Posts Tagged ‘Caitriona Balfe’

Sense and Sensibility

Director: Georgia Oakley

Cast: Daisy Edgar-Jones, Esme Creed-Miles, George Mackay, Caitroina Balfe, Frank Dillane, Herbert Nordrum, Fiona Shaw, Bodhi Rae Breathnach

Running Time: 2 hours and 11 minutes

Film Rating: 8 out of 10

Young British director Georgia Oakley serves up a sumptuous film version of Sense and Sensibility the 1811 novel by Jane Austen, a ravishing and authentic cinematic reimaging that Austen would be proud of.

31 years after the Oscar winning Ang Lee version of Sense and Sensibility, a 21^st century version of one of Austen’s classic novels was due for a remake.

Cast as the ambitious but single Dashwood sisters are Daisy Edgar-Jones (Twisters, Where the Crawdads Sing) as the sensible Elinor and Esme Creed-Miles as the impulsive and headstrong Marianne Dashwood along with Hamnet star Bodhi Rae Breathnach as the young Margaret.

When their father dies and leaves the Dashwoods in financial distress, wealthy relatives come and take charge however, Mrs Dashwood wonderfully played by Caitroina Balfe (Belfast, Ford v Ferrari) does not wish to live under the rules of her brother-in-law who has inherited the entire estate. At the insistence of the loquacious Mrs Jennings, superbly played by Fiona Shaw (The Black Dahlia, Colette), the Dashwoods relocate to Devon.

On this physical and soon to be emotional journey, both Marianne and Elinor find possible love with respective suitors. Marianne is rescued on a beach by the handsome Willoughby played by Frank Dillane (In the Heart of the Sea) while Elinor more susceptible to the strict social norms of the early 19^th century has a desire for the charming and gentle Edward Ferrars exceptionally well played by George McKay (1917).

As each sister navigates the tricky social world of English society, both in the country and in London, director Georgia Oakley paints a vivid and erudite picture of England which was intensely patriarchal in which all the property and wealth was only transferred to the men, their brothers or their sons.

A generational system which served to keep men in power and women dependent, a situation which Jane Austen so subtly criticised in all her novels.

While Marianne discovers that some men are scoundrels, Elinor realizes that miscommunication and repression of one’s feelings do not lead to lasting romance. Looking on at the misadventures of the eligible Dashwood sisters is the kind Colonel Brandon expertly played by Norwegian actor Herbert Nordrum (The Worst Person in the World), who is the epitome of a gentleman, chivalrous and protective.

Sense and Sensibility is held together by a strong cinematic vision, slightly gritty but also elegant as the production design by Francesca di Mottola and the costumes by Grace Snell create a definite contrast between the Dashwoods in the country and their time in London, with its winter balls, fashion and voluminous art galleries. The scene in the National Gallery between Elinor and Edward is resplendent with authenticity, repression and desire.

As a whole, the cast do excellently especially the two main actresses and the leading men do their best to be both raffish and desirable. After all as young Margaret complains all the men are in London.

Sense and Sensibility does start off slowly, but soon the narrative builds momentum, making the second and third acts both enticing and entertaining filled with drama, a duel and suitable developments.

If viewers enjoy quality period films which are not out to shock the audience, then Sense and Sensibility is highly recommended as a beautiful film which is by no means a masterpiece but is certainly marvellous to contemplate.

Sense and Sensibility gets a film rating of 8 out of 10 and is aesthetically enriching and brilliantly acted.

The Amateur

Director: James Hawes

Cast: Rami Malek, Laurence Fishburne, Jon Bernthal, Rachel Brosnahan, Holt McCallany, Julianne Nicholson, Michael Stuhlbarg, Caitriona Balfe, Danny Sapani, Marc Rissmann, Joseph Millson

Running Time: 2 hours and 3 minutes 

Film Rating: 7.5 out of 10

Oscar winner Rami Malek (Bohemian Rhapsody) made a convincing Bond villain in the 2021 smash hit No Time to Die but as a leading action hero his status is dubious at best.

However, One Life director James Hawes took a chance on Rami Malek as a leading man in the new spy thriller The Amateur which is like a nerd’s guide to the Jason Bourne franchise without the guns, fistfights and car chases.

Malek plays the extremely clever CIA data analyst Charlie Heller whose beautiful wife Sarah played by The Marvellous Mrs Maisel and House of Cards TV star Rachel Brosnahan who gets murdered in a terrorist attack in London while in the British capital on a business trip.

Charlie senses a CIA cover up and ignores orders not to go after the Belarussian terrorists responsible and decides to go rogue with enough hacking skills to break through any firewall.

First Charlie seeks the assistance of tough guy Henderson played with a welcome return to the big screen by Oscar nominee Laurence Fishburne (What’s Love Got to Do With it) who attempts to train him to become a killer. While Charlie doesn’t take to firing guns at bad guys he discovers a penchant for explosives and detonators which can so easily be digitally triggered.

As Charlie seeks creative revenge on the terrorists and their leader Schiller played by Michael Stuhlbarg (The Shape of Water, Call Me by Your Name), he globe trots from London to Paris to Marseilles and eventually to Istanbul where he catches up with a CIA asset the mysterious Inquiline, briefly played by Irish actress Caitriona Balfe (Ford v Ferrari, Belfast, Money Monster).

The Amateur is an enjoyably different spy thriller as Rami Malek makes for a usual spy while all the CIA hotshots played by Holt Callany and Julianne Nicholson are one step behind him.

The cinematography by Martin Ruhe was not good, many scenes appeared extremely dark and badly lit and the scriptwriters Ken Nolan and Gary Spinelli battled to get some character dimension into a rather bland screenplay adapted from the novel by Robert Litell.

Despite these drawbacks, The Amateur is an entertaining if slightly overlong film which is heavy on tech gadgets and light on action. Although there is one brilliant scene when Charlie kills a man in a rooftop swimming pool in a plush Spanish hotel. His creative revenge pays off.

If you enjoy a unique spy revenge thriller then catch The Amateur in cinemas now. The Amateur gets a film rating of 7.5 out of 10 and is no Jason Bourne but it just proves that never underestimate the tech guys in the basement level. Recommended viewing.

Rami Malek is excellent in the main role, especially being cast against type.  

Belfast

Director: Kenneth Branagh

Cast: Jamie Dornan, Caitriona Balfe, Judi Dench, Ciaran Hinds, Jude Hill, Lewis McAskie

Film Rating: 9 out of 10

Running Time: 1 hour and 38 minutes

Director Kenneth Branagh delivers a stunning film, a cinematic ode to his childhood in Belfast in the film Belfast featuring an excellent cast including Jamie Dornan (The 9^th Life of Louis Drax), Caitriona Balfe (Ford v Ferrari) Oscar winner Judi Dench (Shakespeare in Love) and Ciaran Hinds (Tinker Tailor Soldier Spy, Hamlet).

Set in August 1969, when the troubles began in Belfast, the entire film is viewed through the eyes of 9 year old boy Buddy brilliantly played by Jude Hill in his first ever cinematic role.

Shot mostly in Black and White, Belfast is an excellent film held together by superb supporting performances particularly from Judi Dench and Ciaran Hinds as Buddy’s grandparents who are ultimately the ones that he will leave behind.

As buddy’s parents’ battle with the political and economic instability of Belfast at the end of the 1960’s the lure of safer work opportunities in England, Buddy has to contend with his parents making this momentous decision to emigrate and leave for a more secure future.

As emigration and exodus affects families and communities around the world even more pertinently today from the Ukraine to South Africa, Belfast is an extremely relevant story, an ode to a city that was torn apart by sectarian violence and looting. Belfast could be a stand in for any city in the world that has experienced such devastation when the root of all communities is pulled out. That root is the family.

What makes Belfast as mesmerizing as a film is director Kenneth Branagh’s unique perspective on an extremely difficult topic: a family’s decision to emigrate from their home country amidst increasing political instability.

Peppered with shots from old films and trips to the theatre, Belfast is a brilliantly poignant film, expertly captured and shot by director Kenneth Branagh and beautifully acted by the entire cast from Jamie Dornan and Caitriona Balfe as Buddy’s parents to the sad acceptance and subtle strength of Buddy’s grandparents who soon realize that their son and his family and their grandchildren will be leaving them forever.

With a mixture of mischief and innocence, the superb performance of Jude Hill as Buddy is the emotional centre of the entire story of Belfast.

Both Judi Dench and Ciaran Hinds are phenomenal as Buddy’s caring but stoic grandparents and deserve all the acting accolades already heaped upon them.

Belfast gets a film rating of 9 out of 10 and is highly recommended viewing, a fitting and beautiful tribute to a city torn apart by strife but then slowly re-emerging as the stable and flourishing capital of contemporary Northern Ireland.

Ford v Ferrari

Director: James Mangold

Cast: Matt Damon, Christian Bale, Caitriona Balfe, Josh Lucas, Jon Bernthal, Tracy Letts, Jack McMullen, Ray McKennon, Noah Lupe, Joe Williamson

Walk the Line and Logan director James Mangold expertly tackles the world of motor racing in the exhilarating and brilliantly filmed Ford v Ferrari starring Oscar winner Christian Bale (The Fighter) as Ken Miles and Oscar winner Matt Damon (Good Will Hunting) as American car designer Carroll Shelby.

Shelby and Miles form a formidable bond as they become corporate pawns by Ford Motor Company based in Detroit, Michigan headed by Henry Ford II superbly played by Tracy Letts (August: Osage County) who aided by his ambitious marketing executive Lee Iacocca played by Jon Bernthal (The Wolf of Wall Street) and VP Leo Beebe played by Josh Lucas is determined to build the fastest American racing car to beat Ferrari at the international grueling 24 hour race Le Mans, in France in 1966.

Ford v Ferrari establishes the corporate politics and the sheer desire to win before the historic race at Le Mans along with the growing friendship that Shelby and Miles cement over fast cars, adrenalin and the absolute need for speed much to the amusement of Shelby’s wife Mollie Miles played by Irish actress Caitriona Balfe (Now You See Me, Money Monster).

Balfe holds her own in a predominately male film about motor racing particularly highlighted in a superb scene when her character Mollie confronts her husband Ken about his racing ambitions while she is driving the family station wagon. More significantly is the poignant relationship Ken has with his young son Peter wonderfully played by Noah Lupe as they bond over the power of speed racing and the thrill of the racetrack.

Aided by a comprehensive script by Jez Butterworth, John-Henry Butterworth and Jason Keller, Ford v Ferrari is an insightful look at the 1960’s world of professional motor racing, the Adrenalin and the human cost incurred by the drivers as they battle to win and control the cars they are driving at vicious speeds in order to impress their corporate sponsors like Ford or Ferrari.

Christian Bale and Matt Damon’s intelligent on screen performances hold this two and a half hour Adrenalin fueled period film together about the historic events that led up to the Le Mans race in 1966.

Ford v Ferrari is a powerful film expertly directed and edited and is highly recommended viewing for those that love motor car racing. It’s a beautifully crafted film in a similar vein to Ron Howard’s 2013 film Rush starring Chris Hemsworth and Daniel Bruhl.

Ford v Ferrari gets a film rating of 8.5 out of 10 and is worth seeing not only for the superb acting but also for the unbelievable racing supplemented by the handsome production design. Highly recommended viewing but not suitable for young children.

Ford v Ferrari won two Oscars at the 2020 Academy Awards –

Best Achievement in Sound Editing – 2020

Best Achievement in Film Editing – 2020

Money Monster

Director: Jodie Foster

Cast: Julia Roberts, George Clooney, Jack O’Connell, Dominic West, Caitriona Balfe, Giancarlo Esposito, Christopher Denham

Young British actor Jack O’Connell certainly seems to be handpicked by Oscar winner female actresses turned directors to star in their films. First it was O’Connell’s brilliant portrayal of Olympic athlete Louis Zamperini turned prisoner of war in the World War two epic Unbroken directed by Angelina Jolie and now he is cast as the disgruntled young investor Kyle Budwell in Jodie Foster’s live action hostage drama, Money Monster set on Wall Street, New York city.

Echoing a similar vibe to the brilliant Spike Lee film, Inside Man, in which Jodie Foster starred, Money Monster is a gripping tale of TV show which is taken hostage by the unhinged yet scared Budwell, who holds the show’s vain TV host Lee Gates hostage. Gates is wonderfully played by Oscar winner George Clooney (Syriana) who literally has to put his life in the hands of the Money Monster show producer Patty Fenn, a sharp and sassy performance by Oscar winner Julia Roberts.

The fact that Money Monster has Julia Roberts and George Clooney as the two main leads is testament to the film’s star power yet rising star Jack O’Connell holds his own as the desperate and slightly idiotic Budwell who has literally bitten off more than he can chew, when he creates a live hostage drama so that the show, Money Monster can ascertain the real truth behind an investment company Ibis mysteriously losing $800 million which is initially blamed on a glitch due to a trading algorithm.

As Money Monster develops, it soon emerges, that the slimy CEO of the murky multi-national Ibis, Walt Camby wonderfully played by Dominic West, last seen in the brilliant series The Affair, has done some dodgy stock manipulation as well as orchestrating some labour unrest at a platinum mine in South Africa. No surprise there.

Money Monster is a taut, watchable thriller and whilst the plot is at times contrived, it is a fascinating indictment on the power of broadcast media especially in the public’s hunger to witness a dramatic spectacle unfold, made more pertinent as the conflict being televised relates to the incomprehensible world of international high finance, where a chosen few are entrusted with the financial futures of millions of shareholders in these precarious economic times.

As a director Jodie Foster highlights the immediacy of Live Television while skilfully blending in the less than glamorous, but flawed characters behind the scenes which generate such flashy media content. Clooney and Roberts are particularly well cast as TV host and producer while O’Connell once again demonstrates that his star is on the rise.

Money Monster is highly recommended viewing, extremely watchable, unpredictable and very entertaining.