Posts Tagged ‘Julie Christie’

65th Golden Globe Awards

65th Golden Globe Awards

The 65th Golden Globe Awards, honoring the best in film and television of 2007, were scheduled to be presented by the Hollywood Foreign Press Association on January 13, 2008. However, due to the Writers Guild of America strike, the traditional awards ceremony did not take place;[1] instead, the winners were announced at a news conference at 6:00 pm PST on that day (02:00 January 14 UTC).

Golden Globe Winners in The Film Categories:

atonement

Best Film Drama: Atonement

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Best Film Musical or Comedy: Sweeney Todd, the Demon Barber of Fleet Street

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Best Actor Drama: Daniel Day-Lewis – There will be Blood

Best Actor Musical or Comedy: Johnny Depp – Sweeney Todd, the Demon Barber of Fleet Street

la vie_en_rose

Best Actress Musical or Comedy: Marion Cotillard – La Vie en Rose

away_from_her

Best Actress Drama: Julie Christie – Away from Her

no_country_for_old_men

Best Supporting Actor: Javier Bardem – No Country for Old Men

im_not_there

Best Supporting Actress : Cate Blanchett – I’m Not There

diving_bell_and_the_butterfly

Best Director: Julian Schnabel – The Diving Bell and the Butterfly

Best Foreign Language Film – The Diving Bell and the Butterfly (France, USA)

Source: http://en.wikipedia.org/wiki/65th_Golden_Globe_Awards

What Big Eyes You Have…

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Catherine Hardwicke’s film version of Red Riding Hood remains firmly in the realm of fantasy. With soft focus cinematography, clever use of primary colours, lush woods, breathtaking landscapes and a pale Valerie, donning her red hood, the teenage marketed fantasy tale is as entertaining as it is enduring.

The ever alluring Amanda Seyfried reprises a similar role to that in Diablo Cody’s film Jennifer’s Body as an innocent girl caught up in a community governed by terror. In Red Riding Hood, the village is terrorized by a werewolf whose first victim is Valerie’s sister.

Werewolf hunter Solomon and self proclaimed protector, played with relish by Gary Oldman arrives in the village to hunt the werewolf following the initial attack. Valerie known as Red Riding Hood played by Seyfred is torn between the Woodcutters son Peter played by Shiloh Fernandez and Henry, a nobleman son’s played by Max Irons, son of actor Jeremy Irons. This love triangle so similar to Hardwicke’s previous film Twilight is further complicated by the revelation that the werewolf in its human form is one of the villagers, and more closely hinted that that person comes from Valerie’s lineage. Virginia Madsen plays Valerie’s mother and Twilight saga star Billy Burke reprises a similar role to Bella’s father in the Twilight series and is given much more character development as an actor as Valerie’s uncontrollable father, Cesaire.

Suspicion is cast upon the reclusive Grandmother to Valerie, a wonderful cameo by veteran actress Julie Christie. Solomon uses Valerie who can communicate with the werewolf as bate in a wonderful midnight fire-ringed offering, red cape and all.

All folklore aside, the sacrificial offering of a Virgin to qualm the evil powers that threaten a community’s livelihood is found in many ethnographic communities mythology and in the case of Red Riding Hood, the origins of this Fairytale are grounded in the hapless virgin being ravaged by the brutal force of nature, symbolic in the werewolf or its human male form, with the spilling of first blood thematically tied up with the red cloak of Valerie as a dazzling signifier.

In Red Riding Hood, Hardwicke’s emphasis is firmly placed on the symbolism of the Red hood, looking ever more dazzling against the translucent face of Valerie especially in the scenes shot against the white snow covered slopes and helped by Seyfried’s superb eye popping performance as the only maiden able to lure the werewolf to reveal its human identity.

Hardwicke keeps the action fast paced and there is an economy of dialogue, characterization and setting, which makes Red Riding Hood an entertaining tale all packed into a 90 minute of film.

Fans of Twilight will no doubt love Red Riding Hood, but most notably the tale is brought vividly to the screen by a director who understands the complexities of the teenage film audience, an age group so brilliantly tackled and explored in Catherine Hardwicke’s previous films Lords of Dogtown and the Oscar nominated Thirteen.


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