Archive for the ‘Matt Reeves’ Category

City of Vengeance

The Batman

Director: Matt Reeves

Cast: Robert Pattinson, Zoe Kravitz, Colin Farrell, Paul Dano, Jeffrey Wright, John Turturro, Peter Sarsgaard, Andy Serkis, Rupert Penry-Jones

Running Time: 2 hours and 56 minutes

Film Rating: 8.5 out of 10

War for the Planet of the Apes director Matt Reeves goes full out for the highly anticipated Batman remake simply called The Batman featuring Robert Pattinson as the stubbled caped crusader ready to fight off all Gotham’s evil creatures. In this case there are several.

Drawing massive inspiration from such films as Ridley Scott’s Blade Runner and David Fincher’s Seven, Matt Reeves paints Gotham as a dark and seedy metropolis filled with particularly twisted individuals, corrupt politicians and a serial killer that leaves cryptic clues while he livestreams killing his victims.

Gotham becomes a City of Vengeance as The Batman has to battle the entirely twisted The Riddler superbly played with a particular sinister panache by Paul Dano (There will be Blood, 12 Years a Slave, Little Miss Sunshine). Paul Dano’s The Riddler accurately rivals Joaquin Phoenix’s Oscar winning portrayal of Joker in 2019.

Besides The Riddler that Batman has to contend with, there is the slinky Catwoman wonderfully played with a nefarious independence by Zoe Kravitz (Mad Max: Fury Road). The onscreen chemistry between Kravitz and Pattinson is electrifying as they reluctantly band together to track down The Riddler while also dealing with The Penguin played by an unrecognisable Colin Farrell (In Bruges, The Gentleman, The Beguiled) who is the henchman to the reclusive city gangster Carmine Falcone superbly played by John Turturro (Barton Fink, Quiz Show, Jungle Fever).

Screenwriters Matt Reeves and Peter Craig delve into all the Bruce Wayne mythology, including the dark and treacherous past of Bruce Wayne’s wealthy parents and their link with the Arkham asylum.

Robert Pattinson comes across as a less confident Batman, a Billionaire cape crusader less comfortable with becoming the saviour of the city, until he reconciles that this is his destiny. Pattinson’s Batman is far different from Ben Affleck as the arrogant Batman or Christian Bale as the wealthy, snobbish Batman who feels that it his right to defend the city because he inherited billions.

Pattinson is brilliant in the role of The Batman giving the iconic screen character a three dimensionality never seen before especially when forced to deal with the criminally insane but ingenious The Riddler who Paul Dano portrays as an extraordinary orphan with a meticulous grudge to bear against the rich, corrupt and powerful. 

From the seedy nightclubs of Gotham including 44 below, from Zoe Kravitz’s excellent interpretation of Catwoman, from the brilliant pacing of the film, from the quietly dark periods before the explosions rock the outskirts of Gotham and all hell breaks loose, The Batman gets a film rating of 8.5 out of 10.

This is a long film but director Matt Reeves gives every cinema goer their money’s worth. This interpretation of The Batman is enthralling, gothic and grungy. Highly recommended viewing.

The Survival of the Species

War for the Planet of the Apes

Director: Matt Reeves

Cast: Woody Harrelson, Andy Serkis, Toby Kebbell, Judy Greer, Steve Zahn, Amiah Miller, Max Lloyd-Jones

Original score composer Michael Giacchino won an Oscar for Best Original Score for the animated film Up in 2010. Giacchino has also composed film music for Ratatouille, Inside Out and Jurassic World among many others. His most recent musical composition is for the Matt Reeves directed War for the Planet of the Apes in which he surely deserves another Oscar nomination.

In this case, brilliant music makes the film. War for the Planet of the Apes on a technical level is a superb film with superior production design by James Chinlund while the sound editing is perfect especially noticeable in the film’s final battle sequence which by all counts is absolutely remarkable.

As a story of survival of one species over another and an allegorical tale about the horrors of colonialism, War for the Planet of the Apes, with an engaging screenplay by Mark Bomback, is a fascinating film examining ethnographically man’s relationship with animals within the context of climate change or scientific experimentation.

At the centre of the narrative about a vicious conflict between men and apes is a towering performance by Oscar nominee Woody Harrelson (No Country for Old Men, The People vs. Larry Flynt, The Messenger) as The Colonel In which he draws direct inspiration from Marlon Brando’s performance of Colonel Kurtz in Francis Ford Coppola’s ground breaking Apocalypse Now.

Andy Serkis in motion capture technology plays Caesar an ape desperately trying to save his clan from being eliminated by the merciless attack of The Colonel’s army.

In a fascinating plot twist, the apes discover a mute young girl, played by Amiah Miller who galvanizes their support to fight on and also provides empathy for a conflict which is far more complex than it appears, brought on by a simian virus which has attacked Earth.

In the final chapter of the Apes Trilogy, War for the Planet of the Apes is technically brilliant, engaging and utterly watchable and director Matt Reeves has proved his worth in a film which is as good as Christopher Nolan’s The Dark Knight Rises, which also provided the final chapter in a compact trilogy.

Toby Kebbell (Warcraft, Prince of Persia) appears briefly as Koba and Steve Zahn (Dallas Buyers Club) appears as Bad Ape all done in superb motion capture technology but what really elevates War for the Planet of the Apes was the excellent musical score provided by Michael Giacchino for which he should be recognized at the 2018 Oscars.

War for the Planet of the Apes gets a film rating of 8.5 out of 10 and is highly recommended for audiences that enjoyed the first two chapters of the Apes films. Technically this film is extraordinary.

 

Caesar’s Reign

Dawn of the Planet of the Apes

dawn_of_the_planet_of_the_apes

Director: Matt Reeves

Cast: Jason Clarke, Keri Russell, Gary Oldman, Kodi Smit-McPhee, Andy Serkis, Toby Kebbell, Judy Greer

In a post-apocalyptic San Francisco where much of the human population has been decimated by a simian virus, the apes rule north of the Golden Gate Bridge, which would be modern day Sausalito. These apes are wily, intelligent and they are packing, ready to defend their reclaimed territory.

In Cloverfield director Matt Reeves’s impressive and handsome sequel to the 2011 film Rise of the Planet of the Apes, Dawn of the Planet of the Apes shows a different world where the remnants of humanity are threatened by gangs of warring apes. These apes are ruled by Caesar a compassionate commander who has a soft spot for humanity as he was the original ape in the first film.

Into their simian territory ventures a group of humans eager to restore power to a hydroelectric plant in Sausalito lead by Malcolm, a brave and compassionate man, played by Zero Dark Thirty’s Jason Clarke. Accompanying Malcolm is his wife Ellie played by Keri Russell (from the short lived TV Series The Americans) and his son Alexander played by Kodi Smit-MacPhee.

Malcolm and his family have to answer to the leader of the human enclave Dreyfus played by Gary Oldman last seen in Robocop who is more inclined to destroy the nearby ape population than befriend them.

The encounter between apes and humans starts off fairly smoothly but soon tyranny and violence takes over as an insurgency against Caesar lead by a rather mean monkey Koba (played by Toby Kebbell) threatens to destroy both the apes and humans. Caesar’s reign is naturally disrupted and warfare ensues.

dawn_of_the_planet_of_the_apes_ver6

Dawn of the Planet of The Apes is superbly done with outstanding visual effects and a brilliantly executed plot line featuring likable characters giving both the humans and apes equal attention and justifiable screen time. As with both humans and apes, there is lurking the potential for conflict which naturally exists in any seemingly homogenous community. If viewers don’t like seeing Apes on horseback wielding automatic weapons then they best miss this film.

More significantly in anthropological terms this film represents in real and fictitious terms the relationship between two species or them and us and how each group perceives the other. Points to director Matt Reeves who really makes this sequel credible, exciting and intuitive. Recommended viewing for those that enjoyed Rise of the Planet of the Apes.

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