Posts Tagged ‘Natalie Portman’

Avengers: Endgame

Directors: Anthony & Joe Russo

Cast: Robert Downey Jr, Chris Hemsworth, Mark Ruffalo, Chris Evans, Scarlett Johansson, Jeremy Renner, Paul Rudd, Robert Redford, Michael Douglas, Josh Brolin, Gwyneth Paltrow, Don Cheadle, Anthony Mackie, Chadwick Boseman, Benedict Cumberbatch, Tilda Swinton, Brie Larson, Tom Holland, Karen Gillen, Zoe Saldana, Evangeline Lilly, Tessa Thompson, Rene Russo, Elizabeth Olsen, Sebastian Stan, Tom Hiddleston, Danai Gurira, Benedict Wong, Pom Klementieff, Dave Bautista, Chris Pratt, Vin Diesel, Letitia Wright, John Slattery, Jon Favreau, Hayley Atwell, Natalie Portman, Marisa Tomei, Angela Bassett, Michelle Pfeiffer, William Hurt, Cobie Smulders, Linda Cardellini, Frank Grillo, Hiroyuki Sanada, James D’Arcy, Bradley Cooper, Samuel L. Jackson, Ty Simpkins    

Marvel Cinematic Universe continues with the highly anticipated sequel to Avengers: Infinity War with Avengers: Endgame featuring all the famous superheroes that fans have grown to love including Iron Man, Captain America, Thor, The Hulk, Antman, Hawkeye and Captain Marvel as they band together to go back in time to retrieve the infinity stones to reverse the evil Thanos’s ultimate revenge at the end of Infinity War where he made half the population vanish including such beloved heroes as Spiderman, Black Panther and Doctor Strange.

As Endgame starts, Ironman is stuck in space, Thor takes to drink in the New Asgard and Captain America is despondent that the Avengers are at their lowest point ever.

Captain Marvel played by Brie Larson rallies the troops along with Black Widow played by Scarlett Johansson. Jeremy Renner returns sporting a fantastic haircut as Clint Barton, aka Hawkeye to assist the remaining Avengers as they devise a time travel device to allow them to go back in time to three separate intergalactic locations to retrieve the highly precious and powerful Infinity Stones. It’s the ultimate Time Heist as Antman points out.

What follows is a fantastic feast of Superheroes which directors Anthony and Joe Russo will have hard core Marvel fans both laughing and crying at the deluge of their cinematic idols as they all band together to destroy the evil Thanos.

While some of the plot points in this three hour long superhero extravaganza don’t all get resolved, it certainly opens up a whole lot of new possibilities such a possible separate Hawkeye film? Sequels to the hugely successful Black Panther and Guardians of the Galaxy are both on the cards as well as another Spiderman film. So there is no shortage of geek fan crushing that will occur in Avengers: Endgame and the subsequent films to follow. Once again Marvel knocks it out of the park judging by the lucrative response at the international box office.

Avengers: Endgame is a culmination of all the Marvel films of the last decade and hints at a new start for some of the lesser known superheroes to flesh out their story lines. Let’s face it with an overcrowded universe, audiences will battle to identify with any one superhero but rather applaud and cheer at the massive team of Avengers and all their trusted sidekicks. Audiences should look out for cameos by Tessa Thompson as Valkyrie, Sebastian Stan as the Winter Soldier and of course Thor’s malevolent brother Loki played by Tom Hiddleston.

Avengers: Endgame is definitely for Marvel fans and trust me everyone from the previous films are in it. It’s definitely worth seeing and gets a film rating of 7.5 out of 10.

Jackie

Director: Pablo Larrain

Cast: Natalie Portman, Peter Sarsgaard, Greta Gerwig, Billy Crudup, Richard E. Grant, John Hurt, John Carroll Lynch, Caspar Phillipson, Beth Grant, Max Casella

Producer Darren Aronofsky and Chilean director Pablo Larrain bring an exquisite and heart wrenching portrait of Jackie Kennedy just moments after her husband President John F. Kennedy is assassinated in Dallas, Texas on the 22nd November 1963 in Jackie.

Oscar winner Natalie Portman (Black Swan) is sublime as Jackie and considering that she is in virtually every frame of the film, shot in mostly extreme close up, Portman delivers a poignant portrait of Jackie as she is suddenly stripped of her position as first lady while also dealing with suddenly becoming a young widow to two small children, John and Caroline Kennedy.

Simultaneously, Larrain explores the mythical concepts of History, Identity and Beauty as Jackie has to boldly deal with the aftermath of an assassination and the claustrophobia of grief intertwined with state politics and diplomacy.

Jackie has to decide what type of funeral she would like for John F. Kennedy and amidst the security concerns following her husband’s dramatic assassination, she opts for a full length funeral parade, which symbolically become the most watched event on American Television in the early 1960’s.

Screenwriter Noah Oppenheimer’s seductive script pulls viewers into the traumatic world of Jackie Kennedy, deconstructing the myth of a debutante stripped of her power, yet ironically her glamour and poise managed to embed itself in the American psyche for decades after her role as the First Lady of the United States.

Jackie is a stunning, visually dazzling historical portrait of a very specific moment in American history, the aftermath of one of the most pivotal assassinations, which irreparably changed the course of American politics and society redefining the 1960’s as a tumultuous decade. Cleverly what the film does not do is delve into any conspiracy theories surrounding the infamous assassination, but exclusively focuses on how Jackie deals with the funeral and subsequent interviews afterwards.

Audiences should look out for strong supporting roles by Peter Sarsgaard (Blue Jasmine) as Bobbie Kennedy, Greta Gerwig as loyal assistant Nancy Tuckerman and John Hurt as unnamed priest who Jackie confides in. Incidentally Jackie was one of Hurt’s last films before he died in 2017.

The costumes by Madeline Fontaine, which she won a 2017 BAFTA Award for, are gorgeous clearly recreating the iconic style of Jackie Kennedy and the production design by Jean Rabasse (The City of Lost Children, Delicatessen) is equally fitting.

What makes Jackie so inspiring is the unconventional approach of Larrain’s direction as he inter cuts scenes of the massive funeral march in Washington DC with the graphic violence of the actual assassination in the backseat of a convertible sedan speeding along a Dallas highway, blood stains on Jackie’s pink Chanel suit.

Like director Barry Jenkins’s Oscar winning film Moonlight, Jackie intensely captures the audience’s attention and never let’s go, anchored by a brilliant performance by Natalie Portman who in my opinion should have won the Academy Award for Best Actress at the 2017 Oscars, although perhaps the odds were stacked in favour of Emma Stone winning for La La Land.

Gorgeous, riveting and emotionally draining, Jackie is a vivid and intricate tour de force of an iconic figure who used her widowhood to become more famous, made all the more touching by the scenes with her two very young children.

My film rating for Jackie is 9.5 out of 10. Having directed an exceptionally vivid film, director Pablo Larrain is a talent to watch out for.

Source: https://en.wikipedia.org/wiki/Assassination_of_John_F._Kennedy

THE  64th BAFTA AWARDS /

THE BRITISH ACADEMY FILM AWARDS

Took place on Sunday 13th February 2011 in London

BAFTA WINNERS IN THE FILM CATEGORY:

Best Film: The King’s Speech

Best Director: David Fincher – The Social Network

Best Actor: Colin Firth – The King’s Speech

Best Actress: Natalie Portman – Black Swan

Best Supporting Actor: Geoffrey Rush – The King’s Speech

Best Supporting Actress: Helena Bonham Carter – The King’s Speech

Rising Star Award: Tom Hardy

Best British Film: The King’s Speech directed by Tom Hooper

Best Original Screenplay: David Seidler’s – The King’s Speech

Best Adapted Screenplay: Aaron Sorkin – The Social Network

Best Costume Design: Alice in Wonderland

Best Foreign Language Film: The Girl With the Dragon Tattoo (Sweden)

Source: 64th BAFTA Awards

68th Golden Globe Awards

Took place on Sunday 16th January 2011 hosted by the Hollywood Foreign Press Association

Golden Globe Winners in The Film Categories:

Best Film Drama – The Social Network

Best Director: David Fincher – The Social Network

Best Film Musical or Comedy: The Kids are All Right

Best Actor Drama: Colin Firth – The King’s Speech

Best Actress Drama: Natalie Portman – Black Swan

Best Actor Musical or Comedy: Paul Giametti – Barney’s Version

Best Actress Musical or Comedy: Annette Bening – The Kids are All Right

Best Supporting Actor: Christian Bale – The Fighter

Best Supporting Actress: Melissa Leo – The Fighter

Best Foreign Language Film: In a Better World (Denmark)

Source: http://en.wikipedia.org/wiki/68th_Golden_Globe_Awards

62nd Golden Globe Awards

Took place on Sunday 16th January 2005 hosted by the Hollywood Foreign Press Association

Golden Globe Winners in The Film Categories:

Best Film Drama: The Aviator

Best Film Musical or Comedy: Sideways

Best Director: Clint Eastwood – Million Dollar Baby

Best Actor Drama: Leonardo DiCaprio – The Aviator

Best Actress Drama: Hilary Swank – Million Dollar Baby

Best Actor Musical or Comedy: Jamie Foxx – Ray

Best Actress Musical or Comedy: Annette Bening – Being Julia

Best Supporting Actor: Clive Owen – Closer

Best Supporting Actress: Natalie Portman – Closer

Best Foreign Language Film – The Sea Inside (Spain)

Source: http://en.wikipedia.org/wiki/62nd_Golden_Globe_Awards

Thor: The Dark World

From Asgaard to Greenwich, Thor and his hammer are back in the Marvel sequel Thor: The Dark World, moving the action from the arid plains of New Mexico to the nine universes along with London and Stonehenge. The immensely successful Thor in 2010 directed by Kenneth Brannagh assembled a fabulously competent cast including Oscar Winners Anthony Hopkins (Silence of the Lambs) as Thor’s father Odin, King of Asgaard and Natalie Portman (Black Swan) as physicist Jane Foster along with Rene Russo as Thor’s mother Frigga and Shakespearian actor Tom Hiddleston as malevolent and destructive brother Loki.

Thor: The Dark World reassembles this cast along with Kat Dennings of Two Broke Girls TV series fame as the sharp talking Darcy Lewis for some comic relief, Stellan Skarsgaard as the mad scientist Erik Selvig seen running naked around Stonehenge and newcomer Christopher Eccleston as Malekith the evil Dark Elf who is bent on destroying all known universes through an ethereal substance known as Aether which has the power to envelope all worlds in eternal darkness constituting a thoroughly poisonous universe.

Moving the action from sunny New Mexico in Thor to murky and grey England was a smart move for Thor: The Dark World, however this sequel whilst it has stunning visual effects but not quite to the same level as Zach Snyder’s Man of Steel, is certainly entertaining as superhero films go that the rival  Marvel studios are successfully releasing in quick succession after the huge commercial success of The Avengers and Iron Man 3.

Needless to say much of the action of Thor: The Dark World does not take place on earth so the plot is mostly action driven and there is naturally very little new character developments in the various CGI created universes with elegant and glossy Asgaard  taking the centre stage. Chris Hemsworth is naturally good as Thor, a role that will surely become synonymous with his name, but his real acting can be seen in films like Rush. Natalie Portman is fantastic and Anthony Hopkins is going through the character motions. Tom Hiddleston is brilliant as the ambivalently evil Loki set on revenge for his incarceration on Asgaard and look out for rising star Idris Elba as the celestial Asgaard gatekeeper Heimdall.

Basically Thor: The Dark World has stunning visuals, lots of action, a twisted plot without too much characterisation and basically retains its popcorn teenage audience that all the Marvel films are aiming for.

For fans of Thor, this glossy sequel not as tightly directed by Alan Taylor is thin on plot, and will not disappoint fans of the hammer wielding hunk who is part of the Avengers group. Watch out for a brief cameo by Chris Ryan as Captain America. The action is fantastic but not on the level of Pacific Rim or Man of Steel. Also starring Zachary Levi from Chuck fame along with Ray Stevenson and Jaimie Alexander. See Thor: The Dark World in a 3D cinema if possible.

Black Swan

Director: Darren Aronofsky

Cast: Natalie Portman, Mila Kunis, Barbara Hershey, Vincent Cassel, Winona Ryder, Sebastian Stan, Patrick Heusinger

Darren Aronofsky’s masterpiece is a taut psychological thriller about a prima ballerina who delves into her dark side, so she can perform the complex role of the Swan Queen in Tchaikovsky’s Swan Lake.  Natalie Portman gives a stunning and frenzied performance as Nina Sayers. As well as the physical demands of playing the lead Ballerina in Swan Lake, Nina is trapped in a claustrophobic and co-dependent relationship with her mother, a wonderfully obsessive performance by Barbara Hershey (Portrait of a Lady).

Whilst rehearsing for the final act, the ballet master a seductive and sadistic Thomas played with relish by Vincent Cassel, taunts Nina and reproaches her continually for not bringing out her dark qualities to dance the antithesis of the White Swan, the Black Swan. The fact that Nina is prone to episodes of self-mutilation smothered by her overbearing mother and is generally an exceptional sexually frustrated and fragile young woman who uses dancing to quench her repressive state, makes Black Swan a highly intoxicating psycho sexual thriller set in the bitchy and uncompromising world of ballet.

Aronofsky always has his central characters stripped away to the vicious core, from The Wrestler, where in a break-out performance by Mickey Rourke as a washed up Trailer Park, drug-addicted wrestler angling for a comeback to heroin addicts played by Jennifer Connelly and Jared Leto in Coney Island, who resort to extreme methods for their drugs, as detailed in the inventive and shockingly brutal Requiem for a Dream.

Black Swan is no exception, as Portman gives a ground breaking performance of a Ballerina rapidly losing her grip on reality, delving deeper into her own troubled and shattered psychosis to satisfy the dreams of an obsessed mother who compromised her own stage success.

Black Swan is about the rigours of Ballet training along with the mental deterioration of a young woman driven beyond the edge of sanity, surrounded by a gallery of heinous characters from an overbearing mother, a cruel ballet instructor and a tempting rival, Lily played with an unforgiving relish by Milas Kunis slyly plotting to derail Nina’s debut as the Swan Queen.

This is a classic psychological thriller, from the drab and daunting world of the dance studios, filled with giant mirrors reflecting Nina’s inner torment to the dingy apartment shared with her mother, an entire film bathed in black and white with only the occasional gashes of blood to break the diametric colour palette. Watch out for a great cameo performance by Winona Ryder as the broken ballerina Beth who declines as savagely as Nina’s star rises dramatically. Black Swan is a debut etched in blood and director Aronofsky, like in The Wrestler and Requiem for Dream shows this grueling Ballet world in its entire stripped down depravity, with obsessive dancers driven and searching for a depreciating gratification. A far cry from the graceful triumph associated with Ballet exemplified in such films as The Company and Mao’s Last Dancer.

Oscar Winners

for the 83rd Annual Academy Awards

Sunday 27th February 2011

Best Film: The King’s Speech

Best Director: Tom Hooper – The King’s Speech

Best Actor: Colin Firth – The King’s Speech

Best Actress: Natalie Portman – Black Swan

Best Supporting Actress: Melissa Leo – The Fighter

Best Supporting Actor: Christian Bale – The Fighter

Best Original Score: Trent Reznor and Atticus Ross – The Social Network

Best Adapted Screenplay: Aaron Sorkin – The Social Network

Best Original Screenplay: David Siedler – The King’s Speech

Best Art Direction: Alice in Wonderland

Best Cinematography: Wally Pfister –Inception

Best Costume Design: Colleen Atwood – Alice in Wonderland

Best Editing: Angus Wall and Kirk Baxter – The Social Network

Best Make-up: Rick Baker and Dave Elsey – The Wolfman

Best Foreign Language Film: In a Better World directed by Susanne Bier (Denmark)

Best Sound Editing: Richard King – Inception

Best Visual Effects: Paul Franklin, Chris Corbould, Andrew Lockley and Peter Bebb – Inception

*

http://en.wikipedia.org/wiki/83rd_Academy_Awards

The Other Boleyn Girl

The Other Boleyn Girl is a faithful and condensed film adaptation of Philippa Gregory’s engrossing novel about Mary and Anne Boleyn, the sisters whose fateful and tragic involvement in King Henry VIII, not only changed the course of the British monarchy, but also established a Tudor dynasty.

In the wake of similar films and series about this fascinating and intriguing period of English history, namely the raunchy TV series The Tudors and the most recent sequel to Elizabeth, Shekhar Kapur’s lavish Elizabeth, the Golden Age, The Other Boleyn Girl, may not appear as spectacular but was certainly as entertaining for anyone who has a keen interest in the historical events of the sixteenth century. The equally talented Scarlett Johansson and Natalie Portman take the roles of sisters Mary and Anne Boleyn respectively. Johansson reprising her doleful yet stoical performance similar to her earlier role as Vermeer’s muse in Girl with a Pearl Earring, while Portman is splendidly belligerent and regal as Anne Boleyn, capturing the self-important air of an ambitious Queen, reminiscent of her portrayal of the young Queen Amidala in Star Wars Episode 1: The Phantom Menace.

While the intrigues of the British monarchy some four hundred years ago, may not appeal to everyone’s taste, first time film director Justin Chadwick swiftly moulds The Other Boleyn Girl into a fast-paced, costume drama, filled with ruthless Dukes, and unforgiving nobility, who centre their power-hungry plans on King Henry VIII, a despotic and fickle monarch, whose attentions dangerously shift from his Queen, to his mistresses and who eventually become notoriously famous for, discarding, wedding and even beheading many of his six wives. Monogamy was never his strongest feature.

King Henry VIII, such a mythical figure in the annuls of British history has been portrayed by many onscreen, so it is with obvious difficulty that the Australian actor, Eric Bana had in capturing the essence of this potent King’s spoilt and almost tyrannical character. His efforts do not go unnoticed, however, Bana fails to reflect the truly conflicted nature of Henry as the complex ruler he was. While the novel of The Other Boleyn Girl fills one with all the intricate details of his splendid court and the complex relations within the Boleyn family, whereby woman were used as pawns to further a family’s status in the Kingdom, the film is given some grounding by a strong performance by Kristin Scott Thomas as the sisters mother, Lady Elizabeth, who is savagely critical of the manipulations of her brother, the sisters’ uncle, the influential Duke of Norfolk.

With the intelligent casting of such rising stars as Johansson and Portman, the film will hopefully appeal to a younger generation of viewers, in an effort to make history and royal courtship so infinitely attractive. After all, both sisters were barely out of their teens when their affairs with King Henry began, and they like everyone else fell prey to the whims of a supremely powerful figure, the equivalent to a modern day tyrant.

Sexy and lush menage a trois

Eventually both sisters capture the King’s affections and lose them again, with disastrous consequences for one, and fortunate, yet ironic consequences for the other. Both the film and the novel of The Other Boleyn Girl are worth investing some effort in, demonstrating that while society has advanced considerably from the 1500s, we, as human beings are still driven by such forces as greed, ambition, lust and betrayal and unfortunately, even nowadays, tyrants still linger unhindered in forgotten regions of the world.