Posts Tagged ‘Dave Bautista’

Replicants Rising

Blade Runner 2049

Director: Denis Villeneuve

Cast: Ryan Gosling, Harrison Ford, Robin Wright, Jared Leto, Dave Bautista, Ana de Armas, David Dastmalchian, Edward James Olmos, Barkhad Abdi, Sylvia Hoeks, Tomas Lemarquis, Mackenzie Davis, Sean Young

When Ridley Scott’s original Blade Runner appeared on cinema screens in 1982 it was hailed as a visionary science fiction film about replicants in Los Angeles in 2019.

The film developed an instant cult following and become a prime example of Post Modern Film Noir, with its blend of 1940’s costumes coupled with a dystopian future of a vast city laid bare by global warming and sinister corporations filled with surreal images of a multi-national world overtaken by replicant animals and a rapidly depleting human population most of whom had gone off world to the colonies in outer space.

Thirty five years later, there is finally a sequel, the highly anticipated Blade Runner 2049 featuring Ryan Gosling as K and veteran actor Harrison Ford reprising his role as Deckard.

Directed by French Canadian Denis Villeneuve, who brought cinema lovers his excellent impressionistic films Arrival and Sicario, this is by far his best and most ambitious film yet.

With Blade Runner 2049 he had a lot of visionary expectations to live up to and with the able assistance of Oscar nominee cinematographer Roger Deakins, Blade Runner 2049 is a visual feast, a mind blowing and sophisticated contemplation on the nature of what humanity is, of what fabricated genealogy is and more significantly where our species are heading in a future increasingly popularized with invasive technology. Artificial intelligence, virtual reality, augmented operating systems to name a few.

If contemporary audiences are expecting a straight forward sci-fi sequel then don’t watch Blade Runner 2049. It’s advisable to watch the first film so that you as a viewer can understand all the cinematic references to the original that Villeneuve densely packs into this version along with some stand out performances particularly by Harrison Ford as the older Deckard as he appears exiled in an abandoned casino in a vacated Las Vegas to Dutch actress Sylvia Hoeks as the uber-cool yet vicious replicant Luv along with Robin Wright as K’s LAPD hard-drinking superior Lieutenant Joshi. Cuban actress Ana de Armas (War Dogs) also stars as a virtual projection of K’s love interest Joi to compensate for his increasing alienation in this post-apocalyptic landscape.

What is most captivating about Blade Runner 2049 is the subliminal images and the dexterous use of colour filters particularly in the chic scenes with new arch villain Niander Wallace played with a psychopathic God complex by Oscar winner Jared Leto (Dallas Buyer’s Club).

The ratcheting up of the pace in Blade Runner 2049 is remarkable especially in the film’s second half elegantly assisted by a phenomenal original score by Hans Zimmer and Benjamin Wallfisch.

To tell audiences anything else about Blade Runner 2049, would be to reveal vital spoiler alerts and sinister plot twists.

Blade Runner 2049 is fantastic cinema on an epic, visionary scale and its magnitude would be lost if viewers saw the film on anything smaller than a massive screen complete with surround sound.

Blade Runner 2049 is superb viewing and gets a film rating of 9 out of 10.

A ravishing tour-de-force in post-modern semiotic brilliance, this film is not to be missed by those that loved the original Blade Runner.

Starlord’s Genealogy

Guardians of the Galaxy 2

Director: James Gunn

Cast: Chris Pratt, Zoe Saldana, Dave Bautista, Bradley Cooper, Vin Diesel, Kurt Russell, Michael Rooker, Karen Gillan, Sylvester Stallone, Pom Klementieff, Elizabeth Debicki, Sean Gunn

Director James Gunn’s second foray into the Guardians universe is not as brilliant as his original film, mainly because the quirkiness of the characters of the first Guardians of the Galaxy has worn off slightly. If viewers enjoy psychedelic action with lots of CGI then Guardians of the Galaxy volume 2 is for you.

All the original cast reprise their roles with a bigger screen time for Chris Pratt and Zoe Saldana who both have familial issues to contend with. Pratt’s character Peter “Star Lord” Quill has to contend with unresolved father issues when he meets his dad aptly named Ego charismatically played by Kurt Russell who is definitely having a rejuvenation in his career. While Zoe Saldana’s Gamora has to contend with sibling rivalry with the unexpected arrival of her sister Nebula played by Karen Gillan.

Dave Bautista’s Drax seems to be more contented and has the best lines in the film. While Bradley Cooper who provides the voice of Rocket and Vin Diesel who does the voice of Baby Groot really just had to the star power.

The best scenes in the film are between Kurt Russell and Chris Pratt as Starlord discovers that his biological father is a slight megalomaniac with unresolved desire to consume the universe. Spoiler Alert there!

Sylvester Stallone pops up briefly as Stakar Ogord and unfortunately has too little screen time to give his character any credibility. Chameleon actress Elizabeth Debicki who was so brilliantly in the series The Night Manager and was seen in Macbeth and The Great Gatsby also unfortunately has too little screen time to really give her golden genetically enhanced character Ayesha – Ruler of the Sovereign race any menace although she does look absolutely gorgeous in all that gold.

Elizabeth Debicki should use her remarkable talents as an actress in a far better genre than psychedelic sci-fi  but then again Marvel are calling the shots. Marvel are certainly luring talented stars to play in their films. Just look at the cast of Doctor Strange.

Unlike Doctor Strange which was really well done with awesome special effects, James Gunn’s Guardians 2 with the tag line “Obviously” seems to much of the same and nothing remotely original. Strip away all the CGI and the plot is basically a father and son story about a son who slowly becomes disillusioned with the image of what his father should be, never mind the fatal legacy that Ego has install for Starlord and the rest of the gang.

Fans of the Guardians of the Galaxy will certainly enjoy this hasty sequel but lets face it this version is never as innovative as the original film. Now what remains to be seen is how the Guardians will fare in the upcoming Avengers: Infinity movie scheduled for a 2018 release featuring a combination of all the Avengers, plus Spiderman and the Guardians – Should be fun.

Guardians of the Galaxy volume 2 is a fantastic fun-filled popcorn film but nothing more. Viewers will be dazzled by fantastic CGI that the whole universe will be dripping with neon.  Although, the Guardians films are enjoyable they are not in the league of Star Wars but then again my loyalties lie elsewhere.

Guardians of the Galaxy volume 2 gets a rating of 6.5 out of 10 but is strictly for the fans of the first film. Its quirky, fun, but nothing spectacular despite the presence of Kurt Russell and Elizabeth Debicki both of whom add gravitas to an otherwise skimpy plot line. On the plus side – the music is fantastic and Baby Groot is really cute!

The Thieves of Cincinnati

Marauders

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Director: Steven C. Miller

Cast: Christopher Meloni, Bruce Willis, Dave Bautista, Adrian Grenier, Lydia Hull, Tyler Jon Olson, Christopher Rob Bowen, Ryan O’Nan, Jonathon Schaech, David Gordon

Producers Randall Emmett and George Furla are known for making a whole stack of action films normally set in random US cities most notably 16 Blocks and Broken City. Their latest venture is Marauders directed by Steven C. Miller focusing on a series of well-orchestrated and brutal bank robberies plaguing Cincinnati, Ohio.

Marauders cast includes Christopher Meloni as a FBI agent Montgomery, Dave Bautista (Spectre, Guardians of the Galaxy) as Stockwell and hot shot investigator Wells played by Adrian Grenier (Entourage). There are also appearances by Ryan O’Nan (Eat, Pray, Love) and uncredited role by Jonathon Schaech (Legend of Hercules) as Mimms, a Cincinnati cop who by his interference in the case becomes implicated in it.

A grizzled looking Bruce Willis (Pulp Fiction, Die Hard) plays the CEO of a large Midwestern bank Hubert, whose main monologue at the beginning of the film focuses on a spider climbing a rain drenched skyscraper to get to the top.

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Marauders is not a great film, purely because the plot is so convoluted and confusing that at times one doesn’t know who the real enemies are. The murky nature of the intrigue is perhaps the most thrilling part of the film, although what is fascinating about Marauders is its study of declining masculinity.

All four major characters are suffering, particularly Montgomery for brooding over the brutal death of his wife leaving him alone to contemplate glasses of unfinished red wine in the city’s bars or Mimms, who is dealing with his dying wife suffering from pancreatic cancer. All the men are devoid of a feminine influence in their lives to tame their violent tendencies which is instinctive and primal.

Ultimately, that’s where Marauders viewership lies: adult males who love watching violence on screen.

The plot centres on a corrupt Bank CEO, a shady Ohio senator played by David Gordon, and a botched kidnapping in Costa Rica which went south when Hubert’s much younger brother is supposedly killed by a group of rogue State rangers, just before he is supposed to inherit a substantial share of Hubert National Bank.

Despite the murkiness of the plot, the action is good and the acting is saved by a cocky performance by Christopher Meloni who outshines Bruce Willis. Meloni who was so good in White Bird in a Blizzard actually holds the film together while Adrian Grenier does not have much to work with, only really embracing his character towards the end as the film’s denouement is revealed.

Marauders like many of Emmett/Furla films are not superb, but watchable and cater for a specific sub-genre of action films, which appeal to the thirty to forty plus age group of male cinema-goers.

The female characters in Marauders are virtually non-existent, making this a real macho action film about thieves in Cincinnati whose real intention is to seek revenge on the man who set them up five years ago in Central America.

Recommended viewing for those that enjoyed End of Watch, Lone Survivor and 2 Guns.

Killers and Liars

Spectre

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Director: Sam Mendes

Cast: Daniel Craig, Lea Seydoux, Christoph Waltz, Naomie Harris, Monica Bellucci, Ben Whishaw, Ralph Fiennes, Rory Kinnear, Dave Bautista, Andrew Scott, Jesper Christensen

British director Sam Mendes follows up his 2012 blockbuster Skyfall, with the 24th installment of the 007 franchise aptly named Spectre, which serves as a pastiche of all previous Bond films, but particularly referencing Casino Royale, Quantum of Solace and Skyfall.

With a truly spectacular opening sequence shot during the Day of the Dead festival in the sprawling and crowded central plaza of Mexico City, Spectre promises better and bigger cinematic moments. On all accounts, Spectre delivers although at times, the Bond film could have been more tightly edited.

The action sequences in Mexico City, Rome and Tangier are gripping and the production design and cinematography are quite startling, shading the film between sequences of extreme illumination and murky darkness in keeping with the sinister undertone pervading the entire narrative.

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Mexico City and Tangier are beautifully done, with gorgeous colours contrasting against the monochromatic elegance of the Roman streets at midnight or the snow covered Austrian Alps during ski season.

The Tangier scenes are clearly influenced by Bernardo Bertolucci’s classic film, The Sheltering Sky, especially when Bond and Dr Swann disembark from the Moroccan train into a sweltering Saharan desert, while the previous action on board mirrors that of The Spy Who Loves Me. Audiences should watch out for Dave Bautista (Guardians of the Galaxy) as the Spectre henchman Mr Hinx who has a penchant for popping a man’s eyes out with his thumb nails.

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Daniel Craig returns as James Bond looking slightly weary and a tad less nimble but nevertheless maintaining a smirk on his face along with those dazzling blue eyes. In a stroke of genius casting, French actress Lea Seydoux is brilliant as Dr Madeleine Swann, daughter of the Pale King, whilst the villain is suitably menacing and at times slightly camp, Franz Oberholzer better known as the evil mastermind with a penchant for white Persian cats, last seen in You Only Live Twice, On Her Majesty’s Secret Service and Diamonds are Forever.

Naturally, Oscar winner Christoph Waltz (Inglourious Basterds, Django Unchained) is fabulous as Bond’s crazed arch enemy, but somehow does not make as brilliant an impression as Javier Bardem did as Raoul Silva in Skyfall.

With the absence of Judi Dench as M, Ralph Fiennes, appears craggy and irritable as the new M, reminiscent of the original M in the 1960’s Bond films. Refreshingly, Naomie Harris as Moneypenny and Ben Whishaw as the technically gifted Q have bigger roles in Spectre, acting always as Bond’s necessary sidekicks. Watch out for a brief but glamourous cameo by Monica Bellucci as Lucia Sciarra and Jesper Christensen as the ubiquitous Mr White, last seen in Quantum of Solace.

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Spectre, which stands for the Special Executive for Counter-intelligence, Terrorism, Revenge and Extortion is subtly portrayed as a pervasive and dangerous shadow organisation responsible for all sorts of international atrocities, which in the 21st century is particularly apt. As the visual references abound throughout Mendes’s Spectre, it will only be the serious Bond fans that will spot all those cinematic clues. In this respect, Spectre pays tribute to the success of the longest running film franchise ever, without undermining its inherent and enduring appeal.

Spectre is highly recommended viewing for ardent Bond fans, although some might find this film slightly long and the narrative muddled, but then again, one has to identify all the past 007 signifiers, for Spectre to be truly appreciated.

The question remains, much like the creepy opening sequence, is there life after Spectre?

 

 

 

Gamora and the Infinity Stones

Guardians of the Galaxy

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Director: James Gunn

Cast: Chris Pratt, Zoe Saldana, Michael Rooker, Glenn Close, Djimon Hounsou, Benicio del Toro, Lee Pace, Brad Cooper, Dave Bautista, John C. Reilly

Marvel’s sci fi action adventure Guardians of the Galaxy is like Star Wars on acid with an exceptionally cool soundtrack, featuring some 70’s and 80’s classics. Part comedy, part adventure, director James Gunn successfully mixes comic adventure with intergalactic chaos and mischief.

Featuring a suitably toned down Chris Pratt (Zero Dark Thirty) superbly cast as rebel Starlord, Peter Quinn who while rummaging on an abandoned planet discovers a mysterious orb which soon elicits a whole bunch of ragtag and riotious characters from all corners of the Galaxy as they race to claim the orb for themselves. The Guardians of the Galaxy featuring the amiable and funny Peter Quinn with some serious mommy issues, along with green skinned Gamora, played by Avatar star Zoe Saldana along with a talking racoon (yes you read that right) voiced by Bradley Cooper and a walking tree, with a severely limited vocabulary, voiced by Vin Diesel.

Guardians of the Galaxy is psychedelic sci-fi and not visionary like Elysium or Blade Runner, making no attempts to conceal its main target audience – teenage boys who have followed the comic book series of the same name. The film even retains a comic book feel and with some exceptionally interesting visual effects, Guardians certainly does make use of its 3D appeal.

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This is like Star Wars on LSD for a younger generation, but hugely enjoyable, thanks to the casting of comic actor Chris Pratt and Zoe Saldanha as Gamora, who are both after the powerful and illustrious infinity stones, which they soon hand over to the Collector, a wonderful cameo by Benicio del Toro, who was also seen in the closing credits of Thor: The Dark World.

Veteran actress Glenn Close (101 Dalmations) makes a camped up appearance as Prime Nova, a cipher of her Cruella de Ville character along with John C. Reilly and Djimon Hounsou of Blood Diamond fame.

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Lee Pace plays the evil Ronan who with his extraordinary makeup and pharaoh like costume is hellbent on destroying the Universe along with his adopted daughter Nebula played by Karen Gillian. Naturally the ragtag bunch of Guardians band together and fight the onslaught of the Kree against the fabulous planet Xander, which looks like Dubai on steroids.

Guardians of the Galaxy must have been a massive hit at San Diego’s Comicon and it’s not difficult to see why, humour mixed with romance, good versus evil all enveloped in a wildly over the top action adventure which makes the first Star Wars positively tame. Except that Star Wars was a classic and this sci-fi is not aiming to be anything more than merely fun and amusing much like the comics the story is based on. Marvel definitely got the concept right.

Recommended viewing for geek freaks and not to serious sci-fi fans, making Guardians definitely fall into the frivolous popcorn fodder category. Hugely enjoyable, with lots of implied moral messages, but this film does not aspire to be Alphonso Cuaron’s Gravity, this is Guardians of the Galaxy featuring Gamora and the infinity stones! Besides who can take this film seriously when there is a talking racoon and a tree in it?

 

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