Archive for the ‘Alejandro González Iñárritu’ Category

88th Academy Awards

The 88th Academy Awards / The Oscars

Sunday 28th February 2016

OSCAR WINNERS AT THE 88TH ANNUAL ACADEMY AWARDS

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Best Picture: Spotlight

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Best Director: Alejandro Gonzalez Inarritu – The Revenant

Best Actor: Leonardo DiCaprio – The Revenant

Room_Poster

Best Actress: Brie LarsonRoom

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Best Supporting Actor: Mark Rylance – Bridge of Spies

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Best Supporting Actress: Alicia Vikander – The Danish Girl

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Best Original Screenplay – Tom McCarthy & Josh Singer – Spotlight

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Best Adapted Screenplay – Adam McKay & Charles Randolph – The Big Short from the book The Big Short written by Michael Lewis
Son of Saul

Best Foreign Language Film: Son of Saul (Hungary) directed by Laszlo Nemes

Best Cinematography: Emmanuel Lubezki – The Revenant

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Best Costume Design: Jenny Beavan – Mad Max: Fury Road

Best Production Design: Mad Max: Fury Road

Best Hair and Makeup: Mad Max: Fury Road

Best Film Editing: Margaret Sixel – Mad Max: Fury Road

Best Sound Editing: Mark A. Mangini and David WhiteMad Max: Fury Road

Best Sound Mixing: Mad Max: Fury Road

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Best Animated Feature: Inside Out by Pete Doctor and Jonas Rivera

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Best Visual Effects: Ex Machina

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Best Documentary Feature: Amy directed by Asaf Kapadia and James Gay-Rees

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Best Original Score: Ennio Morricone – The Hateful Eight

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Best Original Song: The Writings on the Wall by Sam Smith – Spectre

Source: Oscars

 

69th BAFTA AWARDS

THE  69th BAFTA AWARDS /

THE BRITISH ACADEMY FILM AWARDS

Took place on Sunday 14th February 2016 in London

BAFTA WINNERS IN THE FILM CATEGORY:

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Best Film: The Revenant

Best Director: Alejandro G. Iñárritu – The Revenant

Best Actor: Leonardo DiCaprio – The Revenant

Room_Poster

Best Actress: Brie Larson – Room

bridge_of_spies

Best Supporting Actor: Mark Rylance – Bridge of Spies

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Best Supporting Actress: Kate Winslet – Steve Jobs

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Best British Film: Brooklyn directed by John Crawley

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Best Original Screenplay: Tom McCarthy and Josh Singer – Spotlight

big_short

Best Adapted Screenplay: Adam McKay and Charles Randolph – The Big Short

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Best Costume Design: Jenny Beavan – Mad Max Fury Road

Wild Tales

Best Foreign Language Film: Wild Tales directed by Damián Szifron (Argentina)

Source: 69TH BAFTA AWARDS

 

 

The Wild Ones

The Revenant

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Director: Alejandro Gonzalez Inarritu

Cast: Leonardo DiCaprio, Tom Hardy, Domhnall Gleeson, Will Poulter, Forrest Goodluck, Lukas Haas, Paul Anderson

According to the Oxford Dictionary, Revenant means a person who has returned supposedly from the dead.

According Oscar winning Mexican director Alejandro Gonzalez Inarritu, The Revenant has a far deeper mythical connotation. After the success of Birdman, Inarritu follows up that whimsical taste of Broadway with a gruelling historical epic, The Revenant casting two of the best leading actors in contemporary cinema: Leonardo di Caprio and Tom Hardy.

The Revenant is a harsh masculine film, set in the American wilderness in 1823, the early years of settler exploration along the Missouri river near the Canadian border. Gorgeously shot by cinematographer Emmanuel Lubezki, The Revenant takes on a slightly Terence Malick feel in the first hour, but then the audience is thrust into a bitter tale of survival about a group of men who are not only attacked by roaming Pawnee Indians but by the neighbouring French.

DiCaprio plays a bearded and mostly silent yet skillful tracker Hugh Glass in one of his best performances for years. DiCaprio’s role is so grueling and utterly physical that is completely opposite to anything done by the actor before which makes it all the more engrossing to watch. His previous roles in The Great Gatsby and The Wolf of Wall Street focused on characters that were debauched and surrounded by lavish wealth and power.

In The Revenant, this is DiCaprio laid bare both physically and psychologically as he battles the most hostile terrain in the icy parts of North America. In probably the best scene of the film, Glass is viciously attacked by a grizzly bear and severely injured, the filming of this scene deserves an Oscar in itself. Glass is left for dead by the half-scalped hunter and dangerous John Fitzgerald, in a career best performance by Tom Hardy who manages to permeate all his scenes with the same chilling sense of menace as he did, playing Bane in Christopher Nolan’s The Dark Knight Rises and most recently as both the Kray twins in Legend.

The tension between the two men is palpable although Hardy is the one with the most lines, while Di Caprio expresses his pain with his eyes and body, an entirely physical ordeal, a gut-wrenching soul destroying battle for survival. The environment too has own character as these two men not only battle each other but also have to survive in a semi-explored icy landscape, where settlers and native American Indians are bartering and killing each other in a continuous bloodthirsty war over land, occupation and women.

Ethnographically, The Revenant is an important film, a vivid tale about the early American settlers who encounter the other, or the savages as the French call them. A primal battle which Inarritu elevates to myth, beautifully capturing the essence of the unforgiving yet stunning landscape, while emphasizes the terrain’s nefarious creatures and events, from vicious bears to avalanches.

At two and a half hours long The Revenant is not easy viewing and, the viewer does get a sense that the second act drags a little, yet the performances are so captivating and the sound editing so brilliant, that any minor criticisms can be forgiven. Warning: this is not an easy film to watch.

The Revenant is violent, gory and at times just plain cruel, but also sets the standard high for revenge themed adventure tales. Hardy and DiCaprio are both utterly terrific. The Revenant is a highly recommended and critically acclaimed film sure to attract a cult following.

Cinematically, The Revenant is nothing short of a masterpiece.

73rd Golden Globe Awards

73rd GOLDEN GLOBE AWARDS

Took place on Sunday 10th  January 2016 hosted by the Hollywood Foreign Press Association

GOLDEN GLOBE WINNERS IN THE FILM CATEGORIES:

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Best Film Drama: The Revenant

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Best Film, M/C: The Martian

Best Director: Alejandro González Iñárritu – The Revenant

Best Actor Drama: Leonardo DiCaprio – The Revenant

Room_PosterBest Actress Drama: Brie Larson – Room

Best Actor M/C: Matt Damon – The Martian

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Best Actress M/C: Jennifer Lawrence – Joy

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Best Supporting Actor: Sylvester Stallone – Creed

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Best Supporting Actress: Kate Winslet – Steve Jobs

Son of Saul

Best Foreign Language Film: Son of Saul  directed by Laszlo Nemes (Hungary)

Source: 73rd Golden Globe Awards

55th BAFTA AWARDS

THE  55TH BAFTA AWARDS /

THE BRITISH ACADEMY FILM AWARDS

Took place on the 24th February 2002 in London

BAFTA WINNERS IN THE FILM CATEGORY:

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Best Film: The Lord of the Ring: The Fellowship of the Ring

Best Director: Peter Jackson – The Lord of the Ring: The Fellowship of the Ring

A Beautiful Mind

Best Actor: Russell Crowe – A Beautiful Mind

iris

Best Actress: Judi Dench – Iris

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Best Supporting Actor: Jim Broadbent – Moulin Rouge

Best Supporting Actress: Jennifer Connelly – A Beautiful Mind

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Best British Film: Gosforth Park

Amelie

Best Original Screenplay: Amélie (Le fabuleux destin d’Amélie Poulain) – Jean-Pierre Jeunet and Guillaume Laurant

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Best Adapted Screenplay: Shrek

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Best Visual Effects: The Lord of the Ring: The Fellowship of the Ring

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Best Foreign Language Film: Love’s a Bitch (Amores perros)  directed by Alejandro González Iñárritu (Mexico)

 

87th Academy Awards

The 87th Academy Awards / The Oscars

 

Sunday 22nd February 2015

OSCAR WINNERS AT THE 87TH ANNUAL ACADEMY AWARDS

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Best Picture: Birdman

Best Director: Alejandro Gonzalez InnarituBirdman

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Best Actor: Eddie Redmayne – The Theory of Everything

still_alice

Best Actress: Julianne Moore – Still Alice

whiplash

Best Supporting Actor: J. K. Simmons – Whiplash

boyhood

Best Supporting Actress: Patricia Arquette – Boyhood

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Best Adapted Screenplay: Graham MooreThe Imitation Game 

Best Original Screenplay: Alejandro Gonzalez Inaritu, Nicolás Giacobone, Alexander Dinelaris and Armando Bo – Birdman

Ida_(2013_film)

Best Foreign Language Film: Ida – (Poland) directed by Paweł Pawlikowski

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Best Documentary Feature: Citizen Four

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Best Animated Feature Film: Big Hero 6

Best Cinematography: Emmanuel Lubezki – Birdman

Best Film Editing: Tom Cross – Whiplash

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Best Sound Editing: Alan Robert Murray and Bub Asman – American Sniper

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Best Visual Effects: Paul Franklin, Andrew Lockley, Ian Hunter and Scott Fisher – Interstellar

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Best Makeup and Hair: Frances Hannon and Mark Coulier – Grand Budapest Hotel

Best Original Score: Alexandre Desplat – Grand Budapest Hotel

Best Production Design: Adam Stockhausen and Anna Pinnock – Grand Budapest Hotel

Best Costume Design: Milena Canonero – Grand Budapest Hotel

Source: http://oscar.go.com/

Performance Anxiety

Birdman

Or

The Unexpected Virtue of Ignorance

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Director: Alejandro Gonzalez Inarritu

Cast: Michael Keaton, Edward Norton, Naomi Watts, Amy Ryan, Emma Stone, Andrea Riseborough, Zach Galifianakis, Lindsay Duncan

Mexican film director Alejandro Gonzalez Inarritu whose previous films include the critically acclaimed Babel, Buitiful and 21 Grams, delivers another cinematic magic realist masterpiece in the electrifying film Birdman or The Unexpected Virtue of Ignorance about the crazy antics which occur backstage on a Broadway production of a play adapted from a Raymond Carver story.

Birdman is comical, fantastical and brilliantly acted by a great ensemble cast but particularly by Michael Keaton as the central character Riggan, a washed up 1990’s superhero film star who is desperate to revive his acting career on Broadway.

Michael Keaton delivers a crackling performance as the erratic Riggan, an aging actor on the verge of a nervous breakdown, whose alter ego the superhero film character Birdman keeps whispering in his ear that he should not be taking to the stage but rather resuscitating his failed film career. Riggan also seems to be constantly hounded by a multitude of neurotic woman throughout the film which feeds his own performance anxiety.

Joining the energetic Keaton who just won the 2015 Golden Globe Award for Best Actor in a Musical or Comedy is an impressive ensemble cast including the hugely underrated Edward Norton as Mike Shiner a younger more precocious actor, Emma Stone as Riggan’s snappy daughter Sam, Andrea Riseborough as Riggan’s neurotic girlfriend Laura, Amy Ryan as Riggan’s ex-wife and stabilizing influence on his life, Sylvia. The Hangover star Zach Galifianakis as the exasperated bearded theatre producer Jake and Naomi Watts as a drama queen Lesley.

birdman

What makes Birdman or The Unexpected Virtue of Ignorance so utterly absorbing and in parts quite delirious is that Inarritu chooses to film the entire movie as one long tracking shot which keeps the momentum of this frenetic story alive and fresh. Besides the extraordinary direction, a very witty script, there is of course the superb performances by the entire cast who really excelled in a very difficult and strenuous acting stretch reminiscent of Luigi Pirandello’s play Six Characters In Search of an Author with a massive dash of Gabriel Garcia Marquez’s Magic Realism thrown in.

Visual clues abound along with multiple references to the 21st century super saturated media world of the 21st century. In one of the best scenes of the film Sam (superbly played by Emma Stone) tells her father Riggan that he has lost touch with the world, he does not even have a Facebook Page or a Twitter account and is rarely on social media. As Birdman progresses and in a hilarious sequence with Riggan running through New York’s Times Square dressed only in white underpants, which is naturally captured on YouTube, his digital success changes instantly.

Then after a near meltdown with a bottle of Whisky and after Riggan tells the influential theatre critic Tabitha (a superb cameo by Lindsay Duncan) that he should be taken seriously as a stage actor, the opening night of the play arrives and no one can anticipate the final reaction or the review in the New York Times theatre page entitled The Unexpected Virtue of Ignorance.

For anyone that has studied drama or been in a stage production, Birdman is a must see film, as Inarritu expertly captures the confidence, chaos and utter lack of self-consciousness of the wild and crazy cast of this production, as they strip for scene changes, fight with their fellow actors and generally are quite debauched in all sorts of ways unique to the Theatre world.

Birdman imaginatively emphasizes that despite all the social media around especially in 21st century contemporary America, there is nothing quite as exciting as Live Theatre.

Keaton, Norton and Stone are absolutely superb and this film is highly recommended viewing, worthy of all the attention it is currently receiving, much like what every actor in the world constantly craves: rave reviews and becoming a celebrity!

 

 

 

 

 

2006 Cannes Film Festival

2006 Cannes Film Festival Winners

 cannes festival poster 2006

Winners of the five main prizes at the 2006 Cannes Film Festival were as follows: –

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Palm d’Or: The Wind that Shakes the Barley directed by Ken Loach

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Best Director: Alejandro González Iñárritu director of Babel

Days of Glory Indig-film

Best Actor:  The cast  of Indigènes  (Jamel Debbouze, Samy Naceri, Sami Bouajila, Roschdy Zem) – Days of Glory

volver

Best Actress: Penélope Cruz for Volver

Best Screenplay: Pedro Almodóvar for Volver

Source: http://en.wikipedia.org/wiki/2006_Cannes_Film_Festival

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