Posts Tagged ‘Cate Blanchett’

Neon Inspired Family Feud

Thor: Ragnarok

Director: Taika Waititi

Cast: Chris Hemsworth, Mark Ruffalo, Tom Hiddleston, Cate Blanchett, Anthony Hopkins, Jeff Goldblum, Idris Elba, Tessa Thompson, Benedict Cumberbatch, Karl Urban, Ray Stevenson, Scarlett Johansson, Luke Hemsworth, Sam Neill, Taika Waititi

New Zealand director Taika Waititi was Oscar nominated back in 2005 for his Live Action Short film Two Cars, One Night.

Marvel Studios recruited him to inject new life into the Thor films and that he certainly does with Thor: Ragnarok, a neon inspired family feud of mythical proportions featuring Thor played again by hunky Australian actor Chris Hemsworth along with his pesky brother Loki played by Tom Hiddleston and new addition to the family Hela played with vampish delight by Oscar winner Cate Blanchett (The Aviator, Blue Jasmine).

Thor returns to Asgard only to discover that Loki has banished Odin, their father to a virtual retirement home. Upon a brief visit, the brothers discover that Odin, wonderfully played with a sombre delight by Oscar winner Anthony Hopkins (The Silence of the Lambs) has got an elder daughter Hela who was banished from Asgard for being the Goddess of Death and wreaking havoc on the nine realms.

Cate Blanchett relishes her role as Hela, the Goddess of Death, inspired by Maleficent and certainly quite intent on destroying her defiant younger brothers.

Thor and Loki land up on a weird dystopian outer planet overseen by the demonic Grand Master, a superbly camp performance by Jeff Goldblum (Jurassic Park, Independence Day), who immediately instructs Thor to fight in a massive arena against a formidable beast: The Hulk. Enter Bruce Banner aka The Hulk, played with bewildering amusement by Mark Ruffalo (The Avengers, Foxcatcher, Spotlight).

Eventually Thor gets Loki, The Hulk and a hard-drinking Valkyrie played by Tessa Thompson last seen in the HBO series Westworld, to return to Asgard to defeat the demonic Hela who is assisted by a reluctant henchman Skurge played by Karl Urban (Dredd, Star Trek and The Loft).

The only criticism is that the middle section of Thor: Ragnarok detracts from the film’s central narrative, which is essentially a legendary family conflict.

Thor: Ragnarok is a fun-filled comic book film which thankfully does not take itself or the characters too seriously and is a clear indication that Marvel films are definitely trying to create memorable characters for the lucrative toy manufacturing market just before Christmas.

As with all the latest Marvel films, franchise opportunities abound. Thor: Ragnarok is light-hearted and hellishly entertaining. Audiences should look out for a great cameo by Benedict Cumberbatch reprising his role as the illusive Doctor Strange.

If audiences enjoyed The Avengers and the first two Thor films, then they will definitely savour Thor: Ragnarok which is comically inspired from another Marvel hit franchise, The Guardians of the Galaxy.

Thor: Ragnarok gets a film rating of 7.5 out of 10.

Martini’s and Cigarettes

Carol

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Director: Todd Haynes

Cast: Cate Blanchett, Rooney Mara, Sarah Paulson, Kyle Chandler, Jake Lacy, Cory Michael Smith

Far From Heaven director Todd Haynes adapts the Patricia Highsmith novel The Price of Salt for the big screen in the visually beautiful and meticulously directed film Carol featuring Oscar winner Cate Blanchett (The Aviator, Blue Jasmine) and Oscar Nominee Rooney Mara (Girl with the Dragon Tattoo) as unlikely lovers in New York during Christmas in 1952.

Similar to Far from Heaven which also featured a love story which was socially prohibited back in the 1950’s, Carol focuses on a love affair between an affluent married woman Carol Aird and a young shop assistant Therese Belivet wonderfully played by Mara. Blanchett brings a nuanced perspective to the role of Carol, a strong willed and affluent woman whose sexual desires for the same sex are severely limited by the narrow social attitudes of the early 1950’s America, particularly mirrored in the attitude of her affronted soon to be ex-husband Harge Aird superbly played by Kyle Chandler, who typically views his wife and daughter as his patriarchal properties which need to be possessed.

Carol has to be viewed through the long struggle for international LGBT rights which is now enjoyed by many but wasn’t the case some sixty years ago. Carol like Ang Lee’s Brokeback Mountain depicts a socially taboo homosexual love affair which affects not only the lovers involved but also their respective partners or suitors. In this case, it is Therese’s suitor Richard Simco played by Jake Lacy who is mystified as to why Therese is constantly rebuffing his advances.

Carol’s situation is more complex as she is married with a husband and a little daughter, which really speaks to the emotional pull of the entire film. As Carol and Therese embark on a cross-country jaunt from New York to Chicago, their travels reflect their own emotional and sexual journeys as they soon realize how deeply they have fallen for each other despite the consequences.

After their initial encounter in a swanky New York department store whereby shop assistant Therese persuades the chain-smoking and glamourous Carol Aird to rather buy a train set than a doll for her daughter as a Christmas present, Haynes makes a valid point about the perceived gender typical socialization of children and how sexuality itself is in fact a social construct.

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Their scandalous affair is assisted by Carol’s ex-lover Abby Gerhard played by Sarah Paulson and as those they affect soon realize what has occurred, it’s the peripheral characters conservative viewpoints on morality which frames this tender and beautifully constructed love affair characterized by Martini’s and cigarettes.

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Carol has generated a lot of critical acclaim because Blanchett and Mara both have the acting abilities to pull off such nuanced and complex performances especially in the hands of a brilliant director like Todd Haynes who after his stunning mini-series Mildred Pierce and his earlier films Far From Heaven and I’m Not There is an artist at the peak of his creative powers, both in terms of semiotics and visual arts.

Carol is highly recommended viewing, extraordinarily acted, beautifully designed and most notably directed with a flair for detail which is rarely glimpsed in the 21st century’s era of effects laden contemporary cinema.

Viewers that enjoy a mature adult drama, should definitely watch Carol, a film which does not resort to explicit nudity or shock value but critically evaluates an extraordinary love affair taking place in an exceptionally conservative era of American history.

67th BAFTA Awards

THE  67th BAFTA AWARDS /

THE BRITISH ACADEMY FILM AWARDS

Took place on Sunday 16th February 2014 in London

BAFTA WINNERS IN THE FILM CATEGORY:

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Best Film: 12 Years a Slave

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Best Director: Alfonso Cuarón – Gravity

Best Actor: Chiwetel Ejiofor – 12 Years a Slave

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Best Actress: Cate Blanchett – Blue Jasmine

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Best Supporting Actor: Barkhad Abdi – Captain Phillips

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Best Supporting Actress: Jennifer Lawrence – American Hustle

Best British Film: Gravity

Best Original Screenplay: Eric Warren Singer and David O. Russell – American Hustle

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Best Adapted Screenplay: Steve Coogan and Jeff Pope – Philomena

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Best Costume Design: The Great Gatsby

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Best Foreign Language Film: The Great Beauty directed by Paolo Sorrento (Italy)

Source: 67th BAFTA AWARDS

 

 

58th BAFTA Awards

THE  58TH BAFTA AWARDS /

THE BRITISH ACADEMY FILM AWARDS

Took place on Sunday 12th February 2005 in London

BAFTA WINNERS IN THE FILM CATEGORY:

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Best Film: The Aviator

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Best Director: Mike Leigh – Vera Drake

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Best Actor: Jamie Foxx – Ray

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Best Actress: Imelda Staunton – Vera Drake

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Best Supporting Actor: Clive Owen – Closer

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Best Supporting Actress: Cate Blanchett – The Aviator

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Best British Film: My Summer of Love directed Pawel Pawlikowski

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Best Original Screenplay: Charlie Kaufman – Eternal Sunshine of the Spotless Mind

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Best Adapted Screenplay: Sideways by Alexander Payne and Jim Taylor

Best Costume Design: Vera Drake

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Best Foreign Language Film: The Motorcycle Diaries directed by Walter Salles

http://en.wikipedia.org/wiki/58th_British_Academy_Film_Awards

2015 Cannes Film Festival

2015 CANNES FILM FESTIVAL WINNERS

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Winners of the five main prizes at the 2015 Cannes Film Festival were as follows: –

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Palme d’Or– Dheepan directed by Jacques Audiard

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Best Director – Hou Hsiao-Hsien for The Assassin

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Best Actor: Vincent Lindon – The Measure of Man

Best Actress: shared between

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Rooney Mara – Carol

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Emmanuelle Bercot for Mon roi

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Best Screenplay – Michel Franco for Chronic starring Tim Roth and David Dastmalchian

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Queer Palm Award: Carol directed by Todd Haynes starring Rooney Mara, Cate Blanchett, Sarah Paulson and Kyle Chandler

Source: 2015 Cannes Film Festival

 

 

When the Glass Slipper Fits…

Cinderella

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Director: Kenneth Branagh

Cast: Lily James, Richard Madden, Cate Blanchett, Helena Bonham Carter, Stellan Skarsgaard, Derek Jacobi, Holliday Grainger, Ben Chaplin, Hayley Atwell

Shakespearean actor and director Kenneth Branagh (Thor, King Henry V) vividly recreates the famous tale of Cinderella in a live action film which despite its sumptuous production design does not match up to other recent onscreen fairy tales most notably the brilliant Snow White and the Huntsman and the equally impressive Maleficent.

Downton Abbey’s Lily James takes on the title role of Cinderella and although she is gorgeous to watch onscreen, the famous narrative arc of her tale is not given any particular depth or subliminal meaning. But then again this is a Disney film and the age restriction is parental guidance, with the target audience being young little girls. Judging by the packed cinema on a Saturday afternoon that target market was spot on.

Branagh’s Cinderella is lush, gorgeous and beautiful to watch with a spectacular production design by Dante Ferreti and fabulous costumes by Sandy Powell, Oscar winner for her costumes in Martin Scorsese’s The Aviator.

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Oscar winner for Blue Jasmine and The Aviator Cate Blanchett is wonderful as the wicked stepmother and so is Helena Bonham Carter (The King’s Speech, The Wings of a Dove) as Cinderella’s quirky fairy godmother who on the evening of the ball given by the crown prince of their kingdom, Cinderella’s dress, transportation and footmen are sorted for her great entrance at the Ball.

The Ballroom scene is simply amazing and is undoubtedly the high point of the film, but in a similar vein to the gorgeous reproduction of Anna Karenina, the script and acting for Cinderella suffers under the weight of its own expectation.

One almost gets the feeling that the actors were slightly bored going through this famous fairy tale with the exception of the brief scenes by Blanchett and the cameo by Helena Bonham Carter, Cinderella fails to lift audiences beyond its very light and fluffy message – which is for all young girls to find prince charming and live happily ever after.

Prince Charming in this case is played by British actor and Game of Thrones star Richard Madden, bulging codpiece and all, and his penetrating blue eyes do the acting. Director Branagh strictly keeps this traditional Cinderella aimed at the young children’s market obviously upon the instruction of parent company Disney.

Nevertheless, the costumes and the production design are superb and should garner some awards in those categories. Whilst Cinderella lacks the edgier darkness of Snow White and the Huntman and Maleficent, it is still fun to watch especially all those character actors making an appearance from Hayley Atwell, Stellan Skarsgaard and Derek Jacobi.

Disney’s Cinderella is recommended viewing for those that loved Mirror Mirror and for all parents who need to take their daughters to see some serious glamour on the big screen. In this case the fabulous glass slipper fits too comfortably and Cinderella and her prince charming do live happily ever after.

 

71st Golden Globe Awards

71st Golden Globe Awards

Took place on Sunday 12th  January 2014 hosted by the Hollywood Foreign Press Association

Golden Globe Winners in The Film Categories:

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Best Film Drama – 12 Years a Slave

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Best Film Musical or Comedy – American Hustle

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Best Actor Drama: Matthew McConaughey – Dallas Buyers Club

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Best Actress Drama: Cate Blanchett – Blue Jasmine

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Best Actor Musical or Comedy: Leonardo DiCaprio – The Wolf of Wall Street

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Best Actress Musical or Comedy: Amy Adams – American Hustle

Best Supporting Actor: Jared Leto – Dallas Buyers Club

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Best Supporting Actress: Jennifer Lawrence – American Hustle

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Best Director: Alphonso Cuaron – Gravity

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Best Foreign Language Film – The Great Beauty (Italy)

Source: http://en.wikipedia.org/wiki/71st_Golden_Globe_Awards

65th Golden Globe Awards

65th Golden Globe Awards

The 65th Golden Globe Awards, honoring the best in film and television of 2007, were scheduled to be presented by the Hollywood Foreign Press Association on January 13, 2008. However, due to the Writers Guild of America strike, the traditional awards ceremony did not take place;[1] instead, the winners were announced at a news conference at 6:00 pm PST on that day (02:00 January 14 UTC).

Golden Globe Winners in The Film Categories:

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Best Film Drama: Atonement

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Best Film Musical or Comedy: Sweeney Todd, the Demon Barber of Fleet Street

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Best Actor Drama: Daniel Day-Lewis – There will be Blood

Best Actor Musical or Comedy: Johnny Depp – Sweeney Todd, the Demon Barber of Fleet Street

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Best Actress Musical or Comedy: Marion Cotillard – La Vie en Rose

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Best Actress Drama: Julie Christie – Away from Her

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Best Supporting Actor: Javier Bardem – No Country for Old Men

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Best Supporting Actress : Cate Blanchett – I’m Not There

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Best Director: Julian Schnabel – The Diving Bell and the Butterfly

Best Foreign Language Film – The Diving Bell and the Butterfly (France, USA)

Source: http://en.wikipedia.org/wiki/65th_Golden_Globe_Awards

The Middle Earth Saga

The Hobbit:

The Battle of the Five Armies

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Director: Peter Jackson

Cast: Martin Freeman, Benedict Cumberbatch, Lee Pace, Evangeline Lilly, Richard Armitage, Luke Evans, Orlando Bloom, Christopher Lee, Cate Blanchett, Ian McKellan, Hugo Weaving, Aidan Turner, James Nesbitt, Dean O’Gorman

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After the massive success of The Lord of the Rings Trilogy, New Zealand director Peter Jackson (Heavenly Creatures) creates another trilogy out of J. R. R. Tolkien’s first novel The Hobbit with An Unexpected Journey, The Desolation of Smaug and the final film, The Battle of the Five Armies, each film being internationally released sequentially from 2012 to 2014 in time for the Christmas Holidays.

Bilbo Baggins and his gang of dwarves go on a quest to defeat the dreadful dragon Smaug and reclaim the gold hidden in the Dwarf Kingdom of Erebor. The Battle of The Five Armies is naturally pure fantasy and really has to be seen in conjunction with the first two Hobbit films. With hideous orcs and elves fighting each other along with dwarves and humans, lead by Bard the Dragon Slayer (Luke Evans), this is wonderful CGI action and moments of humour thrown in. Whilst the Lord of the Rings Trilogy was a tad darker in tone, the Hobbit is lighter and aiming for a younger audience, but just as enjoyable.

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Ably assisted by a great supporting cast including Sir Ian McKellan as Gandolf the Grey, Cate Blanchett as Galadriel, Luke Evans as Bard, Orlando Bloom as the Elf fighter Legolas, Martin Freeman’s portrayal of the beloved Bilbo Baggins caught up in a war far greater than what his pretty shire existence is used to, is perfect. Freeman’s status as an actor has risen considerably after this franchise and his wonderful portrayal as Lester Nygaard in the hit TV series Fargo.

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The Hobbit Trilogy is a precursor to the Lord of the Rings Trilogy yet naturally all six films should ideally be seen on the big screen in 3D and digital sound. I watched the first two Hobbit films on DVD, and saw The Battle of the Five Armies in a Cinema and the visual effects were spell bounding especially the scenes with the Dragon Smaug obliterating the human’s village and also the fantastic war sequence which takes up pretty much most of the second half of this film.

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There has been criticism that Peter Jackson was milking the Hobbit Story into a multi-million dollar film franchise as the Tolkien’s book is so short, however its quite clear that with the success of the Lord of the Rings Trilogy, the studios gave him free reign, so yes that is precisely what he did, knowing full well that The Hobbit brand marketability would be huge.

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Fans of both The Lord of the Rings and The Hobbit Trilogy will certainly not be complaining. Many battles and legends alluded to in the Hobbit novel are superbly expanded upon and given their full cinematic exploration. Middle Earth never looked this glamorous, spectacular and daunting.

Mexican director Guillermo del Toro (Pan’s Labyrinth, Pacific Rim) assists Fran Walsh and Philippa Boyens with screenwriting on the Hobbit movies, so director Peter Jackson can do what he does best – recreating the world of Middle Earth and exploring fantasy in its supreme entirety.

For continuity purposes it also helps having the wonderful Sir Ian McKellan, Oscar winner Cate Blanchett and even veteran screen actor Christopher Lee return to the Hobbit films in supporting roles, making this trilogy just as fun and exciting as the brilliant Lord of the Rings franchise which dazzled audiences in the first decade of the 21st century. Benedict Cumberbatch voices the evil dragon Smaug which guards a horde of gold belonging to the Dwarf King.

Now the question remains will Peter Jackson tackle the other J. R. R. Tolkien novel The Silmarillion ?

 

Tapping into Imagined Mythologies

Indiana Jones and The Kingdom of the Crystal Skull

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Director Steven Spielberg

Cast: Harrison Ford, Shia LaBeouf, Cate Blanchett, John Hurt, Ray Winstone

(Review originally published in June 2008)

Almost twenty years on from the last Indiana Jones film, the fourth installment of Steven Spielberg and George Lucas original blockbuster trilogy, Indiana Jones and the Kingdom of the Crystal Skull had its world premiere at the Cannes film festival last month. The latest Indiana Jones marks the beginning of the so-called American Summer Movie Blockbuster season. Naturally many critics and viewers alike were dubious about the 65-year old Harrison Ford reprising his role as the adventurous globetrotting relic hunter and archaeologist. However, fans of the original three enormously successful films all centering on our whip-cracking hero in search of a mythical artifact at odds with a nefariously evil regime in close pursuit, while journeying to exotic locations around the globe, will not be disappointed with this latest installment.

 

Obviously, the creators both Lucas and Spielberg, the men behind such fantastic films as the Star Wars trilogy and War of the Worlds, are confident creators and know their territory well. Combining lots of fast-paced action sequences with some surprisingly consistent characterization and additions of new villains and side-kicks, along with some old-style drama, Indiana Jones and the Kingdom of the Crystal Skull is a skillful blending of several genres from the cowboy to the science fiction, while tapping into several imagined mythologies from the ancient Inca lost cultures of the Amazon to the urban myth of Hangar 51 and the Roswell incident, involving the American government’s secretive cover-up of an alien space craft that apparently crash landed in the New Mexican desert in 1947.

 

This film is set ten years on and firmly places the period of the action in the late 1950’s a time of the Red Scare, with McCarthyism sweeping America, a daunting decade when Communist infiltration was suspected in every aspect of American life. Into the mythology of the Roswell alien sighting at New Mexico and the lost city of El Dorado, an ancient Amazon city of Gold, which was believed to have existed at the Spanish conquest of South America in the early 1500’s, Spielberg and Lucas add the Stalinist era Soviets as Indiana’s arch enemies, headed by a blue-eyed sword wielding villain Dr Irina Spalko, an energetic performance by the Oscar winning Cate Blanchett (The Aviator).

 

In a rare genius of casting, Karen Allen reprises her role as Marion Ravenwood first seen in Raiders of the Lost Ark and the hot new Hollywood talent, Shia La Beouf stars as the spunky and wild Mudd, sporting a look reminiscent of the young Marlon Brando from his breakthrough film in The Wild One, kitted out in black leather cap and jacket skillfully riding a Harley Davidson and shattering the tranquility of an American town.

 

Even if you are new to the mythologies of Indiana Jones, this fourth installment is a great piece of entertainment in its own right, with thrilling action sequences, minimal CGI usage and a brilliant storyline tapping into several historical and imagined mythologies, while keeping a sense of humour and retaining a long espoused theory that many of the magnificent architectural wonders of ancient civilizations, from the pyramids of Egypt to the Amazonian Temples are tied into something vastly supernatural and way beyond anything we, as mere mortals, could possibly believe. Whether it’s the quest of infinite knowledge or that promised chalice of immortality, suspend your disbelief and take two hours to see this thrilling, fascinating and much anticipated sequel. Indiana Jones and the Kingdom of the Crystal Skull will surely not disappoint and has already proven its worth in international Box office gold.

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