Posts Tagged ‘Channing Tatum’

The Doomsday Protocol

Kingsman: The Golden Circle

Director: Matthew Vaughn

Cast: Taron Egerton, Colin Firth, Julianne Moore, Mark Strong, Channing Tatum, Halle Berry, Pedro Pascal, Jeff Bridges, Edward Holcroft, Emily Watson, Bruce Greenwood, Michael Gambon

Director Matthew Vaughn follows up his 2015 comic book spy debut Kingsman: The Secret Service with a more robust and intensely invested sequel Kingsman: The Golden Circle with a bigger cast and lavish sets reuniting Oscar winner Colin Firth (The King’s Speech) with his A Single Man co-star fellow Oscar winner Julianne Moore (Still Alice) who plays the delusional and garish villain Poppy.

Hot young star Taron Egerton reprises his role of Eggsy, street boy turned bespoke spy, joined by Mark Strong as Merlin who go on an international mission to discover who is destroying The Kingsman headed up by a briefly glimpsed Michael Gambon.

The Kingsman soon join forces with their American counterparts including Channing Tatum as Tequila and Pedro Pascal (The Great Wall) as Whiskey who make up the Statesmen an independent espionage agency housed in a whiskey distillery in Tennessee who come to their aid in tracking down Poppy and her evil plan of causing all drug users in the world to die through lacing their fix with a lethal concoction which causes purple veins, paralysis and death.

As Kingsman adopt the Doomsday Protocol, Eggsy and Merlin embark on a dangerous mission with the help of Whiskey as they travel to the Italian Alps to retrieve an antidote in an action packed ski cable car sequence which is clearly a skit on the 007 film On Her Majesty’s Secret Service.

Even Poppy’s drug liar deep in the Cambodian jungle, aptly named Poppyland is a skit on another Bond film The Man with the Golden Gun.

While the action in Kingsman: The Golden Circle is clearly hyper-visualized and the plot is completely outlandish, it’s the sort of Saturday afternoon popcorn film which is pure escapism even though its subliminal messages are morally questionable.

With Oscar winner Halle Berry (Monster’s Ball) as Statesman tech genius Ginger, The Kingsman: Golden Circle is a clear skit on the 007 franchise with a more lurid twist making our dapper hero Eggsy appealing to the millennial’s and definitely is more successful as a cleverly cast spy caper.

If audiences enjoyed the first Kingsman, then they will enjoy this extravagant and better orchestrated sequel. Kingsman: The Golden Circle gets a Film Rating 7 out of 10.

 

 

The Hillbilly Heist

Logan Lucky

 

Director: Steven Soderbergh

Cast: Channing Tatum, Adam Driver, Daniel Craig, Katie Holmes, Hilary Swank, Riley Keough, Seth MacFarlane, Brian Gleeson, Jack Quaid, Sebastian Stan, Katherine Waterson, David Denham

Director Steven Soderbergh has an inventive filmography including Contagion, Side Effects and the Oscar winning films Traffic and Erin Brockovich.

He returns to the big screen with the redneck caper film Logan Lucky starring Channing Tatum and Adam Driver as unfortunate West Virginia brothers Jimmy and Clyde Logan who together with their younger sister Mellie played by Legendary singer Elvis Presley’s granddaughter Riley Keough (Mad Max: Fury Road, Magic Mike) who concoct a plan to steal cash from the Nascar Speedway during a major Racing event in Charlotte, North Carolina.

In order to break into the air locked vault of the cash rich Speedway, the Logan brothers enlist the assistance of incarcerated Joe Bang wonderfully played in a stand out (possibly Oscar worthy) performance by James Bond star Daniel Craig who obviously was desperate to breakout of  the 007 image.

Which is what makes Logan Lucky all the more fascinating. Soderbergh’s uncanny ability to assemble a really good cast to tell an extraordinarily clever story almost rival’s that of the cinematic auteur Woody Allen in his comic films like Café Society.

Except that Logan Lucky is a far cry from the glamourous Golden age of Hollywood of Café Society. Logan Lucky is an exceptionally funny film and almost bizarrely told with a deadpan sense of timing that makes the heist which they seemingly pull off even more unbelievable.

In order for Joe Bang to assist the Logan brothers he has to enlist the help of his own two hillbilly brothers Fish and Sam Bang, superbly played by rising stars Jack Quaid (son of Meg Ryan and Dennis Quaid) and Brian Gleeson (The Eagle, Snow White and the Huntsman) son of Brendan Gleeson.

The unbelievably stupid Bang brothers unlike the Logan brothers feel that committing a crime would be immoral but when the lure of big cash is promised their assistance is secured unequivocally.

What follows is an ingenuous heist film centred on the Nascar Car Racing Event in Charlotte, North Carolina, in the South, below the Mason-Dixon Line where the Southern drawl is pronounced and patriotism to the American flag is unwavering.

With Soderbergh’s trademark use of cameo appearances of big stars including Seth MacFarlane, Katie Holmes, Sebastian Stan and Oscar winner Hilary Swank (Boys Don’t Cry, Million Dollar Baby) as FBI Special Agent Sarah Grayson who post-heist desperately tries to catch the culprits only to land up at a West Virginia bar being served by a one armed bartender, Logan Lucky is a character driven film about ordinary citizens wanting to better themselves in a semi-impoverished backwater.

Audiences would have to watch Logan Lucky to enjoy Channing Tatum, Adam Driver and an excellent Daniel Craig in a hillbilly heist comedy about outback losers who plan on getting back at the system which has kept them downtrodden and unemployed. Highly Recommended viewing for those that enjoyed the Ocean’s Eleven Trilogy without the glamour.

Logan Lucky gets a film rating of 7.5 out of 10 and is immensely enjoyable.

2016 Berlin Film Festival

2016 Berlin International

Film Festival Winners

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The 66th annual Berlin International Film Festival was held from 11th to the 21st February, 2016

The Berlin International Film Festival known as the Berlinale takes places annually in February and is regarded as one of the most prestigious film festivals in the world.

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Opening Night Film: Hail, Caesar! directed by Joel and Ethan Coen starring Josh Brolin, George Clooney, Alden Ehrenreich, Tilda Swinton, Ralph Fiennes, Jonah Hill, Scarlett Johansson, Frances McDormand and Channing Tatum

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Golden Bear for Best Film:  Fire at Sea  by Gianfranco Rosi

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Silver Bear for Best Director:  Mia Hansen-Løve for Things to Come

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Silver Bear for Best Actor:  Majd Mastoura for Hedi

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Silver Bear for Best Actress:  Trine Dyrholm for The Commune

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Silver Bear for Best Script: Tomasz Wasilewski for United States of Love

Swamp Country Debauchery

Magic Mike XXL

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Director: Gregory Jacobs

Cast: Channing Tatum, Joe Manganiello, Matt Bomer, Amber Heard, Adam Rodriguez, Andie MacDowell, Jada Pinkett Smith, Donald Glover, Elizabeth Banks

The much anticipated sequel to the sleeper hit Magic Mike about male entertainers in Tampa, Florida does not disappoint.

Magic Mike XXL assembles the same cast as the original minus Matthew McConnaughey and Alex Pettyfer but cleverly casts some new stars including Andie MacDowell (Four Weddings and a Funeral, Sex, Lies and Videotape) as the original Southern Belle, Nancy and more significantly a vibrant Jada Pinkett Smith (Collateral) as Rome, the notorious and zany new MC.

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Audiences should not expect much storyline in XXL but who cares the dancing is phenomenal and Channing Tatum really takes the main role of Magic Mike to extremes with superb dance moves and a wit to match. Tatum has really grown as an actor after being cast opposite Mark Ruffalo in the underrated yet bizarre male wrestling saga Foxcatcher and with the help of director Steven Soderbergh has matured as an onscreen performer after roles in Haywire, Magic Mike and Side Effects.

The crazy male entertainer troupe make their way from Tampa in Southern Florida all the way up through Savannah, Georgia to Myrtle Beach, South Carolina in a journey described by one drag performer resembling Divine as Swamp Country Debauchery.

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In Magic Mike, the emphasis was more on the drug lifestyle associated with male stripping, but in Magic Mike XXL, Oceans Twelve and Oceans Thirteen director Gregory Jacobs cleverly lightens the tone and shifts focus to the actual art and performance of Male entertainment as the team including a gorgeous Matt Bomer (The Normal Heart) and Joe Manganiello compete at the illustrious Stripper Convention in Myrtle Beach, South Carolina.

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The end sequence is brilliant with some superb dance moves along with sufficient eye candy to keep all the females happy, both on and off screen.

Magic Mike XXL is more in the tradition of Step Up, with strippers and should not be viewed to seriously but enjoyed like a fine sojourn below the Mason-Dixon line. Recommended viewing for those that enjoy a brash, sexy and diverse film with lots of magical moments.

Watch out for an unrecognizable Amber Heard (The Rum Diary) as Zoe who befriends Magic Mike at a beach party in Jacksonville, Florida.

 

Queen of the Universe

Jupiter Ascending

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Director: Andy & Lana Wachovski

Cast: Mila Kunis, Channing Tatum, Eddie Redmayne, Douglas Booth, Gugu Mbatha-Raw, Sean Bean, Tuppence Middleton, Maria Doyle Kennedy, James D’Arcy, Tim Pigott-Smith

Creators of the marvellous Matrix trilogy and the super confusing reincarnation fantasy Cloud Atlas, The Wachowski’s have returned to their Sci-Fi roots in the deeply ambitious yet slightly far-fetched cinematic offering Jupiter Ascending.

Despite the fabulous visuals and assembling a cast of all the latest hot young stars for Jupiter Ascending including Mila Kunis (Black Swan), Channing Tatum (Foxcatcher) and Eddie Redmayne (Les Miserables), the narrative is so crammed with infinite details paying homage to David Lynch’s film Dune as well as Robocop, Star Wars and Signs that it suffers from the weight of its own ambition.

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Jupiter Ascending focuses on a Russian immigrant to America aptly named Jupiter who is first introduced as a charlady cleaning toilets in Chicago and the next minute is being rescued from insidious almost invisible aliens by a hunky skyjacker named Caine Wise, gorgeously played by Channing Tatum who spends most of the film with his shirt off. Wise’s DNA has been spliced with that of a Wolf so he is a Lycantant.

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Jupiter played by the pouty but gorgeous Mila Kunis who soon learns that her DNA is a re-occurrence of a powerful Queen who once headed up a rather enigmatic and powerful space dynasty, known as the Abrasax who destroy planets and suck the lifeblood out of their inhabitants. Charming stuff, not to mention, it is revealed as the story unfolds that humans are only reaching the eve of the genetic revolution.

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The Queen of the Universe who died recently has three rather malevolent offspring the rather camp and wicked Balem, a fabulous turn by Redmayne, his sister Kalique played by Tuppence Middleton who is searching for immortality and the younger brother Titus wonderfully played by Douglas Booth who in a weird Oedipal way wants to marry the reincarnation of his mother, Jupiter Jones so that he can claim his share of the intergalactic inheritance. The wedding sequence between Titus and Jupiter is a production designer’s wet dream, gorgeous, lavish and filled with spectacle.

Naturally chemistry develops between the exotic Lycsantant, Wise and Jupiter Jones who is thrust from her mundane existence of servitude and elevated to the status of a celestial queen who has to wrangle with three devious offspring that are all out to distinguish her existence in various ways. This is like a Space Opera on acid, the visuals are fabulous, the storyline completely illogical, yet Jupiter Ascending is still riveting to watch but is not in the same league of such brilliant Sci-Fi films as Snowpiercer, Star Wars and the Ridley Scott’s classic Blade Runner.

Jupiter Ascending despite the fantastic special effects suffers the fatal premise that if you are going to introduce viewers to such a gorgeous and extra-terrestrial universe, then the heroine should not be cleaning toilets in downtown Chicago. At least in Star Wars, Princess Leia never had to deal with such lowly tasks and her plight remained infinitely more profound under the threat of Darth Vader’s Deathstar.

As a friend who saw the film with me commented so aptly, Jupiter Ascending should have been broken down into three films with more back story written into the narrative so that at least the plight of this Queen of the Universe could take on a more historic turn especially in her dealings with each of the nefarious Abrasax clan.

That said, Jupiter Ascending is fabulous to watch, but could have been edited better and more coherently written so that at least Jupiter’s circular odyssey to space and back would be plausible especially as the film started off so promisingly in Russia with her father gazing at the planet Jupiter from the banks of the Neva river in St Petersburg.

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Watch out for Gugu Mbatha-Raw (Belle) with big ears as Famulus and an underutilized Sean Bean as Stinger Apini last seen in the Game of Thrones series in brief cameos and Maria Doyle Kennedy (The Tudors) as Jupiter’s mother Aleksa. Jupiter Ascending is recommended viewing only for serious sci-fi fans and those that truly want to escape earth in a steam-punk drug fueled fashion…

Wrestling with the Wealthy

Foxcatcher

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Director: Bennett Miller

Cast: Steve Carell, Channing Tatum, Mark Ruffalo, Vanessa Redgrave, Sienna Miller, Anthony Michael Hall

Capote and Moneyball director Bennett Miller returns to the more sinister side of American life: wealth, competitiveness and guns in his new film Foxcatcher.

In some interesting casting choices, Miller assembles comedian Steve Carell along with action star Channing Tatum (GI Joe: Rise of the Cobra, Magic Mike) and the talented Mark Ruffalo in a three man drama about a truly bizarre actual series of events which occurred between the mid 1980’s to the mid 1990’s in Pennsylvania, America.

Foxcatcher is the true story of heir to the multi-million dollar Du Pont Family fortune, John E. Du Pont, creepily played against type by Carell whose wealth and influence entices the young Olympic wrestler Mark Schultz, who has won gold at the 1984 summer Olympics in Los Angeles to train at the Foxcatcher Farm.

Du Pont was an eccentric man, living on the vast estate in Newtown Square, Pennsylvania, known as Foxcatcher Farms, heir to the incredible Du Pont family fortune, whose money was made in chemicals and ammunition manufacturing over two and a half centuries in America since the family first arrived in the States from France at the beginning of the 19th Century. This is old American money, built up over generations, in the tradition of the Gettys, the Hiltons, the Astors and the Vanderbilts.

John E. Dupont, heir to a $100 million family fortune has always been overshadowed by his disapproving mother Jean Du Pont, coldly played by a rarely seen Vanessa Redgrave (Howard’s End), who even paid people to be friends with him. To state that he never quite fitted in was an understatement. Du Pont was an ornithologist, an avid philatelist (stamp collector), a gun collector and oddly enough, an ambitious coach of male wrestling http://en.wikipedia.org/wiki/John_Eleuth%C3%A8re_du_Pont.

On the other end of the spectrum is the young and impressionable Schultz, expertly played by Channing Tatum in one of his best screen performances ever, who has trouble articulating for a public speech, who is battling for money and is desperately trying to escape the shadow of his older brother, a fellow wrestler and family man, Dave Schultz, wonderfully underplayed by Mark Ruffalo (The Kids are Alright, The Normal Heart).

Du Pont invites Mark Schultz to train at his Foxcatcher Farm in Newtown, Pennsylvania, a vast estate, in preparation for the 1988 Seoul Olympics. He also would like the older more responsible Dave to be there, but in a rare glimpse of rivalry, Mark tells Du Pont that his brother cannot be bought, not realizing that with this type of wealth anybody can be bought.

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Soon Mark Schultz is socially seduced by the eerie Du Pont and invited to stay at the Foxcatcher farm to become part of team Foxcatcher. The younger Schultz even gets introduced to East Coast high society in a bizarre scene whereby Du Pont offers him cocaine in his private helicopter on the way to a glamorous charity event in Washington D. C.

What Miller does so well is set up this strange but surreal dichotomy between the eccentric and hugely influential Du Pont and the weird intensely physical world of male wrestling, which is part bravado and more homo-erotic than spectators care to admit.

Du Pont creates a haven for USA Wrestling to flourish in his own private dominion soon enticing both the Schultz brothers into Team Foxcatcher in an effort to recapture their glory at the 1988 Seoul Olympics.

In a rare scene between Carell and Redgrave, wealthy mother and renegade heir apparent, she tells him that his infatuation with male wrestling is low. This sets the stage for an even more devastating end to the sinister relations between Du Pont and the Schultz brothers.

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In re-imagining a truly bizarre encounter with the superrich, Miller does not captivate the viewer in Foxcatcher, like director Barbet Schroeder did so brilliantly in a similar eighties true life drama Reversal of Fortune with the Claus von Bulow case, but then again Steve Carell is not quite Oscar winner Jeremy Irons.

Director Miller instead downplays the historical aspects of the actual events and leaves the viewer hungry for more details, not to mention motive. The end result is a deeply disturbing film, excellently acted especially by Tatum and Carell, but nevertheless wanting for more. After all Foxcatcher isn’t as fine a film as Capote or as tightly directed even though Miller did win the Palm d’Or for Best Director at the 2014 Cannes Film Festival.

If viewers have not researched the actual story behind Du Pont’s involvement with the Schultz’s brothers, Foxcatcher could appear as bizarrely fictional as it is actually real. Nevertheless the lingering sense of suspense and unease is perfectly captured against the raw aggression and male physicality of competitive wrestling, a sport as old as the Olympic Games itself. Recommended viewing for those that like All Good Things and Reversal of Fortune.

 

 

 

2014 Cannes Film Festival

2014 Cannes Film Festival Winners

Cannes Festival 2014 (2)

 

Winners of the five main prizes at the 2014 Cannes Film Festival were as follows: –

Winter_Sleep_(Poster) Palmd'Or 2014

Palm d’Or: Winter Sleep directed by Nuri Bilge Ceylan

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Best Director: Bennett Miller for Foxcatcher starring Channing Tatum, Steve Carell, Mark Ruffalo, Sienna Miller and Vanessa Redgrave

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Best Actor: Timothy Spall for Mr Turner

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Best Actress: Julianne Moore for Maps to the Stars

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Best Screenplay: Andrey Zvyagintsev and Oleg Negin for Leviathan (film poster not yet released)

Source –

http://en.wikipedia.org/wiki/Cannes_Film_Festival

http://www.festival-cannes.com/en.html

 

 

Sex and Guilt Jersey Style

Don Jon

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Director: Joseph Gordon-Levitt

Stars: Joseph Gordon-Levitt, Scarlett Johansson, Tony Danza, Julianne Moore, Glenne Headley, Brie Larsen

Joseph Gordon-Levitt’s directorial debut is impressive as he explores the sexual maturity of a young New Jersey barman in the hilariously bold and truthful Don Jon, in which he also wrote and takes the title role. Gordon-Levitt clearly knows he has good screen presence and after a string of appearances in successful films recently from The Dark Knight Rises to Lincoln to Premium Rush, as an actor he has obtained the confidence to write, direct and star in Don Jon, which at times is like a young man’s version of a Woody Allen movie without the Manhattan neuroses.

Gordon-Levitt plays a young narcissist bar tender Joe Martello, who pumps iron at his local gym looking into a mirror, goes to the local nightclub and scores girls frequently with his boyish looks and dim-witted charm. Even after sex with a voluptuous babe, Don Jon sneaks off to his laptop and watches porn. And that’s where the problem lies!

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Don Jon cleverly explores the seldom discussed male obsession with pornography and more incisively the increasing internet driven phenomenon of porn addiction. For Martello’s private vice is never found out until he starts dating the gorgeous yet demanding Barbara Sugarman wonderfully played by Scarlett Johansson (Girl with a Pearl Earring, Vicky Christina Barcelona, Hitchcock) who invariably catches him watching online porn.

Interspersed with the relationship with Barbara, is Don Jon’s rival relationship with his overbearing aggressive father in some superb scenes with Tony Danza of the 80’s TV series Who’s The Boss? and Jon’s own relationship with the local Catholic Church, where he attends mass every Sunday and always land up in the confession, revealing to an unforeseen priest his past week’s sexual activities and exploits. As director Gordon-Levitt deftly explore the filmic relationship between sex and guilt as he splices religious iconography with explicit scenes of pornography.

If Don Jon through its humour and boldness touches a nerve with its male audience, then it’s succeeded! Gordon-Levitt ‘s Don Jon is at that tender age in a young man’s life when he has broken away from the family home but not quite settled down with his own family. His mother Angela is all gush and glamour, purposefully overplayed by Glenne Headley (Dirty Rotten Scoundrels) while Jon’s sister is silent, sitting at the dining room table texting and observing (a droll cameo by Brie Larsen) offering only one salient observation about her brother’s relationship with the sultry Barbara.

What raises Don Jon from being a crass comedy is Gordon-Levitt’s handling of the delicate subject of porn addiction along with a brilliant performance by Oscar nominee Julianne Moore who plays the free-thinking, pot smoking Esther who befriends Jon in his night college course. Then of course Julianne Moore was in such sexually explicit films as Boogie Nights and Chloe, so that casting was perfect.

Don Jon explores the affect pornography can have on real relationships, while honestly examines the sexual maturity of a young man in the digital age as he balances his sexual urges with guilt and family in contemporary New Jersey. A recommended, thought-provoking and very funny film, Don Jon is recommended viewing, a clever film by new director Gordon-Levitt whose talents now seem limitless.

Evading the Threat Matrix

White House Down

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Historians have concluded that the decline of the Roman Empire happened from within due to the increasing barbarization of the army protecting its vast borders. In Roland Emmerich’s impressive White House Down, the same can be said for the paramilitary group which attack America’s presidential palace with impunity in retaliation for the President pulling out all US armed forces from the Middle East.

Although this Decline of the American Empire is nowhere near as subtle or brilliant as the Canadian film version by Denys Arcand, White House Down is a more intricately plotted action thriller than Antoine Fugua’s thematically similar film Olympus Has Fallen. Both films, have similar plot points and follow an almost identical narrative except that in White House Down, the enemy is not a bunch of gun totting Koreans, but a right wing American paramilitary group who have slipped through the threat matrix.

What makes Emmerich’s White House Down a better picture than Olympus has Fallen, is that there is more background characterization making the motives for such an attack on the White House infinitely more credible thanks to the inventive screenwriting of James Vanderbilt. Whilst Gerard Butler and Aaron Eckhart do not have as much bonding time in Olympus Has Fallen, the two stars of White House Down, Channing Tatum (Magic Mike, The Vow) as wannabe secret service agent John Cale  and likeable African American president Sawyer, played with a humorous twist by the ever watchable Jamie Foxx (Django Unchained, Collateral), make for the teaming of two brilliant leading men. The rest of the cast consists of the experienced Maggie Gyllenhaal as Finnerty, James Woods as Walker head of the Secret Service and the brilliant Richard Jenkins as the Speaker Raphelson.

Emmerich also manages to capture the historical significance of the White House as Cale and his news savvy daughter are first taken on a tour of the White House, during which the vicious paramilitary group lead by the ubiquitous Australian actor Jason Clarke (The Great Gatsby, Lawless, Zero Dark Thirty) playing ex-special ops strongman Stengz start planning their Coup d’Etat.  In a precursor of what’s install, there is even a painting showed in one scene of the film, showing the newly built 19th century White House up in flames during the Burning of Washington by the British Army in 1812, the only time a foreign power has ever occupied the American capital – http://en.wikipedia.org/wiki/Burning_of_Washington.

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Whilst the characterization and historical back story of the first half of White House Down make for fascinating viewing, the second half of the film transcends all sense or sensibility as all the American presidential icons from Air Force One to the famed White House are blown to smithereens. The action is nevertheless stimulating whilst the film does appear to veer towards a very unsubtle level of American patriotism not seen on the big screen since Olive Stone’s Born on the Fourth of July. White House Down is sure to keep audiences spellbound by the fantastic special effects and brilliantly orchestrated bid budget action sequences which is expected from the director of such blockbusters as Independence Day, 2012 and The Day After Tomorrow.

White House Down like Emmerich’s previous films is not without some wonderful comic touches, making the characters human in times of a crisis, despite some of their intentions, from the White House tour guide Donny played by Nicholas Wright to the diabolical techno guru Tyler, played by Jimmi Simpson (Zodiac) hacking into Presidential compound’s mainframe computer whilst listening to Beethoven’s 5th, or the sneaker clad US President Sawyer arming himself with a rocket launcher as they race around the White House’s pristine lawn in one of the film’s best chase sequences. Just imagine Obama doing that?

Recommended viewing for lovers of big budget action films, and unadulterated American patriotism. See White House Down to believe it!

 

Weapons of Mass Destruction

GI Joe: Retaliation

All Braun and no Brains

All Braun and no Brains

Following on the success of 2009 GI Joe: Rise of the Cobra, featuring Channing Tatum and Sienna Miller, comes the delayed release of GI Joe: Retaliation directed by Jon M. Chu teams Dwayne Johnson with Bruce Willis along with some newcomers including D. J. Cotrona as Flint and Adrianne Palicki as Lady Jaye and is supported by Ray Stevenson (fresh from playing a Ukranian gangster on the series Dexter) as a fiendishly deranged Southerner, Firefly the muscle for the Cobra group and a little seen Channing Tatum as Duke, one of the original GI’s and Ray Park as Snake Eyes.

With a convoluted plot involving an imposter American president played with evil cynicism by Jonathan Pryce, reprising his megalomaniac villain Elliot Carver from the 1997 James Bond film Tomorrow Never Dies, this film is nothing more than a homage to all the weapons of mass destruction, and to a male-orientated obsession with weaponry, arms and naturally testosterone fueled combat. All types of weapons are on display in this film from samurai swords to high-calibre machine guns and whilst GI Joe: Retaliation is a great action packed film to watch, one hopes that it does not inspire some unwanted teenager to randomly gun down a group of strangers in a Mid-Western American mall. Sadly in the wake of the Sandy Hook School shooting in Connecticut and the massacre at the Aurora Theater in Colorado both in 2012, Gi Joe: Retaliation‘s overemphasis on weaponry surely points to a society which is unwilling to relinquish its right to bear arms despite the many casualties.

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Gi Joe: Retaliation action spans the globe from Pakistan to North Korea, from Washington DC to South Carolina, and whilst the plot resembles a twisted version of Diamonds are Forever without the glamour and whilst there are some great moments provided by Willis and Stevenson, most of the film is filled with explosions, knife fights, infinitely explosive gun battles, exhilarating boat and car chases and perfectly provides a cinematic reason to showcase all the weapons of retaliation stockpiled by any of the G8 nations, a fill arsenal of destruction, capable of flattening any major capital city in the globe, from London to Tokyo.

Fun to watch, without much thought behind it, GI Joe Retaliation will definitely find a following in its target audience and is not as good or slick as the original film, the slightly more sophisticated GI Joe, Rise of the Cobra. GI Joe: Retaliation has some fantastic sequences in it especially the ninjas on a Japanese mountain and the odd quirky dialogue naturally involving Bruce Willis, but the script is a bit too outlandish to be taken seriously and should really be viewed in the context of a some fun Saturday afternoon entertainment. Definitely recommended mainly for bored teenage boys and young men who like the action thick and fast without much thought.

 

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