Where Dreams merge with Reality

INCEPTION

Often when you awaken from a dream, there is that split second where you are not sure if you are still dreaming or you have in fact come back to reality. Inception explores that split second and makes an ambitious two hour feature out of that very sense of disorientation.

Christopher Nolan’sdreamworld vision amplified in Inception is an impressive film by the sheer scale of invention, the pace of the action and the intricacy of the plot leaving many a viewer to ponder diverse interpretations. Isn’t that what our dreams are about?  Open to diverse interpretations?

Where dreams are shifting landscapes

After the huge success of The Dark Knight featuring the legendary performance by Heath Ledger, Nolan had to follow up that film with an equally brilliant achievement. With a dream cast including a bunch of Oscar nominated actors from Leonardo di Caprio, to Ellen Page from Juno, to Oscar winner Marion Cotillard from La Vie en Rose supported by Michael Caine, the hugely-underrated Joseph Gorden-Levitt to Ken Watanabe, Inception follows a layered structured narrative with simultaneous action sequences occurring weaving in the notion of merging reality with dreams and how the dreamscape can shift unexpectedly. Christopher Nolan debut on the international cinema scene almost 10 years ago with the brilliant 2001 film Memento

Murder can be a series of images

whose central character has to shift through amnesia to discover whether he committed a murder to the more recent The Prestige followed by the phenomenal success of Batman Begins and The Dark Knight. Nolan inhabits the darker recesses of the human psyche and brings a unique quality to every film he creates.

As for his trademarks as a director, watch out for breathtaking shots of Tokyo and Mombasa and taut sequences with explosions and multiple action sequences in Inception. Now that Nolan commands the respect of Hollywood his budgets are bigger and his vision is uncompromising, he is mainstream filmmaker with a twist, coaxing superb performances out of his lead characters from Heath Ledgers unforgettably dark portrayal of the Joker in The Dark Knight to Christian Bale’s tortured magician in Victorian England in The Prestige. Here in Inception, Marion Cotillard shines as Mal, Cobb’s long last wife along with Leonardo di Caprio as the central character Cobb using dreams to reconstruct a voyage into his guilt-ridden past.

Inception is a film that will torment the viewer in its post-structural form and psychological interpretations are rampant, demonstrating that Nolan is influenced by some mind-altering science fiction classics like Blade Runner and Solaris, as dreams merge with reality. For the dreamscape is emotional and projections are purely there to torment the dreamer or guide them to the inner depths of an already fragmented subconscious, forcing the characters into deeper levels of their own imagination and ultimately grasping for a reality which is inconceivable. Freud would have had a field day with Inception, as dreams, memories, aging and time is altered beyond recognition into a gripping post-linear filmic structure. Like The Dark Knight, the sound editing on Inception is brilliant and is definitely worth viewing in a large surround sound theatre especially to feel and witness the enormity of the directors vision, pace and peculiarities. In The Dark Knight anarchy reigned supreme, whereas in Inception dreams merge into reality and the spinning top remains symbolic.

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