Posts Tagged ‘Colin Farrell’

The Circus has Come to Town

Dumbo

Director: Tim Burton

Cast: Colin Farrell, Michael Keaton, Danny DeVito, Eva Green, Alan Arkin, Nico Parker, Finley Hobbins, Roshan Seth, Lars Eidinger

Director Tim Burton reunites his stars Michael Keaton and Danny DeVito from the 1992 smash hit sequel Batman Returns in Disney’s live action remake of Dumbo also starring Colin Farrell and Eva Green.

The setting is a travelling circus in post-war Missouri where Dumbo is born to a mother elephant and whose long ears enable the baby elephant to fly at the coaxing of a feather with the help of children Milly and Joe Farrier played by Nico Parker and Finley Hobbins.

The children’s father and returning World War I hero Holt Farrier is played by Colin Farrell (Roman J. Israel Esq, The Beguiled, Widows).

Danny DeVito (Big Fish, The War of the Roses, Get Shorty) stars as Max Medici who comically runs the travelling circus. Screenwriter Ehren Kruger does take a while to get the story of Dumbo off the ground and the first half of the film does appear to be slightly unexciting.

Luckily, the moment Michael Keaton and Eva Green appear on screen, Dumbo becomes a fascinating tale of intrigue, dreams dashed, benevolent dictatorships and corporate greed which allows for the wholesale exploitation of animals for circus tricks which naturally is an overarching theme in this Disney tale of reunions, captivity, animal cruelty and entertainment.

In any case, what is a Disney movie without a moral cause and Dumbo is no exception.

Visually, Dumbo is fascinating and the production design and costumes are brilliant and slightly garish which is what to expect in a Tim Burton film who directed such classics as Sweeney Todd, The Demon Barber of Fleet Street, Ed Wood, Big Eyes and Alice in Wonderland.

As the action moves swiftly from the Missouri plains to New York where Keaton’s flamboyant entrepreneur V. A. Vandevere played with a chilling panache by Oscar nominee Michael Keaton (Birdman) buys Medici’s circus to be supposedly incorporated into Vandevere’s lavish amusement park Dreamland financed by a ruthless banker J. Griffin Remington played by Oscar winner Alan Arkin (Little Miss Sunshine) .

It’s at Dreamland where Dumbo has to perform daring circus tricks which prompts him to fly around the tent with precarious set pieces collapsing all around the poor elephant. It’s also at Dreamland that Vendevere’s wicked intentions are revealed much to the horror of Medici and the one armed Holt Farrier.

Eva Green’s sympathetic Parisian acrobat is a breath of fresh air amidst the CGI heavy retelling of Dumbo which is entertaining and certainly spectacular but does fall short of the mark.

Unfortunately director Tim Burton misses the mark with Dumbo but the gorgeous production design outshines the lacklustre story line which might not produce tears in viewers’ eyes.

Dumbo gets a film rating of 7 out of 10 but as a lavish post-war circus film it could have been absolutely phenomenal but remains adequately entertaining. Ideal viewing for children and is definitely a film worth seeing on the Big Screen.

Dollar Signs and Empty Promises

Widows

Director: Steve McQueen

Cast: Viola Davis, Michelle Rodriguez, Elizabeth Debicki, Liam Neeson, Colin Farrell, Jacki Weaver, Daniel Kaluuya, Robert Duvall, Jon Bernthal, Carrie Coon, Manuel Garcia-Rulfo, Brian Tyree Henry, Garrett Dillahunt, Cynthia Erivo

In a labyrinth tale which at times is difficult to follow, 12 Years a Slave and Shame director Steve McQueen weaves a tangled web in the contemporary Chicago crime drama Widows featuring an outstanding ensemble cast including a brilliant Viola Davis, Oscar winner for Fences, Oscar nominees Daniel Kaluuya (Get Out) as a ruthless hitman, Jacki Weaver (Animal Kingdom) as a pushy Polish mother along with Oscar winner Robert Duvall (Tender Mercies) as Colin Farrell’s hectic father Tom Mulligan.

What sets Widows apart is that McQueen frames the film as a gritty more complex version of Oceans 8 with pivotal roles for Viola Davis, Elizabeth Debicki (The Tale) and Michelle Rodriguez as three widowed woman who decided to band together and conspire to do a heist to rob from alderman Mulligan played by Colin Farrell who is in a turf war with his contestant a rising African-American politician Jamal Manning played by Brian Tyree Henry (Hotel Artemis).

Daniel Kaluuya plays the insanely evil and vindictive younger brother Jatemme Manning who feels nothing as he tortures a snitch in a wheelchair or makes victims sing before executing them at point blank range.

Director Steve McQueen frames every shot with a keen eye for detail especially the excellent scenes with Viola Davis as she comes to terms with her husband and thief Harry Rawlings explosive demise, shot in a series of intimate flashbacks scenes made more poignant that action star Liam Neeson plays the street savvy thief Rawlings.

What Widows does offer is a sophisticated treatment of contemporary American race relations, inner city corruption, poverty and crime of which there is plenty in this film.

McQueen lets certain scenes linger too long while allowing others to be cut so short that their explosive nature is electrifying. Where he is excels is at is controlling this massive and diverse ensemble cast.

Veteran star Robert Duvall has a fairly major role as the paternal Trumpesque figure Tom Mulligan who is trying to retain his family’s supremacy in the political environment despite his son Jack’s dubious double dealing whose only achievement is offering dollar signs and empty promises.

Equally refreshing is to see Fast and Furious star Michelle Rodriguez in a more substantial role as she battles to keep her family together after her Latino husband Carlos, a briefly seen cameo by Manuel Garcia-Rulfo perishes in Rawling’s heist that goes terribly wrong.

Widows gets a film rating of 7.5 out of 10 and has a massive twist which should keep audiences riveted in a sprawling crime drama held together by superb acting. Highly recommended viewing.

Title of Dignity

Roman J. Israel, Esq.

Director: Dan Gilroy

Cast: Denzel Washington, Colin Farrell, Amanda Warren, Carmen Ejogo, Sam Gilroy, Tony Plana

Oscar winner Denzel Washington (Glory, Training Day) received another Oscar nomination for Best Actor at the 2018 Academy Awards for his betrayal of human rights lawyer Roman J. Israel Esq. in a film of the same name perceptively directed by Nightcrawler director Dan Gilroy.

Dan Gilroy expands his notion of urban cinema further in the compelling legal drama Roman J. Israel Esq. whereby the city in this case Los Angeles becomes another character in his film like it did so vividly in the disturbing Nightcrawler.

Its Roman who is living in downtown L.A. who doesn’t drive and catches public transport, living in an old apartment building next to a condominium construction site whereby he continually complains to city authorities about the after all hour noise levels.

Roman J. Israel Esq follows the story of an out of touch human rights lawyer who is unwillingly thrust into the legal limelight when his more esteemed partner has a sudden heartache. Roman takes on a case about a young African-American boy who is accused of killing an Armenian drugstore worker.

However, Roman’s case soon is not what it seems when he falls under the guidance of hotshot attorney George Pierce, a slick oily performance by the impressive Colin Farrell (The Beguiled).

Pierce soon lures Roman into the corporate legal world with plush offices in a downtown skyscraper overlooking a busy Californian highway. Roman also has to contend with his own ethical and moral convictions as he battles with the idea of being seduced by the trappings of wealth and commercialism, which conflict so sharply with his idealistic human rights beliefs.

These beliefs are embodied in Roman’s awkward relationship with the head of a civil rights Non-Profit organisation, Maya Alston played by Nigerian British actress Carmen Ejogo (Fantastic Beasts and Where to Find Them).

Roman’s former law firm is being wrapped up by his incapacitated partner’s niece Lynn Jackson played by Amanda Warren last seen in the Oscar winning Three Billboards outside Ebbing, Missouri.

As the case of the young accused becomes increasingly more complex and Roman J. Israel Esq in a desperate bid to earn fast cash does something illegal against all ethical considerations, the consequences of which come crashing down on a L. A. lawyer who like the inner city he dwells in, eventually consumes his entire existence.

Roman J. Israel Esq is a compelling examination of dignity, career ethics and the seduction of wealth, held together by a mesmerizing performance by Denzel Washington who plays the civil rights lawyer grappling to adapt to the changes of a millennial environment, while still listening to his Walkman and clutching a bulging briefcase on a legal motion to transform the Federal law system by giving each defendant a stronger chance of being represented equally and fairly before the law.

Roman J. Israel Esq gets a film rating of 8 out of 10 and is highly recommended for those viewers that savour a complex and ethically dubious legal thriller filled with conflicting images of paranoia and idealism. 

2017 Cannes Film Festival

2017 CANNES FILM FESTIVAL WINNERS

Winners of the five main prizes at the 2017 Cannes Film Festival were as follows: –

(No film poster available for The Square)

Palm d’Or:The Square directed by Ruben Ostlund

Best Director:  Sofia CoppolaThe Beguiled starring Colin Farrell, Nicole Kidman, Kirsten Dunst and Elle Fanning

(No film poster available for You Were Never Really Here)

Best Actor: Joaquin Phoenix – You Were Never Really Here

Best Actress:  Diane Kruger –  In the Fade

Best Screenplay:  prize shared between  Yorgos Lanthimos and Efthymis Filippou for The Killing of a Sacred Deer

(The Killing of a Sacred Deer stars Nicole Kidman and Colin Farrell)

Lynne Ramsay for You Were Never Really Here

(You Were Never Really Here also stars Alessandro Nivola, John Doman and Ekaterina Samsonov)

Source: https://en.wikipedia.org/wiki/2017_Cannes_Film_Festival

Magical Manhattan

Fantastic Beasts and Where to Find Them

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Director: David Yates

Cast: Eddie Redmayne, Katherine Waterston, Colin Farrell, Samantha Morton, Dan Fogler, Ezra Miller, Jon Voight, Carmen Ejogo, Faith Wood-Blagrove, Zoe Kravitz,

J.K. Rowling made an absolute fortune out of the Harry Potter novels and now to capitalize on her continued success she attempts to write the screenplay for a spinoff series Fantastic Beasts and Where to Find Them.

The Legend of Tarzan director David Yates is pulled in to coerce all the elements of an ultimately bland screenplay into a presentable and visually impressive fantasy film.

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Yates who helmed the last three Harry Potter films, does an impressive job with Fantastic Beasts even though Oscar winner Eddie Redmayne (The Theory of Everything) maintains a continued perplexed expression on his face throughout this film as he plays the British wizard Newt Scamander who arrives in New York with a suitcase brimming with diabolically strange creatures.

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Redmayne is joined by British actresses Katherine Waterston (Steve Jobs, Inherent Vice) as Tina Goldstein and Oscar nominee Samantha Morton (Minority Report, In America) as the cruel Mary Lou along with Colin Farrell as an American wizard Graves who is chief enforcer of Macusa or the Magical Congress of the United States of America.

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Dan Fogler plays the hapless wannabe baker Jacob Kowalski who effectively serves as a sidekick character to the infinitely cooler Newt Scamander.

Whilst Fantastic Beasts and Where to Find Them is visually impressive and for once the filmmakers make effective use of the 3-D format and all the Beasts are both alluring and comical, the film itself suffers from a badly written script and an overdose of visual effects and a lack of critical editing.

Redmayne is far better in brilliant period films like My Week with Marilyn and The Theory of Everything and comes across throughout Fantastic Beasts with the impression of how the hell did I land up in a Harry Potter spin off franchise set in New York?

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Unfortunately the rest of the characters do not get sufficient back story including the talented Samantha Morton’s portrayal of a cruel orphanage mistress Mary Lou who constantly punishes the repressive Credence Barebone played by Ezra Miller (The Perks of Being a Wallflower, Suicide Squad).

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Colin Farrell (Total Recall, Crazy Heart) is suitably bland as Percival Graves but that is perhaps due to Rowling’s script not giving him much to work with.

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Whilst there is an inherent fan base, Fantastic Beasts and Where to Find Them is not as dazzling as one expects although the visual effects are superb. Let’s hope the Fantastic Beasts sequels which Warner Bros intends making employs a better scriptwriter. No offense to Rowling but she does not possess a talent for snappy dialogue. Then again who needs brilliant dialogue when the audience is constantly overwhelmed by magical creatures roaming 1920’s Manhattan?

 

 

 

 

66th Golden Globe Awards

66th Golden Globe Awards

Took place on Sunday  11th January 2009 hosted by the Hollywood Foreign Press Association

Golden Globe Winners in The Film Categories:

slumdog_millionaire

Best Film Drama: Slumdog Millionaire

Best Director: Danny Boyle – Slumdog Millionaire

vicky_cristina_barcelonaBest Film Musical or Comedy: Vicky Christina Barcelona

untitled

Best Actor Drama: Mickey Rourke – The Wrestler

revolutionary_road

Best Actress Drama: Kate Winslet – Revolutionary Road

in_brugesBest Actor Musical or Comedy: Colin Farrell – In Bruges

happy_go_lucky

Best Actress Musical or Comedy: Sally Hawkins – Happy Go Lucky

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Best Supporting Actor: Heath Ledger – The Dark Knight

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Best Supporting Actress: Kate Winslet – The Reader

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Best Foreign Language Film: Waltz with Bashir (Israel)

Recalling Visual Clues

Total Recall

Farrell losing a sense of reality

The 21st century version of the sci-fi action thriller Total Recall is another cinematic retelling of a Philip K. Dick story We Can Remember It for You Wholesale, following on from Blade Runner (1982), Minority Report (2002), Paycheck (2003), Next (2007) and  The Adjustment Bureau (2011) and this time features Colin Farrell in the lead role of Douglas Quaid aka Cole Hauser a role first made famous by Arnold Schwarzeneggar in the original Paul Verhoeven garish version of a Mars set Total Recall released in 1990 featuring the voluptuous Sharon Stone as Lori and Rachel Ticotin as Melina.

Arnie's version

In this version of Total Recall, directed by Len Wiseman, the earth is mostly uninhabitable through devastating chemical warfare leaving only the United Federation of Britain (sections of the former UK) and The Colony (known now as Australia). Workers from the Colony are transported via a rapid underground train, a revolutionized Eurostar to the UFB an overpopulated simulacrum of late 21st century London where they work on production lines producing Synthetics.

On the journey the hero Douglas Quaid is reading Ian Fleming’s novel The Spy Who Loved Me, a visual clue to how the rest of the film turns out. As is happens Douglas’s charming yet lethal wife Lori played by the sexy Kate Beckinsale is not who she appears to be and through an adventure which ignites when Douglas decides to give Rekall a try to break out of his industrial existence. Rekall is a drug induced manufactured memory enhancer whereby memories can be implanted into a person’s frontal lobe and people can cherish memories based on fabricated experiences.

Total Recall for the first 45 minutes is absolutely thrilling with lots of action and stunning production values with Wiseman clearly influenced by the iconic Blade Runner and similar sci-fi films with large awe-inspiring sets channeling a gritty version of I, Robot and of course Minority Report. The best scene is the chase sequence in the UFB with Farrell and Jessica Biel as Melina a fellow Colony freedom fighter who handles a fantastic uber-hovercraft on a high-tech multi-layered speedway which makes the M25 look like Noddy’s picnic. Bryan Cranston appears as the villain Cohaagen and Bill Nighy as the mysterious post-nuclear freedom fighter Matthias.

Where this version of Total Recall fails is the lack of character development and backstory which is made up for by the endless action sequences which detract from making Total Recall as brilliant and thought provoking as Blade Runner was 30 years ago. The film appears forced in places and action takes precedence over plot in a version of reality which could have done with more measured virtual clues and less bullets. See Total Recall if you are a hardcore Sci-Fi fan and don’t compare it to Paul Verhoeven’s garish and sensational 1990 version especially if viewers are dedicated fans of Philip K. Dick’s cinematized tales dealing with altered reality, memory and virtual personalities.

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