Archive for April 22nd, 2016

Macbeth

Director: Justin Kurzel

Cast: Michael Fassbender, Marion Cotillard, Sean Harris, David Thewlis, Elizabeth Debicki, Paddy Considine, Jack Reynor, David Hayman

Australian director Justin Kurzel’s bold and bloody version of Macbeth envisions a bleak and brutal landscape where Scottish noblemen plot against each other all for the right to become King.

Possibly Shakespeare’s most bloodthirsty play about power, vengeance and fealty, Macbeth has proved to be a perennial favourite among film makers and theatre performers alike. In this version, the two pivotal roles are played by Oscar nominee Michael Fassbender (12 Years a Slave) and Oscar winner Marion Cotillard (La Vie en Rose) and the combination of their immense talent can be relished as they present a complex interpretation of the scheming Macbeth and Lady Macbeth.

Soon the ambitious couple plot to murder King Duncan of Scotland, played by David Thewlis as he visits their family castle. Macbeth stabs King Duncan multiple times while he is sleeping and promptly dispatches his guards too. Macbeth blames this ungodly crime on the heir apparent, the King’s son Malcolm, played by Jack Reynor, who flees to England to gather an army.

Macbeth claims the Scottish crown for himself but soon absolute power corrupts malignantly and the callous couple plot again to kill Banquo, a friend of Macbeth’s and a rival Scottish nobleman.

During the infamous banquet scene, which is the best in the film, Macbeth in front of his royal retinue is tormented by the images of Banquo’s ghost appearing among the guests to such an extent that he breaks down in front of the Scottish court.

The tyrannical Macbeth wanders into the misty highlands and seeks solace with the three prophetic witches who tell him that his right to be king is threatened by Macduff, “Beware Macduff, Beware the Thane of Fife!”

In the most brutal scene in the film, Macbeth’s soldiers capture Lady Macduff, played by an unrecognizable Elizabeth Debicki (The Great Gatsby) and her three children, whose fate is sealed upon a fiery pyre.

In the final act, Macduff, played by Sean Harris (Mission Impossible: Rogue Nation) returns with ten thousand soldiers and storms Macbeth’s castle and in a fiery confrontation, the two enemies seek vengeance amidst a burning and unforgiving battle, when Birnam wood comes to Dunsinane.

Kurzel’s vision of Macbeth is bloody and dark, the production design comprising strong earthy colours like deep reds, browns and shining gold. The costumes are traditional and authentic.

Cotillard is brilliant as the deceptively innocent Lady Macbeth, a magnetic and hauntingly beautiful queen who challenges her husband to commit heinous crimes, only to discover that Macbeth is willing to go to unmentionable lengths to retain his crown.

This 21^st century film version of Macbeth is heavily influenced by HBO’s Game of Thrones and is as violent, spectacular and riveting as the hit series, making Shakespeare’s Scottish play accessible to a whole new generation of viewers. This is an epic portrayal of twisted fealty, rivalry and horrific ambition, held together by two masterful actors playing iconic characters, imbuing their scenes together with a brilliant Machiavellian mischief, bordering on insanity and unchecked bloodlust.

Visually stunning, violent and superbly atmospheric, this vivid version of Macbeth is one not to be missed by cinema lovers and Shakespeare scholars alike.