Posts Tagged ‘Bradley Cooper’

Starlord’s Genealogy

Guardians of the Galaxy 2

Director: James Gunn

Cast: Chris Pratt, Zoe Saldana, Dave Bautista, Bradley Cooper, Vin Diesel, Kurt Russell, Michael Rooker, Karen Gillan, Sylvester Stallone, Pom Klementieff, Elizabeth Debicki, Sean Gunn

Director James Gunn’s second foray into the Guardians universe is not as brilliant as his original film, mainly because the quirkiness of the characters of the first Guardians of the Galaxy has worn off slightly. If viewers enjoy psychedelic action with lots of CGI then Guardians of the Galaxy volume 2 is for you.

All the original cast reprise their roles with a bigger screen time for Chris Pratt and Zoe Saldana who both have familial issues to contend with. Pratt’s character Peter “Star Lord” Quill has to contend with unresolved father issues when he meets his dad aptly named Ego charismatically played by Kurt Russell who is definitely having a rejuvenation in his career. While Zoe Saldana’s Gamora has to contend with sibling rivalry with the unexpected arrival of her sister Nebula played by Karen Gillan.

Dave Bautista’s Drax seems to be more contented and has the best lines in the film. While Bradley Cooper who provides the voice of Rocket and Vin Diesel who does the voice of Baby Groot really just had to the star power.

The best scenes in the film are between Kurt Russell and Chris Pratt as Starlord discovers that his biological father is a slight megalomaniac with unresolved desire to consume the universe. Spoiler Alert there!

Sylvester Stallone pops up briefly as Stakar Ogord and unfortunately has too little screen time to give his character any credibility. Chameleon actress Elizabeth Debicki who was so brilliantly in the series The Night Manager and was seen in Macbeth and The Great Gatsby also unfortunately has too little screen time to really give her golden genetically enhanced character Ayesha – Ruler of the Sovereign race any menace although she does look absolutely gorgeous in all that gold.

Elizabeth Debicki should use her remarkable talents as an actress in a far better genre than psychedelic sci-fi  but then again Marvel are calling the shots. Marvel are certainly luring talented stars to play in their films. Just look at the cast of Doctor Strange.

Unlike Doctor Strange which was really well done with awesome special effects, James Gunn’s Guardians 2 with the tag line “Obviously” seems to much of the same and nothing remotely original. Strip away all the CGI and the plot is basically a father and son story about a son who slowly becomes disillusioned with the image of what his father should be, never mind the fatal legacy that Ego has install for Starlord and the rest of the gang.

Fans of the Guardians of the Galaxy will certainly enjoy this hasty sequel but lets face it this version is never as innovative as the original film. Now what remains to be seen is how the Guardians will fare in the upcoming Avengers: Infinity movie scheduled for a 2018 release featuring a combination of all the Avengers, plus Spiderman and the Guardians – Should be fun.

Guardians of the Galaxy volume 2 is a fantastic fun-filled popcorn film but nothing more. Viewers will be dazzled by fantastic CGI that the whole universe will be dripping with neon.  Although, the Guardians films are enjoyable they are not in the league of Star Wars but then again my loyalties lie elsewhere.

Guardians of the Galaxy volume 2 gets a rating of 6.5 out of 10 but is strictly for the fans of the first film. Its quirky, fun, but nothing spectacular despite the presence of Kurt Russell and Elizabeth Debicki both of whom add gravitas to an otherwise skimpy plot line. On the plus side – the music is fantastic and Baby Groot is really cute!

Bullets and Bravado

War Dogs

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Director: Todd Phillips

Cast: Miles Teller, Jonah Hill, Bradley Cooper, Kevin Pollak, Julian Sergi, Ana de Armas, Shaun Taub, Mehdi Merali, Wallace Langham

The Hangover director Todd Phillips tries to emulate Scorsese or de Palma in his latest film War Dogs about two twenty something misfits David Packouz and Ephraim Diveroli played by Miles Teller and Jonah Hill respectively, who inadvertently become arms dealers for the US. Government in the twilight of the Bush administration’s War on Terror in Iraq and Afghanistan in 2007.

Unlike Martin Scorsese’s Wolf of Wall Street or even Brian de Palma’s Scarface, War Dogs does not pack the same visceral shock value. Punctuated by a set of script markers, War Dogs plunders along with a terrible script and a director who clearly should have stuck to comedy.

As an audience member watching Miles Teller and Jonah Hill in this film, one can be forgiven for feeling slightly embarrassed for them. Both actors have produced better work especially Jonah Hill in Moneyball and The Wolf of Wall Street, while Teller was suitably terrified opposite the superb J.K. Simmons in Damien Chazelle’s Oscar winner Whiplash.

The problem with War Dogs, as the action moves from Miami Beach to Amman to Tirana to Las Vegas and back again, is that the film starts off with so much promise, but then fails to deliver. Unlike the marginally better Andrew Niccol’s film Lord of War, War Dogs does not give up its moral compass or ask the audience to judge but merely shows two ambitious young men desperate to earn a fast million in America’s war-mongering capitalist economy prior to the financial crisis hitting in late 2008.

What War Dogs does provide is a theory that war is never about the human conflict but more about the financial business of providing weapons for soldiers fighting in foreign lands. War is a big business, less so in recent years as it has given way to sinister urban terrorism.

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Packouz and Diveroli appear naïve about the ethical implications of the illegal arms business especially when their dangerous dealings get increasingly complicated as they try to supply the US government with Albanian bullets which are actually Chinese through a shady arms dealer Henry Girard played against type by a barely recognizable Bradley Cooper (Silver Linings Playbook, American Sniper, Joy, The Hangover). War Dogs also features Cuban actress Ana de Armas as Packouz’s girlfriend Iz.

Despite Jonah Hill emulating his character in The Wolf of Wall Street, his version of Ephraim Diveroli comes off as a fast talking foul-mouthed con-man with a penchant for screwing his partner and having absolutely no moral fibre.

With bullets and bravado, War Dogs fails to deliver, leaving these talented actors floundering with a bad script and a morally skewed film which could have been so much better, not to mention insightful.

Daring Women

Joy

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Director: David O. Russell

Cast: Jennifer Lawrence, Robert de Niro, Edgar Ramirez, Virginia Madsen, Diane Ladd, Isabella Rossellini, Bradley Cooper, Elisabeth Rohm, Dascha Polanco

Director David O. Russell’s third collaboration with Oscar winner Jennifer Lawrence, Joy is about a feisty daring divorced young mother of two who gambles her entire life savings on her own invention of the Miracle Mop. Loosely based on the true story of Joy Mangano who invented and patented the miracle mop back in the mid-eighties, the film version is a quirky dysfunctional tale of a family who do their best to distract Joy from her primary goal, that of becoming a successful entrepreneur.

Joy’s dizzy mother Terry played by Virginia Madsen is engrossed in glossy eighties soap operas while her father Rudy and greying Casanova, wonderfully played by Robert de Niro, his second appearance in a David O. Russell film after Silver Linings Playbook. Joy’s grandmother is the rock of her world, Mimi played by the irrepressible Diane Ladd (Rambling Rose).

When Rudy starts dating a wealthy Italian widow Trudy, beautifully played Isabella Rossellini in one of her most prolific roles yet, Joy seizes upon an opportunity to ask Trudy to invest in her idea of the miracle mop. However after many unsuccessful attempts to sell her product, primarily outside K. Mart, Joy’s ex-husband, the amiable Venezuelan wanna-be singer, Tony played by Edgar Ramirez (Point Break) suggests that they go and approach a Pennsylvania business man directly.

In a series of chance encounters, Joy meets the head buyer for K. Mart the suave and tough Neil Walker, underplayed by Bradley Cooper, who returns for his fourth collaboration with Jennifer Lawrence after Silver Linings Playbook, American Hustle and Serena. The daring Joy persuades Walker to give her a chance doing a home shopping advert where she can have the golden opportunity to sell the miracle mop to Television consumers a precursor to the Home Shopping Network. Amidst many dodgy business dealings involving elusive suppliers, Joy soon matures into a really tough business woman despite doubts by Trudy who has been her main patron and financial backer.

Joy is an uneven yet quirky film about one daring woman in particular who embraces the American dream, despite the odds and eventually through sheer tenacity succeeds into become a multi-million dollar corporate business woman who embraces the Capitalist work ethic and proves that hard work and determination certainly pays off.

As a film, Joy is by no means David O. Russell’s best work, not nearly outshining Silver Linings Playbook or American Hustle, but what makes the film so watchable and enjoyable is Jennifer Lawrence’s fantastic performance, anchoring the narrative down despite a proliferation of flighty and less reliable characters. It is also refreshing to see Robert de Niro and Isabella Rossellini share so much screen time.

Joy is recommended viewing, a fantastic feel good film with a great supporting cast and a fine truly inspiring performance by Jennifer Lawrence who as usual under the directorial guidance of David O. Russell never disappoints.

 

 

Demons in the Kitchen

Burnt

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Director: John Wells
Cast: Bradley Cooper, Sienna Miller, Daniel Bruhl, Alicia Vikander, Emma Thompson, Omar Sy, Uma Thurman, Matthew Rhys, Stephen Campbell Moore, Lily James, Sam Keeley

Oscar nominee Bradley Cooper (Silver Linings Playbook, American Hustle, American Sniper) gives a sterling and frenetic performance as Michelin star chef Adam Jones in the film Burnt, who returns to London from New Orleans, to redeem himself, his reputation and make amendments with the colleagues he upset during his stint in Paris.

Assembling an eclectic cast including Uma Thurman as a Food Critic, Emma Thompson as a Nurse/Social Worker and Daniel Bruhl as the maitre’d Tony. Burnt is a brilliant examination of one man’s attempt to regain his former culinary glory and even surpass it, with a brittle script by Steven Knight.

The film of course is assisted by the two central and brilliant performances by the blue-eyed Bradley Cooper who really excels in the role of the temperamental and arrogant chef Adam Jones who not only is a demon in the kitchen but has to face his own inner demons. Sienna Miller (American Sniper, Foxcatcher) makes up the second superb performance and is fortunately given much more screen time than she had in both her previous films.

Miller plays aspiring Chef Helene who has to juggle bringing up a little girl and working in a hectic kitchen where it’s not only the male egos that threaten her livelihood but their intense competitiveness. Miller is literally surrounded by demons in the kitchen as she has to stand in for Jones after he is beaten up by some nefarious French gangsters for an outstanding drug debt. The scenes between Sienna Miller and Bradley Cooper are riveting too watch, clearly signifying an onscreen chemistry which is both comfortable and electric.

August: Osage County director John Wells’s new film Burnt is certainly primed for Oscar season and it’s especially Cooper and Miller which deserve some thespian recognition. Audiences, while not salivating over the nouvelle cuisine served up at London’s posh Langham Hotel in the West End, should look out for Matthew Rhys as rival chef Reece who also turns in a superb performance opposite Cooper. Then again Rhys has really proven himself as an actor after roles on the hit show Brothers and Sisters and the excellent espionage series The Americans.

As culinary dramas go, Burnt is a top notch film, held together by a riveting performance by Bradley Cooper as the prima donna chef who not only throws pots and pans, but also his reputation to chance, in a concerted effort to redeem himself in one of the world’s toughest capital cities, London.

At times Steven Knight’s script leaves more questions than answers, however Burnt is redeemed in the acting department with both Miller and Cooper turning in fiery and intense performances ably assisted by a European supporting cast including Alicia Vikander (Man from Uncle), Lilly James (Cinderella), Omar Sy (Jurassic World, Good People) and of course the Golden Globe nominee Daniel Bruhl whose screen presence has certainly been raised after his superb performance as Nikki Lauder in Rush.

For all the foodies out there, Burnt is a must see film and will positively find an international audience with the proliferation of MasterChef programs gripping TV screens around the globe.

Haute Cuisine

Highly recommended viewing for those that enjoyed the superb French film Haute Cuisine and Hundred Foot Journey.

 

The Alpha Male Syndrome

American Sniper

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Director: Clint Eastwood

Cast: Bradley Cooper, Sienna Miller, Luke Grimes, Jake McDorman, Eric Close, Kier O’ Donnell, Jonathan Groff

After Bradley Cooper’s amazing performances in two of director David O. Russell’s films Silver Linings Playbook and American Hustle, Cooper utterly transforms himself physically for the role of Chris Kyle, the most honoured sniper in the American military in director Clint Eastwood’s sparse and taut war film American Sniper.

Cooper plays the ultimate Alpha Male, who is taught to hunt as a boy by his masochistic father and is heavily influenced by the notions of God, country and family something that pervades most of the Republican ethos of Texas. Kyle’s unsuccessful career as a cowboy rodeo rider is short lived after he decides through a series of mediated Television coverages first of the 1998 bombing of the American Embassy in Dar es Salaam, Tanzania and then more crucially in the historic events of 9/11 that he must do his part in protecting America from the ever growing threat of Al-Qaeda and join the almighty US military.

Kyle joins the auspicious navy seals and through a rigorous training programme soon transforms into an Alpha male, a lean, mean fighting machine ready to protect American borders at any cost. Kyle is not interested in the politics of the situation, his unrelenting patriotism drives him to commit to the US war effort with an unflinching ferocity.

At Kyle’s wedding to the flirty yet insubstantial Taya following a bar room pickup, he is soon called up to fight in Iraq. Fallujah to be exact, which is hell on earth and symbolic of urban terror and warfare at its most bloodiest.

Kyle’s special gifts as a sniper are put to good use although controversially his targets are not always his equals in those he kills. Sometimes he is forced to pull the trigger on woman and children, a decision which haunts him profoundly on his return trips to the States, where his pregnant wife Taya is attempting to establish some form of domestic bliss.

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Something which Kyle after witnessing and participating in the atrocities of a vicious war in a foreign land, finds himself difficult to reconcile with. Kyle’s shock at being back in American domestic life is akin to the World War One soldiers suffering from shell shock after attempts at reintegration have failed.

After spending four tours in Iraq at the height of the US-Led invasion of Iraq from 2003 onwards and over 1000 days in a conflict zone, any recourse to settle down is a long way off. This conflict between Kyle’s wartime experiences and his scenes with his wife and children back home, especially those between him and Taya, played by Sienna Miller, is not as convincingly portrayed as in Kathryn Bigelow’s superb war drama The Hurt Locker.

Unlike Zero Dark Thirty which delved into the complexity of the American invasion in Iraq and Afghanistan and the hunt for Osama Bin Laden, American Sniper clears politics from the cinematic palette, making it a much harsher film especially the unnerving scenes in Iraq which Kyle handles with an intensity and bravado which Cooper imbues with his complete physical transformation. In short Bradley Cooper utterly captivates the audience with his tragic and sombre performance of Chris Kyle, a quintessentially doomed American hero.

Eastwood’s direction is steady and besides the domestic scenes which are questionable due to Sienna Miller not having the emotional resonance to make Taya Kyle utterly believable, the warzone sequences are utterly riveting and Bradley Cooper’s performance as Chris Kyle lifts this films out of being just another patriotic tribute to American heroism especially considering the bizarre circumstances of Kyle’s tragic end to his life, which is underscored with irony and a profound message about America’s constant fascination with artillery and the second amendment.

American Sniper is an excellent film, highly recommended viewing for those that enjoyed The Hurt Locker and Fury and is sure to spark controversial debate especially in light of the current Geo-political tensions occurring between America and the Middle East specifically Iraq and Syria.

 

Gamora and the Infinity Stones

Guardians of the Galaxy

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Director: James Gunn

Cast: Chris Pratt, Zoe Saldana, Michael Rooker, Glenn Close, Djimon Hounsou, Benicio del Toro, Lee Pace, Brad Cooper, Dave Bautista, John C. Reilly

Marvel’s sci fi action adventure Guardians of the Galaxy is like Star Wars on acid with an exceptionally cool soundtrack, featuring some 70’s and 80’s classics. Part comedy, part adventure, director James Gunn successfully mixes comic adventure with intergalactic chaos and mischief.

Featuring a suitably toned down Chris Pratt (Zero Dark Thirty) superbly cast as rebel Starlord, Peter Quinn who while rummaging on an abandoned planet discovers a mysterious orb which soon elicits a whole bunch of ragtag and riotious characters from all corners of the Galaxy as they race to claim the orb for themselves. The Guardians of the Galaxy featuring the amiable and funny Peter Quinn with some serious mommy issues, along with green skinned Gamora, played by Avatar star Zoe Saldana along with a talking racoon (yes you read that right) voiced by Bradley Cooper and a walking tree, with a severely limited vocabulary, voiced by Vin Diesel.

Guardians of the Galaxy is psychedelic sci-fi and not visionary like Elysium or Blade Runner, making no attempts to conceal its main target audience – teenage boys who have followed the comic book series of the same name. The film even retains a comic book feel and with some exceptionally interesting visual effects, Guardians certainly does make use of its 3D appeal.

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This is like Star Wars on LSD for a younger generation, but hugely enjoyable, thanks to the casting of comic actor Chris Pratt and Zoe Saldanha as Gamora, who are both after the powerful and illustrious infinity stones, which they soon hand over to the Collector, a wonderful cameo by Benicio del Toro, who was also seen in the closing credits of Thor: The Dark World.

Veteran actress Glenn Close (101 Dalmations) makes a camped up appearance as Prime Nova, a cipher of her Cruella de Ville character along with John C. Reilly and Djimon Hounsou of Blood Diamond fame.

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Lee Pace plays the evil Ronan who with his extraordinary makeup and pharaoh like costume is hellbent on destroying the Universe along with his adopted daughter Nebula played by Karen Gillian. Naturally the ragtag bunch of Guardians band together and fight the onslaught of the Kree against the fabulous planet Xander, which looks like Dubai on steroids.

Guardians of the Galaxy must have been a massive hit at San Diego’s Comicon and it’s not difficult to see why, humour mixed with romance, good versus evil all enveloped in a wildly over the top action adventure which makes the first Star Wars positively tame. Except that Star Wars was a classic and this sci-fi is not aiming to be anything more than merely fun and amusing much like the comics the story is based on. Marvel definitely got the concept right.

Recommended viewing for geek freaks and not to serious sci-fi fans, making Guardians definitely fall into the frivolous popcorn fodder category. Hugely enjoyable, with lots of implied moral messages, but this film does not aspire to be Alphonso Cuaron’s Gravity, this is Guardians of the Galaxy featuring Gamora and the infinity stones! Besides who can take this film seriously when there is a talking racoon and a tree in it?

 

That Seventies Con!

American Hustle

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Director: David O. Russell

Cast: Christian Bale, Amy Adams, Bradley Cooper, Jennifer Lawrence, Jeremy Renner, Shea Wingham, Robert de Niro, Alessandro Nivola, Michael Pena

Acclaimed director of Silver Linings Playbook, David O. Russell delivers another cinematic masterpiece with his latest film American Hustle about a couple of con artists in New York in 1978 during the Disco era. Think fabulous Seventies costumes, broad Jersey accents, big hair, the brilliantly ensemble cast of American Hustle all deliver top notch acting along with some sassy flair and loads of self-deception.

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Oscar Winner Christian Bale (The Fighter) is brilliant as  Irving Rosenfeld a two-bit con artist with a chain of dry cleaning businesses which also double as a front for selling fake art to unsuspecting New Yorkers who teams up with Sidney/Edith a sexy pole dancer turned grifter superbly played by Amy Adams (Doubt, The Fighter) at a Jersey pool party in January!

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Together the ever glamorous Edith sporting a fake British accent and the smooth talking wily potbellied Irving unveil their small scams selling unsuspecting lines of credit to gamblers, pimps and two bit hustlers. However their duplicitous lives are crossed by unstable Richie diMarso energetically played by Bradley Cooper (Place beyond the Pines), complete with a perm and a pent-up attitude who is in fact an FBI agent out to catch bigger fish from corrupt politicians to American mobsters who control the Florida casinos in Florida are looking to reinvigorate Jersey’s den of iniquity Atlantic City with its newly acquired gambling licences.

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The setting is New York, 1978 in the wake of the Watergate scandal, when the American public are distrustful of smooth taking politicians and economically hangover from a 1977 oil embargo and a costly Vietnam war. Director Russell captures the ambience of the late 1970’s Americana perfectly heavily influenced by the films of that period including The French Connection, American Gigolo and even the 007 film Live and Let Die. As the narrative unfolds a complication comes in the form of the no-nonsense confident chain smoking wife of Irving, Rosalyn Rosenfeld, a knockout performance by Jennifer Lawrence, last year’s Oscar winner for Silver Linings Playbook.

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American Hustle follows a cleverly scripted and elaborate plot about these four drifters and cons who not only try to out wit the FBI, the mob and a shady Jersey politician Mayor Carmine Polito a well coiffed Jeremy Renner (The Hurt Locker, The Bourne Legacy) involving shifting money for fronting an imaginary investment into the revitalization of Atlantic City casinos. Oddly enough the con also involves funds from a mysterious Abu Dhabi Sheik, comically downplayed by Michael Pena who is in fact Mexican.

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Amy Adams gives a tour de force performance as Sidney/Edith a vulnerable yet shrewd woman who can smooth talk any man out of his cash which is certainly Oscar worthy along with the rest of the brilliant ensemble cast making up regulars from David O. Russell’s two previous hit films Silver Linings Playbook and The Fighter.

Alessandro Nivola (Coco Avant Chanel), Robert de Niro (Casino) and Shea Wingham (Savages, Take Shelter) also make a welcome appearance. Any viewer who experienced or grew up in the sassy disco inspired 1970’s will appreciate every aspect of authenticity of this ambiance infused con drama featuring magnetic performances by the four leads along with a witty, comic and incisive script co written by Russell and Eric Warren Singer.

American Hustle is a sophisticated sexy adult drama dripping with menace and deception, complete with a dynamic plot in the lines of Stephen Frears excellent The Grifters and Sam Mendes American Beauty. It’s the ultimate homage film about that Seventies Con featuring the unrivalled power of intention and people’s limitless capacity for survival, love and betrayal.

Victims and Heroes

The Place Beyond the Pines

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Director: Derek Cianfrance

Cast: Bradley Cooper, Ryan Gosling, Rose Byrne, Dane DeHaan, Eva Mendes, Ray Liotta, Ben Mendelsohn, Bruce Greenwood, Mahershala Ali, Emory Cohen

Critically acclaimed Blue Valentine director Derek Cianfrance’s absorbing and poignant three act family drama, The Place Beyond the Pines is almost Shakespearean in nature as the narrative delves into the psyche of contemporary masculinity and the legacy that men leave behind for their sons. That legacy is naturally shaped by the actions and deeds that a man did whose triumphs or sins will haunt the next generation.

The film opens with a motorbike stunt sequence in a metal ball in which three stunt riders’ ride around in a seeming and noisy symmetry. Ryan Gosling (Drive, Gangster Squad) is introduced as Luke who as a down on his luck, tattooed stunt driver earns money at the local fairs in upstate New York, Schenectady to be exact. After a brief one night stand with a local waitress Romina played by Eva Mendes, the itinerant stunt rider Luke returns to the town a year later to discover that he has fathered a one year old son.

Cash-strapped and desperate, he befriends a local two bit mechanic who says that the quickest way to make some serious cash is to rob a couple of local banks using his unique stunt riding skill set. Desperate to offer some form of financial support to Eva and his newborn baby, Gosling soon goes on a Bank robbing spree. After a serious of successful stints, one last job goes horribly wrong and Gosling’s fate as a man and a father gets inextricably tied in with a young and ambitious local cop Avery Cross, superbly played by Bradley Cooper (who really has excelled in the serious acting stakes since his remarkable Oscar nominated performance in Silver Linings Playbook).

The Place Beyond the Pines is an intimately shot and skilfully directed study of masculinity by Derek Cianfrance and the intricate sprawling story line is both riveting and powerful as the actions of both men, Gosling and Cross reverberate for the next two decades.

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This is a brilliant piece of film noir assisted by a remarkable supporting cast including a wonderfully menacing performance by Ray Liotta as a corrupt cop Deluca and Dane DeHaan as Gosling’s confused but vulnerable teenage son Jason. Whilst the female characters are intentionally underwritten, it really is Mendes who excels in a grittier role as a mother who has to bring up a son whilst keeping a secret about his real father’s criminal past.

The Place Beyond the Pines is about legacy, betrayal, corruption, aggression and ambition in a small town American community which sees two men from opposite social spectrums both portrayed alternatively as victim and hero in the narrative who make the wrong choices for all the supposedly right reasons, only to have those choices impact their own son’s destinies.

Cianfrance deserves an Oscar nomination for his gripping direction as he deftly captures the intensity and brooding atmosphere of small town America where every man is angling for a better life despite the consequences and their own circumstances. The Place Beyond the Pines is a highly recommended film which will firmly elevate Oscar Nominees Ryan Gosling and Bradley Cooper as two of the most promising actors of their generation. This gripping crime drama also stars Rose Byrne as Avery Cross’s wife Jennifer and Bruce Greenwood as District Attorney Bill Kilcullen.

2012 Toronto Film Festival

2012 Toronto International Film Festival Winners

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Toronto International Film Festival (TIFF) takes place every year in September in Toronto, Canada.

Films which premiere at Toronto are often nominated for Academy Awards the following year.

TIFF does not hand out individual prizes for Best Actor or Actress but focuses on amongst others the following awards:
People’s Choice Award & Best Canadian Feature Film

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Opening Night Film: – Looper directed by Rian Johnson, starring Joseph Gordon-Levitt, Emily Blunt & Bruce Willis

Silver Linings Playbook

People’s Choice Award:Silver Linings Playbook directed by David O. Russell, starring Bradley Cooper, Jennifer Lawrence, Robert de Niro, Jacki Weaver & Chris Tucker

Laurence Anyways

Best Canadian Feature Film: Laurence Anyways directed by Xavier Dolan, starring ,

Source:

http://en.wikipedia.org/wiki/2012_Toronto_International_Film_Festival

 

Parlay of Silver Linings

Silver Linings Playbook

Silver Linings Playbook

A parlay is money won on a bet to increase the stakes. David O. Russell’s brilliant and feisty family drama Silver Linings Playbook won People’s Choice Award at the 2012 Toronto International Film Festival and teams up Hunger Games star Jennifer Lawrence with Bradley Cooper as Patrick (The Hangover, Limitless) along with Jacki Weaver (Animal Kingdom) and Oscar winner Robert de Niro (Raging Bull, Taxi Driver, Goodfellas) as Patrick’s doting parents. Russell directed the Oscar winning 2010 film The Fighter and delivers another quirky brilliant scripted and at times frenetic portrait of a dysfunctional American family set in suburban Philadelphia.

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Cooper plays Patrick who is released by his determined mother Dolores from a court-ordered stay in a Baltimore Psychiatric Institution after serving eight months for a violent episode where he beat up his wife’s lover after walking in on them in the shower. Patrick at 37 has to go back and live with his parents which in these economic times are far from unusual. Patrick has a severe bi-polar disorder and needs to be on chronic medication to prevent any further violent outbursts. His estranged wife has a restraining order against him.

de Niro is superb as Patrick, senior the OCD father who besides dealing with his bi-polar son has problems of his own as a bookie, with no pension and is desperately trying regain the dwindled family fortune through betting on the local football matches, but is banned from the stadium. Weaver is Dolores, the doting mother who tries to maintain stability in a disorderly household coping simultaneously with a son with mental health problems and a husband with obsessive compulsive behaviour.

Patrick first plan besides getting fit is to read his estranged wife who is an English teacher’s high school syllabus starting with Hemingway’s A Farewell to Arms, but unlike Hemingway, Patrick is always searching for the silver lining something enforced while he was in rehabilitation and is determined to reunite with his wife.

Into this dysfunctional family enters Tiffany, beautifully portrayed by Jennifer Lawrence, a promiscuous young woman who is traumatized by the sudden death of her husband.  Tiffany persuades Patrick to enter a Dancing with the Stars type competition in exchange for assisting him in delivering letters in an attempt to win back his wife. Silver Linings Playbook has a tightly woven script written by David O. Russell adapted from the novel by Matthew Quick and gives Cooper an opportunity to display his acting range as the frenetic obsessive and maladjusted man trying to put his life back together amidst the sometimes claustrophobic environment of his family home.

Jennifer Lawrence steals the show as the socially inept Tiffany who despite the psychological setbacks of both her and Patrick’s characters is determined to use dancing as a means of constructive therapy.

Silver Linings Playbook is more drama than comedy but Russell’s direction is imbued with a sensitivity and pace that allows the audience to sympathize with the dysfunctional characters Tiffany and Patrick amidst a community that does not quite grasp the complexities of people suffering from mental health problems such as post traumatic stress syndrome and bi polar.

The dance contest towards the end really is brilliant and offers a stage to resolve all domestic conflicts along with bringing a silver lining to this unique cinematic drama where the stakes are doubled (a parlay) and the characters are far from conventional. Chris Tucker, Shea Whigham, John Ortiz and Julia Stiles round off the quirky cast. Silver Linings Playbook is highly recommended for first rate acting a sure reason why there is such an Awards buzz. Jennifer Lawrence won a 2013 Golden Globe Award for Best Actress in a Comedy or Musical and walked away with the Oscar for Best Actress at the Academy Awards in February 2013.

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    The 2018 Berlin Film Festival’s Panorama section will focus on body politics and – with Harvey Weinstein and harassment still front-page news – “resistance to machismo.” The upcoming edition of Panorama, which is dedicated to controversial and unconventional features, will be the first to be overseen by Paz Lazaro, alongside Michael Stütz and Andreas Struck. […]
    Stewart Clarke