Posts Tagged ‘Zoe Saldana’

Star Trek: Into Darkness

Director: J. J. Abrams

Cast: Chris Pine, Anton Yelchin, Benedict Cumberbatch, Karl Urban, Alice Eve, Chris Hemsworth, Jennifer Morrison, John Cho, Peter Weller, Simon Pegg, Zachary Quinto, Zoe Saldana, Bruce Greenwood

Director J.J. Abrams dazzling reinvention of the Star Trek franchise continues with the glossy sequel to the 2009 smash hit Star Trek with Star Trek: Into Darkness, pulling together the same cast from the original and then adding the amazing talents of big screen-newcomer Benedict Cumberbatch (last seen in the extraordinary Tinker Tailor Soldier Spy) as the evil villain and celestial terrorist Khan, a reinvented character from the 1982 film: Star Trek II: The Wrath of Khan.

Star Trek: Into Darkness opens with a spectacular volcanic sequence on a primal planet in which Captain Kirk rescues his half Vulcan friend Spock from near extinction to the 23^rd century high tech metropolises such as London and San Francisco. Meanwhile back on Earth the sinister superhuman Khan destroys an Enterprise space library in central London and then wages an attack on the commanding officers of the Enterprise fleet at their Californian headquarters before fleeing Earth for a Klingon refuge on a distant planet.

Captain Kirk played with boisterous heroism by Chris Pine and his team including Zachary Quinto as Spock, Simon Pegg as Scotty, Zoe Saldana as Uhura and ubiquitous Karl Urban as Bones, John Cho as Sulu and Anton Yelchin as Chekov head to the outer reaches of Klingon galactic territory and capture Khan, whose wily ways are only revealed as they head back towards earth. Cumberbatch is really superb as the sinister villain and far out does any of his co-stars maybe with the exception of Quinto’s slightly robotic yet sensitive Spock.

The unrequited love between Kirk and Spock is highlighted in a particularly touching scene when the dashing Captain appears to be dying in the heart of the Star Trek Enterprise and Chris Pine’s gorgeous blue eyes make the audience feel for his unfulfilled love as he seemingly expires due to radiation exposure under the mournful gaze of Quinto’s Spock.

But never fear Trekkies, Spock takes revenge on Khan and in a brilliantly orchestrated chase sequence through 23^rd century San Francisco resulting in an extraordinary fight sequence aboard an industrial spacecraft, not to mention a crashing spacecraft taking out Alcatraz.

Whilst Star Trek: Into Darkness has less characterization as the 2009 Star Trek, it really is Cumberbatch’s film as he makes the villain into a truly deceptive sinister terrorist with some superb dialogue.  The rest of the supporting cast ham it up in their Trekkie uniforms without too much in depth characterization whilst the only subplot to attract minor interest is Alice Eve as the blonde weapons expert Carol channeling the Nicole Kidman look as she reveals her complex relationship with her dubious father veteran Captain Marcus played by Peter Weller from Robocop fame.

Star Trek: Into Darkness is for true sci fi fans and whilst not in the same thought-provoking existential vein as Ridley Scott’s Prometheus or Joseph Kosinski’s Oblivion, it is pure glossy sci-fi entertainment and sure to remain an inspiration at future Comicon conventions , not to mention Trekkie conventions from Tokyo to Anaheim.

After all what can audiences expect from the producers of the successful Hawaii 5 0 series, Roberto Orci and Alex Kurtzman but another action-packed brilliant bromance, however this time the visual effects and excellent sound editing triumph over characterization whilst the script retains its mythological narrative that has made the Star Trek franchise so enduring and iconic.

Taken 2

Getting Tested in Turkey

Los Angeles always used to be portrayed cinematically as a potentially dangerous place, but now in the much anticipated sequel to Taken, aptly named Taken 2, it is the more exotic location of Istanbul that is proving to be treacherous with shady Albanians bent on revenge on retired CIA operative Brian Mills played with zest by Liam Neeson and his family who make a brief visit to the Turkish city.

Taken 2 follows a very similar storyline to Olivier Megaton’s 2011 hit Columbiana featuring the agile Zoe Saldanha who escapes crime ridden Bogota to the safety of America where she trains to be a superb and silent assassin in Chicago to avenge her parents’ murder by the king of a Colombian drug cartel.

Colombiana

Colombiana was big on storyline as well as action and highly engaging featuring a great supporting cast including Callum Blue, Michael Vartan and Cliff Curtis. Megaton’s directorial traits as demonstrated in Colombiana are repeated with less flourish in Taken 2, expertly making use of Istanbul as a fantastic action location as he did with Bogota and Chicago. Where Colombiana succeeded was that the narrative was more original and the action sequence more inventive especially as it wasn’t a sequel. Where Taken 2 succeeded was that it was brilliant as formulaic sequel using the similar revenge, kidnap and violence scenario of the original film Taken.

The 2008 film Taken was set in Paris and directed by Pierre Morel, both films were penned by the writing duo Luc Besson and Robert Mark Kamen.  Taken 2 and Columbiana have all the traits of a Luc Besson film echoing his ventures as a director in Leon, the Professional and the groundbreaking 1997 hit The Fifth Element. Luc Besson as screenwriter has penned lots of high volume action films over the past decade including The Transporter series, From Paris with Love and Revolver, so while Taken 2 is not as fulfilling plot wise as the original it is just as watchable.

Taken

Using the same cast from the original film Taken (always a good recipe for a successful sequel), Taken 2 features an overprotective and ultra-alert Liam Neeson as Mills along with neurotic ex wife Lenore played by Famke Janssen and more switched on daughter Kim played by Maggie Grace as they journey to Istanbul.

Taken 2 is not big on plot but really a sequel to the success of the original film, involving expertly edited action sequences and some brilliant inventive sound editing which makes it a rather quick and violent excursion in Istanbul not to mention an engaging high velocity action thriller. Maggie Grace shines as the daughter and Megaton’s fluid direction makes Taken 2 a thrill ride making the most of the Turkish city without having to engage too much of the viewers intellect. In fact it is the city Istanbul and Maggie Grace which makes Taken 2 so watchable and those superb 30 minutes after the initial kidnapping has occurred. It’s no wonder that both Taken and Taken 2 has made a killing at the box office.

If viewers enjoyed Colombiana, Taken, From Paris with Love, then Taken 2 will be the perfect way to spend 91 minutes watching Neeson do what he does best. Take revenge in a foreign city in this case Turkish revenge where Istanbul is a nefarious environment and Los Angeles is inadvertently portrayed as a relative safe haven.

Avatar

James Cameron much anticipated Avatar is a simulacrum of CGI images which will dazzle the viewers but leave any intelligent probing of colonialism in a virtual capacity as a hollow fantasy without any true substance, leaving the human characters to languish in a wilderness of special effects without a thread of credibility…. there again – it is billed as a fantasy epic – a strange mixture of Ferngully on Acid mixed with GI Joe Transformers – where are those corporates digging for precious metals?

Too little of such great talents as Sigourney Weaver and Giovanni Ribisi are used purposefully onscreen while Sam Worthington’s avatar is as solid as it is imaginary, as two dimensional as the proverbial battle between the indigenous popultion, the Na’vi and the humans which seek to destroy and colonize Pandora

First half is stunning but once Pandora ‘s delights are discovered, it all goes South from there and the machines bring destruction and a new dawn…

Irony of the film is that the earth-loving Pandoreans would never have been created ten years ago without the 21st Century digital technology….

Blade Runner, Babylon AD and Chronicles of Riddick do far better in the originality arena… held up by the bastions of Science Fiction Star Wars and the recent brilliant Star Trek.