David R. Walker

Posts Tagged ‘Jack Champion’

Avatar: Fire and Ash

Director: James Cameron

Cast: Sam Worthington, Sigourney Weaver, Zoe Saldana, Stephen Lang, Oona Chaplin, Kate Winslet, Cliff Curtis, CCH Pounder, Edie Falco, Brendan Cowell, Giovanni Ribisi, David Thewlis, Jack Champion, Laz Alonso, Kevin Dorman

Running Time: 3 hours and 17 minutes

Film Rating: 8 out of 10

Titanic director James Cameron has proved his worth as a cinematic world builder.

In the third instalment of the Avatar franchise, the new film entitled Avatar: Fire and Ash, Cameron reassembles his old cast in a multi-themed narrative about the air breathers or Sky People fighting the Na’vi which culminates in a lavish adventure while constantly being threatened by an evil fire tribe headed by the fiery Varang voiced by Charlie Chaplin’s granddaughter Oona Chaplin (Quantum of Solace, The Devil’s Double).

Varang heads up the fire wielding Ash creatures who makes a deal with Miles Quatrich played by Stephen Lang in exchange for much coveted arms. In this extraordinary narrative, Sully played again by Sam Worthington along with his family are out to protect Spider played by Jack Champion who has inadvertently found the ability to survive on Pandora without needing an oxygen mask.

Avatar: Fire and Ash has stunning production design by Dylan Cole and Ben Procter coupled with shimmering cinematography by Russell Carpenter. The film itself is a sight to behold, lavish, beautiful and entertaining.

As Sully and Spider avoid capture by Varang, they fall into the hands of the technologically advanced humans on Pandora particularly General Ardmore played by Edie Falco and Selfridge played by Giovanni Ribisi (Selma, Contraband, The Rum Diary) who are desperate to experiment on Spider after he is infused with a strange substance that allows him to breath on Pandora, a substance which if harnessed properly could allow the humans to colonize and exist on Pandora and eternally threaten the Na’vi. General Ardmore views the Na vi as hostiles on the perimeter of their industrial military complex.  

As the final battle looms between the humans and the Na’vi creatures, strange alliances are forged to help protect Pandora’s ecosystem and the existence of the indigenous oceanic tribes, an allegorical nod to climate change and the horrors of ruthless colonialism.

Avatar: Fire and Ash is much better than one expects although the film is extremely long but considering how packed the cinema was when I watched it, it’s definitely a film that is attracting crowds back to the movie theatres.

Something that Hollywood needs at this critical time in which streaming services are blatantly threatening the survival of the collective cinema experience.

Congratulations to James Cameron who delivers another visually resplendent epic film yet again with Avatar: Fire and Ash which should get recognized at the 2026 Oscars for nominations for Best Picture and Visual Effects. If Titanic was the film that made James Cameron famous, Avatar will be his legacy.

Avatar: Fire and Ash is entertaining and visually beautiful with amazing special effects. This epic gets a film rating of 8 out of 10 and is highly recommended for fans of the first two films. Worth seeing on the biggest screen possible.

Retribution

Director: Nimrod Antal

Cast: Liam Neeson, Embeth Davidtz, Jack Champion, Lilly Aspell, Noma Dumezweni, Matthew Modine

Running Time: 1 hour 31 minutes

Film Rating: 5 out of 10

Machete director Nimrod Antal who is of Hungarian descent returns to the big screen with another Liam Neeson action thriller Retribution but unfortunately this 90 minute action film does not make the standard in terms of entertainment, pacing or a decent storyline. In fact director Nimrod Antal needs to go back to Film School and learn about pacing a cinematic narrative so that a story is in fact gripping and exciting and not one-dimensional.

Oscar nominee Liam Neeson (Schindler’s List) stars as shady corporate hedge fund dealer Matt Turner who is self-obsessed and arrogant until he regrettably decides to drop his two children off at school in Berlin. The kids, Emily and Zach are well played by rising stars Lily Aspell (Wonder Woman) and Jack Champion (Avatar: The Way of Water) and are naturally unhappy about being driven to school by an emotionally unavailable father.

Things go considerably pear-shaped when Matt receives a call from a Psycho on a Phone who tells him that unless he wires 208 Million Euros from a Dubai bank account he is going to blow up the Mercedes SUV that they are all travelling in.

Retribution takes place entirely in a Mercedes, but naturally the claustrophobic setting of a film, which fails to use the location of Germany’s capital city Berlin effectively becomes a monotonous film about a father dealing with a crazy person who feels nothing at killing innocent people including his two children.

Even Swaziland born star Noma Dumezweni (Mary Poppins Returns, Little Mermaid) who plays Europol chief Angela Brickmann fails to alleviate the monotony of this film with her bland confrontation with Matt Turner and his family.

Where the Taken franchise was so brilliant, with non-stop action and fighting, Retribution plods along with little diversion and Liam Neeson has one expression on his face: why did I do this movie?

Retribution is by far the worst film I have seen this year, with an impractical storyline with little background on each characters and a narrative which is implausible. Some of the actions scenes are good, but being released just after the incredible summer blockbuster season headlined by such fantastic films as Mission: Impossible Dead Reckoning and Oppenheimer, Retribution comes across as dull, with an even worse ending slightly alleviated by a shocking twist which the screenwriter fails to capitalize on. Unfortunately the talents of Embeth Davidtz and Matthew Modine are equally wasted in this atrocious thriller.

This film is more bad than good, so the film rating is 5 out of 10, saved only by Zach Turner’s famous line: There is a Psycho on the Phone.

Avatar: The Way of Water

Director: James Cameron

Cast: Sam Worthington, Zoe Saldana, Sigourney Weaver, Kate Winslet, Stephen Lang, Jack Champion, Cliff Curtis, Edie Falco, CCH Pounder

Running Time: 3 hours and 12 minutes

Film Rating: 8 out of 10

This film is only available in cinemas – please support cinemas

After a 13 year absence, director James Cameron returns with the highly anticipated sequel to the 2009 smash hit Avatar which is a mix up of the first film, with directorial flourishes from his earlier films including the Oscar winning Titanic and 1989’s The Abyss. Avatar: The Way of Water follows the Na’vi race to protect Pandora from the Sky People commonly known as humanity who have come to colonize Pandora as earth is becoming increasingly uninhabitable.

This epic fantasy adventure is over 3 hours long and can be viewed as a family orientated cinematic opera with a clear 3 act partition. The narrative focuses on Jake Sully and his family as they leave the rainforests and escape to the water people, Metkayina reef people headed up by TonoWari played by New Zealand actor Cliff Curtis (Once Were Warriors) and his wife Ronal played by Oscar winner Kate Winslet (The Reader) who reteams with James Cameron after the critical success of Titanic.

Act 1 of Avatar: The Way of the Water is establishing the family dynamics of Jake Sully and his wife Neytiri played by Zoe Saldana and their four children: two boys and two girls as they live blissfully in the lush rain forests of Pandora. Act 2 follows the family’s departure to the water people following an imminent threat by Quaritch played by Stephen Lang, a human space commando that has become an Avatar to track down Jake Sully and then Act 3 is the most spectacular as there are the Aqua Wars.

It is really in the critical scenes of Act 3 that director James Cameron excels as the gorgeous water scenes are extraordinary. However soon the water people and the ocean species are threatened by the arrival of Quaritch with humans, ammunition and extremely advanced technology which destabilizes the delicate balance of life that the Water people, wisely governed by TonoWari has fought so hard to maintain. The water sequences in Act 2 and 3 are truly phenomenal: dazzling and visually beautiful. For that reason alone it is worth seeing Avatar: The Way of Water. The second reason, besides the cutting edge visual effects, is the extraordinary production design, not only in scale but in imagination and interpretation.

The story of Avatar: The Way of Water could be an allegory for conservation, the climate crisis and rapid urbanisation. It could also be an allegorical tale about the colonizer trying to conquer the colonised to the point of extinction. Both allegorical reference points remain relevant and contemporary.

Visually lavish, Avatar: The Way of Water is truly amazing to behold, a vast and glimmering spectacle of oceanic wars, threatened species and unbelievable technology.

Avatar: The Way of Water gets a film rating of 8 out of 10 and should win an Oscar for Best Visual effects. It is a very long film, but highly recommended viewing, not so much for the storyline but for the cinematic spectacle.