David R. Walker

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F1: The Movie

Director: Joseph Kosinski

Cast: Brad Pitt, Damson Idris, Javier Bardem, Kerry Condon, Shea Wingham, Tobias Menzies, Sarah Niles, Will Merrick

Running Time: 2 hours 35 minutes

Film Rating: 8 out of 10

Director Joseph Kosinski follows up his hugely successful 2022 film Top Gun: Maverick with F1: The Movie starring Oscar winner Brad Pitt (Once Upon a Time in Hollywood) as racing car driver Sonny Hayes who teams up with the young driver Joshua Pierce played by Damson Idris in a bid to revive his racing career in an around the world docudrama which possesses strong production values, great acting and a storyline which is average.

F1: The Movie is not going to appeal to everyone but it is saved by some great performances relying heavily on the star power of Brad Pitt who at 61 still commands the screen with his sparkling blue eyes and that screen charisma which is electrifying. Pairing Brad Pitt with Spanish Oscar winner Javier Bardem (No Country for Old Men) is a brilliant choice as Bardem plays the flashy Ruben Cervantes the talent manager of a racing car team which travels the F1 circuit from Silverstone in England to Abu Dhabi in the UAE with a pit stop in Las Vegas.

While screenwriter Ehren Kruger’s storyline reads more like a repetitive docudrama about racing cars, there are some significant scenes particularly between Pitt and Bardem and Pitt’s love interest played by Irish star and Oscar nominee Kerry Condon (The Banshees of Inisherin) who retains her accent for this international racing film.

Initially the young driver Joshua Pierce clashes with the supposedly washed up driver Sonny Hayes who is recovering from gambling debts and failed marriages, Hayes and Pierce at the request of the first female technical director Kate McKenna expertly played by Kerry Condon urges the two drivers to work together as team because that is what racing car driving is all about.

Where F1: The Movie scores big is with the glossy production design by Ben Munro and Mark Tildesley along with expert cinematography by Oscar winner Claudio Miranda who won for Life of Pi. The film’s editing is also brilliant and while the storyline does lag in parts it’s really the acting which carries F1: The Movie across the finish line. Of particular note are the scenes in Las Vegas and the final race in the impressive Abu Dhabi F1 race track.

The screen chemistry between Kerry Condon and Brad Pitt is perfect while rising star Damson Idris does his best to hold his own on screen against these established stars.

Produced by Lewis Hamilton amongst others, F1: The Movie is an interesting film, slightly long but worth seeing without all the glamour and drama of Ron Howard’s 2013 film Rush.

See the film for Brad Pitt who is excellent as Sonny Hayes the man that proves that you can still drive forever.

F1: The Movie gets a film rating of 8 out of 10 and is recommended viewing for those that love sporting films. The technical aspects of this film outweigh any narrative discrepancies. Just watch out for a cinematic experience crammed with strategic brand placement.

How to Train Your Dragon

Director: Dean DeBlois

Cast: Gerard Butler, Mason Thames, Nico Parker, Nick Frost, Gabriel Howell, Peter Serafinowicz, Bronwyn James, Julian Dennison

Running Time: 2 hours and 5 minutes

Film Rating: 7.5 out of 10 

Canadian director Dean DeBlois directed the animated film How to Train Your Dragon in 2010 and it was nominated for two Oscars – best achievement in Musical score by John Powell and Best Animated Feature Film.

DeBlois makes the bold and impressive leap to remaking the film as a live action version retaining the excellent services of John Powell for musical score in the visually appealing new film How to Train Your Dragon starring Scottish action hunk Gerard Butler as a menacing Viking Stoick whose wayward son Hiccup played by Mason Thames does not believe all the Viking hype about how evil the dastardly dragons are that keep attacking their remote village on the stark isle of Berk.

The reluctant hero, Hiccup who at the start of this film does not impress his strong and overbearing father is told to join the dragon fighting academy along with a rag tag group of teenagers including Snotlout played by Gabriel Howell who is having the same trouble trying to impress his father Spitelout played by Peter Serafinowicz.

Joining the gang of misfits is the determined and fiercely beautiful Astrid played by Nico Parker (Dumbo) who immediately becomes a source of attraction for the mysteriously naïve Hiccup.

Obviously any narrative containing dragons and Vikings is pure fantasy and in this genre, director Dean DeBlois excels expanding on the success of the original animated version.

How To Train Your Dragon is an action packed fantasy made more interesting by Hiccup’s unlikely friendship with a baby Nightfury dragon forcing him to challenge the long standing village attitude that all dragons are evil. In Stoic’s quest to find the Dragon’s Nest, Hiccup with the help of Toothless, the Nightfury dragon discovers the real source of these mythical creature’s true discontentment.

The visual effects are brilliant and John Powell’s musical score is superb along with the supporting cast including Nick Frost as Gobbler who offers sage parenting advice to Stoick. It’s refreshing to see Gerard Butler take a break from his action roles and star in a fantasy film.

The storyline is essentially how sons can find innovative ways to impress their fathers as Hiccup decides to challenge prejudices against dragons and his father’s stubbornness, changing the village completely.

How to Train Your Dragon is a fun filled fantasy adventure film with fantastic performances by Mason Thames, Nico Parker and Gerard Butler and is definitely worth seeing.

While some of the fight scenes could have been edited, How to Train Your Dragon gets a film rating of 7.5 out of 10 and is a suitable film for the whole family. Recommended viewing.

The Shadow Scholars

Director: Eloise King

Cast: Patricia Kingori

Running Time: 1 hour 37 minutes

Film Rating: 8 out of 10

Festival: Encounters Documentary Film Festival, Tribeca, Thessalonki Documentary Film Festival, London Film Festival

Please note this film is a documentary

With Oscar nominated director Steve McQueen (12 Years a Slave) as an executive producer, documentary film maker Eloise King creates a fascinating documentary called Shadow Scholars and poses a very interesting question. What if all the academic writing at colleges and prestigious universities like Harvard and Oxford, was not done by the research scholars but by a group of shadow scholars not based in England or America but in Nairobi, Kenya?

Shadow Scholars follows the fascinating story of the first black female professor at Oxford, Professor of sociology Patricia Kingori, a Kenyan born academic now living in the UK.

Professor Patricia Kingori explores the power dynamic made possible by increasing technological advancements that allowed undergraduates and graduates in British and American universities to use the services of thousands of unemployed yet educated young Kenyans living in Nairobi who write the essays for these graduates and then the European or American graduates take the academic credit for work that isn’t even there. This is known as the Kenyan essay mill which allows a system of contract cheating to exist at universities in which undergraduates at institutions like the University of San Diego, Harvard and others to employ the services of Kenyan ghost writers who would work tirelessly to get academic papers submitted in time for essay deadlines.

Obviously the credibility of these universities is at stake but what makes this documentary so interesting is that Professor Kingori travels to Nairobi to interview these essay writers who are making good money by posting fake European profiles online advertising ghost writing.

Many of these ghost writers, mostly young cannot find jobs in an over-educated yet unemployed Kenyan population so this becomes their livelihood in which not only do they make money but also as a means to support their families.

While documentary film maker Eloise King does veer off the main narrative focusing on British colonialism, post-colonial Kenya including an interview with recently deceased writer Ngũgĩ wa Thiong’o and looks at the history of slavery in the American deep South, her film Shadow Scholars highlights an academic flaw in a global industry in which technology has allowed these scholars to flourish and serve the wishes of first world academia.

Then artificial intelligence also starts threatening the livelihood of these Kenyan essay writers along with countries like Australia and America trying to ban ghost writing completely. The University of San Diego even had an international day of action against contract cheating.

Ghost writing as a topic for a documentary feature becomes a three dimensional issue in which Professor Kingori explores the ethical and economic implications of Western university students employing the services of African ghost writers and Kenya allowing this system to flourish without proper interventions. It’s not so much the Kenyan government’s fault as it is more the loopholes of an intricate global digital world in which 24 hour online work can benefit people in several countries simultaneously.

Shadow Scholars is primarily aimed at the academic world and despite its tangential storyline does pose some interesting ethical considerations. From Nairobi to London to San Diego, Shadow Scholars is an important documentary which should be seen. Shadow Scholars gets a film rating of 8 out of 10 and is highly recommended viewing.

References: Ngũgĩ wa Thiong’o – Famous Kenyan Post-Colonial Writer

https://en.wikipedia.org/wiki/Ng%C5%A9g%C4%A9_wa_Thiong%27o

Ballerina

Director: Len Wiseman

Cast: Ana de Armas, Anjelica Huston, Keanu Reeves, Gabriel Byrne, Catalina Sandino Moreno, Norman Reedus, Lance Riddick, Sharon Duncan-Brewster

Running Time: 2 hours and 4 minutes

Film Rating: 7 out of 10

Total Recall and Die Hard 4.0 director Len Wiseman returns to directing feature films after a long time in Television as he helms the new John Wick spin off film Ballerina starring Oscar nominee Ana de Armas (Blonde) as ballerina orphan turned assassin who is lethal with a flame thrower.

Audiences need to suspend their disbelief as they re-enter the John Wick universe which is hyper stylized, murky and extremely dangerous. This is a world filled with the Continental Hotels which is basically a B n B for contract killers. Obviously Keanu Reeves is back as John Wick but in Ballerina Ana de Armas firmly takes centre stage in an action film which is incredibly violent and filled with blood lust as the fighting intensifies when Eve travels from the sleek skyscrapers of New York to the bohemian mountains outside Prague to track down the evil tribe responsible for her father’s death.

Ballerina operates on one level as a revenge thriller and on another as a coming of age story of a female assassin who escapes from the beady eyed supervision of The Director wonderfully played with heavy makeup and attitude by Oscar winner Anjelica Huston (Prizzi’s Honour) who adds a level of panache to a film about lethal assassins.

The villain in this piece is The Chancellor played by Irish actor Gabriel Byrne (Vanity Fair, The Usual Suspects) who heads up a cultish tribe whose only mantra is to kill people in a village in the Bohemian mountains.

When The Chancellor’s son Daniel Pine played by Norman Reedus tries to escape the cult with his young daughter, Pine meets up with the Ballerina Eve and literally all hell breaks loose.

Eve fights the whole village and even John Wick is called in to eliminate Eve but she proves to be more than he can contend with. In a bid for her own independence, Eve learns to fight like a girl and use all explosives necessary.

Ballerina is big on lush stylization, dramatic settings like New York nightclubs and snow covered Bohemian villages with killer inhabitants but unfortunately the narrative is a bit weak despite the appearance of a host of John Wick stars including the late Lance Riddick, Ian McShane as Winston and Sharon Duncan-Brewster as Nogi. There is an astonishingly fresh appearance by Oscar nominee Catalina Sandino Moreno (Maria Full of Grace) as Lena the short lived relative, but her screen time like that of Norman Reedus is too short to be savoured. If the screenwriters were clever they would have given these minor characters more of a back story.

Ballerina is heavy on violence and light on plot, saved by great filming, superb fighting scenes and a heroine that proves that female action stars are forces to be reckoned with. It’s an entertaining film with outlandish characters brandishing weapons from samurai swords to hammers, from grenades to guns.

Recommended strictly for fans of the John Wick film franchise, Ballerina gets a film rating of 7 out of 10. Watch this film if you like your ballerina carrying flame throwers and not bouquets.

Blue Road: The Edna O’Brien Story

Director: Sinead O’Shea

Cast: Jessie Buckley, Gabriel Byrne

Running Time: 1 hour 39 minutes

Film Rating: 8 out of 10

Please note this film is a documentary.

Oscar nominated Irish actress Jessie Buckley (The Lost Daughter) serves as the competent narrator with her clear and quirky commentary on life of Irish novelist Edna O’Brien in Sinead O’Shea’s riveting documentary Blue Road: The Edna O’Brien Story which is a must see film.

Blue Road: The Edna O’Brien Story tells the scandalous story of writer Edna O’Brien who was a gifted novelist but got married very young to a much older Irish writer Ernest Gebler and had two small children in 1954. At a time of non-existent women writers that were telling tales of the sexual frankness and desires of young Irish women, Edna O’Brien’s early novels The Country Girls, Girls in their Married Bliss and August is a Wicked Month caused a major stir and were immediately banned in the conservative Ireland of the early 1960’s.

What made her initial fame even more precarious was that her husband took all her royalty checks from the publication of her first couple of novels and kept them himself. He gave Edna an allowance for groceries.

Then Edna O’Brien as a novelist who by 1964 was earning enough money from her writing to become independent made the bold decision to leave her husband and move into a house in the fashionable Carlyle Square in SW1 in London. Edna and her dreadful husband were divorced in 1968 after a four year separation.

Edna O’Brien as a controversial novelist who challenged the patriarchy in Anglo-Irish society and also expertly exposed the sexual desires of young women in her ground breaking novels became a cause celeb and was the centre of a bohemian social whirl in the 1960’s that included film stars and celebrities like Robert Mitchum, Sean Connery, Joan Plowright and even Jackie Onassis.

O’Brien’s popularity as a novelist was cemented in America after the endorsement by prestigious writers like Philip Roth, John Updike and J. D. Salinger in the 1970’s and 1980’s. Heavily influenced by Irish modernist writer James Joyce, Edna O’Brien’s fame as a novelist was firmly established.

Irish documentary film maker Sinead O’Shea creates an impressive and elegant story of the life of Edna O’Brien in her brilliant documentary Blue Road: The Edna O’Brien Story which had its world premiere at the 2024 Toronto International Film Festival. Unfortunately Edna O’Brien passed away in July 2024 just three months before the release of this fascinating story of her provocative life.

Featuring interviews with famous Irish actor Gabriel Byrne (The Usual Suspects, Vanity Fair, Siesta) Blue Road: The Edna O’Brien Story is an interesting documentary on a female writer whose sexual frankness initially shocked conservative Anglo-Irish society and left a literary legacy which any avid reader should explore more thoroughly.

Documentaries on the lives of writers can be difficult to make but ably assisted with the tantalizing commentary provided by Jessie Buckley, director Sinead O’Shea brings to the cinema the life of a bold independent woman of letters whose novels scandalized the English speaking world and earned Edna O’Brien the moniker Playgirl of the Western World.

If audiences love literary documentaries then Blue Road: The Edna O’Brien story is highly recommended viewing and gets a film rating of 8 out of 10. An insightful film both politically and socially.

Anselm

Director: Wim Wenders

Cast: Anselm Kiefer

Running Time: 1 hour and 33 minutes

Film Rating: 7.5 out of 10

Language: German with English Subtitles

Festival: Encounters Documentary Film Festival – Johannesburg, Cape Town

Please note this film is a documentary.

Oscar nominated German film maker Wim Wenders who directed the critically acclaimed Buena Vista Social Club in 1999 returns to the documentary format in his new avant-garde film simply titled Anselm focusing in an unusual way on the work of Neo-Expressionist contemporary German artist and sculptor Anselm Kiefer who will not be very well known in the English Speaking world.

Anselm Kiefer was born in 1945 just as the Third Reich came crashing down and grew up in a post war Germany which was divided and mistrusted by the rest of Europe. His fame grew in the art world when he created these massive mixed media paintings featuring oil, lead, woodcut, shellac and other materials with names like The Brandenburg March 1974 and Painting the Burnt Earth also created in 1974. The artist also produced the beautiful wood carving in 1978 entitled The Way of the World’s Wisdom: The Battle of Tuetoburg Forest.

Becoming extremely famous in Germany in the late 1970’s and early 1980’s, Anselm Kiefer also represented Germany at the Venice Biennale art fair in 1980 through his Neo-expressionistic works.

What better film director to create a vivid and fascinating documentary about Anselm’s life than Wim Wenders.

Wenders started off his film career making art house classic films like 1984’s Paris, Texas starring Harry Dean Stanton and the fabulous Natassja Kinski and 1987’s Wings of Desire with Bruno Ganz.

After the 1997 film The End of Violence starring Andie Macdowell and Gabriel Byrne, Wenders made the ground breaking Oscar nominated documentary The Buena Vista Social Club and effortlessly switched to documentaries.

In Anselm, Wenders creates a complex portrait of an artist who is now 80 years old and living within his own art installation in Barjac, South of France after initially producing his work in Waldurn in Germany.

Anselm’s preoccupation with Germany’s own post World War II recovery as a country and of restoring a sense of national pride amidst a sense of anger and blame is evident in his conceptually ambitious paintings which all speak to a protest against forgetting. This artist went around Europe and photographed himself doing the Heil Hitler salute in various key European sites. Very brave and contentious.

As a documentary, Anselm is an intriguing post-modern approach to a complicated artist whose life as a young boy, as an emerging artist and now as an established artist is expertly told through the lens of Wim Wenders who creates an elegant tribute to a contemporary German art legend, whose works feature in major galleries around the world from Venice to the Museum of Modern Art in New York.

Anselm is a beautiful and thought-provoking documentary which is recommended viewing for contemporary art lovers. Anselm gets a film rating of 7.5 out of 10 and is worth seeing although I would suggest that potential viewers read up about this artist’s life and work.

As usual auteur director Wim Wenders never disappoints.

Mission: Impossible Final Reckoning

Director: Christopher McQuarrie

Cast: Tom Cruise, Simon Pegg, Hayley Atwell, Easi Morales, Henry Czerny, Pom Klementieff, Angela Bassett, Ving Rhames, Holt McCallany, Janet McTeer, Nick Offerman, Hannah Waddingham, Tramell Tillman, Shea Whigham, Greg Tarzan Davis, Mark Gatiss, Cary Elwes, Pasha D. Lynchnikoff, Vanessa Redgrave, Jon Voight

Running Time: 2 hours and 49 minutes

Film Rating: 8.5 out of 10

Two years after the hugely successful Mission: Impossible Dead Reckoning, the final film in the franchise has finally arrived and while the 2023 film was flashier and more glamourous, Mission: Impossible Final Reckoning is grittier and slightly retro in some scenes which director McQuarrie clearly takes inspiration for his film aesthetic from the 1960’s & 1970’s spy films. Think The Spy Who Loved Me and Diamonds are Forever.

Superstar Tom Cruise is back as Ethan Hunt in the final film which director Christopher McQuarrie expertly pays homage to all the previous films in the series especially the original Mission: Impossible directed by legendary auteur Brian de Palma back in 1996.

This film wraps up almost 30 years of possibly one of the most successful spy franchises next to the James Bond series.

Mission: Impossible Final Reckoning sees Ethan and his team including Simon Pegg as Benji and Hayley Atwell (Brideshead Revisited, The Duchess, Captain America: The First Avenger) reprising her role as Grace as they have to race against time, risking the fate of the world to control a megalomaniac artificial intelligence known as the Entity as it seeks quite malevolently to pit all the nuclear nations against each other.

While the plot of the Final Reckoning is quite far-fetched, the stunts are absolutely amazing particularly the claustrophobic diving scene inside a sunken submarine in which Ethan Hunt retrieves a special source code to the incredible vintage plane sequence over jaw dropping African mountains when Ethan and his evil nemesis Gabriel played again by Easi Morales are fighting atop a burning vintage plane.

Oscar nominee Angela Bassett (Black Panther: Wakanda Forever, Whats Love Got to Do With it?) is sensational as the American President Erika Sloane who has the difficult task of protecting America while entrusting Ethan to contain the entity for eternity before there is an international nuclear fallout. Fortunately Bassett has a whole group of co-stars to play to.

There are several really crowded scenes in Mission: Impossible Final Reckoning, almost like chorus scenes in a theatre, which adds to the absolute spectacle of this film. For Mission: Impossible Final Reckoning to be appreciated you have to understand the theatricality of the film, the splendour and the phenomenal stunts. The end sequence is heart warming and suitably appealing with the scriptwriter tying up all the narrative loose ends.

While some of the flashback scenes are a bit excessive, this final outing of Mission: Impossible is amazing and definitely made for the fans. Look out for brief appearances by Vanessa Redgrave and Jon Voight who were in the original 1996 film. Tom Cruise is passionate about big screen spectacle and he achieves this in this worthy conclusion to a stylishly well executed spy franchise, which has seen the films being set all over the world.

Mission: Impossible Final Reckoning is brilliantly choreographed with some unbelievable sets and stunt sequences held together by a bursting cast full of talented actors wanting this beast of a film to be appreciated and supported.

Set in London, Austria, the Bering Sea and South Africa, Mission: Impossible Final Reckoning is pure escapism on a grand scale and gets a film rating of 8.5 out of 10.

Highly recommended viewing for those with a spare three hours to kill. The fate of the cinema world depends on the viewer going to see it. Trust me, the experience is worth it.

The Accountant 2

Director: Gavin O’Connor

Cast: Ben Affleck, Jon Bernthal, Cynthia Addai-Robinson, J. K. Simmons, Daniella Pineda, Robert Morgan, Andrew Howard, Grant Harvey

Running Time: 2 hours and 12 minutes

Film Rating: 7 out of 10

Warrior director Gavin O’Connor returns to the director’s chair nine years later to helm the sequel to the 2016 film The Accountant simply titled The Accountant 2 assembling much the same cast including Ben Affleck, Jon Bernthal and Cynthia Addai-Robinson.

Oscar winner Ben Affleck (Argo, Good Will Hunting) returns to the character of Christian Wolfe the autistic accountant who doubles as money launderer and tough guy who this time teams up with his younger brother Braxton superbly played with just the right amount of annoyance and arrogance by Jon Bernthal (The Wolf of Wall Street). The fraternal relationship between Christian and Braxton is brilliantly played on screen by the two actors who get that brotherly love right, which borders somewhere between affection and irritation with some competitiveness thrown in.

While the storyline by Bill Dubuque in this sequel is slightly confusing initially, he does introduce a more interesting character, that of Anais, an international assassin with a hidden past, whose memories could unlock a ruthless child trafficking ring operating between America and Mexico. Anais is well played by Mexican-American actress Daniella Pineda (Jurassic World: Dominion).

The child trafficking ring is run by the evil Burke, a middle level gangster who feels nothing at ordering the death of children. Burke is played by Robert Morgan with his henchman Cobb played by Grant Harper who was in the excellent TV show Animal Kingdom set in Southern California.

The Accountant 2 starts off with a hectic action scene in which one major character from the first film is eliminated and Cynthia Addai-Robinson who reprises her role as Marybeth Medina is asked to seek the assistance of Christian Wolfe.

Jon Bernthal really saves this sequel from being entirely boring and is excellent as the brash and dangerous Braxton, the antithesis to his older autistic brother Christian well played by Ben Affleck who makes a welcome return to the big screen after a long absence.

Set in locations from Los Angeles to Juarez in Mexico, from Berlin to Prague, The Accountant 2 is an interesting film made livelier by Jon Bernthal who is the most likable character. A third Accountant film is in the works, so let’s hope the finale is a lot flashier and entertaining.

If you enjoy action thrillers with an inventive storyline, then The Accountant 2 is recommended viewing and gets a film rating of 7 out of 10.

Worth seeing just to watch the killer brothers takes down the bad guys.

Die Kwiksilwers

Director: Jordy Sank

Cast: Lida Botha, June van Merch, Susanne Beyers, Jacques Bessenger, Johann Vermaak, Laura-Lee Mostert, Solomon Cupido, Theresa Sedras

Running Time: 1 hour and 30 minutes

Film Rating: 8 out of 10

Language: Afrikaans with English subtitles

Johannesburg based film director Jordy Sank continues his exploration of the aging demographic as he effortlessly switches from his award winning 2021 documentary film Ella Blumenthal: I am Here to a feature length fiction film in the new hilarious Afrikaans comedy Die Kwiksilwers opening in South African cinemas on Thursday 1^st May 2025.

Die Kwiksilwers features a merry group of elderly ladies lead by Elsabe Marias played by Lida Botha and her friends Anna played by June van Merch, the outrageous Meinke played by Susanne Beyers and Katie played by Theresa Sadras.

The group actually make a perfect bridge four but Elsabe is desperate to escape the confines of her overbearing carer and her son Wikus wonderfully played by Jacques Bessenger. In a bid to recapture the memories of her travels with her late husband Roland in a Ford Granada nicknamed Die Kwiksilwer, Elsabe and her friends decide to go on a vintage road trip to Sutherland in the Northern Cape to watch a meteor shower near the observatory. The only catch is they don’t tell anyone where they are going.

Die Kwiksilwers is a poignant and funny road trip about four elderly ladies that decide to break free and travel across South Africa for an adventure which will get them entangled with the law, some wayward goats and of course a psychedelic festival in the desert which resembles Africa Burn.

While Wikus desperately attempts to track his mother and her friends as they continue to elude him, director Jordy Sank and co-writers Gabriella Blumberg and Marista Van Eeden shine a light on a significant issue: how the younger generation treat elderly people as if they are incapable of being independent. There is a great scene whereby Elsabe and her friends discuss how their children all treat them as invalids as they merrily travel on their great escape.

Die Kwiksilwers shows a humorous side of getting older and not caring about what people think. It’s a light-hearted and hilarious comedy with strong production values which rightfully earned the Audience Favourite Award at the kykNET Silwerskerm Festival in Camps Bay, Cape Town in 2024 https://silwerskermfees.co.za/english/.

Support South African cinema and catch Die Kwiksilwers in cinemas from 1^st May 2025. Director Jordy Sank does a brilliant job of shining a light on the elderly which often appear to be invisible in a youth obsessed culture.

Die Kwiksilwers is an excellent comedy, fun and exhilarating which gets a film rating of 8 out of 10. Highly recommended viewing and definitely worth seeing on the big screen.

Drop

Director: Christopher Landon

Cast: Meghann Fahy, Brandon Sklenar, Violett Beane, Reed Diamond, Ed Weeks, Travis Nelson, Ben Pelletier, Gabrielle Ryan  

Running Time: 1 hour 35 minutes

Film Rating: 7 out of 10

Horror director Christopher Landon who helmed the 2017 film Happy Death Day returns with a more psychological thriller in his new film Drop starring The White Lotus star Meghann Fahy as single mother Violet who decides to step out of her comfort zone and go on a date with the incredibly handsome photographer Henry played by Brandon Sklenar (Midway, It Ends with Us).

Violet leaves her 5 year old son in the capable hands of her sister Jen played by Violett Beane. Violet wears a fabulous red dress and is ready for a night on the town in downtown Chicago at the exclusive restaurant Palette on the 38^th floor of a skyscraper.

As she patiently waits for Henry to arrive, she receives digital drop images which threaten her night out. A cyber stalker starts commanding her to do specific things one of which is to kill her date. If Violet doesn’t comply then the cyber stalker will instruct a professional killer played by Ben Pelletier to kill her son Toby.

From a visual perspective Drop is a fascinating film in which the director and a very creative production designer namely Susie Cullen create a restaurant which becomes a character of its own. Drop makes use of the concept of urban cinema to a maximum.

Palette is the chic downtown restaurant to bring your date to, a sleek 5 star gourmet experience with gorgeous lighting affording an expansive view of Chicago. A place with creepy waiters and lots of single men hanging around using their smartphones. Anyone could be a killer.

As Violet tries to navigate an extremely tricky evening, Henry soon realizes that the first date jitters are far more serious especially when the sleazy piano man Phil played by Ed Weeks suddenly collapses after too many martinis.

Much like director Mark Myclod’s bizarre 2022 thriller The Menu starring Nicholas Hoult and Anya Taylor-Joy, Drop works on multiple levels as a Hitchcockian thriller about a traumatized woman who is desperate to save her son while trying to uncover who is really threatening as well as a tailored narrative about how woman can feel vulnerable in any given situation.

In a pure character switch, the heroine is the one who saves the hero while the villain remains out of sight right until dessert is served.

Drop is captivating, engaging and exciting. A clever psychological thriller whose only downfall was a script that needed some character nourishment in terms of a decent back story. Meghann Fahy and Brandon Sklenar do their best in a psychological thriller about first dates which crash and burn.

If you enjoy a good psychological thriller, then catch Drop in cinemas now. Drop is rated 7 out of 10 and is worth seeing especially for those wanting to dive back into the dating pool.