David R. Walker

Archive for June, 2026

Palm d’Or:  Fjord directed by Cristian Mungiu

Best Director: (tie) Javier Calvo & Javier Ambrossi (The Black Ball) and Paweł Pawlikowski (Fatherland)

Best Actor: (tie) Emmanuel Macchia and Valentin Campagne, Coward

Best Actress: (tie) Virginie Efira and Tao Okamoto, All of a Sudden

Best Screenplay: A Man of His Time, Emmanuel Marre

Palm d’Or:  It was Just An Accident directed by Jafar Panahi

Best Director:  Kleber Mendonça Filho, O Agente Secreto (The Secret Agent) – Brazil

Best Actor:   Wagner Moura – The Secret Agent

Best Actress:  Nadia Melliti, La Petite Dernière (The Little Sister) by Hafsia Herzi

Best Screenplay:  Jean-Pierre Dardenne and Luc Dardenne, Jeunes Mères (Young Mothers)

Disclosure Day

Director: Steven Spielberg

Cast: Emily Blunt, Josh O’Connor, Colin Firth, Colman Domingo, Eve Hewson, Wyatt Russell, Henry Lloyd-Hughes, Elizabeth Marvel, Tommy Martinez

Running Time: 2 hours and 25 minutes

Film Rating: 7 out of 10

Jurassic Park screenwriter David Koepp collaborates again with Oscar winning director Steven Spielberg (Schindler’s List, Saving Private Ryan) in his new film Disclosure Day which is a strange mix of a 1980’s action movie and a weird throwback to Spielberg’s earlier 1977 alien film Close Encounters of the Third Kind.

On one level, Disclosure Day is extremely well made with beautiful cinematography with long-time collaborator Oscar winning cinematographer Janusz Kaminski (Schindler’s List, Saving Private Ryan) and features some extraordinary scenes particularly the train sequence when the two main leads Margaret Fairchild brilliantly played by Oscar nominee Emily Blunt (Oppenheimer) and Dr Daniel Kellner played by Josh O’Connor (Challengers, God’s Own Country) are escaping some gun tottering government agents.

In Disclosure Day, the aliens are not out there in the galaxy but they have already arrived on earth and they have two human emissaries: the weather girl from Kansas City, Margaret and the young and hot headed Daniel Kellner. British actor Josh O’Connor does well in a big budget blockbuster as the male lead and has sufficient screen time with Emily Blunt and his former co-star Oscar winner Colin Firth (The King’s Speech) who he starred in together in the British period drama Mothering Sunday back in 2021.

Firth plays Noah Scanlon, the leader of a shady organization with links to the government who is intent on keeping the alien existence secret from the rest of the world.

Luckily the headstrong Margaret, a feisty weather girl from Kansas City who suddenly develops telepathic powers and dumps her guitar loving blonde boyfriend Jackson played by Wyatt Russell, son of Hollywood stars Golden Hawn and Kurt Russell, as she goes on a mission to meet up with Daniel and his girlfriend Jane played by Irish actress Eve Hewson (Bridge of Spies, Robin Hood).

As Daniel and Margaret rush to the location of Hugo Wakefield played by Oscar nominee Colman Domingo (Rustin, Sing Sing), who is committed to exposing the truth about the existence of extraterritorial life forms, Scanlon and his private army try to eliminate the couple before the imminent disclosure.

Audiences must remember that this is all set in the Midwest – Missouri to be exact in a film featuring mostly a British cast. Disclosure Day starts off exceptionally promising with the usual Spielberg flourishes which made such films as War of the Worlds and Minority Report so brilliant.

Unfortunately, David Koepp’s script goes off the reservation when the actual moment of disclosure occurs in a world filled with instant news. The critical moment of Margaret telling the world about the existence of aliens lacks the profundity required to make Disclosure Day memorable.

The narrative becomes weird and characters start falling off the screenplay never to be seen again. There is even deer, wolves and aliens that appear in strange wheelchairs….

Disclosure Day has a great director, an adequate cast but the narrative is clunky and unsubtle. It becomes too literal and obvious which is done to appease an American audience.

Disclosure Day gets a film rating of 7 out of 10 and is an enjoyable film but not ground-breaking. Spielberg needed a better scriptwriter and a more American cast if the entire film is set in the Mid-West.

It’s not believable that a weather girl from Kansas City would become the chosen one for representatives of E.T. Recommended viewing but not essential.

Masters of Universe

Director: Travis Knight

Cast: Nicholas Galitzine, Camilla Mendes, Idris Elba, Jared Leto, Alison Brie, Charlotte Riley, James Purefoy, Morena Baccarin, Kristen Wiig, Artie Wilkinson-Hunt, Dolph Lundgren

Running Time: 2 hours and 20 minutes

Film Rating: 7.5 out of 10

If audiences feel like some retro fantasy then catch director Travis Knight’s extraordinary new version of Masters of the Universe, with the buff and blonde 32 year old actor Nicholas Galitzine as He-Man.

If Mattel could approve the Barbie movie then why not He-Man? He was also an action figure and a supreme member of the Master of the Universe which created a range of toys in the 1980’s and 1990s.

The original 1987 film starred Swedish actor Dolph Lundgren who makes a rare appearance in this version in a weird scene in the gym in which he officially gives his approval to the younger actor. But who is Nicholas Galitzine?

He played the seductive lover of King James I in the fabulous historical TV series Mary and George opposite Oscar winner Julianne Moore (Still Alice) as his controlling and determined mother. In that series, I recognized talent and the charisma that an actor would need to play a leading role.

So Galitzine is perfect as He-Man in the meta-sexual world of Masters of the Universe in which as Adam his alter ego, he is propelled as a ten year old boy to earth when his planet of Eternia is attacked by the evil and villainous Skeletor wonderfully played with camp delight by Oscar winner Jared Leto (Dallas Buyers Club) and Alison Brie (Promising Young Woman) as his wicked sidekick Evil-Lyn.

Adam’s parents King Randor played by James Purefoy (Vanity Fair, John Carter) and Queen Marlena played by Charlotte Riley (London has Fallen) are captured by Skeletor and while the hapless Adam works in HR in a mid-western American city hopelessly looking for a sword that belonged to his father which will give him his masculine strength and power back.

With the help of Teela played by Camilla Mendes, she rips Adam out of the American mid-west and back to Eternia to face Skeletor and his band of evil creatures.

While the narrative is crazy at times with three screenwriters including Chris Butler, Aaron Nee and Adam Nee they do delve into the origin story of He-Man as he figures out his strength, his masculinity and what it means to become a man.

Brilliantly played by Nicolas Galitzine, Adam or He-Man becomes the leader of Masters of the Universe in a strange, cheesy fantasy world complete with robots and green tigers.

The world building is clever and slightly self-reflexive capturing the appeal of the franchise and the related merchandise. Regarding the marketable toys, while Barbie was aimed at young girls, He-Man was an action figure aimed at young boys.

Despite the convoluted script, there is a clear message that in order to be brave, you don’t necessarily require a weapon. He-Man discovers this as his character transforms into a glistening warrior complete with sword and attitude. He-Man is not a superhero, he is more mythical than that.

In terms of entertainment, director Travis Knight (Bumblebee, Kubo and the Two Strings) does a brilliant job of recreating Masters of the Universe for a new generation with sufficient costumes and creatures to inspire cosplay and Comicon outfits until 2030.

Masters of the Universe is cheesy and funny, very garish and filled with fantasy and adventure. This action packed film gets a film rating of 7.5 out of 10 and is worth seeing. Audiences can discover a new hero filled with a heart of gold.