Archive for the ‘David Ayer’ Category

A Working Man

Director: David Ayer

Cast: Jason Statham, Jason Flemyng, Maximilian Osinski, Cokey Falkow, Michael Pena, David Harbour, Arianna Rivas, Piotr Witkowski, Greg Kolpakchi

Running Time: 1 hour 56 minutes

Film Rating: 6.5 out of 10

With screenwriters David Ayer and Sylvester Stallone based upon the book by Chuck Dixon called Levon’s Trade, A Working Man perfectly recreates a world of good and evil. In David Ayer’s universe, the evil villains are really bad: diabolical and ruthlessly violent.

A Working Man’s poster shows an image of the action star Jason Statham looking mean with a shotgun and a baseball bat and this tells viewers everything about a violent action film in which Statham’s character Levon Cade is a construction site manager who at the film’s beginning is down and out, sleeping in his car and battling to get custody of his beautiful young daughter.

A Working Man pits the honest hard working fellow against an evil crime syndicate that are involved in human trafficking and the kidnapping of young girls for kinky clients in distant locations on the outskirts of Chicago.

In this case, when the construction boss Joe Garcia played by Michael Pena’s daughter Jenny gets kidnapped on a girl’s night out, Levon is hired by the Garcia’s to find their talented daughter.

Levon with the help of his blind friend Gunny played by David Harbour enters the underworld of Chicago crime syndicates and discovers that the real perpetrators are the evil Russians. In this case these are not the Brighton Beach Russians of director Sean Baker’s Oscar winning film Anora, these are the crazy Russians with links to human trafficking, drugs and illegal gambling.

The Russian crime syndicate is thrown into disarray when the son of a Russian mob boss, Dimi Kosnyk played by Maximilian Osinski (In Time) hires two deadbeats to kidnap Jenny Garcia and then have to face the consequences of their actions when Levon Cade comes after the entire Russian crime family including the crazy twin brothers, dressed in matching haute couture tracksuits, Danya and Vanko played by Greg Kolpakchi and Piotr Witkowski.

The scene in the panel van when Levon takes on the twins is frenetic and then there is the final gruesome showdown in which director David Ayer does really ensure that audiences are taken into the depravity and decadence of the underworld filled with bloodshed and perversion.

One thing David Ayer does brilliantly is creating his evil villains and in A Working Man he does not disappoint.

Cinematographer Shawn White and production designer Nigel Evans do a superb job of creating a contracting aesthetic between the bright innocent world of normal law abiding citizens and the dark nefarious world of organized crime. The contrast is startling and effective.

South African audiences should watch out for a great cameo by SA actor Cokey Falkow (Jurassic World: Dominion) as Dougie a biker enforcer who also gets involved in Levon’s crusade to save the maiden from the underworld.

A Working Man is a violent kidnapping thriller with action man Jason Statham delivering on every level and gets a film rating of 6.5 out of 10. This film is average with parts of the storyline sliding indulgently into excess while generally it maintains an entertaining storyline.

This film is recommended for action fans and lovers of David Ayer films like Fury, Suicide Squad and End of Watch.

Suicide Squad

Director: David Ayer

Cast: Will Smith, Margot Robbie, Viola Davis, Joel Kinnaman, Jai Courtney, Jay Hernandez, Jared Leto, Cara Delevigne, Common, David Harbour, Scott Eastwood, Ezra Miller

After David Ayer’s impressively realistic war film, Fury, it was announced that he would be directing the highly anticipated and edgy superhero film, Suicide Squad.

Assembling an international cast would be easy. Will Smith, Margot Robbie, Joel Kinnaman and Oscar nominee Viola Davis were all on board but the real casting coup was having Oscar winner Jared Leto (Dallas Buyers Club) play the Joker.

Big crazy shoes to fill for Leto considering Oscar winner Heath Ledger did such a sterling job of playing The Joker in Christopher Nolan’s visually impressive The Dark Knight in 2008. And then there was Oscar winner Jack Nicolson’s wacky portrayal of Gotham’s most deranged villain in Tim Burton’s Batman back in the 1989.

So Suicide Squad is finally released with huge expectations including a brilliant trailer but is this new superhero film that mind-blowing? If viewers watch this film as a precursor for Warner Bros’s DC Comics expanding their cinematic universe following Batman versus Superman and the highly anticipated The Justice League to be released in 2017, then Suicide Squad will satisfy fanboys globally.

What saves Suicide Squad is Margot Robbie’s exuberant performance as the psychopathic killer Harley Quinn who also happens to be The Joker’s deranged girlfriend.

Equally good in Suicide Squad is Oscar nominee Viola Davis (The Help, Doubt) who plays a hard-nosed and ruthless head of a covert government organization and the brainchild behind assembling such a crazy bunch of humans and meta-humans to save Midway City, where the only bond tying the psycho killers together are a shared lunacy and the prospect of continued incarceration.

What works against Suicide Squad is having such a young villain, model turned actress Cara Delevigne as the evil Enchantress whilst Leto’s crazy Joker has diminished screen time, but then again Leto is returning in The Justice League, so we shall see.

Suicide Squad does lose the plot slightly, but as a superhero film especially with David Ayer at the helm, it could have been far edgier and definitely much sexier. This is where Deadpool got it right. If you are going to subvert the superhero genre do it properly especially with such a deranged cast of characters. The use of continued flashbacks in the narrative also detracts somewhat from the primary storyline.

Despite the steam punk production design, Suicide Squad is not a brilliant film and certainly does not live up to its hype, but will be savoured by all superhero fanboys and if one views the film as a precursor to great things to come then it is outrageously entertaining. Audiences should definitely stay seated beyond the final credits.

Unfortunately Will Smith and Joel Kinnaman seem to fumble in the film but that is primarily because they do not have sufficiently grittier and bloodier material to work with, a style which director David Ayer is more accustomed to.

See Fury to appreciate where Ayer’s real talent lies.

FURY

Director: David Ayer

Cast: Brad Pitt, Shia LaBeouf, Logan Lerma, Michael Pena, Jon Bernthal, Scott Eastwood, Jason Isaacs, Anamaria Marinca, Alicia von Rittberg

End of Watch director David Ayer tackles the war genre in the brutal drama simply entitled Fury assembling a stellar cast of great young actors including Shia LaBeouf last seen in Lars von Trier’s Nymphomaniac, Logan Lerman, Michael Pena (End of Watch, American Hustle) and Jon Bernthal and headed by the illustrious Brad Pitt (Legends of the Fall, Twelve Monkeys, Moneyball, The Counselor).

In a role similar to that played in Inglourious Basterds, Pitt plays Don “Wardaddy” Collier, a hardened soldier and Nazi killer who is heading up a tank squadron and who has seen his fair share of bloody battles. The tank in question is called Fury and as the Allies advanced into Germany during April 1945, these American tanks were combating the far superior designed German Panzers. As the brutal end of World War Two winds down, Hitler has ordered every last man, woman and child to defend their country against the advancing Allies.

Against this gritty theatre of war, the veteran Collier inherits a young and naive gunner named Norman Ellison superbly played by Logan Lerman who to his dismay went from being a typist in the US Army to manning a machine gun in an armoured tank. Its Collier’s job to toughen Norman up, even forcing him to shoot an unarmed German soldier as he brandishes pictures of his family to the American troops and desperately pleads for his life.

As the five man team who drive Fury further into the German countryside, the situation gradually deteriorates as they first enter a German town obliterated by shelling casually coming across a suicide party of Nazi officers along with a scattering of scared German villagers and then near a farmhouse in the muddy countryside where they encounter an enemy infantry division marching towards them.

This is grim viewing with lots of bloodshed, superbly choreographed action sequences and unrelenting violence, cinematically brought to life with razor sharp sound effects, giving the viewer the sense of being involved in these gruesome final battles.

As opposed to George Clooney’s Monuments Men, David Ayer’s Fury deglamourizes war to its basic instinctual premise of kill or be killed and with excellent sound editing and effects, the film stands as a perfect counterpoint to The Imitation Game which elegantly showed war as a complex game of ingenuity and skill, clouded with espionage and intrigue.

Fury goes straight to the bloody and dirty heart of war and in its tag line aptly states that no war ends quietly. This is man fighting man with all the brutal savagery one has for each other’s enemies, as the victors march through the lands of the defeated.

Fury is well acted especially by Logan Lerman (Noah) in one of his more substantial roles and definitely alludes to a talent waiting to be nurtured. The rest of the four man team adds a brave complement to Norman’s emotional and physical journey as a very young soldier who realizes he has to go to any lengths to stay alive. Fury will definitely appeal to war film enthusiasts and those viewers that enjoyed Saving Private Ryan, Lone Survivor and even the more stylized Quentin Tarantino war film Inglourious Basterds.

American director David Ayer has excelled with Fury which is highly recommended viewing aimed at a mature masculine audience that can appreciate the art of combat and the innate savagery of war itself. Fury is not for the squeamish and certainly not for those expecting a light hearted war romp like The Monuments Men.