Posts Tagged ‘Emma Stone’

74th GOLDEN GLOBE AWARDS

Took place on Sunday 8th  January 2017 hosted by

the Hollywood Foreign Press Association in Beverly Hills, California

GOLDEN GLOBE WINNERS IN THE FILM CATEGORIES:

Best Film Drama: Moonlight

Best Film, Musical / Comedy: La La Land

Best Director: Damien Chazelle – La La Land

Best Actor Drama: Casey Affleck – Manchester by the Sea

Best Actress Drama: Isabelle Huppert – Elle

Best Actor M/C: Ryan Gosling – La La Land

Best Actress M/C: Emma Stone – La La Land

Best Supporting Actor: Aaron Taylor-Johnson – Nocturnal Animals

Best Support Actress: Viola Davis – Fences

Best Foreign Language Film: Elle directed by Paul Verhoeven (France)

2016 Venice International Film Festival Winners

Venice International Film Festival, known as La Biennale di Venezia takes place annually
in late August, early September and is regarded as the oldest Film Festival in the World

Golden Lion (Best Film): The Woman Who Left by Lav Diaz

Silver Lion (Best Director):  shared between –

Amat Escalante for The Untamed  (No film poster available)

Andrei Konchalovsky for Paradise

Best Actor:  Oscar Martínez for The Distinguished Citizen

Best Actress: Emma Stone for La La Land

Best Screenplay Award: Noah Oppenheim for Jackie

2016 Toronto International

Film Festival Winners

Toronto International Film Festival (TIFF) takes place every year in September in Toronto, Canada.

Films which premiere at Toronto are often nominated for Academy Awards the following year.

TIFF does not hand out individual prizes for Best Actor or Actress but focuses on amongst others the following awards:
People’s Choice Award & Best Canadian Feature Film

Opening Night Film: The Magnificent Seven directed by Antoine Fuqua starring Denzel Washington, Chris Pratt and Ethan Hawke

People’s Choice Award: La La Land directed by Damien Chazelle – starring Ryan Gosling, Emma Stone, Finn Wittrock, J. K. Simmons & Rosemarie DeWitt

Best Canadian Film: Those who make Revolution only Dig their Graves Halfway directed by Mathieu Denis and Simon Lavoie

Birdman

Or

The Unexpected Virtue of Ignorance

Director: Alejandro Gonzalez Inarritu

Cast: Michael Keaton, Edward Norton, Naomi Watts, Amy Ryan, Emma Stone, Andrea Riseborough, Zach Galifianakis, Lindsay Duncan

Mexican film director Alejandro Gonzalez Inarritu whose previous films include the critically acclaimed Babel, Buitiful and 21 Grams, delivers another cinematic magic realist masterpiece in the electrifying film Birdman or The Unexpected Virtue of Ignorance about the crazy antics which occur backstage on a Broadway production of a play adapted from a Raymond Carver story.

Birdman is comical, fantastical and brilliantly acted by a great ensemble cast but particularly by Michael Keaton as the central character Riggan, a washed up 1990’s superhero film star who is desperate to revive his acting career on Broadway.

Michael Keaton delivers a crackling performance as the erratic Riggan, an aging actor on the verge of a nervous breakdown, whose alter ego the superhero film character Birdman keeps whispering in his ear that he should not be taking to the stage but rather resuscitating his failed film career. Riggan also seems to be constantly hounded by a multitude of neurotic woman throughout the film which feeds his own performance anxiety.

Joining the energetic Keaton who just won the 2015 Golden Globe Award for Best Actor in a Musical or Comedy is an impressive ensemble cast including the hugely underrated Edward Norton as Mike Shiner a younger more precocious actor, Emma Stone as Riggan’s snappy daughter Sam, Andrea Riseborough as Riggan’s neurotic girlfriend Laura, Amy Ryan as Riggan’s ex-wife and stabilizing influence on his life, Sylvia. The Hangover star Zach Galifianakis as the exasperated bearded theatre producer Jake and Naomi Watts as a drama queen Lesley.

What makes Birdman or The Unexpected Virtue of Ignorance so utterly absorbing and in parts quite delirious is that Inarritu chooses to film the entire movie as one long tracking shot which keeps the momentum of this frenetic story alive and fresh. Besides the extraordinary direction, a very witty script, there is of course the superb performances by the entire cast who really excelled in a very difficult and strenuous acting stretch reminiscent of Luigi Pirandello’s play Six Characters In Search of an Author with a massive dash of Gabriel Garcia Marquez’s Magic Realism thrown in.

Visual clues abound along with multiple references to the 21^st century super saturated media world of the 21^st century. In one of the best scenes of the film Sam (superbly played by Emma Stone) tells her father Riggan that he has lost touch with the world, he does not even have a Facebook Page or a Twitter account and is rarely on social media. As Birdman progresses and in a hilarious sequence with Riggan running through New York’s Times Square dressed only in white underpants, which is naturally captured on YouTube, his digital success changes instantly.

Then after a near meltdown with a bottle of Whisky and after Riggan tells the influential theatre critic Tabitha (a superb cameo by Lindsay Duncan) that he should be taken seriously as a stage actor, the opening night of the play arrives and no one can anticipate the final reaction or the review in the New York Times theatre page entitled The Unexpected Virtue of Ignorance.

For anyone that has studied drama or been in a stage production, Birdman is a must see film, as Inarritu expertly captures the confidence, chaos and utter lack of self-consciousness of the wild and crazy cast of this production, as they strip for scene changes, fight with their fellow actors and generally are quite debauched in all sorts of ways unique to the Theatre world.

Birdman imaginatively emphasizes that despite all the social media around especially in 21^st century contemporary America, there is nothing quite as exciting as Live Theatre.

Keaton, Norton and Stone are absolutely superb and this film is highly recommended viewing, worthy of all the attention it is currently receiving, much like what every actor in the world constantly craves: rave reviews and becoming a celebrity!

Magic in the Moonlight

Director: Woody Allen

Cast: Colin Firth, Emma Stone, Eileen Atkins, Marcia Gay Harden, Hamish Linklater, Jacki Weaver, Simon McBurney

In the tradition of Bullets over Broadway and The Curse of the Jade Scorpion, director Woody Allen returns to the period piece in the gorgeous and witty Noel Coward inspired drawing room comedy Magic in the Moonlight set on the French Riviera.

After the success of Blue Jasmine, Woody Allen returns to Europe and in a sublime casting match has Colin Firth (The King’s Speech) simply incisive and caustic as Stanley Crawford a cynical British magician who at the request of his friend Howard Burkan travels to the French Riviera to uncover the true intentions of a young and beguiling spiritualist Sophie Baker superbly played by Emma Stone. Naturally Sophie is preying on the good intentions of an extremely wealthy American family who are spending the summer at their villa on the La Cote d’Azur.

With a vibrant dose of jazz, sparkling costumes and vintage cars, Magic in the Moonlight sets the lavish scene for a truly witty melodrama inspired by playwright Noel Coward and definitely influenced by the works of F. Scott Fitzgerald. The year is 1928, a year before the Great Depression and smart society is still abundantly hopeful and rich. This is Tender is the Night without the drama.

Sophie has befriended the naïve and wealthy Brice played by Hamish Linklater who at the request of his bejewelled mother, a brief cameo by Jacki Weaver (Silver Linings Playbook) invokes the art of séances and acts as a sort of naïve, yet beautiful medium to the dead, more specifically her late husband, a billionaire Pittsburgh industrialist.

Emma Stone is wonderful and crafty as Sophie who soon falls in love with Stanley after a failed trip to Provence whereby the couple are trapped in a celestial observatory to avoid a torrential downfall. There in this observatory they gaze at the moonlight over a luminous Mediterranean sea, a scene which surely inspires the film’s whimsical title.

This is an elegant, witty and utterly charming period piece with Woody Allen writing intelligent and naturally comic dialogue without the angst characteristic of his contemporary American films featuring neurotic Manhattan ramblings.

That’s because in a wise casting decision the famous actor/director does not feature in Magic in the Moonlight and leaves all the brilliant acting to his shining ensemble cast, especially Firth who reverts back to his egotistical slightly arrogant roles that he is so good at playing like Mr Darcy in Pride and Prejudice. Firth delivers the lines with a crisp diction and the best scenes are with him and fellow British thespian Eileen Atkins who gives an astonishing performance as his affectionate but wise Aunt Vanessa.

Magic in the Moonlight is whimsical, beautifully constructed and wonderfully acted in a lovely Sunday afternoon sort of way, showing that Allen can still make films which delight audiences as he sheds the angst and focuses on the inexplicable energy of human society and their coy yet quirky interactions.

Whilst the rest of the cast make up a glittering ensemble, including Marcia Gay Harden, Hamish Linklater and Catherine McCormack, it is really the sparkling onscreen connectivity of Firth and Stone as the two foils of their own deceptions, two semi-sophisticated adults thrown together in paradise whose romance blossoms despite their age difference and respective ambitions.

Magic in the Moonlight evokes a romantic era long since vanished and is highly recommended viewing for those that relish nostalgic cinema.

Gangster Squad

Director: Ruben Fleischer

Cast: Josh Brolin, Ryan Gosling, Emma Stone, Anthony Mackie, Giovanni Ribisi, Holt McCallany, Michael Pena, Sean Penn, Sullivan Stapleton, Nick Nolte, Mireille Enos, Josh Pence

Based upon the fascinating non-fiction book, Gangster Squad by Paul Lieberman, the beautifully yet violent cinematic rendition of the story of how an elite group of LA cops formed a Gangster Squad to tackle the effects of organized crime in post-wars Los Angeles, is thrilling to watch, engrossing and thoroughly entertaining. Featuring an all star cast including Ryan Gosling as Jerry Wooters, Josh Brolin as Jack O’Mara, Emma Stone as Grace Faraday and Sean Penn as the malevolent gangster Mickey Cohen who terrorized the Hollywood Boulevard in the early days of the city of angels growth is both visceral and heartfelt.

Giovanni Ribisi and Michael Pena also star as electronics expert Conwell Keeler and Officer Navidad Ramirez respectively in this brotherhood tale of elite cops fighting the influences of organized crime in the form of the vicious New York immigrant Mickey Cohen. Whilst Paul Lieberman’s novel goes into a truly in depth analysis of the origins of organized crime in Los Angeles, before and after the 2nd World War especially as California and Nevada become ripe for the East Coast families to increase their criminal activities. In this case Chicago crime emissary Jack Dragnet, played by Jon Polito is soon wiped out by Mickey Cohen who will go to any lengths to become Los Angeles’s crime boss.

Directed by Ruben Fleischer, Gangster Squad skips over much of the social history in favour of making a sleek, glamorous and violent film about the sharp shooting and mischievous Squad which successfully undermined Mickey Cohen’s grip on the city of Angels in the late 40’s and early 50’s. Not nearly as measured and brilliant as Barry Levinson’s film Bugsy about Bugsy Seigel’s establishment of Las Vegas in the late 40’s, Gangster Squad comes off more as a nostalgic pastiche of all great Gangster films from the same genre most notably The Untouchables, Bugsy and the brilliant L. A. Confidential.

Gangster Squad features a smooth talking Ryan Gosling in what is really an ensemble piece about a group of men who go to any lengths to undermine the mob king in their town often at their own personal costs. Gosling’s screen time with Emma Stone is fabulous along with some particular brilliant and captivating action sequences, Gangster Squad is held together by a brilliant cast, fabulous sets and a superb retelling of an emerging city out of the clutches of crime and into those of glamour and cinema, which is what Los Angeles is more famous for today.

Recent more grittier films about Los Angeles downtown crime film like End of Watch also starring Michael Pena shot in a Southlands TV series style has not changed the image that LA is still a city plagued by foreign criminal organizations or crazy criminals as immortalized in Quentin Tarantino’s Pulp Fiction and not so much by East Coast immigrants as it was in the first half of the 20th century.

Paul Lieberman’s book Gangster Squad is a brilliant read as his detailed history of the city of Angels in the mid 20th century is perfectly captured and exceptionally well researched.  The Hollywood film version of Gangster Squad is by all respects a brilliantly recreated 1940’s handsome cinematic experience complete with Slapsy Maxies also starring Nick Nolte as Chief Parker and Anthony Mackie as Officer Coleman Harris and worth watching for the quirky dialogue, well orchestrated action sequences,  and will surely delight those fans who loves similar styled mobster movies!

Crazy Stupid Love

Reclaiming his Manhood

The lack of a single director for this convoluted and at times funny romantic comedy owes very much to the obvious plot contrivances of Steve Carell’s latest film Crazy Stupid Love. Directed by Glenn Ficarra and John Requa who excelled in the more flamboyant film I Love You Philip Morris, and written by Dan Fogelman Crazy Stupid Love is a familial take on Loves Labours Lost but does not match up to the brilliant script of Friends with Benefit, despite having an enormously talented all star cast including Ryan Gosling as the playboy Jacob Palmer, the new hip girl Emma Stone as the quirky law graduate Hannah and Julianne Moore as Carell’s weak and superficial wife Emily Palmer.

Where this oddly titled romantic comedy does excel is in showing that love across the generational divide is unpredictable, quirky and sometimes comical. The best scenes in the film are when Cal Weaver, a frumpy mid-forties office worker played with the usual lack of appeal by Steve Carell is challenged by Gosling’s character, the smooth talking womanizer Palmer to rediscover Cal’s manhood and assert his sexual dominance in the dating arena. It is Gosling who shines in this role, along with Emma Stone as the cautious Hannah who eventually couple up much to the horror of Hannah’s parents. The ensemble cast of Crazy Stupid Love resemble a more cinematic version of a Shakespearian comedy and while like any ensemble cast, supporting characters often outshine the leading players.

Watch out for Josh Groban as Hannah’s boring lawyer boyfriend, Marisa Tomei as a depraved school teacher and Kevin Bacon as a thoroughly unattractive accountant. While the talents of Kevin Bacon and Marisa Tomei not to mention Julianne Moore are largely wasted on a script with shallow character development, Crazy Stupid Love is another version of Steve Carroll’s breakthrough comedy The 40 year Old Version. Steve Carell should perhaps play a villain in his next film role, while Ryan Gosling should really stick to more profound cinematic roles as in Half Nelson and Blue Valentine, although his brilliant role in Crazy Stupid Love is one of the films’ redeeming features.