Posts Tagged ‘Elliot Page’

The Odyssey

Director: Christopher Nolan

Cast: Matt Damon, Anne Hathaway, Tom Holland, Charlize Theron, Corey Hawkins, Logan Marshall-Green, Robert Pattinson, Zendaya, Jon Bernthal, Mia Goth, Samantha Morton, John Lequizamo, Benny Safdie, Himesh Patel, Jovan Adepo, Andrew Howard, Lupita N’yongo, Shiloh Fernandez, Elliot Page

Running Time: 2 hours and 52 minutes

Film Rating: 9 out of 10

After winning the best director Oscar for Oppenheimer back in 2023, Christopher Nolan takes on the daunting and dazzling task of bring Homer’s The Odyssey to the big screen and he succeeds in a majestic epic worthy of every accolade available come awards season.

The Odyssey is truly breath taking, horrifying and riveting held together by a plethora of stunning performances mainly by Matt Damon as Odysseus the lost king of Ithaca who goes away and fights in the Trojan wars and leaves his wife Penelope and young son Telemachus alone and unprotected.

Odysseus does go an epic war adventure from the bloody and ruthless capture of Troy using the infamous Trojan horse to travelling to a series of mythical islands along with his brave group of warriors as they collectively encounter cyclops, son of Zeus and the witch Circe, a terrifying performance by Oscar nominee Samantha Morton (Sweet and Lowdown, In America) who deserves another Oscar nomination, before Odysseus is washed ashore on another island and held by Calypso played by Oscar winner Charlize Theron (Monster).

He has no memory and has no idea what is happening back in Ithaca or what happened to his soldiers.

Back in Odysseus’s homeland, his now grown up son Telemachus expertly played by Tom Holland is trying to pacify the group of vicious suitors as they feast nightly at his mother’s palace. Penelope fantastically played by Oscar winner Anne Hathaway (Les Miserables) is regal and unrelenting for she will not succumb to the wishes of these men who sense her vulnerability while her legendary husband is lost in the Aegean Sea. The Odyssey is as much about an adventure as it is about the family: a mother, father and a son who is trying to salvage his inheritance while clinging onto the dream that his kingdom will survive.

Anne Hathaway is extraordinary as Penelope especially in the scenes with her and her primary suitor the ruthless Antinous brilliantly played by Robert Pattinson who also deserves an Oscar nomination.

Will Odysseus come back and save Ithaca? Has the ancient world truly recovered after the Trojan wars or has the very foundations of ancient Greece been undermined causing the Gods to seek vengeance?

Christopher Nolan is a master at world building and antiquity is no exception, from the beautiful costumes by Ellen Mirojnick to the production design by Ruth de Jong, the aesthetics of The Odyssey are visually astounding accompanied by the pristine cinematography by Hoyte van Hotema in an epic poetic narrative which is as much about war and betrayal, as it is about love and vengeance.

On every level The Odyssey is monumental, an unmatched cinematic achievement which will draw the audience in from the sapphire ocean voyage among strange islands to the final climatic scene in the palace of Ithaca whereby Penelope has to test the mettle of her lustful suitors. For she knows that in the world of men, she has to show her own strength.

Possible acting Oscar nominations for Anne Hathaway, Matt Damon, Samantha Morton and Robert Pattinson but definite nominations for Best Picture, Best Director, Best Cinematography, Best Production Design and Best Sound.

See The Odyssey for the Battle of Troy. See the Odyssey for the vengeance of Odysseus. See The Odyssey for an imaginative retelling of Homer’s classic epic poem about the voyages of a strategic warrior and the impending fall of an empire.

Highly recommended viewing The Odyssey gets a film rating of 9 out of 10 and is absolutely essential viewing on the biggest screen possible.

X-Men: Days of Future Past

Director: Bryan Singer

Cast: Hugh Jackman, Jennifer Lawrence, Ian McKellan, Patrick Stewart, Halle Berry, Michael Fassbender, James McAvoy, Nicholas Hoult, Anna Paquin, Ellen Page, Shawn Ashmore, Peter Dinklage, Famke Janssen, James Marsden, Karine Vanasse, Evan Peters, Josh Helman

Which director could resist bringing such a fabulous a-list cast together in one film?

Naturally the original X-Men director Bryan Singer who takes this huge cinematic opportunity to reboot the X-Men franchise and include the original cast members in a mutant time travel fantasy which sees Wolverine, Storm, Raven and Magneto and Professor Xavier battling literally against time in a war to save the mutants from utter destruction at the hands of evil humans, represented by none other than Dr Bolivar Trask, wonderfully played by Peter Dinklage, whose star is clearly rising after the phenomenal success of the allegorical revenge fantasy series Game of Thrones.

Set between 1973 and presumably the present day of 2013, so a forty year time span, the original X-Men including Magneto and Professor Xavier played by Ian McKellan and Patrick Stewart send Wolverine aka Logan back forty years to confront a younger version of themselves and change a pivotal moment in history, the capture of the uniquely chameleon Raven played by Oscar winner Jennifer Lawrence from being captured by the duplicitious Trask. Wolverine with all the braun and charm of the original series gamely played by Hugh Jackman confronts a younger Xavier (a wonderful turn by James McAvoy) and convinces him to set Magneto free from a metal less prison in the heart of the Pentagon in Washington D. C.

In a spell bounding special effects sequence, Xavier, Beast and Wolverine with the able assistance of Quiksilver played with charm by Evan Peters free the unpredictable Erik Lehnsherr aka Magneto and together they go in search of Raven/Mystique as she infiltrates a Vietnamese peace signing ceremony in Paris in 1973 in a bid to assassinate the formidable weapons specialist Dr Bolivar Trask who is hellbent on obliterating all mutants with new Transformeresque type machines known as the Sentinels.

The rest of the action packed hugely spectacular X-Men Days of Future Past is a time travel mutant orgy in the same vein as Marvel’s film The Avengers was with a bunch of superheroes coming together to battle the evil Loki. The cast is just as spectacular and director Singer gives as much screen time as possible to the prolific actors as well as to the lesser cast members but its his lingering cinematic gaze on the gorgeous male cast including Nicholas Hoult (A Single Man) as Beast, Michael Fassbender (Shame) as Erik, James McAvoy (Atonement) as a younger Xavier that gives this superhero mutant fantasy a distinctly homoerotic quality seldom seen in other superhero films.

By their nature superheroes are slightly narcissistic (look at Man of Steel, Batman, Iron Man) but especially so in X-Men Days of Future Past. The female superheroes in this film pale in comparison to their attention grabbing male counterparts with director Singer even giving Wolverine a nude scene as he wakes up in a New York apartment overlooking Time Square in the swinging seventies.

Ultimately, X-Men Days of Future Past is a Hollywood vehicle to reboot the old X-Men franchise and breath fresh life into the cast of the younger selves seen in X-Men: First Class. The film is wonderfully retro in parts and adds to the glamour of recreating the 1970’s on screen with Fassbender and McAvoy looking particularly fetching as the younger Magneto and Xavier. Gone are all the dark overtones of the earlier X-Men films and in this invigorated version, all the mutants look glossy, stylized and supremely accessible. This is a Hollywood blockbuster not just for its multitude of stars but also for the riveting special effects, never mind the convoluted narrative. A must see film for all fans of the X-Men movies and those that follow such commercial gloss with vigour.

INCEPTION

Often when you awaken from a dream, there is that split second where you are not sure if you are still dreaming or you have in fact come back to reality. Inception explores that split second and makes an ambitious two hour feature out of that very sense of disorientation.

Christopher Nolan’sdreamworld vision amplified in Inception is an impressive film by the sheer scale of invention, the pace of the action and the intricacy of the plot leaving many a viewer to ponder diverse interpretations. Isn’t that what our dreams are about?  Open to diverse interpretations?

Where dreams are shifting landscapes

After the huge success of The Dark Knight featuring the legendary performance by Heath Ledger, Nolan had to follow up that film with an equally brilliant achievement. With a dream cast including a bunch of Oscar nominated actors from Leonardo di Caprio, to Ellen Page from Juno, to Oscar winner Marion Cotillard from La Vie en Rose supported by Michael Caine, the hugely-underrated Joseph Gorden-Levitt to Ken Watanabe, Inception follows a layered structured narrative with simultaneous action sequences occurring weaving in the notion of merging reality with dreams and how the dreamscape can shift unexpectedly. Christopher Nolan debut on the international cinema scene almost 10 years ago with the brilliant 2001 film Memento

Murder can be a series of images

whose central character has to shift through amnesia to discover whether he committed a murder to the more recent The Prestige followed by the phenomenal success of Batman Begins and The Dark Knight. Nolan inhabits the darker recesses of the human psyche and brings a unique quality to every film he creates.

As for his trademarks as a director, watch out for breathtaking shots of Tokyo and Mombasa and taut sequences with explosions and multiple action sequences in Inception. Now that Nolan commands the respect of Hollywood his budgets are bigger and his vision is uncompromising, he is mainstream filmmaker with a twist, coaxing superb performances out of his lead characters from Heath Ledgers unforgettably dark portrayal of the Joker in The Dark Knight to Christian Bale’s tortured magician in Victorian England in The Prestige. Here in Inception, Marion Cotillard shines as Mal, Cobb’s long last wife along with Leonardo di Caprio as the central character Cobb using dreams to reconstruct a voyage into his guilt-ridden past.

Inception is a film that will torment the viewer in its post-structural form and psychological interpretations are rampant, demonstrating that Nolan is influenced by some mind-altering science fiction classics like Blade Runner and Solaris, as dreams merge with reality. For the dreamscape is emotional and projections are purely there to torment the dreamer or guide them to the inner depths of an already fragmented subconscious, forcing the characters into deeper levels of their own imagination and ultimately grasping for a reality which is inconceivable. Freud would have had a field day with Inception, as dreams, memories, aging and time is altered beyond recognition into a gripping post-linear filmic structure. Like The Dark Knight, the sound editing on Inception is brilliant and is definitely worth viewing in a large surround sound theatre especially to feel and witness the enormity of the directors vision, pace and peculiarities. In The Dark Knight anarchy reigned supreme, whereas in Inception dreams merge into reality and the spinning top remains symbolic.