the storyline was predictable and didn’t offer enough depth for this multi-talented cast of Chinese actors who have all appeared in far superior Chinese films including Coming Home, Hero and Curse of the Golden Flower.

Despite some flaws, Mulan is an enjoyable action film set in ancient China, a land filled with loyalty, honour and unbridled patriarchy. Some interesting aspects of ancient Chinese culture are examined but not in the elegant fashion done by far superior directors such as Zhang Yimou in Raise the Red Lantern in his breakthrough film in 1992 which was nominated for Best Foreign Language Film.

Mulan is enjoyable but unfortunately might be overlooked amidst the current existential health crisis engulfing the world. Mulan gets a rating of 7 out of 10 and is spectacular watch but the storyline is not original.

The Grandfather Paradox

Tenet

Director: Christopher Nolan

Cast: John David Washington, Robert Pattinson, Kenneth Branagh, Elizabeth Debicki, Michael Caine, Aaron Taylor-Johnson, Andrew Howard, Himesh Patel, Jack Cutmore-Scott, Clemence Poesy, Wes Chatham, Martin Donovan

If a man goes back in time and kills his own grandfather then he would never have been born.

That is the Grandfather Paradox and the basic notion of director Christopher Nolan’s stylish and innovative, time-bending espionage action film Tenet set in Kiev, Ukraine, Mumbai and Oslo in Norway.

Besides the mesmerising action sequences, the critical part about Tenet is the clever casting of the son of Denzel Washington, Golden globe nominee John David Washington (BlackKKlansman) as The Protagonist opposite the dashing British actor Robert Pattinson (Cosmopolis, Twilight, Queen of the Desert) as Neil.

Tenet is like Inception but set within the rough estimates of a spy genre, superbly written and directed by Christopher Nolan and featuring an outstanding original music score by Swedish film composer Ludwig Goransson who won an Oscar for original score for Black Panther.  

To describe the plot of Tenet as a paradox is an understatement. It is a carefully constructed set of semiotic images punctuated with some astounding action sequences especially on a Norwegian highway and on an opulent skyscraper in Mumbai.

While the protagonist is in Mumbai, he comes across his Tenet contact Mahir wonderfully played by Yesterday star Himesh Patel, which leads him into the murky world of international arms dealing and he discovers a nefarious inversion machine that can alter both the past and devastate the future.

From the eye-catching hostage scene in an Opera house in Kiev, Ukraine to the final time-bending battle sequence spliced with a rather poignant confrontation by the femme fatale Kat superbly played by Elizabeth Debicki (Widows, The Great Gatsby, The Tale) with her vicious misogynistic Russian arms dealing husband Andrei Sator, played with an Oscar worthy performance by Kenneth Branagh (Dunkirk, My Week with Marilyn, Murder on the Orient Express) aboard a luxury yacht off the coast of Vietnam, Tenet is an exotic, elegant and asymmetrical action film, with an innovative plot that will challenge the viewer to watch carefully.

For sheer originality and perfect casting, Tenet is worth seeing. For incredibly intricate and carefully orchestrated action scenes especially those involving a transport plane crashing into Oslo Airport, Tenet is phenomenal.

After months of being deprived of real original and ground breaking cinema, Tenet is a must see film on the big screen with surround sound and should be a good reason to get back to the auditorium to see this spectacularly complex and clever piece of cinema.

Tenet gets a film rating of 8.5 out of 10 and is highly recommended viewing.

Once again, the multi-talented director of The Batman Trilogy, Dunkirk and Inception, Christopher Nolan does not disappoint.

The Valley of Darkness

Saloon

Director: Dayakar Padayachee

Cast: Mbale Mavimbela, Kwenzo Ngcobo, Yateen Dayaram, Caitlin Goulding, Preston Kyd

Please note this is a Short Film

Nominated for the Best Short Film at the Kosice International Monthly Film Festival and a nominee for the South African Indie Film Festival, Durban based film director of Shadow, Dayakar Padayachee has compressed a Western style bar sequence into an impressive 11 minute short film with a distinctly South African flavour.

The two main characters Nkanyamba played by Kwenzo Ngcobo and the Bar Lady wonderfully played by Mbale Mavimbela exchange a short and tense dialogue written in Zulu, in which Nkanyamba, a washed up hitman who yearns for redemption seeks a safe place to quench his thirst in a saloon where he meets the tenaciously deceptive Bar Lady who questions his previous life with an aim of uncovering his weaknesses.

As the Bar Lady and Nkanyamba ‘s conversation intensifies, the dialogue is looked on by three shady observers Set played by Preston Kyd, Lilith played by Caitlin Goulding and Rudra played by  Yateen Dayaram who also starred in Dayakar Padayachee’s groundbreaking feature film Shadow which won Best Original Song at the 2017 Durban Gay and Lesbian Film Festival.

These observers sip strong drinks in dark shadows as they clutch their hidden weapons waiting for the moment when The Bar Lady confronts Nkamyamba and a Saloon style gunfight ensues. Just as the climax of the short film is reached, director Dayakar Padayachee cuts the action and leaves the ensuing bloodshed up to the audience’s imagination. Saloon is an impressive and atmospheric short film produced within a South African context which is severely lacking in good quality short films.

This is an innovative and original short film and the best part is that viewers can watch it on various mobile devices.

Highly recommended viewing and I do hope Saloon gets some more local and international recognition.

Saloon gets a Short Film Rating of 8 out of 10.

Concise and to the point. Catch this South African original short film now online.

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