Posts Tagged ‘Carrie Coon’

History’s First Draft

The Post

Director: Steven Spielberg

Cast: Meryl Streep, Tom Hanks, Sarah Paulson, Jesse Plemons, Carrie Coon, Bob Odenkirk, Bruce Greenwood, Tracy Letts, Michael Stulbarg, Matthew Rhys, Bradley Whitford, Alison Brie

Before Julian Assange, before Edward Snowden, there was the Pentagon Papers.

A top level government study on how the Americans had been involved in Vietnam way before the infamous Vietnam War and how during that bloodletting fiasco, the Americans realized that they were losing the war in South East Asia, yet still continued to send troops in to fight the Viet Cong.

The leaking of the Pentagon Papers, firstly by the New York Times and then more pertinently by The Washington Post during the Nixon administration is the source of Oscar winning director Steven Spielberg’s fascinating film The Post starring two Oscar winners, Meryl Streep (The Iron Lady) as owner of the Post, Katherine Graham and Tom Hanks (Philadelphia) as Ben Bradlee, the executive editor of The Washington Post https://www.washingtonpost.com/ who seizes on the story of a decade and pushes for his newspaper to release the classified documents despite the possible legal or financial consequences.

Streep as usual, is superb as the doubtful and affluent socialite Katherine Graham who inherits her father’s newspaper The Washington Post upon her husband’s death and then is forced into an invidious position when she is called upon to make the critical decision on whether to let the newspaper publish the Pentagon Papers at a time when New York investors are eagerly awaiting The Washington Post Company’s IPO (Initial Public Offering) on the American Stock Exchange, which could hugely benefit the fortunes of the struggling newspaper.

Spielberg packs a lot into The Post, and it would be advisable for viewers to read up thoroughly about that crucial historical period in 1971 which was so decisive and widely regarded as the turning point of American press freedom. All these events occurred prior to the Watergate scandal.

The publication of the Pentagon Papers ultimately changed the American public’s sentiment on the viability of troops in Vietnam and the legal outcome after the Supreme Court ruling elevated Katherine Graham to a media doyenne, a feminist and a massively influential woman who changed the business world’s view on how a single woman can influence and transform a media empire.

There is a solid supporting cast of actors in The Post to add gravitas to a riveting tale of journalistic bravery, including Sarah Poulson as Bradlee’s wife Toni who gives her own feminine perspective on why what Katherine Graham was doing was vitally important and brave. Other supporting actors include Bob Odenkirk, Matthew Phys, Carrie Coon, Jesse Plemons and Tracy Letts.

In the age of the Internet, Fake News and a 24 Hour news cycle, The Post is a critical film to watch and be discussed and is especially relevant in 2018 as back then in 1971, which basically implies that at every historical junction, the media must always hold the country’s government accountable. After all, the news is History’s First Draft.

My only criticism is that screenwriters Liz Hannah and Josh Singer should have contextualized the dramatic events more efficiently so that a 21st century audience could appreciate the bravery of publishing critical information without fear or favour.

The Post is brilliant viewing and a highly recommended film about press freedom under a sinister government which makes the film’s ending all the more relevant. The Post receives a film rating of 8.5 out of 10.

Read more on Katherine Grahamhttps://en.wikipedia.org/wiki/Katharine_Graham

Read more on Ben Bradleehttps://en.wikipedia.org/wiki/Ben_Bradlee

 

 

 

Amazing Amy…

Gone Girl

gone_girl_ver2

Director: David Fincher

Cast: Ben Affleck, Rosamund Pike, Neil Patrick Harris, Kim Dickens, Carrie Coon, Tyler Perry, Scoot McNairy, Missi Pyle, Lisa Banes, Patrick Fugit, Sela Ward, Lola Kirke

Zodiac, Seven and The Social Network director David Fincher brings to cinematic life the Gillian Flynn novel Gone Girl in an intoxicating style with superb performances by Ben Affleck (Argo, Hollywoodland) and Rosamund Pike (Jack Reacher, Pride and Prejudice) as Nick and Amy Dunne.

The Dunne’s seemingly perfect American suburban marriage is deconstructed under acute media scrutiny when Amy Dunne goes missing from their home in North Carthage, Missouri on their fifth wedding anniversary. Initially a break in is suspected. Then possibly a murder…

As the town of North Carthage gathers around to search for the elusive Amy, Fincher in a series of flashbacks gives a deceptive back story to the Dunne’s marriage, an American relationship come undone by the effects of the 2008 financial recession. As the couple leave their hip lifestyles in New York and move back to the Mid-West, it is revealed that Amy was the source of a series of children’s books Amazing Amy which her parents profited hugely off, making her the enviable product of a million dollar trust fund.

Amy Dunne is beautiful, gorgeous and has a range of creepy admirers. Being an only child, and now a missing woman, Amy is an enigma and her husband Nick Dunne, the suave charming fortyish hunk naturally becomes the main suspect.

Gone Girl in the tradition of The Jagged Edge is a manipulative and expertly directed thriller with Fincher extracting the most he can from his two leading performers, whilst simultaneously commenting on the current invasive trend of intense media scrutiny which defines American culture, made worse by reality TV, the internet and the cult of celebrity.

This form of media scrutiny has permeated all aspects of American culture and indeed influenced the contemporary world. Just analyze the media circus surrounding the current trials of Oscar Pistorius and Shrien Dewani in South Africa as an example.

Gone Girl is as much an indictment of the current state of news media, as a stylish and slightly comical look at a disappearance which begs more questions than answers, a story of a couple whose lives are torn apart by the media due to an event which is as deceptive as it is real.

Fincher assembles an eclectic supporting cast including comedian Tyler Perry as Tanner Bolt a notorious defence attorney, Sela Ward as an investigative talk show host Sharon Schieber along with Kim Dickens as a small town detective Rhonda Baney who is trying to make a break in an extremely puzzling case. Then there is also Neil Patrick Harris as Desi Collings a suitably creepy school friend of Amy’s.

girl_with_the_dragon_tattoo

What makes Gone Girl so utterly superb is the extraordinary talents of Rosamund Pike, who really sinks her teeth into the complex role of Amy Dunne. That’s another of Fincher’s directorial gifts, he always gets the lead actress to deliver exceptional performances like what Rooney Mara did in the Oscar Nominated Swedish thriller The Girl With the Dragon Tattoo.

This is by far Rosamund Pike’s best screen performance and will certainly elevate her onto the A-List of Hollywood actresses. She sizzles in this role and along with a duplicitous performance by Ben Affleck, who both make Gone Girl a truly superior adult thriller, whose narrative tension and plot twists rests solely on the acting of these two brilliant stars.

Gone Girl is must see viewing, a provocative thriller, a deconstruction of a marriage, an indictment of the ever widening dichotomy between truth and fabrication. Highly recommended.

 

 

 

Film Directors & Festivals
Reviews and Awards
Review Calender
February 2018
M T W T F S S
« Jan    
 1234
567891011
12131415161718
19202122232425
262728  
  • Berlin: Kim Ki-duk Beats Back #MeToo Accusers, Talks Violence in Movies
    For the often controversial Korean auteur Kim Ki-duk, his first press event in Berlin since a court ruling on the assault of an actress was a case of mission accomplished. Kim was in Berlin to present his Panorama-selected film “Human, Space, Time and Human.” But he became a target of the #MeToo anti-sexual violence cause […]
    Patrick Frater
  • Berlin Film Review: ‘Dovlatov’
    The struggles of dissident writers in the Soviet Union will likely always remain a key theme of Russian cinema, ripe for ruminating on unappreciated artists in society and the fight for recognition notwithstanding power concentrated in the hands of apparatchiks. Maverick director Alexey German Jr. brings his signature dreamlike vision to the subject with “Dovlatov,” […]
    jayweissberg
  • Berlin: Fox’s ‘Lino 3D’ Closes Italy with Sony, France (EXCLUSIVE)
    FilmSharks Intl. has closed Italy with Sony and France with ProgramStore, among new major territories, on Rafael Ribas’ animated feature “Lino 3D,” a comedy-adventure produced by Brazil’s Start Anima and Fox Intl. Prods. The licensing pacts add to announced deals for Russia/CIS (Big Film) and South Korea (Hammer Pictures). Greece (Tanweer), Turkey (Sinema) and Vietnam […]
    John Hopewell
  • Europe Doubles Down on Remakes (EXCLUSIVE)
    Europe is revving up its remake business. As in the U.S., where Lionsgate launched local production-distribution outfit Globalgate in 2016, the companies leading the remake effort in Europe are among those producing the continent’s most commercially aggressive international titles: Dimitri Rassam’s Chapter 2, Germany’s Constantin, Italy’s Medusa and Spain’s Telecinco Cinema. Paris-based Rassam is a […]
    John Hopewell
  • Haley Bennett, Matthias Schweighoefer in Talks to Join ‘Resistance,’ Starring Jesse Eisenberg
    Haley Bennett, who gained acclaim for “The Girl on the Train” and “The Magnificent Seven,” and German star Matthias Schweighoefer are in talks to take key lead roles in writer/director Jonathan Jakubowicz’s “Resistance,” alongside Jesse Eisenberg. The movie follows the life of mime artist Marcel Marceau (played by Eisenberg) and his involvement in the French […]
    Leo Barraclough