Author Archive
The Throne of the Holy Sea
Conclave
Director: Edward Berger
Cast: Ralph Fiennes, Stanley Tucci, John Lithgow, Isabella Rossellini, Lucian Msamati, Brian F. O’Bryne, Sergio Castellitto, Carlos Diehz
Running Time: 2 hours
Film Rating: 8.5 out of 10
After his stunning Oscar winning film All Quiet on the Western Front, German director Edward Berger moves from the world of young army age men in World War 1 to the world of the Roman Catholic Church in his excellent and stylish new film Conclave featuring an utterly magnificent performance by Oscar nominee Ralph Fiennes (The English Patient, Schindler’s List) as Cardinal Lawrence.
Conclave is a superb thriller, sophisticated, intricate and rare. The film studios don’t make these type of films very often in the new age of streaming.
With a brilliant supporting cast including Oscar nominee Stanley Tucci (The Lovely Bones) and Oscar nominee John Lithgow (The World According to Garp, Terms of Endearment). Tucci and Lithgow play Cardinals Bellini and Tremblay respectively and both are captivating.
The pope dies and his room is sealed. The Throne of the Holy Sea is vacant. A conclave has to be held by the influential and ruthless cardinals of the Catholic Church as they sit isolated from the volatile outside world, wild Rome which is in chaos, as the cardinals must choose a new Pope by a reoccurring ballot system until there is an outright majority. There is an outsider. A new cardinal arrives from Kabul, Afghanistan, the Mexican Cardinal Benitez played by Carlos Diehz who throws his name into the ballot system, hiding a secret.
Cardinal Lawrence in a career best performance by Ralph Fiennes is taking strain as he has to manage the Conclave a very formal and grand affair where Cardinals undercut each other and expose each other’s secrets. Fiennes just perfectly captures the nuance of Cardinal Lawrence, his fluctuating anxiety only overcome through his driving ambition to complete the conclave and elect one of the most famous men in the world, the leader of the Catholic Church.
Cardinal Lawrence finds subterfuge everywhere is he confronts several disingenuous Cardinals including Tremblay and Adeyeni played by Lucian Msamati (The Good Liar). Lawrence often seeks unsolicited assistance from the all-seeing and virtuous Sister Agnes, an excellent performance by the iconic actress Isabella Rossellini (Blue Velvet, Death Becomes Her, Late Bloomers).
The shot compositions in Edward Berger’s Conclave are evocative giving the viewers a sense of claustrophobia as the cardinals are cloistered away to make a final vote while the chaos of the outside world finally breaks through.
Conclave is a thought provoking adult thriller, a relevant story of power, manipulation, prejudice and ambition. Director Edward Berger revels in this world of papacy, dark rooms with imposing figures in red alternating with sublime shots of an all white production design with a hint of the grandeur of the Vatican City in the background.
Conclave addresses so many fascinating issues, but ultimately it is a masterful film, a gorgeous piece of cinema whose shot compositions are going to inspire international films schools, held taut by stunning performances by all involved. In this case, casting was key. Ralph Fiennes deserves an Oscar nomination for his role as Cardinal Lawrence.
In a world of cinematic mediocrity, Conclave stands out as a superb thriller with an ending so unbelievable it will have audiences stunned.
The elegantly constructed Conclave gets a film rating of 8.5 out of 10. A highly recommended film that will entice viewers by its beauty and shock them by its revelations.
Decommissioning Area 51
Venom: The Last Dance
Director: Kelly Marcel
Cast: Tom Hardy, Juno Temple, Chiwetel Ejiofor, Rhys Ifans, Stephen Graham, Reid Scott, Andy Serkis
Running Time: 1 hour 49 minutes
Film Rating: 7 out of 10
Screenwriter turned director Kelly Marcel takes over the Venom franchise in the final instalment of this monster franchise, luckily getting Tom Hardy to reprise his role as San Francisco journalist Eddie Brock who literally has a monster on his back: the tap dancing, chocolate loving Venom.
Venom: The Last Dance loses the talents of Michelle Williams but the cast is gained by the addition of Emmy nominee Juno Temple (Fargo) as Dr Teddy Paine and Oscar nominee Chiwetel Ejiofor (12 Years a Slave) as army commander Strickland who is desperate to catch Brock along with his cheeky symbiosis, the monster Venom, while decommissioning Area 51.
Set mainly in Area 51 in Nevada, Brock after escaping a decapitation episode in Mexico flees back to America to travel to New York.
Venom: The Last Dance is modelled as a crazy road trip film with some freaky alien monsters that suddenly arrive and attack humans in Nevada.
A deadly force Knull played by Andy Serkis, creator of the symbiotes has awakened in the galaxy and needs Eddie’s symbiote’s codex to unleash hell and damnation on the decadent world of contemporary America. Soon Dr Paine and Strickland are after Eddie to catch him before these deadly monsters are unleashed.
Unlike the first two Venom films which had a distinct villain, there is no clear enemy in this film, except a vague malignant force in the universe from Venom’s home planet that wants the symbiote dead.
While the storyline is quite nostalgic and in parts quite silly, there are some delightful moments provided by BAFTA nominee and winner Rhy Ifans (Notting Hill, Not Only But Always) as the travelling hippie Martin who takes his crazy family on a road trip through Nevada in search of aliens and instead gets embroiled in a monster battle between Venom and Xenophage, a vicious head snapping creature from Venom’s home planet.
While Tom Hardy has the constant expression on his face of why did I sign up for a third movie, the rest of the cast are enthusiastic although first time director Kelly Marcel needs tips on upping the action to increase the film’s pace.
Venom The Last Dance is nostalgic, entertaining and filled with monsters and does manage to stand as a fitting end to the Venom trilogy. Audience stay until the closing credits are finished.
Humorous and horrific, Venom: The Last Dance gets a film rating of 7 out of 10 and is not the best of the films but it certainly packages the Venom storyline right up to Eddie’s intended destination. Recommended viewing for those that loved the first two films.
Captain Chaos and the Bridge Hijacking
Aftermath
Director: Patrick Lussier
Cast: Dylan Sprouse, Mason Gooding, Megan Stott, Dichen Lachman, Kevin Chapman, Nick Apostolides, Mark Irvingsen, Shahjehan Khan, Will Lyman
Running Time: 1 hour 37 minutes
Film Rating: 7 out of 10
Los Angeles based Voltage Pictures delivers a good old fashioned American action film with no frills. A simple plot all taking place one night on the cantilever truss Tobin Bridge in Boston in the new film by Drive Angry director Patrick Lussier called Aftermath starring Dylan Sprouse as Eric Daniels a tough soldier who along with his sister Madeleine played by Megan Stott get trapped on the bridge when a crazy paramilitary private contractor group led by the delusional Captain Chaos played by Mason Gooding son of Oscar winner Cuba Gooding Jr (Jerry Maguire).
Aftermath is pure action as Eric Daniels overcomes any residual PTSD from his days in Afghanistan, to man up and fight captain chaos and his group of heavily armed group of mercenaries who trap civilians on the famous Tobin Bridge over the Mystic River in Boston, Massachusetts. In an effort to protect his teenage sister, Daniels teams up with the hardened Samantha, an ex-convict who spilled a bunch of military secrets linking private military contractors to incidents of mass civilian casualties.
Samantha is dutifully played by Tibetan actress Dichen Lachman who was in the brilliant series Animal Kingdom and recently seen in Jurassic World Dominion.
While the plot of Aftermath is about as murky as the moonlit Mystic River over which the bridge hangs precariously, the action is top notch with a great rescue operation in which Daniels, well played by Voltage Pictures big star Dylan Sprouse quickly starts eliminating Captain Chaos’s team, while the crazed ring leader with a death wish is hell-bent on utter destruction.
Fantastic night visuals include drone footage and an atmospheric tension on the bridge in which minor characters like Will Lyman as Kozak and Shahjehan Khan (Succession) as Ozzie assist the hero in catching and outwitting the violent and crazy villain, whose sole concern is to get online publicity as he livestreams the terrifying bridge hijacking.
Aftermath delivers in terms of entertainment and judging by a packed cinema on a rainy Sunday afternoon, this is the type of standard action fare that excels at the box office.
Director Patrick Lussier delivers as a resourceful director of an electrifying action film and Aftermath is worth seeing as an engrossing simple action film all set on a bridge with explosives. What could possibly go wrong?
Aftermath gets a film rating of 7 out of 10 and is an unpretentious action which will keep viewers you riveted. Recommended viewing.
La La Land for Lunatics
Joker: Folie a Deux
Director: Todd Phillips
Cast: Joaquin Phoenix, Lady Gaga, Brendan Gleeson, Catherine Keener, Harry Lawtey, Steve Coogan, Bill Smitrovich, Jacob Lofland, Zazie Beetz
Film Rating: 7 out of 10
It’s a risky endeavour for an actor to return to a role that won him an Oscar in 2020. Oscar winner Joaquin Phoenix (Joker) returns to his role as the manic comedian Arthur Fleck in the highly anticipated sequel Joker: Folie a Deux directed by Todd Phillips that did such a brilliant job on the original film.
Joker: Folie a Deux is like a musical set in an insane asylum. Last time I checked the Oscar winning film One Flew over the Cuckoo’s Nest was not a musical.
This is where the casting of Lady Gaga as Lee Quinzel aka Harleyquin is problematic. To justify the casting of the pop star Lady Gaga in Joker: Folie a Deux, this intense film is oddly lighten by some strange musical numbers in the vein of La La Land for Lunatics.
Gaga and Phoenix almost recreate the iconic dance scene between Emma Stone and Ryan Gosling in Damien Chzaelle’s La La Land, tricking the audiences into believing that this film is a light and fluffy musical, which it’s not. Lady Gaga was miscast in this film and if they had cast another more intense actress as Arthur Fleck’s romantic interest it would have been an entirely better film.
The inmates run riot in Joker: Folie a Deux and despite some solid performances by supporting cast members including Oscar nominee Brendan Gleeson (The Banshees of Inisherin) as the vindictive Arkham asylum guard Jackie Sullivan and Oscar nominee Catherine Keener (Capote, Being John Malkovich) as Arthur Fleck’s sympathetic lawyer Maryanne Stewart, this sequel to the original comes off as a shocking and inconclusive pastiche of violence, animation, music and anarchy.
Joaquin Phoenix holds his own naturally in a character which he made iconic with his immense talent. In this sequel, it is not Phoenix’s best performance and to return to this character would always be judged by the original version that he was so brilliant at doing. Unlike his exceptional Oscar nominated performances in The Master opposite Amy Adams or in Gladiator opposite Russell Crowe, Joaquin Phoenix was good but not exceptional.
There are some seriously funny almost David Lynch moments in Joker: Folie a Deux especially when Arthur Fleck represents himself in a media frenzied trial in which one of the witnesses is a dwarf called Mr Puddles who sits on a copy of the yellow pages to gain height.
The French Connection inspired late 1970’s production design by Mark Freidberg for this sequel is on point and some of the scenes are superb, like the shaving scene at the beginning. Unfortunately the random musical numbers and the lack of a comprehensive narrative make Joker: Folie a Deux an insane mess, made worse by some truly bizarre musical numbers.
Todd Phillips almost pulled off a successful sequel except for the problematic casting of Lady Gaga and the absolutely shocking final scene. Note this film is not a superhero film for kids, but a seriously deranged film about incurable mental illness and social paranoia. The storyline is schizophrenic like the characters. The age restriction should be adhered to.
Joker: Folie a Deux gets a film rating of 7 out of 10 and despite its high production values, this film veers into the world of strange art house cinema which contradicts its box office expectations.
Recommended viewing for those that enjoyed the original but be warned it’s not nearly as good.
Jagna and Antek
The Peasants
Director: Dorota Kobiela Welchman and Hugh Welchman
Cast: Kamila Urzędowska, Robert Gulaczyk, Mirosław Baka, Sonia Mietielica, Cezary Łukaszewicz, Andrzej Konopka, Maciej Musiał
Running Time: 1 hour and 54 minutes
Film Rating: 8 out of 10
Language: Polish with English Subtitles
Festivals: Toronto, European Film Festival
PLEASE NOTE THIS FILM IS ANIMATED.
Polish directors Dorota Kobiela Welchman and Hugh Welchman who previously brought viewers the adult animated Oscar nominated film Loving Vincent in 2017, have returned with a new film simply entitled The Peasants which takes place in a small Polish village Lipce at the beginning of the 20th century and based on the novel by Władysław Reymont.
The gorgeous style of animation somehow amplifies the action and drama of this community story about the beautiful Jagna as she falls in love with a wealthy land owner’s son Antek.
Skilfully interwoven with polish folk songs, local gossip and conflict, The Peasants focuses on the bizarre love triangle of Jagna, a beautiful if slightly promiscuous young eligible lady who has an affair with Antek while in the process of marrying his recently widowed wealthy father Maciej Boryna. Antek is also married to Hanka. As the adulterous couple continue a scandalous relationship, the rest of the village soon discovers the ramifications of such an affair as a conflict with the landowner’s emissary soon exposes Maciej’s weakness and Jagna’s vulnerability.
Visually astounding and beautifully portrayed, The Peasants expertly uses a technique known as painted animation to tell the unbelievable story of the two lovers who defy a community and eventually ruin a family.
The directors use animation to soften the effects of such controversial themes as rape, humiliation and ostracism as they portray The Peasants as a lively yet gossip mongering group of villagers in a series of seasonal shifts depicting the gradual change in community relationships.
Interspersed with issues about land ownership, dowry negotiations and rural hardships, The Peasants has beautiful moments particularly the lavish wedding scene between Jagna and Maciej despite the controversial scandal which eventually unfolds.
Gossip becomes a weapon of exclusion in the case of Jagna who has to sacrifice her position in the village when all the secrets are revealed, exposing how little civil rights women had in rural Poland at the beginning of the 20th century. Antek is revealed to be an angry farmer who is only after satisfying his sexual desires.
The Peasants proves to be a cinematic treat and a brilliant animated depiction of rural life in Poland incorporating all their customs, rituals and songs.
Dazzling and artfully executed, The Peasants gets a film rating of 8 out of 10. Recommended viewing for those that love quality animation and an imaginative folk tale.
The Matrix of Leadership
Transformers One
Director: Josh Cooley
Cast: Chris Hemsworth, Brian Tyree Henry, Scarlett Johansson, Steve Buscemi, Jon Hamm, Laurence Fishburne, Keegan-Michael Key
Running Time: 1 hour and 44 minutes
Film Rating: 7.5 out of 10
Please note this film is animated and created with CGI
A host of stars get some much needed voice work as voice overs in the new Transformers One film directed by Josh Cooley, which is a first fully CGI created animated feature film with dazzling visual effects and an entertaining origin story, which acts more like a prequel for the Transformers before they land on earth. The action takes place on Cybertron.
Chris Hemsworth, Oscar nominee Scarlett Johansson (Marriage Story, JoJo Rabbit) and Oscar nominee Brian Tyree Henry (Causeway) voice the three main lead bots – Orion Pax, Elita 1 and D-16. Orion Pax and D-16 are lowly miner bots in the Cybertron hierarchy and when they don’t follow protocol they land up on a heroic adventure along with the smart Elita 1 to discover what the seemingly benign Sentinel Prime expertly voiced by Jon Hamm is really up to.
As the trio leave Cybertron and go to the planet’s surface, they meet the talkative B127 voiced by the excellent Keegan-Michael Key (Wonka) and soon discover that Sentinel Prime is using the lowly non-transformative bots to do mining for a more sinister force.
As Orion Pax and his friends discover the truth about their world they encounter Alpha Trion, voiced by Oscar nominee Laurence Fishburne (What’s Love Got To Do With It) who gives them their transformation cog back allowing them to expertly transform into the multi-functional robots they are meant to be.
Soon Orion, Elita 1 and the gang confront the evil Sentinel Prime who has doubled the amount of mining on Cybertron and then much to Orion’s surprise his best friend transforms once his real power is restored.
Since live action versions of Transformers have all but been exhausted, it was a smart move to release an animated and completed computer generated version of Transformers One, a humorous and colourful origin story fit for a younger audience which will entice them to watch the earlier films.
Its 17 years since the first live action Transformers film was released back in 2007 which launched the careers of Shia LaBeouf, Megan Fox and Josh Duhamel and there is still lot in this Hasbro toy inspired franchise to explore and develop.
While it was fascinating to watch the superb animation, which this film deserves to be recognized for, it is equally interesting to identify the different voices of the famous cast members.
The visual effects and production design of Transformers One is amazing and as animated film, this serves as a worthy addition to stand deservedly alongside the multiple Live action versions.
Transformers One is entertaining, humorous and filled with moral lessons about leadership, corruption and deception.
Take the kids to watch Transformers One and discover the origin story of the rise of Optimus Prime. Transformers One gets a film rating of 7.5 out of 10 and is recommended viewing. The talented voice cast expertly compliment the incredible visuals on screen.
Renegade Lads
Kneecap
Director: Rich Peppiatt
Cast: Michael Fassbender, Josie Walker, Jessica Reynolds, Simone Kirby, Naoise Ó Cairealláin, Liam Óg Ó Hannaidh, DJ Próvaí
Running Time: 1 hour 45 minutes
Film Rating: 8 out of 10
Language: Irish with English Subtitles
Festivals: European Film Festival / Sundance Film Festival / South by South West Film Festival
Warning: This film has rude lyrics and portrays copious amounts of drug taking.
Director Rich Peppiatt’s first full length narrative film Kneecap which premiered at the Sundance Film Festival in January 2024 and is an official entry for Ireland’s submission for Best Foreign Language film at the 2025 Oscars is certainly worth seeing. A frenetic film about the rise of the influential and detrimental Irish hip hop band Kneecap in which the band members play themselves in this fast paced quirky film about the rise of Irish hip hop on the streets of Belfast and is almost like Trainspotting but set in Northern Ireland.
Naoise Ó Cairealláin, Liam Óg Ó Hannaidh, DJ Próvaí all play themselves as the tyrannical trio who preach the significance of hip hop in the Irish language, a form of subversive behaviour against the British and general normative society.
Luckily the film’s band members are supported by screen actors including a superb appearance by Oscar nominee Michael Fassbender (12 Years a Slave, Steve Jobs) as Arlo O Cairealláin, the mysterious father of Naoise. Simone Kirby plays the agoraphobic mother of Naoise, Dolores Ó Cairealláin who rallies her son’s interest through the hairdressing network in Belfast.
Set in West Belfast in the later 2010’s, Kneecap is an explosive and foul-mouthed portrayal of renegade lads whose drug induced rise to fame helped with huge doses of MDMA, ketamine along with other snorting substances.
Kneecap is anti-establishment and captured the zeitgeist of a generation of young Irish youths who wanted to stamp their own Irish identity on a country which is effectively still being governed by England.
Besides the misbehaviour and the rude lyrics, Kneecap is about the authentic rap music, which was always a style of music which was subversive, counter-culture and aimed at the underdog ready to attract the lunatic fringe.
With great performances by all the bandmembers and a stunning supporting role by Fassbender who is channelling all the Irish side of his German-Irish heritage, Kneecap is an insanely entertaining film about the rise of Irish language hip hop, the politicization of indigenous languages and how fame often immortalizes the miscreants of society.
Rich Peppiatt’s thoroughly entertaining and a visually impressive film, hugely inspired by Danny Boyle’s Trainspotting, Kneecap is a must see film. Energetic and absolutely boisterous, Kneecap gets a film rating of 8 out of 10 and is highly recommended viewing.
Separation Anxiety
The Other Way Around
Director: Jonas Trueba
Cast: Itsaso Arana, Vito Sanz, Fernando Trueba
Running Time: 112 minutes
Film Rating: 7 out of 10
Language: Spanish with English Subtitles
Festivals: Cannes Film Festival, European Film Festival
Madrid based film director Jonas Trueba presents an unconventional romantic drama The Other Way Around set in the Spanish capital. This slightly bizarre, self-reflexive film focuses on a hip young couple who work in the film industry who decide that it’s time to separate after being together for 15 years, a sort of conscious uncoupling, a term celebrity couple Oscar winner Gwyneth Paltrow (Shakespeare in Love) and Coldplay Lead singer Chris Martin used when they parted company.
The couple are Ale played by Itasso Arana and Alex played by Vito Sanz who not only tell all their family and friends that they are separating on the last day of the European summer, 22nd September to be precise, but that in preparation for this event they are throwing a massive party. This would be an event celebrating their separation as opposed to them getting together.
Director Jonas Trueba presents a thoroughly bizarre comedy with lots of rapid fire Spanish dialogue in which both man and woman have almost an existential crisis in their relationship, the types of relationships so brilliantly portrayed in some of Woody Allen’s earlier films like Husbands and Wives.
While Ale and Alex prepare for their separation much to the horror of their friends and family, they inadvertently fall back in love with each other.
The Other Way Round is filled with European film references, however as a film which is nearly two hours long, the story doesn’t achieve any form of cathartic release and there is no sense of a neatly tied up plot, instead ending in a strange montage of what their separation party at Ale’s father’s house would have looked like.
Director Jonas Trueba’s film which was presented at the 2024 Cannes directors’ fortnight seems strange and slightly repetitive which was perhaps the point of the film, given the couple’s philosophical inclinations and their preoccupation with Danish philosopher Kierkegaard’s 1843 book Repetition.
The Other Way Around is a strange romantic comedy about how a couple decided sensibly to uncouple.
With a distinctly Spanish style, The Other Way Around is recommended viewing for those that like obscure European cinema.
The Other Way Around gets a film rating of 7 out of 10 and is a fascinating film, except when the self-reflexivity detracts from the narrative.
Macabre Madness
Beetlejuice Beetlejuice: 2024
Director: Tim Burton
Cast: Michael Keaton, Winona Ryder, Catherine O’Hara, Justin Theroux, Monica Bellucci, Arthur Conti, Santiago Cabrera, Danny deVito, Willem Dafoe
Running Time: 1 hour 44 minutes
Film Rating: 6.5 out of 10
To make a sequel 36 years after the original film is always a risk. Tom Cruise pulled it off but Michael Keaton doesn’t.
In this case, director Tim Burton returns to direct Beetlejuice: 2024 with Michael Keaton returning as the pesky phantom Beetlejuice along with Oscar nominee Winona Ryder (The Age of Innocence) as Lydia Deetz and Catherine O’Hara as the hilarious Delia.
Beetlejuice 2024 is a simulacrum of all previous Gothic fantasy films laced with dark humour and serves as a fitting tribute to the highly successful Addams Family films.
When Lydia’s teenage daughter Astrid, superbly played by rising star Jenny Ortega gets taken to the underworld by a mysteriously creepy young man, Lydia has to summon up the crazy Beetlejuice to enlist his help in tracking her down before she boards the soul train, with the last stop being the Pearly Gates.
Meanwhile down in the underworld, Beetlejuice’s crazy ex-wife Delores wildly played by Italian actress Monica Bellucci (Spectre) in a role which pays tribute to Anjelica Huston, is a member of a soul sucking death cult and is out to exact revenge and plans to kill Beetlejuice.
Oscar nominee Michael Keaton (Birdman) must have been offered a substantial sum to return as Beetlejuice yet one thinks it was more a cinematic opportunity to reunite with Tim Burton who directed Keaton in the original Batman film way back when Jack Nicholson played the Joker in 1989. To put that in perspective it was when I was a teenager.
Filled with lots of 1980’s nuances and some fantastic scenes including the Soul Train dance number, Beetlejuice 2024 starts off really promising with some great supporting actors including Justin Theroux (The Girl on the Train) as Lydia’s slimy producer fiancée Rory and Catherine O’Hara making the most of her recent fame as Moira Rose in Schitt’s Creek as she reprises the role of the eccentric Delia. Soon Beetlejuice turns literally into a nightmare trip of pastiche and unoriginality as Tim Burton rips off recent films like Dune while paying homage to older more memorable films like Psycho and Rosemary’s Baby.
Unfortunately, the story of Beetlejuice 2024 is chaotic nonsense and despite the odd laugh and garish ghoul, the film comes off as a desperate attempt to reclaim the original success of the 1988 version.
While the makeup is brilliant, the storyline gets derailed by some truly bizarre dream sequences which feature a mash up of A Nightmare Before Christmas and Addams Family Values.
The idea was there, but the execution failed in every sense, except for Monica Bellucci and Jenna Ortega the rest of the cast did not look happy to reprise their roles which should have stayed buried at the end of the 1980’s.
Sometimes the original film is enough without having to make a sequel so long afterwards. For all its craziness, Beetlejuice 2024 failed to impress and gets a film rating of 6.5 out of 10. Infantile and slightly inane.
When Luxury Turns Deadly
Blink Twice
Director: Zoe Kravitz
Cast: Channing Tatum, Naomi Ackie, Christian Slater, Simon Rex, Adria Arjona, Haley Joel Osment, Geena Davis, Kyle MacLachlan, Levon Hawke
Running Time: 1 hour 42 minutes
Film Rating: 7 out of 10
The best decision that first time director Zoe Kravitz did, was change the title of this first time feature directorial from Pussy Island to Blink Twice.
Imagine trying to market a film called Pussy Island?
Actress turned director Zoe Kravitz casts Channing Tatum as mysterious tech billionaire Slater King in Blink Twice opposite an amazing Naomi Ackie (I Wanna Dance with Somebody) as Frida, a struggling Los Angeles waitress who along with her friend Jess played by Alia Shawkat are invited to his private island in an unknown location.
Like in director Mike Mylod’s The Menu, the audience knows that something terrifying is about to happen, but not sure what. Blink Twice is no different except lacking the charisma of Ralph Fiennes, this is a mystery horror thriller starring a host of ensemble actors including Christian Slater (True Romance, Interview with a Vampire) as Vic, Simon Rex as Cody, Oscar winner Geena Davis (The Accidental Tourist) as Stacy and Kyle MacLachlan (Blue Velvet, Dune) as Rich. There is also a fiery Adria Arjona (Hitman) as Sarah along with Levon Hawke as Lucas.
Frida and Slater and a host of guests arrive via private jet at the sumptuous yet creepy estate, a red villa amidst lush greenery seeping with poisonous snakes and shifty servants.
Blink Twice takes a while to get going, but the intensity of the narrative is held together by some inventive colour saturation and gaudy production design by Roberto Bonelli, which frames the anguish of the characters against stark primary colours as their social anxiety heightens. Zoe Kravitz’s decision to film most of the characters in Extreme Close Up adds to the psychological trauma of what is really occurring.
Amidst the lavish dinners and decadent pool parties, with all the ladies in white and the men looking lecherous, Frida’s friend Jess suddenly goes missing and soon all the luxury of their plush surroundings vanish when Frida tries to piece together what is really happening polaroid style.
Channing Tatum plays the sinister billionaire and steps out of his comfort zone as a quasi-villain. Blink Twice really belongs to Naomi Ackie and Adria Arjona as they soon discover that their drug induced dinners served an entirely nefarious purpose. The nasty characters get horribly messy very quickly amidst the pink mimosas and the champagne cocktails on this private island in which the men are catching more than just fish.
As a directorial debut Zoe Kravitz’s film Blink Twice is slightly challenging in places, yet the narrative doesn’t quite hold together and some of the extra characters are wasted. Fortunately for all its garish quirks, Blink Twice has a fascinating twist at the end.
Not for sensitive viewers, Blink Twice is a psychological thriller for the Instagram generation which gets a film rating of 7 out of 10. If you enjoyed Saltburn and The Menu, then watch Blink Twice.