Archive for the ‘Oliver Hermanus’ Category

Even Birds are Chained to the Sky

Moffie

Director: Oliver Hermanus

Cast: Kai Luke Brummer, Ryan de Villiers, Hilton Pelser, Matthew Vey, Stefan Vermaak, Wynand Ferreira

Please note this film is mostly in Afrikaans with English Subtitles

After premiering at the prestigious 2019 Venice International Film Festival and then going on to be shown at the London Film Festival among many other international film festivals including Marrakesh, Rotterdam and Palm Springs, South African director of Skoonheid, Oliver Hermanus successfully deconstructs patriarchy in his powerful and controversial new film Moffie set in Apartheid South Africa during compulsory military conscription in 1981 when the government at the time was fighting the communist regime in Angola known as the border war. Moffie opens in South African cinemas on Friday 13th March 2020.

Heavily influenced by queer film director Tom Ford, Moffie is a superb film expertly exploring the concepts of male sexuality in a war zone.

Director Oliver Hermanus threads a delicate tale of unrequited love between two military scabs or new army recruits Dylan Stassen played by Ryan de Villiers and the central character Nicholas Van der Swart beautifully played by the gorgeous Kai Luke Brummer.

During a strenuous basic training sequence whereby the new army recruits are left in some deserted part of Southern Africa and have to survive in a trench together over night, de Villiers and Van der Swart find an awkward solace by recognizing each other’s mutual desire.

What makes Moffie so emotionally powerful is that unlike in Skoonheid, Hermanus does not resort to the explicit but more towards what could have been as de Villiers and Van der Swart have to each endure their own personal journey in an extremely toxic masculine environment fraught with fear, aggression and a double-edged comradery between the young army recruits.

Viewers must watch this film as a historical piece about a particularly unpleasant part of South African history pre-1994, where conservatism ruled over individualism and the military machine demonised homosexuality.

Moffie is a brutal and honest look at sexuality and war, a beautiful tale with some vivid scenes punctuated by some harsh dialogue and deeply disturbing images. Ultimately, director Oliver Hermanus has created his masterpiece, a concerted cinematic effort about the nature of being queer while exploring an unforgiving environment which does not allow for personal expression or sexual freedom.

As Stassen and Van der Swart navigate this treacherous world in which the film is set in, Stassen makes a point of inscribing their predicament: Even Birds are Chained to the Sky.

Moffie gets a film rating of 8.5 out of 10 and is definitely worth seeing. This remarkable piece of cinema will become a relevant discussion point in contemporary South Africa and in the wider world where queer rights are enshrined in more liberal constitutions.

Tiger’s Corner

The Endless River

endless_river

 

Director: Oliver Hermanus

Cast: Crystal-Donna Roberts, Nicolas Duvauchelle, Denise Newman, Darren Kelfkens, Clayton Evertson, Carel Nel

After South African director Oliver Hermanus’s controversial debut with his 2011 film, Skoonheid, which made into the Un Certain Regard category at the Cannes Film Festival, Hermanus returns to the prestigious 37th Durban International Film Festival http://www.durbanfilmfest.co.za/ with his new film Endless River.

The Endless River is set in contemporary South Africa and focuses on an immigrant French family headed by Gilles played by Nicolas Duvauchelle, who suffers a heart wrenching loss when his wife and two children are killed in a brutal farm and home attack. Set in the small rural community of Riviersonderend geographically situated between Caledon and Swellendam in the Western Cape which historically got the nickname of Tygerhoek which translates into English as Tiger’s Corner.

Visually, The Endless River is stylised like a Western with big bold lettering announcing the actor’s names as the opening credits appear on screen. Audiences immediately expect a dramatic showdown, instead Hermanus gives us an emotional showdown between different communities both foreign and local, angry and unforgiving.

The opening shot of the film is of Giles sitting in the local restaurant chatting to a friendly waitress, Tiny, wonderfully played by Crystal-Donna Roberts, which sets the scene for these two character’s lives being irrevocably entwined.

Hermanus divides The Endless River into three distinct chapters, Gilles, Tiny’s and Tiny’s gangster boyfriend played by Clayton Evertson.

Soon Giles and Tiny start a tentative love affair although Hermanus stays clear of the sexually explicit nature of this affair, something he didn’t do in the obsessive love story of his previous film Skoonheid which made it so ground-breaking and shocking.

The Endless River is a fascinating portrayal of mutually shared grief, loss, love and the power of two people to reconcile their differences and form a strong bond which ultimately is doomed to fail.

Whilst The Endless River does not pack the same shock value as Skoonheid, except during the brutal home invasion sequence in which Gilles’s beautiful French wife is gang-raped and his two young sons shot in the bath, it is a film which resonates with provocative images signifying deeper issues in South Africa such as gang violence, the brutal crime of home invasion and unemployment.

Audiences should not expect to experience a cathartic release in Hermanus’s narrative, except a beautiful if poignant yet tragic portrayal of love, loss and revenge set in Riviersonderend, a place which since settlers have first arrived in South Africa have found to be as unforgiving as it is revealing. Look out for a powerful cameo by Denise Newman (Material, Shirley Adams, Disgrace) as Tiny’s mother Mona who is weary of welcoming her daughter’s boyfriend fresh out of prison into their domestic environment.

Endless River is not as brilliant as Skoonheid but judging by the packed audience at its first screening at the 37th Durban International Film Festival http://www.durbanfilmfest.co.za/ is sure to attract a curious following and is testament to Oliver Hermanus’s rising status as an influential South African film maker.

Filled with some well-constructed and breath-taking images especially of Tsitsikamma forest and of the Garden Route, The Endless River is a love story born out of pain, grief and mutual mistrust.

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