Archive for the ‘DC Comics Universe’ Category

Steppenwolf’s Revenge

Justice League

Director: Zack Snyder

Cast: Ben Affleck, Henry Cavill, Gal Gadot, Amy Adams, Ezra Miller, Jason Momoa, Ray Fisher, Jeremy Irons, Diane Lane, Connie Nielsen, J. K. Simmons, Amber Heard, Joe Morton, David Thewlis, Billy Crudup, Ciaran Hinds

Uniformity of vision is key to director Zack Snyder’s films from his earlier films including 300, Suckerpunch and Watchmen to his onscreen tackling of the DC Comics universe starting with Man of Steel (2013) Batman v Superman: The Dawn of Justice (2016) and now with the latest Superhero extravaganza Justice League.

Batman aka Bruce Wayne played with a deadpan sense of humour by Ben Affleck has to assemble a team to fight the inexplicable and mythical power of Steppenwolf voiced by Ciaran Hinds as the evil underworld monster plans on destroying the Earth with enough energy to wipe out Wonder Woman’s secret Island and Aquaman’s Atlantic underwater liar.

Speaking of which Israeli actress Gal Gadot reprises her role of Wonder Woman aka Diana Prince following the hugely successful standalone film earlier in 2017 by Monster director Patty Jenkins.

New to the cast is Hawaiian actor Jason Momoa who plays Aquaman aka Arthur Curry who besides being able to control the oceans has some serious authority issues along with Ezra Miller (The Perks of Being a Wallflower) as The Flash aka Barry Alan and Ray Fisher as Cyborg aka Victor Stone.

The best scenes in Justice League are when the superheroes come together especially Batman and Aquaman who naturally have a healthy distrust for each other. The dialogue is peppered with some great lines like “Cool, like a bat, I dig it!” or when The Flash asks Batman what his superpowers are, he simply replies “I am rich”.

The good news is that Warner Brothers is set to release stand-alone films of Batman, Aquaman and Cyborg within the next three years, so fans can have a favourite superhero to themselves. Let’s hope these films do as well as director Patty Jenkins remarkable all female superhero film Wonder Woman which smashed all box office records.

Director Zack Snyder’s Justice League is slick, fast, action-packed and filled with quirky interactions between all the world’s favourite superheroes without being puerile or garish. With suitably Gothic production design by Patrick Tatopoulos, Justice League cleverly hints at the upcoming Aquaman and The Batman films. Audiences should look out for Oscar winner J. K. Simmons as Commissioner Gordon.

With a funny screenplay by Chris Terrio and Joss Whedon, Justice League is sure to entertain audiences that loved the previous Zack Snyder superhero films and will possibly get a glimpse of the Man of Steel.

Justice League gets a film rating of 8 out 10 and is thoroughly entertaining, visually rewarding and definitely worth seeing. As the tagline goes: You Can’t Save the World alone. Even Batman.

 

Princess of the Amazons

Wonder Woman

Director: Patty Jenkins

Cast: Gal Gadot, Chris Pine, Robin Wright, Connie Nielsen, Danny Huston, David Thewlis, Said Taghmaoui, Ewen Bremner, Eugene Brave Rock, Elena Anaya

Monster director Patty Jenkins delivers a feminine superhero film with DC’s Wonder Woman featuring the beautiful Israeli actress Gal Gadot as Wonder Woman, Princess of the Amazons.

Gal Gadot first appeared as Wonder Woman in the male-orientated film Batman v Superman and she certainly was no femme fatale, proving a viable counterpoint to Ben Affleck’s Batman.

The first fifteen minutes of Woman Woman, there is no man in sight as the tribe of Amazonian female warriors live blissfully unaware of external strife on an island Themyscira.

As a headstrong young woman, Diana (Wonder Woman) is heavily watched by her protective mother Hippolyta played by Danish beauty Connie Nielsen (Gladiator) while being influenced to train as a Amazonian warrior by her aunt Antiope played by Robin Wright soon to be seen in Blade Runner 2049.

The idyllic exclusion of Themyscira is shattered when the young Diana sees a plane crash into the distant sea and jumps into the ocean saving the bewildered WWI pilot Steve Trevor wonderfully played with bashful humour by Chris Pine (Hell or High Water, Into the Woods).

In an ironic female gaze, director Jenkins turns the camera on a naked Steve as he emerges refreshed from a luxurious infinity pool under the lustful eye of Diana who asks pointedly “Do all men look like that?”

The action moves swiftly to the gritty battle lines of World War 1 as Britain and the allies are about to sign a shaky armistice with Germany. There Diana sees the brutality of man first hand and director Jenkins does not shy away from a valid point that men are the cause of all the wars and the subsequent destruction in the world.

At this point, the audience assumes that the villain of Wonder Woman is the evil German officer Ludendorff played by Danny Huston (Hitchcock, Wrath of the Titans) who is developing chemical weapons with the help of poison specialist Dr Maru played by Elena Anaya.

Diana and Steve form a band of mercenaries set on destroying Ludendorff made up of smooth talking Sameer played by French Moroccan star Said Taghmaoui, Scotsman Charlie played by Trainspotting’s Ewen Bremner and Red Indian chief played by Eugene Brave Rock.

Serving as an origins story and since Wonder Woman is immortal, this is a snapshot of bravery at time when the World was fighting the War to end all wars, circa 1918. What Jenkins manages to do so brilliantly is defy the conventional roles woman play in superhero and adventure films by making the heroine the woman that boldly saves the day, instead of just portraying her as a helpless damsel in distress, leaving the men bewildered, confused and looking like idiots.

As a superhero film, Wonder Woman delivers on all fronts, including lots of humour, copious amounts of action, sufficient visual effects and a surprising plot denouement to keep audiences engaged.

The strikingly gorgeous Gal Gadot holds her own in a big budget franchise film opposite a brilliant blue-eyed Chris Pine, while the period costumes by Lindy Hemming add to the effect of a superheroine stuck in the middle of an antiquated man-made war, which only leaves death and devastation in its wake.

Wonder Woman gets a rating of 8 out of 10. Soon audiences will see more of Wonder Woman as Diana, Princess of the Amazons will next be seen in the highly anticipated Justice League opposite Batman and newcomer Aquaman.

 

Lunacy Prevails

Suicide Squad

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Director: David Ayer

Cast: Will Smith, Margot Robbie, Viola Davis, Joel Kinnaman, Jai Courtney, Jay Hernandez, Jared Leto, Cara Delevigne, Common, David Harbour, Scott Eastwood, Ezra Miller

After David Ayer’s impressively realistic war film, Fury, it was announced that he would be directing the highly anticipated and edgy superhero film, Suicide Squad.

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Assembling an international cast would be easy. Will Smith, Margot Robbie, Joel Kinnaman and Oscar nominee Viola Davis were all on board but the real casting coup was having Oscar winner Jared Leto (Dallas Buyers Club) play the Joker.

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Big crazy shoes to fill for Leto considering Oscar winner Heath Ledger did such a sterling job of playing The Joker in Christopher Nolan’s visually impressive The Dark Knight in 2008. And then there was Oscar winner Jack Nicolson’s wacky portrayal of Gotham’s most deranged villain in Tim Burton’s Batman back in the 1989.

So Suicide Squad is finally released with huge expectations including a brilliant trailer but is this new superhero film that mind-blowing? If viewers watch this film as a precursor for Warner Bros’s DC Comics expanding their cinematic universe following Batman versus Superman and the highly anticipated The Justice League to be released in 2017, then Suicide Squad will satisfy fanboys globally.

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What saves Suicide Squad is Margot Robbie’s exuberant performance as the psychopathic killer Harley Quinn who also happens to be The Joker’s deranged girlfriend.

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Equally good in Suicide Squad is Oscar nominee Viola Davis (The Help, Doubt) who plays a hard-nosed and ruthless head of a covert government organization and the brainchild behind assembling such a crazy bunch of humans and meta-humans to save Midway City, where the only bond tying the psycho killers together are a shared lunacy and the prospect of continued incarceration.

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What works against Suicide Squad is having such a young villain, model turned actress Cara Delevigne as the evil Enchantress whilst Leto’s crazy Joker has diminished screen time, but then again Leto is returning in The Justice League, so we shall see.

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Suicide Squad does lose the plot slightly, but as a superhero film especially with David Ayer at the helm, it could have been far edgier and definitely much sexier. This is where Deadpool got it right. If you are going to subvert the superhero genre do it properly especially with such a deranged cast of characters. The use of continued flashbacks in the narrative also detracts somewhat from the primary storyline.

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Despite the steam punk production design, Suicide Squad is not a brilliant film and certainly does not live up to its hype, but will be savoured by all superhero fanboys and if one views the film as a precursor to great things to come then it is outrageously entertaining. Audiences should definitely stay seated beyond the final credits.

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Unfortunately Will Smith and Joel Kinnaman seem to fumble in the film but that is primarily because they do not have sufficiently grittier and bloodier material to work with, a style which director David Ayer is more accustomed to.

See Fury to appreciate where Ayer’s real talent lies.

Clash of the Icons

Batman v Superman: Dawn of Justice

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Director: Zack Snyder

Cast: Henry Cavill, Ben Affleck, Amy Adams, Jesse Eisenberg, Jeremy Irons, Holly Hunter, Diane Lane, Gal Gadot, Scoot McNairy, Laurence Fishburne, Callan Mulvey, Kevin Costner, Ray Fisher, Jason Momoa

Hollywood studio Warner Brothers had a lot riding on the highly anticipated sequel to the 2013 hit Man of Steel, Batman v Superman: Dawn of Justice, but fortunately they followed the golden rule of sequels, always bring in the same cast and director mixed in with a bunch of surprises.

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Fortunately in the hands of Zack Snyder whose visual range is vast, Batman vs Superman comes across as an epic battle between the two infamous superheroes, a monumental gamble on reintroducing Batman back into the mix so soon after the brilliant success of Christopher Nolan’s Dark Knight Trilogy. Then why not bring the writer of that trilogy on board, David S. Goyer and use Christopher Nolan’s expertise as executive producer. Then there is the casting which really pays off.

The Social Network’s Oscar nominee Jesse Eisenberg as the smart and brilliant villain Lex Luthor, Oscar winner Jeremy Irons (Reversal of Fortune) as Batman’s trusted manservant Alfred and the biggest coup was casting Ben Affleck (Gone Girl, Argo) as Batman which gives this comic book clash of the icons a more edgier hue.

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After all, realistically Batman, aka Bruce Wayne cannot really defeat Superman, an alien man from Krypton with superpowers. All Batman has is cool gadgets, a Batmobile and all that pent-up rage from his childhood trauma of witnessing his parents being murdered on the streets of Gotham.

Amy Adams returns as the adventurous Lois Lane, along with Henry Cavill as Clark Kent, aka Superman along with Diane Lane as his earth mother Martha Kent. If there is one way to make a superhero angry, it’s to mess with his mother!

Whilst Batman v Superman at two and a half hours long could have been edited especially the last hour of the film, visually the film is so impressive as director Zack Snyder artistically pays homage to his filmography which made him famous: 300, Watchman and Suckerpunch, the last one being especially evident in the surprise appearance of Wonder Woman, played by Israeli actress Gal Gadot.

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The chemistry between Batman and Wonder Woman is sexually charged, and on screen the duo look impressive. Affleck’s Batman is a brooding, aging wealthy playboy who is hellbent on seeking revenge for the destruction of a Wayne Enterprises skyscraper by alien invaders from Krypton. Blame Superman!

Whilst Chris Terrio (Argo) and David S. Goyer’s script is not particularly dazzling, the visual effects in Batman v Superman are brilliant, as well as the tone of the film, which Snyder keeps alternating between light bright colours for Superman and dark, cavernous greys for Batman. It also helps that Affleck himself has greying sideburns which realistically makes Batman look older than Cavill’s boyish Superman.

Women in Batman v Superman also have a major role, although clearly the film itself is marketed for a primarily male audience. Lois Lane is feisty and believable, Wonder Woman looks absolutely gorgeous in evening wear and even appears as a suitable femme fatale for Bruce Wayne during a glamourous Lex Luther cocktail event. Even Diane Lane as Clark Kent’s mother Martha gets caught up in the raucous and very loud action sequence.

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It’s really Jesse Eisenberg’s superb and surprising turn as the deranged megalomaniac Lex Luther, a psychotic billionaire tech guru who thinks nothing of killing innocent people during a public gathering or messing with extra-terrestrial DNA from General Zod.

Fans of Man of Steel and The Dark Knight Trilogy will certainly appreciate the iconic face-off between Batman v Superman, but be warned the tone of this film is far darker than your average bright and garish superhero caper.

Recommended viewing for all Zach Snyder fans and those that wish to be regular attendees at Comic-Con. This is serious comic book warfare.

 

 

 

 

The Genesis Chamber

Man of Steel

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Director: Zack Snyder

Cast: Henry Cavill, Amy Adams, Christopher Meloni, Diane Lane, Kevin Costner, Laurence Fishburne, Michael Shannon, Russell Crowe, Richard Schiff, Ayelet Zurer

Director Zack Snyder’s ambitious retelling of the origins of Superman in Man of Steel is visually dazzling and grittier than the cheesier Superman movies of the late 1970’s and early 1980’s. With Christopher Nolan as the producer and co-writer of Man of Steel, Snyder’s vision of Superman is darker, edgier and more realistic with the occasional humorous nod, but ultimately its firmly rooted in Sci-Fi with Krypton taking a centre stage in the spectacular production design of the opening sequences which shows influences of Snyder’s previous darkly toned blockbusters, 300 and Watchmen.

With newcomer Henry Cavill in the titular role fresh from his role on the TV series The Tudors and relatively unknown outside of the UK, he does a fairly good job of becoming one of America’s iconic figures. In Man of Steel, the comic and sci-fi iconography is rife, with Snyder paying homage to a range of influential Sci-Fi films from Close Encounters of the Third Kind to War of the Worlds, while firmly rooting the narrative in the celestial journey that Kal-El takes from Krypton to Kansas to Superman saving America. There is even a scene of the conflicted Superman in a Kansas church, complete with religious imagery mulling over whether to save his adopted planet Earth from destruction or side with his extraterrestrial origins that of his Kryptonian heritage represented by the ruthless General Zod, expertly played by Michael Shannon (Boardwalk Empire, Premium Rush) who after a period of isolation tracks Superman to Earth and soon brings a wake of devastation from Smallville to Metropolis.

The trick which makes Man of Steel so compelling is that along with the dazzling visual effects, the casting was spot on surrounding newcomer young British actor Henry Cavill with a galaxy of veteran Hollywood stars from Russell Crowe as his birth father Jor-El to Kevin Costner and Diane Lane as his adopted parents Jonathan and Martha Kent. Then there is the brilliant Amy Adams (Doubt, Julie and Julia) cast as the adventure seeking tough investigative journalist Lois Lane, who plays the part in stark contrast to the goofy, slightly dizzy take on the role by Margot Kidder in the original Superman movies.

From Krypton to Kansas…

The narrative is deeply rooted in origins mythology and told through a series of expertly crafted flashbacks about how Kal-El was naturally conceived on Krypton by his birth parents without the help of the sinister looking Genesis Chamber on the doomed planet Krypton and shunted off to earth as the last surviving hope for his celestial race. Kal-El, better known in Kansas as Clark Kent soon discovers his extraordinary powers as a growing boy and transforms into the mature, measured and slightly emotionally stunted Man of Steel, complete with X-Ray vision and high-speed atmospheric flight capabilities. The narrative arc closes when Lois Lane discovers Superman’s origins and naturally as most Superheroes do, he must don the fetching red cape and suitable attire, complete with underpants in the right place saving Earth from the Warrior General Zod, whilst balancing his newfound status as an alien with that of being a saviour of mankind.

Man of Steel is a superb cinematic retelling of the original comic book hero, worth watching for the fantastic opening and closing sequences, with Snyder desperate to cram all aspects of the Superman mythology into this slightly long and explosive action-heavy blockbuster. The only criticism is that the penultimate sequence of the film could have been effectively edited for effect, as the action outweighs the narrative and character development and often resembles a CGI-laden video game.

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Snyder’s Superman version in Man of Steel is destined to become a cinematic blockbuster and firmly establish him as a skilled action film director. Whilst not as thrilling or tightly written as Christopher Nolan’s Batman Trilogy, Nolan’s influences are apparent in Snyder’s darker more stylized vision of Superman as another conflicted superhero having to choose between his own dying civilization and becoming the new found saviour of Earth. Recommended viewing for Sci-Fi and Comic book fans, Man of Steel is sure not to disappoint Zack Snyder followers who have eagerly traced his quirky directorial growth from 300 to Watchmen to Suckerpunch and beyond…

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