David R. Walker

The Flash

Director: Andy Muschietti

Cast: Ezra Miller, Michael Keaton, Ben Affleck, Michael Shannon, Sasha Calle, Jeremy Irons, Ron Livingston, Saoirse-Monica Jackson, Kiersey Clemons, Gal Gadot, Maribel Verdu

Running Time: 2 hours and 24 minutes

Film Rating: 8 out of 10

Argentine director Andy Muschietti tackles the origin story of The Flash in Warner Brothers standalone film of the same title featuring the tremendously talented Ezra Miller as Barry Alan aka The Flash, whose best friend is Batman. Which is really cool.

The Flash has popped up as a secondary superhero character in numerous DC films including Justice League in 2017, Batman v Superman and Suicide Squad in 2016. The Flash gives Ezra Miller (The Perks of Being a Wallflower, Fantastic Beasts and Where to Find Them) a perfect chance to shine as an actor and he certainly does as he plays two versions of himself quite brilliantly with perfectly nuanced dexterity. He plays the current version of Barry Alan and a much younger more naïve version of the same character as they both battle to go back in time and reverse the crucial moment when their mother Noah Allan played by Spanish actress Maribel Verdu (Pan’s Labyrinth, Y Tu Mama Tambien) is murdered at home while their father Henry played by Ron Livingston is wrongly convicted of the crime.

Despite warnings from the rest of the Justice League including Batman and Wonder Woman, The Flash messes with the space time continuum and changes the past releasing multiple versions of Batman and General Zod, a Kryptonite after Superman’s cousin Kara Zor-El played by Sasha Calle, commonly known as Supergirl.

The Flash loses his known version of Batman played by Oscar winner Ben Affleck (Argo, Good Will Hunting) and discovers an older, wiser version of Bruce Wayne played with panache by Oscar nominee Michael Keaton (Birdman) complete with a cavernous Bat Cave, possibly one of the coolest scenes in the film. Together they band up and rescue Supergirl and attempt to fight the mighty evil General Zod, perfectly played by Oscar nominee Michael Shannon (Revolutionary Road, Nocturnal Animals).

While the first half of director Andy Muschietti’s superhero film is slightly shambolic, the second half is where the director finds his groove and he relies heavily on the screen presence of Ezra Miller who really is brilliant as The Flash. Let’s hope Warner Bros makes a sequel with Ezra Miller.

The screenwriters keep the narrative tight and the action constant, but always return to the pivotal moment of when Barry loses his mother, emphasizing that even superheroes have moms.

With high production values and a solid supporting cast, The Flash is a slightly gothic and very twisty addition to the DC Comics universe but a worthy attempt at establishing The Flash as a tangible superhero who should in time gain as much notoriety as Batman, Superman and the rest of the gang.

At 2 hours and24 minutes, The Flash is long, but Ezra Miller sustains the pace and this superhero action film, despite some repetitive visual effects, gets a film rating of 8 out of 10. Audiences should wait for the film’s final scene as there is a surprise cameo appearance of another Batman…

Asteroid City

Director: Wes Anderson

Cast: Jason Schwartzman, Scarlett Johansson, Tom Hanks, Tilda Swinton, Edward Norton, Willem Dafoe, Adrien Brody, Jeffrey Wright, Bryan Cranston, Liev Schreiber, Hope Davis, Steve Park, Hong Chau, Rupert Friend, Maya Hawke, Steve Carell, Matt Dillon, Margot Robbie, Tony Revolori, Jake Ryan, Jeff Goldblum, Grace Edwards, Sophia Lillis, Bob Balaban

Running Time: 1 hour and 44 minutes

Film Rating: 7.5 out of 10

Celestial flirtations abound in director Wes Anderson’s latest fluorescent theatrical film, Asteroid City featuring a blossoming cast headlined by two excellent performances by Jason Schwartzman and Oscar nominee Scarlett Johansson (Jojo Rabbit, Marriage Story) as theatre actors Augie Steenbeck and the glamorous Midge Campbell who find themselves acting in the eccentric playwright Conrad Earp wonderfully played with deadpan flamboyance by Oscar nominee Edward Norton (Primal Fear, American History X, Birdman)’s new play Asteroid City set in a one horse town in Arizona in 1955 complete without a candy coloured diner and a nuclear testing site.

Asteroid City has a population of 69.

Visually and aesthetically, Asteroid City is beautiful to watch as a film, like a trippy popup book with fabulous colours and eccentric characters from singing cowboys and random socialites, from military personnel to perilous children who comprise the space cadets of the town.

At a random event celebrating the arrival of an asteroid in a desert, the entire town is gathered and listening to an articulate speech by General Grif Gibson played by Jeffrey Wright (No Time To Die) when out of nowhere a cheeky alien arrives in a garish green UFO and unexpectedly steals the asteroid while the town looks on in horror and curiosity.

Luckily Augie who is a reluctant father of four children, a son named Woodrow wonderfully played by Jake Ryan and triplet daughters known collectively by their grandfather as The Witches, managed to photograph the alien. Then the military step in and quarantine the town, a suitable jibe by screenwriter Wes Anderson at the weird lockdown restrictions imposed by Governments across the world during the Covid19 pandemic in 2020.

Despite the ensemble cast, it is really Jason Schwartzman and Scarlett Johansson’s film as they both shine in a complex self-reflexive narrative which takes inspiration from American playwright Thornton Wilder’s play Our Town. Jason Schwartzman who played King Louis XVI opposite Kirsten Dunst in Sofia Coppola’s Marie Antoinette and is soon to star in his uncle Francis Ford Coppola’s new film Megalopolis, really shines as a talented stage actor and part time homosexual Augie Steenbeck in a role which is equally quirky and subversive.

Asteroid City is a highly theatrical comically absurd film serving as a dazzling critique on the bizarre nature of events in 2020 and cleverly presents the concept of The West as a construct to be interchanged and taken down again, much like a cardboard city. Notable turns in the film go to Tom Hanks as Grandfather Stanley Zak, Oscar winner Tilda Swinton (Michael Clayton) as Dr Hickenlooper and Oscar nominee Bryan Cranston (Trumbo) as The Host.

Take yourself on a journey and see the visually splendid Asteroid City, which is not perfect as a film, but it is enchanting in a celestial way and will find a cult following everywhere much like the Space Cadets that follow the Milky Way. With impressive set designs, Asteroid City should win an Oscar for Production Design in the 2024 Academy Awards.

Not as brilliant as The Grand Budapest Hotel, but Asteroid City gets a film rating of 7.5 out of 10, a quirky self-reflexive play about a city that doesn’t exist and an alien that possibly does.

Wes Anderson outdoes himself with a script and a bizarre film which received a 6 minute standing ovation at the film’s glittering premiere at the 2023 Festival de Cannes.

Transformers: Rise of the Beasts

Director: Steven Caple Jr

Cast: Anthony Ramos, Dominique Fishback, Michelle Yeoh, Peter Dinklage, Peter Cullen, Dean Scott, Vazquez, Tobe Nwigwe, Ron Perlman, Liza Koshy, John DiMaggio, David Sobolov, Michaela Jaé Rodriguez, Pete Davidson, Colman Domingo, Cristo Fernández

Running Time: 2 hours and 7 minutes

Film Rating: 6.5 out of 10  

Creed II director Steven Caple Jr provides a fresh directorial vision for the new Transformers film, Transformers: Rise of the Beasts set in a pre-9/11 world in New York City in 1994 and in Cuzco in Peru.

Far removed from the days of Victoria Secret model Rosie Huntington-Whiteley hanging helplessly off a glistening yet menacing Autobot in Transformers: Dark of the Moon back in 2011, Rise of The Beasts has a completely new vision with two new rising stars featuring Anthony Ramos (A Star is Born, In The Heights) as the hero Noah Diaz, a struggling young Latino man trying to find a job and look after his little brother Kris played by Dean Scott Vazques and Dominique Fishback (Judas and the Black Messiah) as museum researcher Elena Wallace.

Together Elena and Noah must team up with the Autobots as they have to prevent a new Galactic catastrophe as the evil Terrorcon Scourge wonderfully voiced by the Game of Thrones star Peter Dinklage seeks to unlock a mysterious artefact to allow the ruthless Unicron voiced by Colman Domingo to devastate the Earth. Besides all this post-apocalyptic threat taking place ironically set before 9/11, Transformers: Rise of the Beasts has a really cool 1990’s vibe especially the scenes set in New York complete with hip music and a slightly retro production design.

For all Transformers fans, the really thrilling part of these films is watching the cars transform into robots and vice versa, but unfortunately in this version there isn’t enough of that. The script while interesting does go slightly off the reservation, actually way off as the action moves to Cuzco in Peru near the site of the ancient ruins of Machu Picchu in South America.

What is lacking in storyline or characterization in this version is definitely made up for in dazzling special effects which will help Transformers: Rise of the Beasts maintain its popularity throughout the 2023 American summer block buster season.

Noah has a better storyline in the film than Elena, although Anthony Ramos and Dominique Fishback do exceptionally well in a storyline in which 95% of the dialogue is with CGI robots.

Transformers: Rise of the Beasts needed some more human intervention even some quirky characters to spice up a rather clunky storyline, nevertheless it is an entertaining film saved by superb visual effects which will be sure to attract audiences to this film.

Transformers: Rise of the Beasts gets a film rating of 6.5 out of 10 and see it for the catchy music and imaginative visual effects.

Be kind to cinemas and watch Transformers: Rise of the Beasts on a Big Screen now.

The Little Mermaid

Director: Rob Marshall

Cast: Halle Bailey, Jonah Hauer-King, Javier Bardem, Melissa McCarthy, Noma Dumezweni, Art Malik, Akwafina, Jacob Tremblay, Daveed Diggs

Running Time: 2 hours and 15 minutes

Oscar nominated director Rob Marshall (Chicago, Mary Poppins Returns, Memoirs of a Geisha) returns with another Disney classic live action musical The Little Mermaid  featuring the gorgeous and talented Halle Bailey as the mermaid that causes all the trouble.

Ariel lives down in the Ocean but is constantly fascinated by the humans above sea level collecting items off their ships that sink to the cavenous ocean’s floor. Banished by her overbearing father, King Triton, God of the seas, played by Oscar winner Javier Bardem (No Country for Old Men) from going to the land, Ariel willingly defies her father when she makes a dangerous deal with her aunt, the evil sea witch Ursula superbly played by Oscar nominee Melissa McCarthy (Can You Ever Forgive Me?, Bridesmaids) to trade in her fins for legs so she can approach land.

Ariel is desperate to meet up with a handsome prince because this is Disney, and there is always a handsome prince lurking about! In this case Prince Eric is played by Jonah Hauer-King (Little Women) who defies his own mother, the Queen played by Noma Dumezweni (Dirty Pretty Things) and is keen to see the beautiful mermaid that saved him during a storm which shipwrecked his vessel.

Ariel is unaware that Ursula has cast a spell when she arrives on land and is generously taken in by Eric except she cannot talk and her only assistance are a crab voiced by Daveed Diggs, a fish could Flounder voiced by Jacob Tremblay and Scuttle voiced by Awkwafina.

The Little Mermaid is pure Disney fantasy assisted by some amazing songs and brilliant special effects particularly the underwater sequences of which there are many. If audiences suspend their disbelief then The Little Mermaid will be a delightful film to be enjoyed by the whole family.

Despite lavish sets and production design, Rob Marshall’s The Little Mermaid lacks pace in certain aspects of the storyline and the film could have been edited properly, shaving at least twenty minutes off the running time.

The real treat of the film is Melissa McCarthy as Ursula who is suitably villainous and camp as the evil witch complete with pearls and a dreadful hairdo. Javier Bardem’s acting talents are underutilized in a film which his character does not feature prominently. There are also some issues with questionable casting but if audiences focus on the fantasy narrative then they will find this film enjoyable.

Halle Bailey holds her own in the title role although Jonah Hauer-King could have been more masculine as the Prince. His performance comes off as boyish and naïve.

If audiences love a Disney musical, then go and watch The Little Mermaid, it will either infuriate or dazzle the viewers. Unfortunately not as brilliant as one expected, The Little Mermaid gets a film rating of 7 out of 10. It’s as light as a mermaid staring at an idyllic sunset.

Fast X – Fast and Furious 10

Director: Louis Leterrier

Cast: Vin Diesel, Michelle Rodriquez, Jason Momoa, Jason Statham, Charlize Theron, John Cena, Rita Moreno, Scott Eastwood, Tyrese Gibson, Helen Mirren, Jordana Brewster, Chris Bridges, Nathalie Emmanuel, Sung Kang, Brie Larson, Alan Ritchson

Running Time: 2 hours and 21 minutes

Film Rating: 7 out of 10 

French film director Louis Leterrier who did the first two Transporter films goes really mammoth for the 10^th film of the Fast and Furious franchise as he assembles all the cast from the last film together with Vin Diesel leading the cast as Dominic Toretto.

Unlike in the previous couple of films where there hasn’t been a clear villain in Fast X, the villain is Dante Reyes, the son of a Brazilian crime family who decides to avenge his father’s death in Rio de Janeiro ten years ago. Except Dante is really crazy and not in a good way.

Brilliantly played with a dazzling flamboyance which borders on madness, Jason Momoa (Aquaman, Justice League) really does the entire eccentric villain character from blowing up parts of Rome to drawing out Toretto, Lettie and the rest of his crew away from Los Angeles to the streets of Rome, Rio de Janeiro and finally to the highways of Portugal.

Toretto’s L. A. home and warns him that an incredibly dangerous villain is after Toretto and his family, the action hots up fast and swiftly. Bringing in the usual gang headed by Roman played by Tyrese Gibson along with Tej played by Chris Bridges, Toretto must use all his strength and determination to elude the clutches of the crazy Dante. All the usual suspects from previous films pop up including Shaw played by Jason Statham, Shaw’s mother Queenie played by Oscar winner Helen Mirren (The Queen) and some newcomers including the gorgeous Oscar winner Brie Larson (Room) as Tess, daughter of the head of the covert agency who assists Lettie and Dominic in trying to bring down Dante.

Luckily Fast X is not heavy on dialogue and Leterrier makes this film entirely action driven with planes, cars and even buses blowing up and there are enough car chases to satisfy the legions of fans which made this franchise so popular. Basically, a cult of cars.

Fast X is explosive, loud and never boring but despite the heavy A-list cast, the storyline is repetitive with few plot twists or surprises. The best surprise is how good Jason Momoa is at playing the villain Dante who creates an urban inferno. Dante is a brash, painted and sociopathic man-child complete with gadgets, bombs and an absolute hatred of everything vaguely normal. Dante is chaos incorporated even killing the two tech guys who assist him and then painting their dead toe nails.

The rest of the cast is the same except for a lovely Brie Larson who adds some femininity to an otherwise very macho cast including John Cena as Jacob, Jason Statham as Shaw and Alan Ritchson as Aimes. Fast 10 is made in two parts and this is the first film which ends on a literal cliff-hanger.

Recommended viewing for those that love fast cars, exotic locations and brash action sequences, Fast X will dazzle and entertain audiences globally and gets a film rating of 7 out of 10. This is a high octane, fast paced action film which already has a loyal following. Best viewed in an IMAX cinema.

Book Club: The Next Chapter

Director: Bill Holderman

Cast: Jane Fonda, Diane Keaton, Candice Bergen, Mary Steenburgen, Craig T. Nelson, Andy Garcia, Don Johnson, Giancarlo Giannini, Hugh Quarshie, Giovanni Esposito, Vincent Riotta.

Running Time: 1 hour and 47 minutes

Film Rating: 6.5 out of 10

One thing admirable about America is that they don’t believe in ageism. In actual fact director Bill Holderman’s hilarious if slightly quirky sequel to 2018’s Book Club, entitled Book Club: The Next Chapter is testament to that.

This sequel reunites the four elderly best friends from the first film, Diane, Viv, Sharon and Carol played respectively by Oscar winners Diane Keaton (Annie Hall), Jane Fonda (Coming Home, Klute) and Oscar nominee Candice Bergen (Starting Over) and Oscar winner Mary Steenburgen (Melvin and Howard).

As the four best friends emerge out of lockdown in the early 2020’s they decide that it is a fitting time to travel to Italy before Viv weds her gorgeous boyfriend Arthur played by Don Johnson (Django Unchained).

Book Club: The Next Chapter takes the four friends from the familiar ground of New York City to the beautiful sites of Italy starting off in Rome in which they think that their holiday is going well. That is until their luggage gets stolen as they board a train to Venice.

It is in the deceptive beauty of Venice that things go awry as Sharon chats up an interesting man at the local bar Ousmane played by Hugh Quarshie and Carol reunites with an old Italian flame at his restaurant in Venice, Chef Gianni played by Vincent Riotta. While Diane has to reassure Viv about having pre wedding jitters. The scene with acting legends Diane Keaton and Jane Fonda is worth seeing but ironically out of the four main stars, it the raspy voiced and slightly cynical Sharon wonderfully played by Candice Bergen who steals the show and is the best in the film.

After the Venetian adventures, the four ladies set off for Florence and Tuscany for Viv to fulfil her destiny only to be stopped short by some gorgeous looking buff Italian cops. Fortunately an unlikely knight in shining armour, the Italian Police Chief played by Oscar nominee Giancarlo Giannini (Seven Beauties) rescues them and safely transfers them to Tuscany, whereby the men in their lives are there to meet them.

Book Club: The Next Chapter is a very light hearted romantic comedy specifically aimed at the older generation featuring a host of A list stars who seem effortlessly at ease in front of the camera. Let’s face it Jane Fonda has been acting since she appeared as Roger Vadim’s Barbarella in 1968.

While the film’s script needed some work, the Italian scenery certainly makes up for any faults and is gorgeous to look at. Book Club: The Next Chapter is an enjoyable romantic comedy set in Italy and just proves that it’s never too late to find love. Book Club: The Next Chapter gets a film rating of 6.5 out of 10 and is as whimsical as a gelato, but just as enjoyable.

To Catch a Killer

Director: Damian Szifron

Cast: Shailene Woodley , Ben Mendelsohn, Ralph Ineson, Jovan Adepo, Jason Cavalier, Rosemary Dunsmore, Mark Camacho

Running Time: 1 hour and 59 minutes

Film Rating: 7 out of 10

PLEASE NOTE THIS FILM MIGHT ALSO BE KNOWN AS MISANTHROPE

IN OTHER WORLD TERRITORIES.

Argentinian Oscar winning director of Wild Tales, Damian Szifron directs his first English Language film: a murky and bloody detective story, To Catch a Killer starring Golden Globe nominee Shailene Woodley (The Descendants, Big Little Lies) as a rookie cop Eleanor Falco in Baltimore, Maryland who teams up with veteran FBI investigator Lamar, brilliantly played with a maverick style flair by Australian actor Ben Mendelsohn (Animal Kingdom, The Dark Knight Rises).

The pair team up with an arsonist investigator Mackenzie played by Babylon star Jovan Adepo when a lone marksman shoots 29 people dead in various Baltimore skyscrapers on New Year’s Eve.

The Trio upon increasing pressure from the FBI and city authorities are racing against time to find the perpetrator before another massacre occurs. That happens very soon in a city shopping mall, whereby the suspected killer is cornered in a food court and resorts to extreme violence to escape.

To Catch a Killer is a relevant film to watch at the time when America is experiencing its worse wave of gun violence in US history, with mass killings happening on a weekly basis in almost every state of the country. This film asks relevant questions. Why should individuals with severe mental illness or disabilities be allowed to carry heavy guns and deadly rifles? Why aren’t the laws in America strict enough? It’s a complex issue for a country of that size whereby the gun laws differ from state to state.

As a film, Szifron keeps the cinematic palette dark and saturated with murky colours adding a sombre ambience to a film about death and mass killings. Fortunately both Shailene Woodley and Ben Mendelsohn are talented actors to keep this distressing detective film engaging and thrilling. The best scenes in the film are between the two main leads.

Woodley is superb as the recovering drug addict turned investigator and Mendelsohn is excellent as the flamboyant lead detective on a prolific case which ultimately consumes his personal and professional life.

To Catch a Killer has enough plot twists to keep audiences guessing and when the killer is finally revealed, his blandness and ordinary status as an ex-abattoir worker makes his final confession even more chilling and psychopathic. In this case, the banality of evil is done for its own sake without any moral justification or redemption.

This film highlights the epidemic of gun violence currently sweeping America, the role that the media plays in this and the devastating personal cost which happens to the victims who are senselessly murdered and to the survivors that are traumatically left behind.

As Lamar says to Eleanor at the film’s beginning, “Opinions never caught anyone, but good detective works does”.

To Catch a Killer is an exciting but bleak look at gun violence, microscopic detective work and the toll that mass killings takes on a society. The film gets a rating of 7 out of 10 and will appeal to audiences that enjoy a gritty American detective story.

John Wick 4

Director: Chad Stahelski

Cast: Keanu Reeves, Laurence Fishburne, Lance Reddick, Donnie Yen, Ian McShane, Bill Skarsgard, Clancy Brown, Hiroyuki Sanada, Rina Sawayama, Shamier Anderson

Running Time: 2 hours 49 minutes

Film Rating: 8 out of 10

After the success of John Wick 2 and 3, director Chad Stahelski accelerates the style and the action in John Wick 4 elevating the high powered action film to another level including shooting the film in stunning locations including Osaka, Japan; Morocco, Paris and Berlin.

With a bigger budget than John Wick 3, Keanu Reeves reprises his most famous role as the lethal assassin who has to battle an ambitious young Marquis in France, wonderfully played by Swedish actor Bill Skarsgard (Atomic Blonde, Deadpool 2) who decides to destroy the Continental in New York, the safe haven luxury hotel for assassins in a murky Manhattan and upsetting the carefully orchestrated order of assassins, an ornate mythology which director Stahelski explores as the action moves swiftly to Osaka, whereby the Marquis attempts the same disruption in Japan.

In Osaka, John Wick meets the head of the Japanese Continental, Shimazu played by famed Japanese actor Hiroyuki Sanada (Mortal Kombat, Bullet Train, Mr Holmes) and his daughter Akira played by Rina Sawayama. Naturally the Osaka Continental doesn’t fall without a vicious fight as the Marquis’s French army battle it out with Japanese assassins armed with Samurai swords and lethal skill. Basically everyone brings a knife to a gun fight.

If that wasn’t thrilling enough, the fast paced action of John Wick 4, quickly moves from Japan whereby Wick encounters Caine, a blind assassin brilliantly played by Chinese star Donnie Yen (Mulan, Rogue One, Shanghai Knights) who is being paid to kill Wick, to the nightclubs of Berlin and to some iconic locations in Paris including the Louvre and Le Sacre Couer.

What is really impressive in John Wick 4, is the stylistic elevation of the entire narrative particularly creating scenes that are beautiful and entrenched in imagery. The scene between Bill Skarsgard and Ian McShane comes to mind in the Louvre. It’s a simple dialogue scene but director Chad Stahelski elevates the scene to something extraordinarily beautiful and sinister. The same can be said for the astounding car chase scene which is phenomenal, shot at the extremely busy infamous roundabout in central Paris at the base of the Arc de’Triomphe.

After John Wick reunites with his Belarussian underworld family, and on the advice of Winston played by Ian McShane and with assistance of the Bowery King, played once again by Laurence Fishburne, Wick challenges the Marquis to a pistol duel at dawn on the steps of the Le Sacre Couer in Paris. What precedes this dual is brilliant fight sequences, an unbelievable car chase and enough guns and knives to make this action film really worth seeing for those that like their films bloody and violent. And there is a vicious dog.

John Wick 4 excels on every level, technically as an action film and stylistically as an incredibly exotic and fast paced chronology of an underworld which is brutally shifting taking few survivors.

John Wick 4 gets a film rating of 8 out of 10 and is highly recommended viewing for those that enjoyed the first 3 films. This one is truly exceptional and has to be seen on the big screen.

Dungeons and Dragons: Honor Among Thieves

Directors: John Francis Daley and Jonathan Goldstein

Cast: Chris Pine, Michelle Rodriguez, Hugh Grant, Rege-Jean Page, Justice Smith, Sophia Lillis, Chloe Coleman, Daisy Head, Bradley Cooper

Running time: 2 hours and 14 minutes

Film Rating: 7.5 out of 10

Thank you to UIP for the invitation for the Film Premiere held at Suncoast Cinemas on Tuesday 28^th March 2023

Spiderman: Homecoming screenwriting duo John Francis Daley and Jonathan Goldstein take on the director’s chair in the big screen adaptation of the role playing game Dungeons and Dragons in a lavish fantasy adaptation entitled Dungeons and Dragons: Honor Among Thieves which premiered at the South by South West Film Festival in Austin, Texas in early March 2023 https://www.sxsw.com/ .

What the directing duo perfect at the beginning is the casting in Dungeons and Dragons: Honor Among Thieves which features a gorgeous but funny male lead, Chris Pine (Hell or High Water, Wonder Woman) as Edgin, the manipulative hero and as the villainous and vain enemy, Forge wonderfully played with a British panache by Hugh Grant (Four Weddings and a Funeral, Florence Foster Jenkins).

In between the villain and the hero is a host of sidekicks characters including action woman Michelle Rodriguez taking a break from the Fast and Furious franchise to star as Holga, Chloe Colman to star as Edgin’s daughter Kira, screen newcomer Rege-Jean Page as the mysterious fighter Xenk, Justice Smith (Jurassic World: Fallen Kingdom) as the young wizard Simon and the beautiful Sophia Lillis as the changeling Doric.

Filmed mostly in Belfast, Northern Ireland, the directing duo definitely take inspiration from HBO’s Game of Thrones and created a similar slightly medieval allegorical universe complete with dragons, both fat and vicious, mazes with strange creatures in it and wizardry galore but to make this pure fantasy epic work so brilliantly is the superb on screen chemistry between all the cast and particularly between Chris Pine and Michelle Rodriguez and of course between Hugh Grant and the rest of the cast as he tries to fool everyone into believing that Forge is a benevolent dictator, when in fact he is just a conman.

At 2 hours and 15 minutes, viewers will get their money’s worth in a dazzling and lavish fantasy epic which will suitably satisfy fans of the D and D games and its superb reincarnation as a cinema franchise. Most definitely the scriptwriters and directing duo had to make an impressive franchise debut which will attract fans of fantasy films and they have cleverly pivoted the storyline to attract younger viewers as they also hint at a potential sequel.

By far the funniest scene in the film is when Edgin and the gang visit the graves of dead soldiers as they try and resurrect the dead to question them about a vastly powerful helmet which can protect the wearer from pervading evil sorcery.

The film’s middle section could have been edited, but overall, Dungeons and Dragons: Honor among Thieves is a fantastic family action film bound to keep fans enthralled with its spectacular visual effects. For its pure fantasy, Dungeons and Dragons: Honor among Thieves gets a film rating of 7.5 out of 10 and is strictly recommended for fans of this genre.

Shazam! Fury of the Gods

Director: David F. Sandberg

Cast: Zachary Levi, Rachel Zegler, Helen Mirren, Asher Angel, Jack Dylan Grazer, Adam Brody, Lucy Liu, Djimon Hounsou, Ross Butler, D. J. Cotrona, Grace Caroline Currey, Gal Gadot , Meagan Good

Running Time: 2 hours and 10 minutes

Film Rating: 7 out of 10

Swedish director David F. Sandberg returns to the Shazam franchise to make the highly anticipated sequel to the 2019 film, simply known as Shazam: Fury of the Gods.

The Gods in this case are the perilous daughters of Atlas, Anthea played by West Side Story star Rachel Zegler, Kalypso played by Lucy Liu (Kill Bill, Chicago, Charlie’s Angels) and the eldest sister Hespera oddly played by Oscar winner Helen Mirren (The Queen) who is quite surreal in a superhero film. However, Mirren does bring a certain gravitas to a film which is primarily aimed at school kids. The scenes between Mirren and Levi are hilarious.

At the centre of Shazam: Fury of the Gods, is Shazam himself wonderfully played again by Zachary Levi in which his younger 18 year old self Billy Batson is played by Asher Angel, who along with his fellow superheroes including Freddy, the older version played by Adam Brody and the younger version brilliantly played by Jack Dylan Grazer, team up together to fight the evil Daughters of Atlas, who unbeknownst to the human population of Philadelphia decide to wreak havoc on the city.

Instruments of havoc for the Gods include ancient Greek creatures and a fearsome dragon which Kalypso loves to ride, referencing the infamous scenes from HBO’s Game of Thrones and more recently The House of the Dragon. During the epic battle scenes unicorns roam the streets of Philadelphia which elevates the film completely into fantasy.

Shazam tries to negotiate with Hespera at a fast food outlet only to be chucked against the wall, as all three daughters possess enormous unearthly powers. While the two older sisters aren’t looking, the beautiful Anthea wonderfully played by Rachel Zegler falls in love with the younger, slightly awkward teenage Freddy superbly played by Jack Dylan Grazer, who at nearly twenty years old is a talent to watch. The onscreen chemistry between Zegler and Grazer grounds the visual effects heavy superhero film and gives the narrative a positive romantic shine, unexpected in most comic book capers. Then again there is always the crush that Shazam has on a more powerful superhero: Wonder Woman.

Unlike the menacing world of director Matt Reeves’s excellent film The Batman, Warner Brothers Discovery Studio decided to make a brighter superhero film and in that respect Shazam: Fury of the Gods delivers a fantastically entertaining film which is perfect for light entertainment. If viewers don’t take the film too seriously, then they will find it immensely enjoyable.

Shazam: Fury of the Gods gets a film rating of 7 out of 10 and there is a wonderful surprise at the end as the DC Superhero universe continues to expand exponentially. Recommended viewing as a family film.