David R. Walker

Road House

Director: Doug Liman

Cast: Jake Gyllenhaal, Billy Magnussen, Conor MacGregor, Daniela Melchior, Jessica Williams, Joaquim de Almeida, Lukas Gage, Hannah Love Lanier

Running Time: 2 hours and 1 minute

Streaming Service: Amazon Prime

Film Rating:  6.5 out of 10

PLEASE NOTE THIS FILM IS ONLY AVAILABLE TO WATCH ON AMAZON PRIME

21^st century remakes of 1980’s action movies can be hit and miss but in the 2024 version of the 1989 film Road House, this time starring Jake Gyllenhaal as ex-UFC fighter Dalton who gets a job at a dive bar in the Florida Keys as a bouncer starts off really cheesy but ends with a bang.

That’s thanks to the casting of Mixed Martial Arts fighter Conor MacGregor as Dalton’s nemesis, the psychotic Knox and the fight sequence at the end is riveting. While the script in Road House needed some work, the Edge of Tomorrow director Doug Liman does maintain the pace of this action remake.

Oscar nominee Jake Gyllenhaal (Brokeback Mountain) bulks up for the role of Dalton, the muscular tough ex fighter now bouncer who assists Road House owner Frankie played by Jessica Williams as she tries to fend off a vicious biker gang from destroying her property on the instructions of spoilt brat faced rich kid Ben Brandt, wonderfully played by Billy Magnussen who seems to stealing all the villain roles since his turn in the last Bond film No Time To Die.

There are a lot of cheesy bar fight scenes in Road House and the dialogue is naturally not top notch, but Road House is a perfectly entertaining action film to watch especially if viewers are a fan of Jake Gyllenhaal.

The love interest in the film is the local nurse Ellie played by Portuguese actress Daniela Melchior and her corrupt Sheriff father is played by a fellow Portuguese actor Joaquim de Almeida (Fast Five, Desperado, The Hitman’s Bodyguard).

Gyllenhaal plays against type and seeks some of his inner demons which he displayed so brilliantly in the excellent Dan Gilroy 2014 film Nightcrawler, except that he is too good an actor to really be appearing in flashy 1980’s remakes but fortunately his talent and leading man appeal saves Road House from becoming completely disastrous.

Road House is a thrilling action film with a standard storyline of hero comes to town to save the town folk from evil villains except this time the town is in the gorgeous and sultry Florida Keys. Thankfully film makers can do so much with such a tropical location and it’s perfect for complex action sequences involving ski boats and high ways just like in the Bad Boys franchise.

Road House gets a film rating of 6.5 out of 10, it’s not going to win any awards but it is a great way to spend two hours on a rainy afternoon if viewers are looking for a decent film on the streaming sites.

The 96th Academy Awards took place on Sunday 10th March 2024 at the Dolby Theatre in Hollywood, Los Angeles. Here are all the winners:

Best Picture: Oppenheimer

Best Director: Christopher Nolan – Oppenheimer

Best Actor: Cillian Murphy – Oppenheimer

Best Actress: Emma Stone – Poor Things

Best Supporting Actor: Robert Downey Jnr – Oppenheimer

Best Supporting Actress: Davine Joy Randolph – The Holdovers

Best Original Screenplay: Justine Triet & Arthur Harari – Anatomy of a Fall

Best Adapted Screenplay: Cord Jefferson – American Fiction

Best Cinematography: Hoyte van Hoytema – Oppenheimer

Best Costume Design: Holly Waddington – Poor Things

Best Make up & Hairstyling: Poor Things

Best Visual Effects: Godzilla minus One

Best Film Editing: Jennifer Lame – Oppenheimer

Best Sound: The Zone of Interest

Best Production Design: Poor Things

Best Documentary Feature:  20 days in Mariupol directed by Mstyslav Chernov (Ukraine)

Best Documentary Short Subject: The Repair Shop directed by Kris Bowers and Ben Proudfoot

Best Original Score: Ludwig Goransson – Oppenheimer

Best Original Song: “What was I made for?” by Billie Eilish & Fineas – Barbie

Best Animated Feature Film: The Boy and the Heron directed by Hayao Miyazaki (Japan)

Best Live Action Short Film: The Wonderful Story of Henry Sugar directed by Wes Anderson

Best International Feature Film: The Zone of Interest directed by Jonathan Glazer (United Kingdom) – Film in German with English subtitles.

The Bricklayer

Director: Renny Harlin

Cast: Aaron Eckhart, Nina Dobrev, Clifton Collins Jr, Tim Blake Nelson, Ifenesh Hadera, Ori Pfeffer

Running Time: 1 hour, 50 minutes

Film Rating: 6.5 out of 10

Millennium Media the film production company behind the Expendables franchise, delivers another paint by numbers action film this time with strong man Aaron Eckhart as the spy hero Steve Vail as the Philadelphia based “Bricklayer” in the new Renny Harlin directed film The Bricklayer also starring Nina Dobrev as Kate Bannon and the superb character actor Tim Blake Nelson (Nightmare Alley) as their CIA director O’Malley.

The Bricklayer is set in Thelassoniki in Greece and features Bannon and Vail as two completely different CIA operative who arrive in Greek port city to hunt the elusive villain Victor Radek, flamboyantly played by Clifton Collins Jr sporting a black bowler hat. Radek is seeking revenge against the American spy agency based in Langley, Virginia as he blames them for the death of his wife and child so he is executing certain key journalists as part of a larger strategy to assassinate the Greek deputy foreign minister.

Before the tough Vail and the rookie Bannon can make inroads in locating Radek they first have to deal with a Greek gangster Denis Stefanopoulos played complete with flashy suits and gold chains by Israeli actor Ori Pfeffer (Hacksaw Ridge, The Hitman’s Bodyguard).

Aaron Eckhart is having an interesting career having starred in both high profile films like Christopher Nolan’s the Batman Trilogy and in some quirky American films like Thank You for Smoking to Oscar winning films like Erin Brokovich, but he appears to be going the same route as Scottish star and action hero Gerard Butler which will always pay the bills and keep audiences satisfied.

The Bricklayer does not have a clear storyline but the action is solid, a sort of medium budget spy film and is saved by a salvageable onscreen chemistry between the two lead stars. Bulgarian actress Nina Dobrev (The Perks of Being a Wallflower, XXX: The Return of Xander Cage) holds her own as the female heroine and possible love interest although in The Bricklayer the script focuses more on the action and fighting sequences than any romance.

Capote star Clifton Collins Jr is perfect as the duplicitous villain Radek and Tim Blake Nelson has the best lines in the film as the stroppy non-nonsense CIA director O’Malley.

If audiences enjoy a great action film set in Greece, then The Bricklayer is recommended viewing and proves that the 56 year old actor Aaron Eckhart can hold his own as muscular action star.

The Bricklayer gets a film rating of 6.5 out of 10 and won’t win any awards except some for corny images of American patriotism. It’s an entertaining action film which what the Los Angeles based Production Company Millennium Media always delivers.

The 77th British Academy Film Awards, also known as the BAFAs, were held on 18th February 2024 at the Royal Festival Hall in London, honouring the best national and foreign films of 2023.

Best Film: Oppenheimer

Best Director: Christopher Nolan – Oppenheimer

Best Actor: Cillian Murphy – Oppenheimer

Best Actress: Emma Stone – Poor Things

Best Supporting Actor: Robert Downey, Jnr – Oppenheimer

Best Supporting Actress: Da’Vine Joy Randolph – The Holdovers

Outstanding British Film: Zone of Interest directed by Jonathan Glazer

Best Film not in the English Language: Zone of Interest directed by Jonathan Glazer

Best Original Screenplay: Anatomy of a Fall

Best Adapted Screenplay: American Fiction

Best Cinematography: Oppenheimer

Best Costume Design: Poor Things

Best Hair and Make up: Poor Things

Best Production Design: Poor Things

Best Sound: The Zone of Interest

Rising Star Award: Mia McKenna-Bruce

Dune Part Two

Director: Denis Villeneuve

Cast: Timothee Chalamet, Zendaya, Rebecca Ferguson, Charlotte Rampling, Christopher Walken, Javier Bardem, Stellan Skarsgard, Austin Butler, Florence Pugh, Josh Brolin, Dave Bautista, Lea Seydoux, Souhella Yacoub

Running time: 2 hours 46 minutes

Film Rating: 9 out of 10

Gathering an ensemble cast of exceptionally talented actors and then throwing in the hottest stars of the 2020’s, Dune Part Two is almost symbolic of the old guard of actors handing the mantel to the new hugely talented tribe of hot young stars from Zendaya to Timothee Chalamet, from Florence Pugh to Austin Butler.

Paul Atreides after suffering the defeat of his royal house in Dune Part 1, hides with the fremen people in Arrakis with his mother Lady Jessica, played by Rebecca Ferguson, as they battle a Harkonnen ambush who are desperate to annihilate the Fremen and take over the lucrative spice mining of the desert planet.

As Lady Jessica goes through the process of transforming into the Reverend Mother, she drinks from the Water of Life which is a process fatal to men. While Lady Jessica is secretly manipulating her son to grasp complete power, Paul is distracted by his love affair with Chani played by Zendaya.

Meanwhile in the House of Harkonnen, the Baron wonderfully played with a gloating evil by Stellan Skarsgard gives full power to his younger psychotic nephew Feyd-Rautha a viciously appropriate performance by Oscar nominee Austin Butler (Elvis), who shines in the spectacularly shot gladiator scenes in the bizarre celebrations of his birthday.

Dune Part Two is slow moving in the first part of the film especially with Atreides acclimatizing to the ways of the desert bound Fremen tribes, but once Austin Butler appears in the film as the hero’s demonic nemesis then the pace of the film increases exponentially.

The Emperor Shaddam IV regally played by Oscar winner Christopher Walken and his daughter the princess Irulan Corrino played by Florence Pugh are lured into a trap to come to Arrakis then Paul Atreides decides to meet his destiny as he takes on the Harkonnen and their boss The Emperor while discovering a genealogical secret that bounds his mother to the malignant portentous Baron Harkonnen.

The second half of Dune Part Two is where Denis Villeneuve excels as a director as he creates these epic battle sequences involving the spice worms, the clash of the royal galactic houses and a fight to the death by the carries of two of the most vital bloodlines in Dune, Paul Atreides and Feyd-Rautha Harkonnen, both virile young men in their prime ready to defend their houses and seek a match that will fortify their power.

The supporting cast of Dune Part Two is superb ranging from Charlotte Rampling to Javier Bardem, from Bond girl Lea Seydoux (No Time to Die) to Josh Brolin, but as a cinematic epic, this film is a mesmerizing tale of retribution, power and the abandonment of the indigenous population for a greater self-enrichment by those more powerful and affluent.

Adding a pulsating score by Hans Zimmer and gorgeously lit cinematography by Greig Fraser as he clearly delineates the differences between the Fremen and the people of the South, between the Harkonnen, vicious and abundant and the wealthy Emperor and his beautiful daughter Princess Irulan Corrino, Dune Part Two is the first major cinematic event of 2024 and is highly recommended viewing.

If you love science fiction, then this film must be seen on the biggest screen possible. It truly is magnificent and visually alluring, complete with superior production design especially in the brutal Harkonnen gladiator scenes.

Dune Part Two gets a film rating of 9 out of 10 and does perfect justice to the novels by Frank Herbert. Blade Runner 2049 director Denis Villeneuve achieves the majestic and creates an allegorical tale set in the shadows of Arrakis about neo-colonization, revenge and rivalry, while showcasing how vulnerable men can be when absolute power is their wily seducer.

The Holdovers

Director: Alexander Payne

Cast: Paul Giametti, Davine Joy Randolph, Dominic Sessa, Carrie Preston, Tate Donovan

Running Time: 2 hours and 13 minutes

Film Rating: 8.5 out of 10

Nebraska, The Descendants and Sideways director Alexander Payne delivers another Oscar gem in the thoroughly retro comedy drama The Holdovers set in a posh boy’s boarding school Barton in rural Massachusetts in December 1970.

Capturing the cinema aesthetic of the 1970’s, Alexander Payne skilfully crafts a decade appropriate feel for The Holdovers, paying tribute to such classic films as Milos Forman’s Oscar winning film One Flew Over the Cuckoo’s Nest and Martin Scorsese’s Taxi Driver.

With bespoke production design, The Holdovers really scores on the acting front with a suitably witty performance by Oscar nominee Paul Giamatti (The Cinderella Man) as washed out ancient history teacher Paul Hunham who is tasked with the responsibility of looking after The Holdover kids, boys whose parents have not collected them for the December break.

Whilst initially there are 5 boys of various ages, soon there is only the awkward and clever Angus Tully superbly played by Dominic Sessa in his first breakout onscreen role. Dominic Sessa is brilliant and should have been nominated for a best supporting actor Oscar.

To round off the trio and offset the mock father son dynamic between Tully and Hunham is the no-nonsense chain smoking kitchen cook Mary Lamb in a career turning performance by Davine Joy Randolph who was perfectly cast opposite Giamatti and Sessa.

Randolph’s performance rightly earned her a Best Supporting Actress Oscar nominations at the 2024 Academy Awards and she creates a fascinating character range of a tough woman who has to emotionally conceal the utter tragedy of her only son being killed in the Vietnam War. Mary Lamb has to contend with issues of class, privilege and racism at this prestigious boy’s school while forming an unlikely relationship with both the antiquated school teacher and the restless, irascible teenage boy during the Christmas of 1970 when momentous change was about to occur in America.

What keeps The Holdovers thoroughly entertaining is the erudite and suitably sarcastic original screenplay by David Hemingson and it’s this tightly woven dynamic between the three characters who grapple with being thrown together by circumstance but become stronger by assisting each other as they all experience an emotional revelation which releases them from their own individual trauma.

It is really Paul Giamatti who is a revelation as the grumpy ancient history teacher who has to constantly deal with these lazy, back chatting teenage boys who he collectively refers to as lazy and vulgar philistines. Giamatti’s performance is complimented by a wonderfully astute performance by Davine Joy Randolph who deserves some award recognition.

If you enjoy a retro American comedy drama set in the 1970’s, then The Holdovers is highly recommended viewing which gets a film rating of 8.5 out of 10. Phenomenal acting and a perfect script.

Nyad

Directors: Jimmy Chin & Elizabeth Chai Vasarhelyi

Cast: Annette Bening, Jodie Foster, Rhys Ifans, Luke Cosgrove, Ethan James Romero

Running Time: 2 hours and 1 minute

Film Rating: 7 out of 10

Please Note this film is only available on Netflix

Documentary film makers and married couple Jimmy Chin & Elizabeth Chai Vasarhelyi bring to life the unbelievable true story of long distance swimmer Diana Nyad who attempted to swim from Cuba to Key West in this fascinating docu-drama simply entitled Nyad starring two brilliant actresses. Following its premiere at the 2023 Telluride Film Festival in Colorado, USA, Nyad had a short cinematic run making it eligible for Oscar nominations and then went straight onto the Netflix streaming site.

Five time Oscar nominee Annette Bening (The Grifters, American Beauty, Being Julia, The Kids are Alright, Nyad) takes on the role of the determined swimmer Diana Nyad and Two time Oscar winner Jodie Foster (The Accused, The Silence of the Lambs) is her friend and trainer Bonnie Stoll. Diana and Bonnie were once lovers but are now close friends, both understanding each other’s determination and desire.

Diana Nyad is a force to be reckoned with as a motivational speaker, sports journalist and a long distance swimmer, a large than life personality driven by her father’s desire to see her succeed as a sea nymph and haunted by memories of sexual abuse when she was training to be a swimmer in her teenage years.

Annette Bening is astounding in the role of Diana Nyad, a physically demanding performance involving lots of endurance swims and she plays the role perfectly, a screen role completely atypical of her other more glamourous roles in Bugsy opposite her now husband Oscar winner Warren Beatty or Jeremy Irons in Istvan Szabo’s wonderful film Being Julia.

What really sets Nyad apart are the crackling scenes between Bening and Foster, with the latter showing off her unquestionable acting talent. Jodie Foster as the more accommodating Bonnie who grapples to deal with such an engulfing personality as Diana Nyad is absolutely terrific in this film and has rightly been nominated again for Best Supporting Actress for the 2024 Oscars almost 50 years later after her last Best Supporting actress nomination for the electrifying 1976 film Taxi Driver opposite Robert De Niro.

Unlike other sports dramas which are extremely male dominated, this is a fascinating female centred life-affirming biopic which is both uplifting, motivational and serves as an encouraging film about Diana Nyad whose commitment, determination and drive put her swimming efforts to cross from Cuba to Key West in the global sports arena.  Watch out for a great supporting role by Rhy Ifans as the grumpy but knowledgeable sea-weathered captain.

Nyad is worth watching for the superb performances by Annette Bening and Jodie Foster and serves as a reminder that we all only get one wild and precious life, which is valuable and should be cherished.

Shot like a psychedelic documentary but acted with style and grit, Nyad gets a film rating of 7 out of 10 and is an interesting sports drama about achievement, courage and dedication. Highly recommended viewing.

Read more about Diana Nyad here –

https://en.wikipedia.org/wiki/Diana_Nyad

All of Us Strangers

Director: Andrew Haigh

Cast: Andrew Scott, Paul Mescal, Claire Foy, Jamie Bell

Running Time: 1 hour and 45 minutes

Film Rating: 8 out of 10

45 Years director Andrew Haigh perfectly adapts the Japanese novel Strangers written by the late writer Taichi Yamada, originally published in 1987 into a superb contemporary British film retitled All of Us Strangers, featuring a lonely screenwriter Adam who psychologically has to relive the trauma of his parents death, played by Jamie Bell (Billy Elliot) and Claire Foy (First Man, Women Talking), when he meets a gorgeous yet troubled young man Harry in an isolated apartment building in modern day London.

Adam wonderfully played by Andrew Scott (1917, Spectre) in his first ever leading role, encapsulates all the trauma, isolation, desire and loneliness of a middle aged single gay man as he falls in love fleetingly with the sexy hunk Harry played with mesmerizing screen presence by Oscar nominee Paul Mescal (Aftersun).

In a bizarre emotional twist, All of Us Strangers features a grown up Adam confronting his late parents in some intimate scenes in which he comes out as gay to his mother and tries desperately to form an emotional bond with his father. Adam’s parents were conventional people in 1980’s England who died before they had a chance to watch their only son grow up and forge his own sexual identity.

Issues of prejudice, fear and loneliness pervade Andrew Haigh’s slow burning tale of one man’s excruciating emotional journey of coming to terms with childhood trauma, triggered by his abundant desire for Harry, a beautiful whiff of a soul, that glimmers on the edges of Adam’s existence long enough for desire to linger and short enough to eliminate any longevity.

Similar to director Tom Ford’s A Single Man, but certainly not as stylish, Andrew Haigh delivers a remarkably interesting and deceptive film about gay love, acceptance and remorse as Adam takes the audience on a poignant romantic journey cut short by his own desire to reconnect with his shattered past.

All of Us Strangers is a slow burning tale about a gay man’s search for his elusive emotional centre in an isolating metropolis while he is continually taunted by the past and haunted by recent desire.

This very art house love story is both fascinating and at times tricky, but it will be sure to pull audiences in to a complex love story with the past and with a future in which everything is different now.

All of Us Strangers gets a film rating of 8 out of 10 and see it for Paul Mescal, who is amazing. Recommended for a niche audience, but beautifully acted with a catchy 1980’s soundtrack.  

Poor Things

Director: Yorgos Lanthimos

Cast: Emma Stone, Mark Ruffalo, Willem Dafoe, Ramy Youssef, Margaret Qualley, Christopher Abbott, Jerrod Carmichael, Kathryn Hunter

Running Time: 2 hours and 21 minutes

Film Rating: 9 out of 10

Please note this film contains explicit sex and nudity

Think Mary Shelley’s cinematic version of Frankenstein with Salvador Dali as the production designer and that is how one should view the gorgeous and gawky masterpiece that is Greek director Yorgos Lanthimos latest Gothic Victorian dark comedy Poor Things starring an absolutely superb Emma Stone in the role of a lifetime as the creation Bella Baxter, a recreated creature with the impulses of a child and the body of a lithe, sexually rapacious young woman.

At the heart of Poor Things is the sexual, sociological journey of Bella Baxter, a Victorian experiment who gets whisked away from her macabre overprotective creator and keeper Godwin expertly played by Oscar nominee Willem Dafoe (Shadow of a Vampire) by the dashing cad Duncan Webberburn, a star performance complete with a posh accent a desire to please polite society by Oscar nominee Mark Ruffalo (Foxcatcher) as he takes her sometimes forcibly from a grey and grim London to an iridescent and lavish Lisbon and then from Lisbon aboard a ship to Alexandria.

While Bella is entranced initially by the elegant Duncan Webberburn particularly in the film’s iconic dance sequence which is absolutely enthralling, Bella soon learns that Duncan actually starts behaving like every other man in her life so far, over-protective, possessive and deeply controlling. Duncan starts acting petulant when Bella takes his money and unknowingly gives it away, supposedly to the destitute in Alexandria and soon they both literally become poor things.

While landing up penniless in Paris, Bella discovers the economic advantages of a Parisian boudoir where she can get paid for sex so that she can become her own economic entity.

Back in London, Godwin creates another creature lacking in emotional while him and his protégé Mark McCandles played by Ramy Youssef pine for Bella’s illustrious return and soon via letters she learns that she needs to return to London while abandoning the overtures of a demented rejected Duncan. It is at this juncture that the brilliant and wacky storyline, takes a bizarre turn, thanks to a superb screenplay by Tony McNamara and Alasdair Gray whose novel the film is based upon.

With captivating production design by Shona Heath and James Price and beautiful cinematography by Robbie Ryan, Poor Things expands on some of director Yorgos Lanthimos fascination with female emancipation and male folly which he began so cleverly in The Favourite and now expands with a broader, brighter and utterly bizarre canvas. This surrealist film is filled with illustrious characters, beautifully mingling fantasy with sexual emancipation, death with desire and revenge coupled with a coroner’s careful carving up of cadavers with compassion and medical ingenuity.

Poor Things is certainly not a film for everyone, it will fascinate viewers and repel them in equal measures but as a mesmerizing cinematic experience it is dazzling, daunting and delightful. At the heart of this unique, bizarre Victorian melodrama are three exceptional performances by Emma Stone, Mark Ruffalo and Willem Dafoe. Ultimately Bella Baxter gets her revenge and becomes her own means of production.

Poor Things gets a film rating of 9 out of 10 and is utterly bizarre, repulsively fascinating and a cinematic experience that no one will forget. Recommended for those that love challenging films.

Mean Girls

Director: Samantha Jayne & Arturo Perez Jr

Cast: Angourie Rice, Renee Rapp, Tina Fey, Jaquel Spivey, Lindsay Lohan, Christopher Briney, Bebe Wood, Jon Hamm, Avantika, Auli’I Cravalho, Busy Philipps, Jenna Fischer, Tim Meadows, Ashley Park, Mahi Alam

Running Time: 1 hour 52 minutes

Film Rating: 7 out of 10

Never mind Barbie, watch Mean Girls, it’s hilarious and fabulous. Directing duo Samantha Jayne and Arturo Perez Jr, artfully recreated the Mean Girls musical with a witty script by comedian and actress Tina Fey in the new 2024 reboot of the original 2004 film, Mean Girls which starred Lindsay Lohan, Rachel McAdams and Lizzy Caplan.

Angourie Rice (Spider Man: No Way Home, The Beguiled, The Nice Guys) is brilliant as naïve but manipulative teenage girl Cady Heron who arrives at North Point High School in Chicago after being home schooled by her mother on the Kenyan plains. Cady has to navigate the treacherous backstabbing world of teenage popularity and acceptance as she first befriends Janis and Damian, wonderfully played by Auli’I Cravalho and Jaquel Spivey. Janis is exploring her sexuality while Damian is just too gay to function. Into the fray at the cafeteria, the original mean girl makes her grand entrance, Regina George, blonde haired with ample bosom and a matching attitude. Regina is the IT girl with her minions and has had countless boyfriends and rules the social world of teenage awkwardness with a glittering plasticity.

Superbly played by Renee Rapp, Regina George is the ultimate teen queen, the most popular girl in high school who attracts the attention of Cady Heron who also has her eye on the gorgeous boy sitting in front of her in calculus: Aaron Samuels played by Christopher Briney.

Mean Girls is part comedy and part musical, with lots of social media drenched dance numbers and some extremely funny moments including the drama at the Winter Musical and the increasingly hilarious missteps that Cady does to try and fit in, including having house parties, trying to kiss Aaron Samuels and arriving at a Halloween party as a blood drenched bride of Dracula, looking hideous.

Tina Fey’s script is brilliant, witty and toxic, but filled with some moral lessons about treating fellow girls properly and basically not being a competitive back stabber. Even the burn book gets a treatment and all hell breaks loose until Regina gets hit by a bus! Jaquel Spivey as the very camp Damian is over the top but absolutely necessary to the script and provides some hilarious laughs.

Mean Girls is raucous and gossipy, hilarious and frivolous but ultimately a funny film filled with lots of feel good musical numbers about teenagers trying to get a grip on their new world both socially and sexually, carving their own path away from any parental guidance and capturing the current media crazed Tik Tok, SnapChat phenomenon.

The screen tension between Renee Rapp and Angourie Rice is brittle and toxic, just the way it is meant to be when the new bright girl takes on The Plastics. Audiences should watch out for appearances by Lindsay Lohan as Mathletes Moderator, Jon Hamm as Coach Carr and Tim Meadows as the exasperated Mr Duvall, the high school principal.

Aimed at teenage girls and definitely their mothers, Mean Girls honours the original film while updating the social media entrenched social politics of 21^st century young adulthood in this new glittering and hyper-stylized version for the 2020’s.

Mean Girls gets a film rating of 7 out of 10 and is recommended for those that enjoyed the original film and also provides a glitzy showcase for the next generation of rising film stars. Recommended viewing for those that enjoy teen comedies.