Posts Tagged ‘Tilda Swinton’

2016 Berlin Film Festival

2016 Berlin International

Film Festival Winners

2016-biff

The 66th annual Berlin International Film Festival was held from 11th to the 21st February, 2016

The Berlin International Film Festival known as the Berlinale takes places annually in February and is regarded as one of the most prestigious film festivals in the world.

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Opening Night Film: Hail, Caesar! directed by Joel and Ethan Coen starring Josh Brolin, George Clooney, Alden Ehrenreich, Tilda Swinton, Ralph Fiennes, Jonah Hill, Scarlett Johansson, Frances McDormand and Channing Tatum

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Golden Bear for Best Film:  Fire at Sea  by Gianfranco Rosi

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Silver Bear for Best Director:  Mia Hansen-Løve for Things to Come

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Silver Bear for Best Actor:  Majd Mastoura for Hedi

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Silver Bear for Best Actress:  Trine Dyrholm for The Commune

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Silver Bear for Best Script: Tomasz Wasilewski for United States of Love

Mastering your Demons

Doctor Strange

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Director: Scott Derrickson

Cast: Benedict Cumberbatch, Rachel McAdams, Chiwetel Ejiofor, Tilda Swinton, Benedict Wong, Mads Mikkelsen, Michael Stulbarg, Benjamin Bratt, Scott Adkins, Chris Hemsworth

Marvel is certainly expanding their cinematic universe at a rapid rate. First it was The Avengers and then The Guardians of the Galaxy and now they have turned their attention to the mystical antihero Doctor Strange, transforming the comic book character into a visually dazzling film version by director Scott Derrickson.

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Heavily influenced by Christopher Nolan’s surreal city scape bending visuals in his 2010 blockbuster Inception, Doctor Strange is a spectacular anti-hero film centred on an arrogant neurosurgeon wonderfully played by Oscar nominee Benedict Cumberbatch (The Imitation Game).

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As the film begins, audiences catch a glimpse of Doctor Strange medical expertise as well as his supreme arrogance and wealth. However all that suave egotistical bravado comes crashing down when he plunges his sports car off a cliff outside New York City and soon loses all nerve sensations in his hand.

At first he is naturally devastated and despite being comforted by sometime lover and co-worker Dr Christine Palmer, played by Oscar nominee Rachel McAdams (Spotlight), Doctor Strange sets off for an alternative cure prompted by a meeting with a miracle paraplegic Jonathan Pangborn played by Benjamin Bratt (Love in the Time of Cholera, Traffic).

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Naturally the action shifts to Kathmandu, Nepal, where Doctor Strange is introduced to the mystical arts by the shaven head guru The Ancient One, superbly played by Oscar winner Tilda Swinton (Michael Clayton). The best dialogue in the film are reserved for Cumberbatch and Swinton as The Ancient One strips Doctor Strange of his arrogance and he discovers a mystical world of parallel universes and scriptures written in ancient languages.

Soon Doctor Strange takes a liking to a flying crimson cape and has sideburns to match Frankenstein. With a new mystical persona, Doctor Strange delves into pure fantasy with brilliant mind bending visual effects to match.

The Visual Effects are so inspiring that they should get an Oscar on their own. In this case Doctor Strange has come up trumps with a perfect cast, most of them Oscar nominees and winners and a strong narrative which establishes more films in the Defenders Universe.

As the action shifts to Hong Kong, Doctor Strange with the help of Mordo played by Oscar Nominee Chiwetel Ejiofor (12 Years a Slave) and Wong played by Benedict Wong, this diverse mystical trio must battle the evil and embittered Kaecilius played by Danish actor Mads Mikkelsen (Casino Royale) who is intent on unleashing dark forces on planet earth in a bid to achieve immortality.

Doctor Strange is visually brilliant and superbly acted by the cast, due to some clever casting choices by Marvel Studios. The fact that Tilda Swinton, initially known for her art house films like Sally Potter’s Orlando and Benedict Cumberbatch seen in British period films like Atonement and Creation are both in a Marvel’s Anti-Hero movie is testament to how seriously the film studio takes their brand as they continuously expand all the various superhero franchises and even delve into quirky Sci-Fi.

Audiences must stay seated after the credits as Doctor Strange has an unexpected meeting with Asgard’s protector…

Highly recommended viewing for those that enjoy all of Marvel’s films or would love to visit Comicon.

 

 

61st BAFTA Awards

THE  61st BAFTA AWARDS /

THE BRITISH ACADEMY FILM AWARDS

Took place on Sunday 10th February 2008 in London

BAFTA WINNERS IN THE FILM CATEGORY:

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Best Film: Atonement

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Best Director: Joel and Ethan Coen – No Country for Old Men

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Best Actor: Daniel Day-Lewis – There will be Blood

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Best Actress: Marion Cotillard – La Vie en Rose

Best Supporting Actor: Javier Bardem – No Country for Old Men

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Best Supporting Actress: Tilda Swinton – Michael Clayton

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Rising Star Award: Shia LaBeouf

Best British Film: This is England directed by Shane Meadows

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Best Original Screenplay: Diablo Cody – Juno

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Best Adapted Screenplay: Ronald Harwood – The Diving Bell and the Butterfly

Best Costume Design: La Vie en Rose

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Best Foreign Language Film: The Lives of Others (Germany) directed by Florian Henckel von Donnersmarck

Source: 61st BAFTA Awards

 

Freeloaders Revolt

Snowpiercer

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Director: Bong Joon Ho

Cast: Chris Evans, Tilda Swinton, Jamie Bell, Octavia Spencer, John Hurt, Ed Harris, Ewen Bremner, Kang-ho Song, Alison Pill, Luke Pasqualino, Tomas Lemarquis

South Korean director Joon Ho Bong creates an innovative cinematic allegorical thriller Snowpiercer based on the French graphic novel Le Transperceneige featuring a truly international cast headed by Captain America star Chris Evans along with Tilda Swinton, Jamie Bell, Octavia Spencer, Kang-ho Song, John Hurt and Ewen Bremner.

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Set in 2031 in a second ice age, a glacial earth has completely frozen over due to an industrial accident in a bid to stop climate change, when industrialists released a chemical CW7 into the planet’s atmosphere. The remaining survivors on earth are bound up and segregated on a fast moving train known as Snowpiercer, a futuristic and brutal version of the Ark, on a circuitous track around frozen waste land.

The train is segregated into first class, economy class and the filthy freeloaders at the tail, squashed into sordid living conditions desperate to survive and are unwittingly fed blocks of protein. Naturally an uprising ensures led by Curtis played by Evans and spurned on by Gilliam to storm the different sections and finally reach the front of the train and confront the enigmatic industrialist Wilford, who built the train prior to the post-apocalyptic freeze.

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Snowpiercer is brutal, truly inventive cinema, a chilling allegory on the nature of unrelenting climate change and a horrifying indictment on the nature and savagery inherent in humanity. As Curtis and his gang of misfits storm various sections of the train from a hermetic aquarium to a bizarre brainwashing kindergarten to a debauched drug fueled rave, each section unravels and the perfect order of the passengers is permanently disrupted.

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The direction by Joon Ho Bong is flawless if somewhat stylized and the sound editing is fantastic, but what really makes Snowpiercer so innovative is its unique conceptualization ably assisted by a strong cast helped by a host of best supporting actors including Swinton as the Scottish accented Mason, Octavia Spencer (The Help) as Tanya and capped off by Ed Harris (The Hours, Pollock) as the chillingly demented industrialist Wilford, who is a perfect foil to Curtis’s plan of insurrection.

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Snowpiercer is unique, violent, bizarre and utterly thought-provoking, a truly original semi apocalyptic thriller with grand Orwellian themes framing the fast speeding narrative. In the tradition of Terry Gilliam’s Brazil or more recently the Denzel Washington thriller The Book of Eli, Snowpiercer fits into that strange subgenre of sci-fiction mixed with apocalyptic fantasy. Chris Evans is superb as the brave leader Curtis along with an energetic Jamie Bell as Edgar last seen as an S & M Master in Lars Von Trier’s Nymphomaniac.

Snowpiercer is riveting, strange and surreal, showing to what bloody depths humans will descend to, when their survival is threatened by a ravaged and inhospitable climate.

Fading Reign of Art Nouveau

The Grand Budapest Hotel

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Director: Wes Anderson

Cast: Ralph Fiennes, Jude Law, F. Murray Abraham, Harvey Keitel, Willem Dafoe, Adrien Brody, Owen Wilson, Bill Murray, Tom Wilkinson, Tilda Swinton

Moonrise Kingdom director Wes Anderson assembles a hugely talented ensemble cast led by the irresistable Ralph fiennes as Gustave H.  a suave Concierge at The Grand Budapest Hotel who gets embroiled in a whimsical art theft after his benefactor dies mysteriously and her evil son Dimitri played by Adrien Brody pursues the eloquent and flamboyant Gustave in a fictitious republic of  Zubrowka representative of a modern day Yugoslavia or even The Czech Republic, but emblematic of a crumbling decadent and ravaged Eastern Europe.

The Grand Budapest Hotel is a wonderful plot, inventive, hilarious, witty and beautifully orchestrated matched by a superb ensemble cast the likes of which haven’t been seen on screen for years including Oscar nominees F. Murray Abraham (Amadeus), Harvey Keitel (Bugsy), Willem Dafoe (Shadow of a Vampire), Bill Murray (Lost in Translation), Edward Norton (Primal Fear), Tom Wilkinson (Michael Clayton), Saoirse Ronan (Atonement) and Jude Law (The Talented Mr Ripley) – all consummate character actors and brilliant performers in the own right.

Each perfectly constructed shot in the Grand Budapest Hotel is a pastiche of old European movies and landscapes reminiscent of a time between the wars when civility was still in fashion. When Old European Hotels were lavish and comfortable establishments with Bell Boys, Lift Operators, Chefs and naturally charming yet slimy Concierges adding to the intrigue of its elegance. When Hotels were places to spend a week, when time was plentiful and guests came to languish in the extraordinary facilities of these beautifully decadent Hotels which populated the ski slopes and small towns of Austria, Germany, Italy and Switzerland.

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Even though, the fictional country,  Zubrowka is representative of a mixture of Eastern European countries which all suffered under the Nazi’s and then under the Communists, the institutional history of such a charming hotel remained the centre of a town’s attraction, where legends of its fabled guests were passed down over the decades. The Grand Budapest Hotel reflects an era when Art Nouveau reigned supreme especially in the 1930’s. This comedy set in 1932, featuring a complicated and whimsical if not absolutely witty plot is deftly handled by screenwriter Anderson who makes sure each of his cast members whether on screen for a second or for several scenes delivers a perfect performance.

The cast also includes Lea Seydoux, Mathieu Amalric, Owen Wilson and Tilda Swinton. Inspired by the works of 20th century Austrian writer Stefan Zweig, The Grand Budapest Hotel is expertly crafted, dazzlingly assembled and wonderfully executed. A real treat of a film which will sure to delight audiences for years to come  much like the Hotel whose guests found its hidden charms suitably enchanting. Highly recommended viewing and a winner of the Grand Jury Prize at the 2014 Berlin Film Festival, The Grand Budapest Hotel is marvelous, whimsical, witty and comical with an underlying menace attached to the action, making the comedy almost tragic in its relevance.

 

 

 

80th Academy Awards

80th Academy Awards

24th February 2008

Oscar Winners at the 80th Academy Awards

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Best Picture: No Country for Old Men

Best Director: Joel & Ethan Coen –No Country for Old Men

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Best Actor: Daniel Day-Lewis – There will be Blood

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Best Actress: Marion Cotillard – La Vie en Rose

Best Supporting Actor: Javier Bardem – No Country for Old Men

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Best Supporting Actress: Tilda Swinton – Michael Clayton

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Best Original Screenplay: Diablo Cody – Juno

Best Adapted Screenplay: Joel Coen and Ethan Coen – No Country for Old Men

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Best Foreign Language Film: The Counterfeiters directed by Stefan Ruzowitsky (Austria)

Best Documentary Feature: Taxi to the Dark Side directed by Alex Gibney and Eva Orner

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Best Original Score: Dario Marianelli – Atonement

Best Cinematography: Robert Elswit – There will be Blood

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Best Costume Design: Alexandra Byrne – Elizabeth: The Golden Age

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Best Film Editing: Christopher Rouse – The Bourne Ultimatum

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Best Visual Effects: The Golden Compass

Source: http://en.wikipedia.org/wiki/80th_Academy_Awards

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