Posts Tagged ‘Kerry Washington’

Broadway Comes Out in Indiana

The Prom

Director: Ryan Murphy

Cast: Meryl Streep, Nicole Kidman, James Corden, Andrew Rannells, Kerry Washington, Tracey Ullman, Keegan-Michael Key, Ariana Debose, Jo Ellen Pellman

This Film is Only Available on Netflix

Eat, Pray, Love director Ryan Murphy and TV writer of such hit shows as American Horror Story, Glee, American Crime Story assembles an all-star cast for the Netflix film production of the Broadway hit show The Prom, about a group of failed Broadway stars who decide to take on a personal crusade to assist a teenage lesbian girl Emma Nolan played by Jo Ellen Pelman who is not allowed to take her in the closet girlfriend Alyssa Greene played by Ariana Debose to the James Madison High School prom in conservative Indiana, in the American mid-West.

Besides James Corden’s cringe worthy performance as gay theatre actor Barry Glickman, it’s really three time Oscar winner Meryl Streep’s beautiful and tantalizing turn as the Broadway Star Dee Dee Allen which makes The Prom worth watching.

Oscar winner Nicole Kidman (The Hours) reunites with Meryl Streep and stars as the leggy actress Angie Dickinson to give some back up support. The Boys in the Band and Black Monday star Andrew Rannells plays the dashing but slightly dim-witted Trent Oliver, also a wannabe Broadway actor.

Django Unchained star Kerry Washington plays Alyssa’s conservative mother Mrs Greene, which is an interesting casting choice and Washington pulls off the role as a stuffy PTA mother who is ruling her daughter’s life and spearheading a campaign to prevent the lesbian Emma from bring another girl to the prom.

The traditional nexus of liberal open-minded egotism which clashes with small town conservatism is explored and laboured upon multiple times with numerous bouncy song numbers, which is just sufficient to convert the conservatism into an acceptance of all LGBT teenagers in the Midwest. Idyllic but not realistic. After all Broadway is a far cry from Indiana.

Director Ryan Murphy’s obsession with Indiana comes from the fact that he was born and grew up there, so The Prom could be a story about the director’s own difficulties with coming out in a conservative environment.

Barry Glickman’s own coming out as a gay man is heightened by the arrival of his mother Vera wonderfully played by Tracey Ullman, James Corden’s co-star in Into the Woods.  

The Prom is a really light and fluffy musical, a dream inspired vision of a culturally accepting Midwest which is a far cry from reality. Meryl Streep channels her Oscar nominated performance from The Devil Wears Prada as the outrageously narcissistic Broadway star Dee Dee Allen, although the script leaves such talented stars as Streep and Kidman floundering to make a lasting impression.

If audiences are looking for something superfluous and unsubstantial, then watch The Prom, it’s fun  but not intellectually challenging. This film is a far cry from Gus van Sant’s Oscar winning film Milk but nor is it meant to make a significant statement about LGBT rights in American schools in the 21st century.

The Prom gets a film rating of 6.5 out of 10 and watch it for Meryl Streep and no one else. Streep plays a Ryan Murphy inspired version of herself, which is poignant since he had a fan club of her work when he was in high school in Indiana.

Slave to the Rhythm

Django Unchained

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Director: Quentin Tarantino

Cast: Jamie Foxx, Christoph Waltz, Don Johnson, Leonardo DiCaprio, Jonah Hill, Bruce Dern, Kerry Washington, Robert Carradine, Samuel L. Jackson, Walton Goggins, James Russo

Django Unchained can be compared to a three act Southern Opera and whilst Tarantino’s distinctive style comes through, his real intention is to invert the Cowboy myth so associated with the American Wild West, channeling spaghetti Western Sergio Leone films and tackling a very prickly subject of slavery prior to the American Civil War without much sensitivity.

Django

Django Unchained, loosely based on the 1966 Sergio Corbucci Western Django, starts off in Texas in 1858, two years before the outbreak of the American Civil War and features the eloquent and unorthodox Dr King Schultz played with superb panache by Christoph Waltz, who won a Oscar for Best Supporting Actor for 2009’s Inglourious Basterds who frees Django from a chain gang as he needs him to identify three brothers which have a mortal bounty on their heads. Jamie Foxx (Collateral, Ray) is wonderfully cast as Django and throughout the two and a half hour film really displays his range as an actor complimenting the always competent Waltz as the German speaking bounty hunter.

Together Schultz and Django go in search of Django’s entrapped and estranged wife, oddly named Broomhilda, as she was bought as a slave by German immigrants. Broomhilda is now the possession of sadistic cotton plantation owner Calvin Candie, played with flourish by Leonardo di Caprio whose Mississippi plantation aptly named Candieland provides the final act in an utterly bizarre and bloody showdown between Django, Schultz and Candie.

For sheer originality, Tarantino’s films are always enjoyable and never dull, but like Inglourious Basterds and his most famous film Pulp Fiction, along with profanity there is a serious dose of vicious bloodshed. Django Unchained lacks some of the brilliance of the first two films, but the startling sound effects, outlandish scenes and revisionist plot is enough to make Django Unchained Oscar worthy especially the two central performances by Waltz and Foxx. Two criticisms’ of the film is the overuse of racist profanity which the plot revolves around especially being set in the Slave trade of the Deep South and also the film’s considerable length.

Django Unchained has some startling scenes but one got the sense that because of Tarantino’s previous successes, Harvey Weinstein has given Tarantino free reign. Free reign on the subject of the America’s Deep South from Texas to Mississippi and their sanctioning of slavery as a form of economically binding both master and slaves into a hideous socio-geograhic relationship of brutal proportions demonstrated in the cotton and tobacco plantations below the Mason-Dixon line.

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Django Unchained has a fantastic musical score and soundtrack along with brilliant sound effects and sound editing especially noticeable in the showdown at Candieland. Tarantino’s old favourite Samuel L. Jackson (Pulp Fiction) is wonderfully cast as Calvin Candie’s butler Stephen and look out for Don Johnson as Big Daddy and of course the versatile Kerry Washington (The Last King of Scotland) who undergoes all sorts of torture as enslaved Broomhilda, Django’s estranged wife. Watch out for a brief appearance by Jonah Hill (Moneyball) as part of inadequate group of Ku Klux Klan members.

Warning this film is not for sensitive viewers and Django Unchained could be Tarantino’s most controversial film to date especially as he recasts the mythical American cowboy as a sharp shooting freed slave from Texas. Yet Quentin Tarantino won the 2013 Golden Globe  and BAFTA Awards for Best Original Screenplay for Django Unchained so his talent is definitely acknowledged in both America and Britain.

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