The Brutal Education of Norman

FURY

fury

Director: David Ayer

Cast: Brad Pitt, Shia LaBeouf, Logan Lerma, Michael Pena, Jon Bernthal, Scott Eastwood, Jason Isaacs, Anamaria Marinca, Alicia von Rittberg

End of Watch director David Ayer tackles the war genre in the brutal drama simply entitled Fury assembling a stellar cast of great young actors including Shia LaBeouf last seen in Lars von Trier’s Nymphomaniac, Logan Lerman, Michael Pena (End of Watch, American Hustle) and Jon Bernthal and headed by the illustrious Brad Pitt (Legends of the Fall, Twelve Monkeys, Moneyball, The Counselor).

In a role similar to that played in Inglourious Basterds, Pitt plays Don “Wardaddy” Collier, a hardened soldier and Nazi killer who is heading up a tank squadron and who has seen his fair share of bloody battles. The tank in question is called Fury and as the Allies advanced into Germany during April 1945, these American tanks were combating the far superior designed German Panzers. As the brutal end of World War Two winds down, Hitler has ordered every last man, woman and child to defend their country against the advancing Allies.

Against this gritty theatre of war, the veteran Collier inherits a young and naive gunner named Norman Ellison superbly played by Logan Lerman who to his dismay went from being a typist in the US Army to manning a machine gun in an armoured tank. Its Collier’s job to toughen Norman up, even forcing him to shoot an unarmed German soldier as he brandishes pictures of his family to the American troops and desperately pleads for his life.

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As the five man team who drive Fury further into the German countryside, the situation gradually deteriorates as they first enter a German town obliterated by shelling casually coming across a suicide party of Nazi officers along with a scattering of scared German villagers and then near a farmhouse in the muddy countryside where they encounter an enemy infantry division marching towards them.

This is grim viewing with lots of bloodshed, superbly choreographed action sequences and unrelenting violence, cinematically brought to life with razor sharp sound effects, giving the viewer the sense of being involved in these gruesome final battles.

As opposed to George Clooney’s Monuments Men, David Ayer’s Fury deglamourizes war to its basic instinctual premise of kill or be killed and with excellent sound editing and effects, the film stands as a perfect counterpoint to The Imitation Game which elegantly showed war as a complex game of ingenuity and skill, clouded with espionage and intrigue.

Fury goes straight to the bloody and dirty heart of war and in its tag line aptly states that no war ends quietly. This is man fighting man with all the brutal savagery one has for each other’s enemies, as the victors march through the lands of the defeated.

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Fury is well acted especially by Logan Lerman (Noah) in one of his more substantial roles and definitely alludes to a talent waiting to be nurtured. The rest of the four man team adds a brave complement to Norman’s emotional and physical journey as a very young soldier who realizes he has to go to any lengths to stay alive. Fury will definitely appeal to war film enthusiasts and those viewers that enjoyed Saving Private Ryan, Lone Survivor and even the more stylized Quentin Tarantino war film Inglourious Basterds.

American director David Ayer has excelled with Fury which is highly recommended viewing aimed at a mature masculine audience that can appreciate the art of combat and the innate savagery of war itself. Fury is not for the squeamish and certainly not for those expecting a light hearted war romp like The Monuments Men.

 

 

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