Robin Hood

Ridley Scott’s Epic and muscular retelling of Robin Hood is better than expected. With Scott’s usual visual panache, 12th century England gets a grand and lush veneer along with a muscular and slightly jocular Robin Hood, played by Russell Crowe who teams up with an equally feisty Lady Marion, played with all the haughtiness of a woman trapped by her grand situation by Oscar winner Cate Blanchett.

The action is swift, gritty and visually compelling without dwelling on the gore but hinting at the brutality of the times. Robin Hood, which surprisingly opened the 2010 Cannes Film Festival and is devoutly English in its version of the pending invasion by King Philip of the brittle and precarious English realm of King John in 1199.

Supported by a wonderful cast including Mark Strong as yet another evil villian in the role of the allegiance shifting Godfrey, Eileen Atkins as the delicate but influential Eleanor of Aquitaine played by Eileen Atkins and Max von Sydow as Sir Walter Loxley, Robin Hood is Ridley Scott back in the style of Gladiator with similar themes of an empire on the precipice of change, a slightly demented ruler and an anti-hero who leads the battle and starts a myth. Robin Hood also known as Robin Longstride is a brawny and hairy Russell Crowe who is forced to delve into the idealism of his youth where his father prophesied the Magna Carta and the saying Lambs become Lions….

Scott’s trademark elements of water and shadow are skilfully used to enhance a much larger and bolder canvas of a Kingdom ravaged by a ten year crusade to the Holy Land, rebellious noblemen and coffers which are far from full. The ever-menacing relationship with France is tested by the betrayals and ambitions of Godfrey and King Philip along with his niece Queen Isabella who is married to King John, younger brother to King Richard the Lionheart, a brief but great turn by Danny Huston brother of Angelica Huston.

Crowe and Blanchett make a fine team, both experienced actors with the right amount of gravity to pull off these mythic roles with depth and sensitivity without resorting to cliche. Had these roles been cast to lesser known stars the force of the film would have been lost. Robin Hood is an epic Historical tale which hints at the popular story of Robin Hood and his merry men, Friar Tuck and his beekeeping and the Sheriff of Nottingham, gorgeously underplayed by Matthew Macfadyen of Pride and Prejudice fame. William Hurt also makes an appearance as William Marshall to add weight to the already Oscar-laden cast. This film version is certainly not flimsy, but muscular, brawny, dark and partly comical without dwelling too much on the political intrigue, the costumes or the bloodletting of medieval England.

Robin Hood‘s arrow has the perfect shot and Ridley Scott’s film is superb, engaging and visually rewarding more as an historical epic than a special-effects laden blockbuster and will surely be noticed when awards season comes round next year. What would one expect from such an experienced film maker who has brought audiences such classics as Blade Runner, Thelma and Louise and the Oscar Winning Gladiator, which made Russell Crowe an international star.

With a sword he conquored Rome…

As for the French, Robin Hood did open at Festival du Cannes, so perhaps all that cross-channel animosity has slightly cooled! Watch Robin Longstride and his rise to iconic anti-hero and savior of the outcasts and the free…

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