Posts Tagged ‘Scarlett Johansson’

Cerebral Survivors

Ghost in the Shell

Director: Rupert Sanders

Cast: Scarlett Johansson, Michael Pitt, Pilou Asbaek, Takeshi Kitano, Juliette Binoche, Peter Ferdinado, Daniel Henshall, Yutaka Izumihara, Chin Han

Humanity’s tendency towards self-destruction and rejuvenation is carefully examined in director Rupert Sanders futuristic thriller Ghost in the Shell featuring Scarlett Johansson (Lost in Translation), Michael Pitt and Danish actor Pilou Asbaek.

Drawing influences from Ridley Scott’s ground breaking film Blade Runner, Ghost in the Shell is based on a manga or Japanese comic of the same name by Masamune Shirow .

Johansson plays a cybernetically enhanced soldier with a human brain and a robot body Major who specializes in counter terrorism. Set in an advanced rendition of a nameless Asian city in the future with holographic images projected onto luminous skyscrapers, Major goes into retrieve a cyber geisha who hacks into the augmented brain of a corporate designer who is murdered.

As the backstory of Ghost in the Shell unfolds, Major was designed by Dr Ouerlet played with suitable panache by Oscar winning French actress Juliette Binoche (The English Patient). However when Dr Ouerlet is also targeted by cyber humans Major along with the assistance of Batou played by Danish actor Pilou Asbaek rushes to save her creator.

As Batou and Major trace the hack to a Yakuza nightclub, Batou gets injured in an explosion while Major confronts the source of the hack, the mysterious Kuze awkwardly played by American actor Michael Pitt who first rose to fame by appearing naked alongside Eva Green and Louis Garrel (Saint Laurent) in Bernardo Bertolucci’s ménage-a-trois film The Dreamers set in Paris in 1968.

Major experiences glitches or flashbacks to her former life and embarks on a quest to find out what really happened to her human body before she was cyber enhanced by the mysterious Tanka corporation run by the crazed CEO Cutter played by British character actor Peter Ferdinando (300: Rise of an Empire).

Despite the convoluted plot, is Ghost in the Shell worth watching?

If you are a serious fan of Anime yes. If you enjoyed Blade Runner, this sci-fi film will certainly not live up to expectations and occasionally be lost in translation.

Visually the film is astounding, yet in terms of originality Ghost in the Shell is nothing extraordinary and many of the philosophical reference points will be lost as the narrative descends into another inexplicable action film.

Cinema enthusiasts should note that Masamune Shirow original manga was heavily influenced by the Hungarian philosopher Arthur Koestler non-fiction 1967 publication Ghost in the Machine about humanity’s ability to self-destruct based on the Phenomenological concept of mind body dualism introduced by British behaviourist philosopher Gilbert Ryle in his 1949 book Concept of the Mind.

Phenomenology is the philosophical study of the structures of experiences and consciousness something which director Rupert Sanders attempts to convey in Ghost in the Shell through Johansson’s firm portrayal of Major rediscovering her anatomical past.

Ghost in the Shell gets a rating of 7 out of 10 enhanced by its glossy visual effects although the acting needed serious stimulation and the bizarre characters required an authenticity check.

Sources:

https://en.wikipedia.org/wiki/The_Ghost_in_the_Machine

https://en.wikipedia.org/wiki/Arthur_Koestler#Fiction_.28nove

https://en.wikipedia.org/wiki/Manga = Japanese Manga

https://en.wikipedia.org/wiki/Anime – Anime = Japanese hand drawn or computer animation

https://en.wikipedia.org/wiki/Phenomenology (philosophy) – Phenomenology = philosophical study of structures and experiences

https://en.wikipedia.org/wiki/Gilbert_Ryle

2016 Berlin Film Festival

2016 Berlin International

Film Festival Winners

2016-biff

The 66th annual Berlin International Film Festival was held from 11th to the 21st February, 2016

The Berlin International Film Festival known as the Berlinale takes places annually in February and is regarded as one of the most prestigious film festivals in the world.

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Opening Night Film: Hail, Caesar! directed by Joel and Ethan Coen starring Josh Brolin, George Clooney, Alden Ehrenreich, Tilda Swinton, Ralph Fiennes, Jonah Hill, Scarlett Johansson, Frances McDormand and Channing Tatum

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Golden Bear for Best Film:  Fire at Sea  by Gianfranco Rosi

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Silver Bear for Best Director:  Mia Hansen-Løve for Things to Come

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Silver Bear for Best Actor:  Majd Mastoura for Hedi

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Silver Bear for Best Actress:  Trine Dyrholm for The Commune

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Silver Bear for Best Script: Tomasz Wasilewski for United States of Love

Clash of the Superheroes

Captain America: Civil War

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Director: Anthony and Joe Russo

Cast: Robert Downey Jr, Chris Evans, Scarlett Johansson, Elizabeth Olsen, Daniel Bruhl, Anthony Mackie, Jeremy Renner, Chadwick Boseman, William Hurt, Paul Bettany, Martin Freeman, Tom Holland, Alfre Woodard, Frank Grillo, Don Cheadle, Sebastian Stan, Paul Rudd, Emily Van Camp, John Kani, Marisa Tomei

I was never a fan of superhero comics as a kid, but as an adult, the superhero films have captured my imagination. Who can forget The Dark Knight Trilogy by Christopher Nolan who reinvented Batman? Or the recent Batman v Superman blockbuster by Zack Snyder, a sure precursor to the Justice League films set for release in 2017 and 2018?

Moving away from DC comics, their direct rival Marvel has expanded their superhero universe exponentially and in the third installment of Captain America: Civil War, a more iconic superhero pops up, Spiderman curtesy of a Marvel and Sony sharing agreement to reinvent Spiderman within The Avengers universe. Smart move on the part of Marvel and especially Sony whose two previous Spiderman reincarnations were faltering: The Amazing Spiderman and its psychedelic sequel.

Captain America: Civil War features a plethora of superheroes, so many in fact that the inevitable showdown which the title refers to is quite spectacular to behold.

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Captain America leads the one camp as he defends his friend Bucky Barnes aka The Winter Soldier, played by Sebastian Stan along with the help of Sam Wilson, aka The Falcon played by Anthony Mackie (The Hurt Locker, Antman), Antman played by the hilarious Paul Rudd, Hawkeye returning from retirement played by the roguish Jeremy Renner.

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The other camp is headed up by opinionated tech billionaire Iron Man, wonderfully played again by Robert Downey Jnr, joined by the War Machine played by Don Cheadle (Iron Man 2) and Black Widow played by Scarlett Johansson. Tony Stark aka Iron Man also enlists the help of a young and precocious Peter Parker, wonderfully played by young British actor Tom Holland (The Impossible) as he reinvents Spiderman promising an energetic reinvention when Holland will appear in his stand alone film called Spiderman: Homecoming.

Adding some much needed diversity to The Avengers universe, Black Panther played by Chadwick Boseman (Gods of Egypt), who is also starring in his own origin Black Panther film coming in 2018 also joins team Iron Man as he aggressively fights Bucky Barnes who he believes is responsible for the death of his father, a suitable cameo by South African acting legend John Kani (Coriolanus, The Ghost and the Darkness).

While the Clash of the Superheroes is spectacular and at times appears like a spandex orgy it is really Daniel Bruhl (Rush, Woman in Gold) as the master villain Zemo who has instigated the division between the Avengers as revenge for what occurred in The Avengers: The Age of Ultron, in which his whole family was killed in a supernatural skirmish in some fictional East European country.

Captain America: Civil War is a superb superhero film as the Russo brothers who direct this third instalment of the Captain America trilogy dexterously managing to combine all these diverse superheroes in a brilliant duel whilst also introducing some new and iconic characters. Fans of Iron Man, Ant Man and all The Avengers films will relish this caper standoff sure to capture the imaginations of many Comic con fans and paving the way for Marvel’s relentless cinematic expansion of all their gang of masked crusaders, a sure rival to DC Comics Justice League, although both superhero franchises will definitely benefit financially at the box office.

Captain America: Civil War is highly recommended viewing especially for some superb cameos by seasoned character actors including William Hurt, Alfre Woodard, Martin Freeman and Marisa Tomei.

 

 

57th BAFTA Awards

THE  57TH BAFTA AWARDS /

THE BRITISH ACADEMY FILM AWARDS

Took place on Sunday 15th February 2004 in London

BAFTA WINNERS IN THE FILM CATEGORY:

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Best Film:  The Lord of the Rings: The Return of the King

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Best Director: Peter Weir – Master and Commander: The Far Side of the World

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Best Actor: Bill Murray – Lost in Translation

Best Actress: Scarlett Johansson – Lost in Translation

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Best Supporting Actor: Bill Nighy – Love Actually

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Best Supporting Actress: Renée Zellweger – Cold Mountain

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Best British Film: Touching the Void

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Best Original Screenplay: The Station Agent – Thomas McCarthy

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Best Adapted Screenplay: The Lord of the Rings: The Return of the King – Philippa BoyensPeter Jackson, and Fran Walsh

Best Visual Effects: The Lord of the Rings: The Return of the King

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Best Foreign Language Film: In This World directed by Michael Winterbottom

57th BAFTA Awards

 

Comic Book Pastiche

The Avengers: Age of Ultron

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Director: Joss Whedon

Cast: Chris Evans, Chris Hemsworth, Robert Downey Jr, Don Cheadle, Paul Bettany, Mark Ruffalo, Jeremy Renner, Scarlett, Johansson, Samuel L. Jackson, Elizabeth Olsen, Aaron Taylor-Johnson, James Spader, Cobie Smulders, Hayley Atwell, Stellan Skarsgard, Thomas Kretschmann, Julie Delpy, Andy Serkis, Anthony Mackie.

The Avengers are back in director and writer Joss Whedon’s much anticipated sequel The Avengers: Age of Ultron featuring all the Marvel superheroes and some new ones in a CGI laden special effects extravaganza, which is at times confusing and other times absolutely fascinating. At a running time of two hours and twenty minutes, director Whedon has sufficient screen time to flesh out all the characters individually as well as give nuance to some of their more complicated relationships.

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Like the relationship between The Hulk, aka Bruce Banner wonderfully played by Oscar nominee Mark Ruffalo (Foxcatcher) and the Black Widow played by Scarlett Johansson who seems to be the only avenger that can calm the Hulk’s penchant for destructive anger.

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The relationship between goodie two shoes Steve Rogers aka Captain America, played by Chris Evans and Nordic God Thor played by the hunky Chris Hemsworth is also subtly explored considering that the former is a World War two hero and the latter from another dimension.

Robert Downey Jr reprises his role as egotistical Billionaire Tony Stark, aka Iron Man and his irrepressible desire to mould any technological discovery, in this case the power artificial intelligence to his own advantage.

The Age of Ultron refers to the ubiquitous Altron a powerful A.I. force which is hell bent on human destruction and vain enough to realize that he can survive the aftermath, beautifully voiced with an underlying menace by James Spader (Bad Influence, more recently in the hit TV show The Black List).

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The sexy Jeremy Renner as Clint Barton aka Hawkeye ‘s character is fleshed out as a devoting family man which is entirely incongruous with his status as a member of the Avengers, but hey who cares?

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Elizabeth Olsen and Aaron Taylor-Johnson play evil orphaned Eastern European twins Pietro and Maximoff who soon turn on Ultron when they realize his megalomaniac tendencies. Even Lord of the Rings’ Andy Serkis makes an appearance as a South African mercenary Ulysses Klaue and the Johannesburg downtown sequence is truly phenomenal to watch as is the action scene in Seoul, South Korea.

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If audiences get confused with who all the avengers are, there are ample filmic references to each of their own background stories from Thor: The Dark World, including a brief appearance by Idris Elba and also Captain America’s Agent Carter, played by Hayley Atwell. Marvel is indeed expanding their universe exponentially and if The Avengers: Age of Ultron’s audience figures are anything to go by, this will prove to be another superhero box office smash hit.

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The Avengers: Age of Ultron is fun entertainment and definitely aimed at Iron Man, Thor and Captain America cinema fans especially all the witty references and innuendo’s involving lifting Thor’s hammer which are neatly laced into a script which may seem convoluted but then again when it comes to Artificial Intelligence its more an infinite mess which at some point needs to be reined in.

Audiences should look out for brief cameos by Anthony Mackie, Stellan Skarsgard, Julie Delpy, Don Cheadle and Thomas Kretschmann. If The Avengers: Age of Ultron appears to be a pastiche of all the previous Marvel films, then director Joss Whedon has certainly achieved the impossible, not to mention making a narrative out of the dangers of artificial intelligence plausible and entertaining.

It’s best for audiences to suspend their disbelief and enjoy The Avengers: The Age of Ultron for what it is: a comic book orgy with a giant budget and loud, awe-inspiring special effects which will be sure to nurture any young adult’s imagination for awhile.

 

 

 

Lucy loses the Plot

Lucy

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Director: Luc Besson

Cast: Scarlett Johansson, Morgan Freeman, Min-sik Choi, Julian Rhind-Tutt, Amr Waked

It’s a pity that Luc Besson return to the directorial chair seems to have backfired distinctively even with the able assistance of the ever luminous Scarlett Johansson (Don Jon, Matchpoint, Girl with a Pearl Earring) in the title role of his latest Sci-Fi action thriller Lucy. Lucy’s name comes from the first female Homo Sapien.

The bizarre plot revolves around a particularly sadistic Taiwanese drug ring headed by the sinister Mr Chang played by Min-sik Choi which have roped Lucy and three other unsuspecting drug mules into transporting a super potent mind expanding bright blue drug CPH4 from Taipei into all the major European capitals from Berlin to Paris. Think Neil Burger’s film Limitless on speed.

Whilst Limitless was vaguely plausible, Luc Besson’s Lucy takes the utterly strange sci-fi route which explores the full improbabilities of the premise, that what if humans could use 100% of their brain capacity. If this maximum cerebral capacity occurred, it would deliver contemporary society into a matrix of space and time so devoid of human capability that the effects of such a boost would enable humans to become time travelling virtual computers.

Unfortunately not even Oscar Winner Morgan Freeman as a distinguished neuroscientist Professor Norman could save Lucy both the film and the character from degenerating into a thick mass of black mess. After such superb films as The Fifth Element and Nikita, Luc Besson has clearly lost his touch as a director and should perhaps stick to writing the Taken franchise, as his screenwriting skills have clearly matured whilst his directorial skills have languished considerably.

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Lucy is a short, violent sci-fi heavily stylized action film based on a premise which however visually fascinating soon becomes plainly silly and Besson does not allow much time in the film for any significant character development, that of Lucy’s, Professor Norman or any of the supporting cast. Director Neil Burger’s more honed film Limitless did just that which made it more believable culminating in an elegant thriller launching Bradley Cooper as a much superstar.

The concept of Lucy as an international drug thriller had so much potential, but unlike its title character it does not use its full narrative properly. Besides what were Scarlett Johansson and Morgan Freeman thinking? Clearly the chance to work with French director Luc Besson enticed them into a ridiculous plot which did not use their full potential as brilliant actors. Whilst the Taipei sequence is dazzling, Lucy clearly loses the plot in Paris.

Even the supporting cast including Julian Rhind-Tutt (Rush) as the Limey and Egyptian actor Amr Waked (Syriana, Salmon Fishing in the Yemen) as a confused French policeman Pierre Del Rio are both under utilized. Lucy has dazzling special effects and a superb musical score by Eric Serra, but that’s about as much as this thriller has going for it. Lucy can be back up viewing for a lazy Saturday afternoon. Not Recommended.

 

Freedom versus Fear

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Captain America: The Winter Soldier

Directors: Anthony & Joe Russo

Starring: Chris Evans, Scarlett Johansson, Robert Redford, Samuel L. Jackson, Anthony Mackie, Emily VanCamp, Sebastian Stan, Frank Grillo

Not quite matching up to the brilliance of the Coen brothers or the technical wizardry of the Wachowski brothers of the Matrix series, directing team and brothers Anthony and Joe Russo who directed You, Me and Depree are at the helm of the new Captain America movie with the expert assistance of Joss Wheldon (The Avengers, Cabin in the Woods). Chris Evans reprises his role as Captain America along with Scarlett Johannsen as wise cracking Natasha Romanoff or The Black Widow along with newcomer Anthony Mackie (The Hurt Locker) as Sam Wilson or known as the Falcon. Emily Van Camp (from the TV series Revenge) makes a welcome big screen appearance as SHIELD agent 13 along with Frank Grillo and Callan Mulvey recently seen in 300: Rise of an Empire who all round off the star studded cast.

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In Captain America: The Winter Soldier the action is firmly rooted in America’s capital Washington DC with the Smithsonian and Virginia as backdrop focusing on the SHIELD headquarters which are duly comprised when an assassination attempt on its leader the aptly named Nick Fury smoothly played by Samuel L. Jackson. The so-called chief of SHIELD Alexander Pierce played by Hollywood veteran Robert Redford appears to have a more sinister agenda.

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Captain America aka Steve Rogers teams up with The Black Widow and Falcon to fight the seemingly invincible Winter Soldier who is an evil Hydra byproduct from the Second World War and played by an unrecognizable Sebastian Stan (Black Swan). Where the first Captain America dwelt firmly on America’s successful involvement in World War II heading up the allies defeat of Nazi Germany and all its equally nefarious covert operations, Captain America: The Winter Soldier thrusts the WWII all American hero firmly in the 21st century where with the aid of the internet Steve Rogers has managed to catch up on the last 50 years of human history.

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There are a couple of references to the original Americana of the first film, but this Captain America sequel takes on a more Transformeresque approach and features lots of brash action sequences clearly initiated by influence from director Joss Wheldon’s big budget blockbuster The Avengers. The only criticism of the film was that with all the explosive action taking place, Captain America: Winter Soldier does not effectively use the medium of 3D and could easily have been viewed in traditional 2D.

The nostalgic glamour of 1940’s America and Europe during a World War is replaced with high-tech gadgetry of a level resembling a more ambitious and implausible sci-fi film set well beyond the 21st century. Naturally the plot takes a couple of fascinating twists but the entire narrative of Captain America: Winter Soldier lacks a uniformity of vision so clearly tangible in the original film, but this sequel is nevertheless entertaining and will surely please all superhero fans.

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Although there is no real love interest like in Captain America – with Hayley Atwell’s character considerably aged, the downside of dating a boyfriend who was kept on ice for 50 years! Captain America: The Winter Soldier is another great superhero action film in the Avengers vein with Marvel studios clearly capitalizing on a hugely successful and ever expanding franchise especially after the success of Iron Man 3.

Not to be over analyzed but simply enjoyed in the perennial battle of freedom versus fear or SHIELD versus Hydra, fans of Captain America, Thor and Iron Man will surely not be disappointed. Note to audiences to wait in the cinema beyond the retro 007 end credits for a sneak peak at potential plot of Captain America 3?

Sex and Guilt Jersey Style

Don Jon

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Director: Joseph Gordon-Levitt

Stars: Joseph Gordon-Levitt, Scarlett Johansson, Tony Danza, Julianne Moore, Glenne Headley, Brie Larsen

Joseph Gordon-Levitt’s directorial debut is impressive as he explores the sexual maturity of a young New Jersey barman in the hilariously bold and truthful Don Jon, in which he also wrote and takes the title role. Gordon-Levitt clearly knows he has good screen presence and after a string of appearances in successful films recently from The Dark Knight Rises to Lincoln to Premium Rush, as an actor he has obtained the confidence to write, direct and star in Don Jon, which at times is like a young man’s version of a Woody Allen movie without the Manhattan neuroses.

Gordon-Levitt plays a young narcissist bar tender Joe Martello, who pumps iron at his local gym looking into a mirror, goes to the local nightclub and scores girls frequently with his boyish looks and dim-witted charm. Even after sex with a voluptuous babe, Don Jon sneaks off to his laptop and watches porn. And that’s where the problem lies!

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Don Jon cleverly explores the seldom discussed male obsession with pornography and more incisively the increasing internet driven phenomenon of porn addiction. For Martello’s private vice is never found out until he starts dating the gorgeous yet demanding Barbara Sugarman wonderfully played by Scarlett Johansson (Girl with a Pearl Earring, Vicky Christina Barcelona, Hitchcock) who invariably catches him watching online porn.

Interspersed with the relationship with Barbara, is Don Jon’s rival relationship with his overbearing aggressive father in some superb scenes with Tony Danza of the 80’s TV series Who’s The Boss? and Jon’s own relationship with the local Catholic Church, where he attends mass every Sunday and always land up in the confession, revealing to an unforeseen priest his past week’s sexual activities and exploits. As director Gordon-Levitt deftly explore the filmic relationship between sex and guilt as he splices religious iconography with explicit scenes of pornography.

If Don Jon through its humour and boldness touches a nerve with its male audience, then it’s succeeded! Gordon-Levitt ‘s Don Jon is at that tender age in a young man’s life when he has broken away from the family home but not quite settled down with his own family. His mother Angela is all gush and glamour, purposefully overplayed by Glenne Headley (Dirty Rotten Scoundrels) while Jon’s sister is silent, sitting at the dining room table texting and observing (a droll cameo by Brie Larsen) offering only one salient observation about her brother’s relationship with the sultry Barbara.

What raises Don Jon from being a crass comedy is Gordon-Levitt’s handling of the delicate subject of porn addiction along with a brilliant performance by Oscar nominee Julianne Moore who plays the free-thinking, pot smoking Esther who befriends Jon in his night college course. Then of course Julianne Moore was in such sexually explicit films as Boogie Nights and Chloe, so that casting was perfect.

Don Jon explores the affect pornography can have on real relationships, while honestly examines the sexual maturity of a young man in the digital age as he balances his sexual urges with guilt and family in contemporary New Jersey. A recommended, thought-provoking and very funny film, Don Jon is recommended viewing, a clever film by new director Gordon-Levitt whose talents now seem limitless.

From Flushing Meadows to Monaco

Iron Man 2

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Whilst it banks on the originality of the first Iron Man, the sequel is every bit as quirky, brilliant and action-packed with characters and fantastic settings. Robert Downey Jnr and Mickey Rourke rock!!!

The Monaco Grand Prix Sequence is spectacular and so is the wonderfully ironic script by Justin Theroux and of course a solid performance by Robert Downey Jnr. Watch out for Scarlett Johansson’s great transformation scene at the end – slinky in a catsuit!!! No more demure Girl with a Pearl Earring! There is a wonderful supporting cast including Sam Rockwell and Don Cheadle. If viewers enjoyed Iron Man and loved the anti superhero antics, then Iron Man 2 will definitely not disappoint especially with the ever charismatic Robert Downey Jnr back in the lead role as flamboyant billionaire playboy and arms industrialist Tony Stark taking on Mickey Rourke’s aggressive and slightly unhinged villain Ivan Vanko.

How to capture a King…

The Other Boleyn Girl

The Other Boleyn Girl is a faithful and condensed film adaptation of Philippa Gregory’s engrossing novel about Mary and Anne Boleyn, the sisters whose fateful and tragic involvement in King Henry VIII, not only changed the course of the British monarchy, but also established a Tudor dynasty.

In the wake of similar films and series about this fascinating and intriguing period of English history, namely the raunchy TV series The Tudors and the most recent sequel to Elizabeth, Shekhar Kapur’s lavish Elizabeth, the Golden Age, The Other Boleyn Girl, may not appear as spectacular but was certainly as entertaining for anyone who has a keen interest in the historical events of the sixteenth century. The equally talented Scarlett Johansson and Natalie Portman take the roles of sisters Mary and Anne Boleyn respectively. Johansson reprising her doleful yet stoical performance similar to her earlier role as Vermeer’s muse in Girl with a Pearl Earring, while Portman is splendidly belligerent and regal as Anne Boleyn, capturing the self-important air of an ambitious Queen, reminiscent of her portrayal of the young Queen Amidala in Star Wars Episode 1: The Phantom Menace.

While the intrigues of the British monarchy some four hundred years ago, may not appeal to everyone’s taste, first time film director Justin Chadwick swiftly moulds The Other Boleyn Girl into a fast-paced, costume drama, filled with ruthless Dukes, and unforgiving nobility, who centre their power-hungry plans on King Henry VIII, a despotic and fickle monarch, whose attentions dangerously shift from his Queen, to his mistresses and who eventually become notoriously famous for, discarding, wedding and even beheading many of his six wives. Monogamy was never his strongest feature.

King Henry VIII, such a mythical figure in the annuls of British history has been portrayed by many onscreen, so it is with obvious difficulty that the Australian actor, Eric Bana had in capturing the essence of this potent King’s spoilt and almost tyrannical character. His efforts do not go unnoticed, however, Bana fails to reflect the truly conflicted nature of Henry as the complex ruler he was. While the novel of The Other Boleyn Girl fills one with all the intricate details of his splendid court and the complex relations within the Boleyn family, whereby woman were used as pawns to further a family’s status in the Kingdom, the film is given some grounding by a strong performance by Kristin Scott Thomas as the sisters mother, Lady Elizabeth, who is savagely critical of the manipulations of her brother, the sisters’ uncle, the influential Duke of Norfolk.

With the intelligent casting of such rising stars as Johansson and Portman, the film will hopefully appeal to a younger generation of viewers, in an effort to make history and royal courtship so infinitely attractive. After all, both sisters were barely out of their teens when their affairs with King Henry began, and they like everyone else fell prey to the whims of a supremely powerful figure, the equivalent to a modern day tyrant.

Sexy and lush menage a trois

Sexy and lush menage a trois

Eventually both sisters capture the King’s affections and lose them again, with disastrous consequences for one, and fortunate, yet ironic consequences for the other. Both the film and the novel of The Other Boleyn Girl are worth investing some effort in, demonstrating that while society has advanced considerably from the 1500s, we, as human beings are still driven by such forces as greed, ambition, lust and betrayal and unfortunately, even nowadays, tyrants still linger unhindered in forgotten regions of the world.

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