Posts Tagged ‘Olivia Colman’

91st Oscar Awards

The 91st Academy Awards took place on Sunday 24th February 2019 at the Dolby Theatre, Hollywood, Los Angeles, California

Best Picture: Green Book

Best Director: Alfonso Cuaron – Roma

Best Actor: Rami MalekBohemian Rhapsody

Best Actress: Olivia ColmanThe Favourite

Best Supporting Actor: Mahershala Ali – Green Book

Best Supporting Actress: Regina KingIf Beale Street Could Talk

Best Original Screenplay: Green Book

Best Adapted Screenplay: Spike Lee – BlackkKlansman

Best Cinematography: Roma

Best Costume Design: Black Panther

Best Make up & Hairstyling: Vice

Best Visual Effects: First Man

Best Film Editing: Bohemian Rhapsody

Best Sound Editing: Bohemian Rhapsody

Best Sound Mixing: Bohemian Rhapsody

Best Production Design: Black Panther

Best Documentary Feature:  Free Solo

Best Original Score: Ludwig GoranssonBlack Panther

Best Original Song: Shallow from A Star is Born

Best Animated Feature Film: Spiderman: Into the Spiderverse

Best Foreign Language Film: Romadirected by Alfonso Cuaron


72nd BAFTA Awards

THE  72nd BAFTA AWARDS /

THE BRITISH ACADEMY FILM AWARDS

Took place on Sunday 10th February 2019 in London

at the Royal Albert Hall

BAFTA Winners in the Film Category:

Best Film: Roma

Best Director: Alfonso Cuaron

Best Actor: Rami Malek – Bohemian Rhapsody

Best Actress: Olivia Colman – The Favourite

Best Supporting Actress: Rachel Weisz – The Favourite

Best Supporting Actor: Mahershala Ali – Green Book

Best Original Screen Play: Deborah Davis & Tony McNamara – The Favourite

Best Adapted Screenplay: BlackkKlansman

British Rising Star Award: Letitia Wright

Best British Film: The Favourite

Best Cinematography: Roma

Outstanding Debut Film: Beast

Best Foreign Language Film: Roma

Best Costume Design: Sandy Powell – The Favourite

Best Visual Effects: Black Panther

Regal Revenge

The Favourite

 

Director: Yorgos Lanthimos

Cast: Olivia Colman, Rachel Weisz, Emma Stone, Joe Alwyn, Nicholas Hoult, Mark Gatiss, James Melville, Timothy Innes, Basil Eidenbenz

When Queen Mary II died in 1694 and her husband King William III died in 1702, the British throne passed to Mary’s sister Queen Anne in 1702 who bore 17 children through her marriage to Prince George of Denmark all of whom died in childbirth. The reign of Queen Anne was short lived, having only occupied the throne for 12 years.

Greek art house director Yorgos Lanthimos provides a bizarre parody of royal favouritism, jealousy and court rivalry in his lavish critically acclaimed period film The Favourite set during Queen Anne’s reign at the beginning of the 18th century. Audiences should note that this is not an accurate historical drama in the vein of director Shekhar Kapur’s epic films Elizabeth and Elizabeth, The Golden Age in which Cate Blanchett played the Virgin Queen. The Favourite is meant to be viewed as a parody.

The Favourite is a spiteful royal romp which has three deliciously brilliant portrayals of different women at its core.

Oscar winner Rachel Weisz (The Constant Gardner) is absolutely superb as the manipulative and influential Lady Sarah who is usurped in her position at the court by her young cousin a feisty Abigail wonderfully portrayed by Oscar winner Emma Stone (La La Land).

Both women are trying to gain favour with the sickly and constantly bored Queen Anne beautifully played by British actress Olivia Colman who gives a career best performance as a Queen who is both commanding and fickle, a female regent constantly plagued by the death of all her children and her inability to produce a viable heir.

With gorgeous costumes by Sandy Powell and a brittle inventive script by Deborah Davis and Tony McNamara, Yorgos Lanthimos’s inventive portrayal of British Royalty is both cheeky, outrageous and utterly thought-provoking, a vicious parody of those who hold power and the others who circle precariously around the centre of that regal orbit.

Beautifully constructed and wonderfully filmed, The Favourite is not going to be everyone’s cup of perfectly brewed tea but it will certainly challenge viewers’ perception of the pedestal that royalty places itself on.

Love it or hate it, The Favourite is a challenging and lavish film about vile characters, utter debauchery and a satirical look at how powerful women can outwit each other, while the vain and ineffectual men particularly Harley played by Nicholas Hoult (A Single Man) and Masham played by Joe Alwyn (Billy Lynn’s Long Halftime Walk) are mere pawns in this whimsical game of deception and influence over a powerful Queen that was equally swayed by her closest companions.

The Favourite gets a film rating of 9 out of 10 and is utterly bizarre, a ravishing parody of royalty which will leave an inedible impression on the viewer.

76th Golden Globe Awards

Took Place on Sunday the 6th January 2019 in Los Angeles hosted by the Hollywood Foreign Press Association – Here are the 2019 Winners in the Film Categories

Best Motion Picture – Drama

“Bohemian Rhapsody”

Best Director – Motion Picture

Alfonso Cuaron (“Roma”)

Best Actress in a Motion Picture – Drama:

Glenn Close (“The Wife”)

Best Actor in a Motion Picture – Drama:

Rami Malek (“Bohemian Rhapsody”)

Best Motion Picture – Musical or Comedy:

“Green Book”

Best Actress in a Motion Picture – Musical or Comedy:

Olivia Colman (“The Favourite”)

Best Actor in a Motion Picture – Musical or Comedy:

Christian Bale (“Vice”)

Best Actress in a Supporting Role in any Motion Picture:

Regina King (“If Beale Street Could Talk”)

Best Actor in a Supporting Role in any Motion Picture:

Mahershala Ali (“Green Book”)

Best Motion Picture – Animated:

“Spider-Man: Into the Spider-Verse”

Best Motion Picture – Foreign Language Film:

“Roma”

Best Screenplay – Motion Picture:

Peter Farrelly, Nick Vallelonga, Brian Currie (“Green Book”)

Best Original Score – Motion Picture:

Justin Hurwitz (“First Man”)

Hot Dogs on Hudson

Hyde Park on Hudson

hyde_park_on_hudson

Told from the innocent perspective of Franklin D. Roosevelt’s distant cousin Daisy Suckley, Hyde Park on Hudson is a charming film about a collection of fascinating historical figures namely the pivotal meeting between Franklin D. Roosevelt (FDR) and King George VI and should be viewed as a companion piece to The King’s Speech. Veteran American actor Bill Murray takes the part of FDR and Olivia Williams plays his wife Eleanor Roosevelt, and British actor Samuel West (Howards End) takes the part of King George VI. Set in upstate New York, Hyde Park on Hudson tells of a weekend in the summer of 1939 when the recently crowned King George VI and queen Elizabeth, both whom are reeling from the scandal surrounding the 1936 abdication of his brother King Edward VIII in favour of marrying American divorcee Wallis Simpson gorgeously told in Madonna’s companion film W/E.

The visit of the British monarchy to the American president is meant to bolster American support for Great Britain as the threat of World War II looms with Nazi Germany invading most of Europe and in fact World War II did break out three months later.

Besides the international magnitude of the time, the film centres more on the eccentric Franklin D. Roosevelt America’s president during World War II who crippled by polio resorts to having a string of extramarital affairs including one with his distant cousin Daisy and who despite his physical ailments does not let that deter him from enjoying life and running such a powerful country as the USA. Especially pertinent in the film is the after dinner discussion between the King, who suffering from a speech impediment is soon put at ease by the magnanimous and charming FDR. It shows two politically important men that despite their physical and social impediments have more in common and their strategic meeting soon eases any tension between the United States and Great Britain forging the beginning of a special relationship which is still active more than 70 years later.

Director Roger Michell’s Hyde Park on Hudson is an intriguing tale of great political leaders who are viewed through the context of their private frailties and how they triumph not just for their own countries sake but that of the enormous publicity which marked such a visit by a British Monarch and his wife on American soil, in the face of a looming World War. Soon his Royal Highness the King of England is munching on a hotdog in an American style Barbecue and is effortlessly drawn into the less stuffy social conventions of Americans on their home turf. Bill Murray (Lost in Translation) is brilliant as the charming and quite naughty FDR (with his cigarette holders and exotic stamp collection) along with Olivia Williams (The Ghost Writer) cast as the forthright Eleanor Roosevelt. Laura Linney is perfect as the awe-inspired, slightly naive Daisy who is caught in the middle of such a significant historical event.

Beautifully filmed as a period piece, if a tad dark in some scenes, but a fun and interesting comedy serving as a comparison of the differences between British and American cultures and social customs reminiscent of some of the best Merchant Ivory films which are unfortunately no longer made. Recommended!

Never One to Compromise

The Iron Lady

Director: Phyllida Law

Cast: Meryl Streep, Alexandra Roach, Jim Broadbent, John Sessions, Julian Wadham, Nicholas Farell, Olivia Colman, Richard E. Grant

The first moment Oscar winner Meryl Streep (Kramer vs Kramer, Sophie’s Choice) appears on screen as Baroness Thatcher in Phyllida Law’s The Iron Lady, the viewer knows that they will be treated to a towering portrayal of one of the most influential and controversial leaders of the Western World in the 20th century former British Prime Minister Margaret Thatcher. The Iron Lady, which chronicles Baroness Thatcher grappling with her old age and the loss of her beloved husband Dennis, played by Oscar winner Jim Broadbent (Iris) depicts an elderly  and at times not so iron lady looking back on a landmark and eventful political career.

Streep’s performance of the Prime Minister Margaret Thatcher both as an old woman and as a ruthless and powerful Conservative politician is outstanding and is worthy of Streep being one of the few actresses to win three Oscars in an impressively brilliant and diverse career spanning from such earlier films as Kramer vs Kramer and The Deer Hunter, through to Sophie’s Choice, Ironweeds and Out of Africa to the more recent performances in Mamma Mia and The Devil Wears Prada.

The Iron Lady is as much about the making of a politician, the sculpting of a prolific and charismatic female leader as Prime Minister of Britain that Margaret Thatcher was during the tumultuous 1980s, as a testament to an aging woman who cannot deal with approaching senility and the fact that her once great career is drawing to a gradual close. Meryl Streep, helped with superb make-up by the Oscar winning team of J. Roy Helland and Mark Coulier portrays all the nuances  and strength of a unrelentingly headstrong politician, along with all the subtle  insecurities of breaking all the initial conventions of being the first female leader of Parliament in the cut-throat male dominated world of British politics while sacrificing her family life and domestic duties to achieve her political ambitions.

Whilst The Iron Lady does not sequentially follow Thatcher’s political career in the 1980s, it is portrayed through a series of perfectly crafted flashbacks showing the flashpoints in Margaret Thatcher’s political career from the IRA bombing of the Grand Hotel in Brighton at the 1984 Conservative Party conference to the Falklands War and also the eventual ousting of Thatcher as leader by her own party at the height of Britain’s participation in ending the Cold War.

Phyllida Law, director of Mamma Mia, shows a slightly parodic view of Margaret Thatcher beautifully portrayed by Streep as well as thematically points to the personal dilemma of all great leaders, that of having made your mark on history and now having to deal with the greatest challenge of all, old age and dealing with one’s own mortality.

Unlike Stephen Frears superbly directed film The Queen which also dealt with a living icon, the British Monarch an Oscar winning performance by Helen Mirren, focusing on a specific period of British history, the death of Lady Diana; The Iron Lady is more fluid in its narrative, depicting Baroness Thatcher in the 21st century reminiscing about her prominent political career three decades earlier, in which as Prime Minister she was never one to compromise. Whilst The Iron Lady as a film is not superb and flawed in narrative and direction, it is Meryl Streep’s unbelievably brilliant portrayal which makes up for any cinematic defects.

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