Archive for the ‘Len Wiseman’ Category

Ballerina

Director: Len Wiseman

Cast: Ana de Armas, Anjelica Huston, Keanu Reeves, Gabriel Byrne, Catalina Sandino Moreno, Norman Reedus, Lance Riddick, Sharon Duncan-Brewster

Running Time: 2 hours and 4 minutes

Film Rating: 7 out of 10

Total Recall and Die Hard 4.0 director Len Wiseman returns to directing feature films after a long time in Television as he helms the new John Wick spin off film Ballerina starring Oscar nominee Ana de Armas (Blonde) as ballerina orphan turned assassin who is lethal with a flame thrower.

Audiences need to suspend their disbelief as they re-enter the John Wick universe which is hyper stylized, murky and extremely dangerous. This is a world filled with the Continental Hotels which is basically a B n B for contract killers. Obviously Keanu Reeves is back as John Wick but in Ballerina Ana de Armas firmly takes centre stage in an action film which is incredibly violent and filled with blood lust as the fighting intensifies when Eve travels from the sleek skyscrapers of New York to the bohemian mountains outside Prague to track down the evil tribe responsible for her father’s death.

Ballerina operates on one level as a revenge thriller and on another as a coming of age story of a female assassin who escapes from the beady eyed supervision of The Director wonderfully played with heavy makeup and attitude by Oscar winner Anjelica Huston (Prizzi’s Honour) who adds a level of panache to a film about lethal assassins.

The villain in this piece is The Chancellor played by Irish actor Gabriel Byrne (Vanity Fair, The Usual Suspects) who heads up a cultish tribe whose only mantra is to kill people in a village in the Bohemian mountains.

When The Chancellor’s son Daniel Pine played by Norman Reedus tries to escape the cult with his young daughter, Pine meets up with the Ballerina Eve and literally all hell breaks loose.

Eve fights the whole village and even John Wick is called in to eliminate Eve but she proves to be more than he can contend with. In a bid for her own independence, Eve learns to fight like a girl and use all explosives necessary.

Ballerina is big on lush stylization, dramatic settings like New York nightclubs and snow covered Bohemian villages with killer inhabitants but unfortunately the narrative is a bit weak despite the appearance of a host of John Wick stars including the late Lance Riddick, Ian McShane as Winston and Sharon Duncan-Brewster as Nogi. There is an astonishingly fresh appearance by Oscar nominee Catalina Sandino Moreno (Maria Full of Grace) as Lena the short lived relative, but her screen time like that of Norman Reedus is too short to be savoured. If the screenwriters were clever they would have given these minor characters more of a back story.

Ballerina is heavy on violence and light on plot, saved by great filming, superb fighting scenes and a heroine that proves that female action stars are forces to be reckoned with. It’s an entertaining film with outlandish characters brandishing weapons from samurai swords to hammers, from grenades to guns.

Recommended strictly for fans of the John Wick film franchise, Ballerina gets a film rating of 7 out of 10. Watch this film if you like your ballerina carrying flame throwers and not bouquets.

Total Recall

Farrell losing a sense of reality

The 21^st century version of the sci-fi action thriller Total Recall is another cinematic retelling of a Philip K. Dick story We Can Remember It for You Wholesale, following on from Blade Runner (1982), Minority Report (2002), Paycheck (2003), Next (2007) and  The Adjustment Bureau (2011) and this time features Colin Farrell in the lead role of Douglas Quaid aka Cole Hauser a role first made famous by Arnold Schwarzeneggar in the original Paul Verhoeven garish version of a Mars set Total Recall released in 1990 featuring the voluptuous Sharon Stone as Lori and Rachel Ticotin as Melina.

Arnie's version

In this version of Total Recall, directed by Len Wiseman, the earth is mostly uninhabitable through devastating chemical warfare leaving only the United Federation of Britain (sections of the former UK) and The Colony (known now as Australia). Workers from the Colony are transported via a rapid underground train, a revolutionized Eurostar to the UFB an overpopulated simulacrum of late 21^st century London where they work on production lines producing Synthetics.

On the journey the hero Douglas Quaid is reading Ian Fleming’s novel The Spy Who Loved Me, a visual clue to how the rest of the film turns out. As is happens Douglas’s charming yet lethal wife Lori played by the sexy Kate Beckinsale is not who she appears to be and through an adventure which ignites when Douglas decides to give Rekall a try to break out of his industrial existence. Rekall is a drug induced manufactured memory enhancer whereby memories can be implanted into a person’s frontal lobe and people can cherish memories based on fabricated experiences.

Total Recall for the first 45 minutes is absolutely thrilling with lots of action and stunning production values with Wiseman clearly influenced by the iconic Blade Runner and similar sci-fi films with large awe-inspiring sets channeling a gritty version of I, Robot and of course Minority Report. The best scene is the chase sequence in the UFB with Farrell and Jessica Biel as Melina a fellow Colony freedom fighter who handles a fantastic uber-hovercraft on a high-tech multi-layered speedway which makes the M25 look like Noddy’s picnic. Bryan Cranston appears as the villain Cohaagen and Bill Nighy as the mysterious post-nuclear freedom fighter Matthias.

Where this version of Total Recall fails is the lack of character development and backstory which is made up for by the endless action sequences which detract from making Total Recall as brilliant and thought provoking as Blade Runner was 30 years ago. The film appears forced in places and action takes precedence over plot in a version of reality which could have done with more measured virtual clues and less bullets. See Total Recall if you are a hardcore Sci-Fi fan and don’t compare it to Paul Verhoeven’s garish and sensational 1990 version especially if viewers are dedicated fans of Philip K. Dick’s cinematized tales dealing with altered reality, memory and virtual personalities.