David R. Walker

Archive for the ‘South African Cinema’ Category

God’s Work

Director: Michael James

Cast: Thobani Nzuza, Mbulelo Radebe, Zenzo Msomi, Omega Mncube, Aaron McIroy, Nduduzo Khowa

Running Time: 2 hours and 7 minutes

Film Rating: 7.5 out of 10

Festival: Durban International Film Festival  – https://ccadiff.ukzn.ac.za/

Please note this film has not been rated yet

Durban based film director Michael James expertly and inventively shines a light on the plight of the city’s homeless population or the unhoused in his debut full length feature film entitled God’s Work which had its glittering and packed South African premiere at the 46^th Durban International Film Festival on Sunday 20^th July 2025 at Durban’s Suncoast Casino and Entertainment Complex.

Often as urban dwellers we simply drive past the homeless population in Durban or just ignore them. Durban like many cities around South Africa and the world has a growing homeless situation and James creates a self–reflexive tale about a group of homeless men lead by the haunted drug addict Simphiwe played by Thobani Nzuza along with fellow actors Mbulelo Radebe, Omega Mncube, Siya Xaba, Zenzo Msomi and Nduduzo Khowa who star in supporting roles.

God’s Work bravely explores the plight of homelessness in a mockumentary style film which is both poignant, uncomfortable and shocking.

Shot around Durban’s inner city, the story also written by Michael James follows Simphiwe and his friends as they are initially approached by a film director to make a documentary about homelessness and then the group’s struggle with drug addiction, extreme poverty and harassment by less than savoury law enforcement officers. Some of the films scenes did go on too long and needed to be edited for the sake of brevity.

God’s Work is at time very funny and also quite shocking as it explores the misadventures of Simphiwe and his friends as they attempt to rob a shady drug dealer named Biko, run into a crazy political activist featuring a great cameo by Durban comedian Aaron McIroy (Spud, Spud 2: The Madness Continues, Spud 3: Learning to Fly) and also deal with the impending political march of a militant political party determined to recruit them.

As Simphiwe’s journey is both emotional and physically exhausting, he confronts his turbulent relationship with his absent alcoholic mother in a confessional scene in St Emmanuel’s Cathedral in central Durban, after which he and his friends get arrested for vagrancy and deported out of the city to a distant rural location.

God’s Work highlights both the tenacity of the unhoused and also their determination to survive in gruelling conditions on poverty stricken streets while battling addiction and harassment.

Director Michael James wants the audience to feel uncomfortable watching this film, which makes the film relevant and difficult to watch.

While the humour is appreciated, the film’s tone is unrelentingly sombre, which serves its purpose of highlighting the dire circumstances of the unhoused in the face of government, social and economic indifference.

God’s Work is a creative and social journey into the unwanted areas of urban society, a brave and fearless tale of hope, loss and survival.

This film is not for everyone, but it will strike a chord with the socially conscious and will definitely serve as a talking point for deeper conversations about complex urban problems which many cities face.

For sheer inventiveness and bravery, God’s Work gets a film rating of 7.5 out of 10 and is recommending viewing for those that enjoy gritty urban cinema.  

Die Kwiksilwers

Director: Jordy Sank

Cast: Lida Botha, June van Merch, Susanne Beyers, Jacques Bessenger, Johann Vermaak, Laura-Lee Mostert, Solomon Cupido, Theresa Sedras

Running Time: 1 hour and 30 minutes

Film Rating: 8 out of 10

Language: Afrikaans with English subtitles

Johannesburg based film director Jordy Sank continues his exploration of the aging demographic as he effortlessly switches from his award winning 2021 documentary film Ella Blumenthal: I am Here to a feature length fiction film in the new hilarious Afrikaans comedy Die Kwiksilwers opening in South African cinemas on Thursday 1^st May 2025.

Die Kwiksilwers features a merry group of elderly ladies lead by Elsabe Marias played by Lida Botha and her friends Anna played by June van Merch, the outrageous Meinke played by Susanne Beyers and Katie played by Theresa Sadras.

The group actually make a perfect bridge four but Elsabe is desperate to escape the confines of her overbearing carer and her son Wikus wonderfully played by Jacques Bessenger. In a bid to recapture the memories of her travels with her late husband Roland in a Ford Granada nicknamed Die Kwiksilwer, Elsabe and her friends decide to go on a vintage road trip to Sutherland in the Northern Cape to watch a meteor shower near the observatory. The only catch is they don’t tell anyone where they are going.

Die Kwiksilwers is a poignant and funny road trip about four elderly ladies that decide to break free and travel across South Africa for an adventure which will get them entangled with the law, some wayward goats and of course a psychedelic festival in the desert which resembles Africa Burn.

While Wikus desperately attempts to track his mother and her friends as they continue to elude him, director Jordy Sank and co-writers Gabriella Blumberg and Marista Van Eeden shine a light on a significant issue: how the younger generation treat elderly people as if they are incapable of being independent. There is a great scene whereby Elsabe and her friends discuss how their children all treat them as invalids as they merrily travel on their great escape.

Die Kwiksilwers shows a humorous side of getting older and not caring about what people think. It’s a light-hearted and hilarious comedy with strong production values which rightfully earned the Audience Favourite Award at the kykNET Silwerskerm Festival in Camps Bay, Cape Town in 2024 https://silwerskermfees.co.za/english/.

Support South African cinema and catch Die Kwiksilwers in cinemas from 1^st May 2025. Director Jordy Sank does a brilliant job of shining a light on the elderly which often appear to be invisible in a youth obsessed culture.

Die Kwiksilwers is an excellent comedy, fun and exhilarating which gets a film rating of 8 out of 10. Highly recommended viewing and definitely worth seeing on the big screen.

1960

Directors: King Shaft and Michael Motumbo

Cast: Zanile Madiwa, Sanda Shandu, Ivy Nkutha, Clyde Berning, Chris Gxalabla

Running Time: 1 hour and 37 minutes

Film Rating: 6.5 out of 10

1960 was the opening film of the 43^rd Durban International Film Festival https://www.durbanfilmfest.com/ held in July 2022 and is directed by King Shaft and Michael Motumbo. Set in Sophiatown in 1960 around the events of the Sharpeville Massacre of the 21^st March 1960, this musical drama focuses on the life of the young singer Lindi played by Zanile Madiwa as she escapes the shackles of her destiny in a grim apartheid South Africa and eventually escapes to go and live in Germany and then returns years later in a post-apartheid country to reconcile her past.

1960 takes place in two eras in the obvious 1960 and in 2019, when the remains of a white police officer are discovered in Johannesburg, Constable Kobus Bernard played by Clyde Berning.

The best part about 1960 is the music although the scenes set in Sophiatown in a local tavern do come across as a play rather than a film due to the excessive theatricality of the acting, however the singing is what shines through.

The characterization and dialogue is very mixed and apart from some cringe worthy scenes featuring two caricatured white madams, most of 1960 is interesting if slightly didactic as if trying to explain the events surrounding the Sharpeville massacre and the Sophiatown music scenes to a contemporary South African audience that is unfamiliar with the history.

Sanda Shandu takes on the exuberant role of Lindi’s shy love interest whose fateful meeting will forever be etched into the older Lindi’s memory as she recounts the era to a young policeman in 2019 Johannesburg. The older Lindi is played by Ivy Nkutha as she tells the young policeman never to forget what happened during apartheid.

Unfortunately 1960 will have very limited appeal beyond the borders of South Africa as the historical aspect of the film might not be as well-known internationally but as for the co-directors and writer, their aim with this film is to create more awareness about the complex issues during the Apartheid years including exile, betrayal, protest, racial segregation and fame in another country.

Co-writer Bruce Retief does a good job of tying up all the loose ends of the narrative and the true mystery surrounding the death of Constable Kobus Bernard is revealed as the older Lindi reconciles the secrets surrounding what made her famous as she pursued a musical career abroad.

While the music makes up for the lack of characterization and subtext, 1960 is an interesting film but not as brilliant as director Angus Gibson’s Back of the Moon which premiered at DIFF in 2019 and won the Best South African Feature Film that year.

Streaming audiences can catch 1960 which is available via virtual screening on the Durban International Film Festival official website https://www.durbanfilmfest.com/ until 30 July 2022 when this festival ends. Catch 1960 now and support South African cinema.

Sons of the Sea

Director: John Gutierrez

Cast: Roberto Kyle, Marlon Swarts, Brendon Daniels, Nicole Fortuin

This Film is available to watch on the DIFF 2021 website – https://www.durbanfilmfest.com/collection/features/

Please note this film has violence and strong language has not been rated yet by the South African Film and Publication board.

Afrikaans with English Subtitles

Winner of Best South African Feature Film at the 2021 Durban International Film Festival

American director John Guiterrez debuts his feature film Sons of the Sea at the 2021 Durban International Film Festival all set in Simonstown and the outskirts of Cape Town, South Africa. This tightly wrought action thriller focuses on two brothers Mikhail and Gabriel played respectively by newcomer actors Roberto Kyle and Marlon Swarts, whose fraternal bond is stretched beyond breaking point when the younger brother Gabriel finds a dead foreigner in the small boutique hotel he is working at in Simonstown.

The foreigner is a Chinese man who has been stabbed and was trafficking abalone or perlemoen which is common off the rugged Atlantic coastline of the Western Cape.

Gabriel’s more violent and headstrong brother Mikhail convinces him that it is a brilliant idea to steal the abalone so that they can resell it. Soon a corrupt government official Peterson is onto their trail. Peterson is played by another screen newcomer Brendon Daniels. Peterson has his own worries to deal with, with a drunken mother-in-law and a young son to take care of.

Gabriel mistakenly confides his secret find to his girlfriend Tanya played by Nicole Fortuin (Flatland). Gabriel’s job at the boutique hotel and his naïve dream of becoming a photographer is shattered when Peterson starts chasing him and his brother Mikhail as they head out of Kalk Bay area over the mountainous Cape of Good Hope region where tragedy strikes.

Writer and director John Gutierrez has a firm grip on the action genre although some of the scenes are messy and he does not provide sufficient back story about the characters or about the larger issue of abalone poaching which is an ongoing problem in the Western Cape.

Gutierrez fails to contextualize the action within the broader city landscape of Cape Town, which is massive and diverse. The actors do a good job in the three respective leads and Sons of the Sea is a proudly South African film.

Sons of the Sea is a tightly wrought action film which focuses on the brother’s relationship and how Gabriel’s find leads him and his sibling into deeper trouble.

Sons of the Sea gets a film rating of 7 out of 10 and is worth seeing, it’s light on characterization but heavy on suspense. Recommended Viewing