Posts Tagged ‘Caren Pistorius’

An Independent Woman

Gloria Bell

Director: Sebastian Lelio

Cast: Julianne Moore, John Turturro, Brad Garrett, Michael Cera, Rita Wilson, Jeanne Tripplehorn, Caren Pistorius, Barbara Sukowa, Sean Astin, Holland Taylor

Foreign Language film Oscar winner for A Fantastic Woman, Chilean director Sebastian Lelio recreates an English language version of his Chilean film Gloria called Gloria Bell set in contemporary Los Angeles and starring Oscar winner Julianne Moore (Still Alice).

Moore plays a fifty something divorced woman Gloria Bell who has a mundane insurance job during the day in a downtown L. A. company but who trawls the disco nightclubs in the evening sipping martini’s and dancing with strange men.

Whilst Julianne Moore is brilliant as Gloria Bell a woman who is prone to people pleasing which includes her rather awkward interactions with her grown up children Peter played by Juno star Michael Cera and Anne played by South African born immigrant Caren Pistorius (The Light Between Oceans, Mortal Engines).

Gloria even tries to placate her anxious co-worker Melinda who is on verge of losing her job in a particularly noteworthy scene on an office balcony overlooking downtown L. A. Melinda is played by famed German actress Barbara Sukowa (Atomic Blonde, Hannah Arendt, Lola).

When it comes to men, Gloria despite her disco dancing antics does not have as much luck as she meets the divorcee with serious baggage issues Arnold wonderfully played against type by John Turturro (Fading Gigolo, Barton Fink, Jungle Fever).

Gloria desperately tries to navigate this new relationship with the weird Arnold as he battles to cut ties with his ex-wife and children and is desperately jealous when Gloria introduces him to her ex-husband Dustin played by Brad Garrett and his new wife Fiona played by Jeanne Tripplehorn (Basic Instinct, The Firm, Mickey Blue Eyes). The only two women Gloria can rely on in times of crisis are her best friend Vicky played by Rita Wilson and her wealthy mother Hillary, a superb cameo by comedic star Holland Taylor.

Director Lelio lets many scenes linger too long for a film which lacks a fast moving storyline yet Gloria Bell is held together by a fabulous performance by Julianne Moore as she inhabits all the garish interior scenes of L. A. nightclubs and Vegas casinos.

Gloria Bell is an interesting portrait of a woman’s journey of self-discovery as she truly becomes an independent woman after she realizes that she cannot rely on her children or the men in her life.

Whilst I have not seen the original 2013 Chilean film Gloria which Sebastian Lelio also directed, audiences might find this Americanized version Gloria Bell slightly bland and very slow moving despite the superb performances and catchy musical score.

Gloria Bell gets a film rating of 6.5 out of 10 and is saved by Julianne Moore’s terrific performance but unfortunately becomes a slow moving story of a woman finding her own independence.

My impression was that Gloria Bell simply did not translate well into a contemporary American version despite the auteur efforts of director Sebastian Lelio.

West Meets East

Mortal Engines

This Film gets a Rating of 6.5 out of 10 

Director: Christian Rivers

Cast: Hugo Weaving, Hera Hilmar, Robert Sheehan, Ronan Raftery, StephenLang, Patrick Malahide, Colin Salmon, Caren Pistorius

In Mortal Engines, large traction cities such as London (left) hunt down and devour smaller traction towns (right) to strip them of their labor and resources. The film is directed by Christian Rivers, and written by Fran Walsh, Philippa Boyens and Peter Jackson based on the novel by Philip Reeve.

Mortal Engines is a PeterJackson produced steampunk epic fantasy featuring a large cast of mostly lesserknown actors which sparkles in originality although at times director Christian Rivers directs too simplistically using lots of flashback sequences.

Jihae as outlaw Anna Fang in Mortal Engines. The film is directed by Christian Rivers, and written by Fran Walsh, Philippa Boyens and Peter Jackson based on the novel by Philip Reeve.

The production design is mesmerizing in Mortal Engines,a story about a dystopian future in which whole cities devour lesser cities ina bid for supremacy and survival on a ravaged planet earth set in the 31stcentury. The main city is a steampunk version of Victorian London complete withSt Paul’s Cathedral and a London Museum with a twisted Gothic design, even showcasing the Screen Age: personal computers and smartphones from a bygone era.

The traction city of London in Mortal Engines. The film is directed by Christian Rivers, and written by Fran Walsh, Philippa Boyens and Peter Jackson based on the novel by Philip Reeve.

Priscilla Queen of the Desert star Hugo Weaving plays Thaddeaus Valentine an evil London city administrator who feels nothing at eliminating anyone who gets in his way. Robert Sheehan (Geostorm) plays Tom Natsworthy, a reluctant city boy who gets caught up in an adventure when hemeets Hester Shaw played by Hera Hilmar (Anna Karenina, The Fifth Estate) who boards the moving city of London to avenge her mother Pandora’s untimely death.

Lovers of original fantasy will admire Mortal Engines, although director Christian Rivers could have edited the film in parts to keep it below two hours. 

(from left) Hester Shaw (Hera Hilmar) and Tom Natsworthy (Robert Sheehan) aboard the airship Jenny Haniver in Mortal Engines. The film is directed by Christian Rivers, and written by Fran Walsh, Philippa Boyens and Peter Jackson based on the novel by Philip Reeve.

The action sequences are fantastic and despite the flashback scenes, Mortal Engines does keep the viewer engaged and will definitely be perfect for a holiday movie outing although its overall effect is not as overwhelming as one would expect.

(from left) Hugo Weaving as Thaddeus Valentine, Robert Sheehan as Tom Natsworthy and Leila George as Katherine Valentine in Mortal Engines. The film is directed by Christian Rivers, and written by Fran Walsh, Philippa Boyens and Peter Jackson based on the novel by Philip Reeve.

What didn’t work in the film was having so many lesser known actors starring in a film which desperately needed some balancing star power to give the film some gravitas especially as a counterpoint to Hugo Weaving’s megalomaniac character Valentine who is intent on annihilating a static Oriental city in the East.

Mortal Engines gets a film rating of 6.5 out of 10 and while is modestly enjoyable, it’s not a brilliant film despite its original dystopian theme.

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