Posts Tagged ‘Bradley Whitford’

Invasive Species

Godzilla II: King of the Monsters

Director: Michael Dougherty

Cast: Kyle Chandler, Vera Farmiga, Millie Bobby Brown, Sally Hawkins, Ken Watanabe, Bradley Whitford, Charles Dance, Thomas Middleditch, Ziyi Zhang (The Grandmaster, The House of Flying Daggers, Crouching Tiger, Hidden Dragon) , C. C. H. Pounder (Baghdad Cafe), Anthony Ramos, O’Shea Jackson Jr

Director Michael Dougherty’s Godzilla II: King of the Monsters should be viewed within the same context as Legendary pictures predecessor films Gareth Edwards’s 2014 film Godzilla and director Jordan Vogt-Roberts Kong: Skull Island

Returning to the cast are scientists Dr Ishiro Serizawa and Dr Vivienne Graham played by Oscar nominee’s Ken Watanabe (The Last Samurai) and Sally Hawkins (The Shape of Water).

Amidst the re-emergence of Godzilla and the global threat of his fellow titans, a selection of invasive species called Mothra, Rodan and the three headed dragon Ghidorah, there is the familial conflict of the Russell family. There is the father Mark played by Kyle Chandler (Argo, Super 8, First Man) and estranged wife Dr Emma Russell played by Oscar nominee Vera Farmiga (Up in the Air) and their beloved daughter Madison played by Stranger Things star Millie Bobby Brown.

As Dr Russell and Madison are captured by the ruthless Jonah Alan played by Charles Dance (White Mischief), Mark Russell with the help of crypto-zoological agency Monarch scientists to unleash Godzilla who is released to fight Ghidorah from the plains of Mexico to the fiery urban landscape of contemporary Boston, Massachusetts.

If viewers are Monster movie fans, then Godzilla II: King of the Monsters is sure to satisfy them with amazing production design and dazzling visual effects as the primordial clash of the titans begins.

Also in the cast are Thomas Middleditch (The Wolf of Wall Street, Kong: Skull Island) as Sam Coleman, Oscar nominee David Strathairn (Good Night, and Good Luck) as Admiral William Stenz who is hell bent on launching nuclear firepower at the Titans to save the earth from being ravaged by monsters.

Other supporting cast members include C.C.H. Pounder from Avatar, Anthony Ramos (A Star is Born), Bradley Whitford (The Post) and Chinese superstar Ziyi Zhang from such classic films as The Grandmaster, The House of Flying Daggers and Ang Lee’s Oscar winning film Crouching Tiger, Hidden Dragon.

As far as plot goes, Godzilla II: King of the Monsters is basically a family drama about the Russell’s as parents fight each other for custody of Madison superbly played by Millie Bobby Brown framed within a larger war between enormous monsters including the trustworthy Godzilla as he battles Mothra, Rodan and the three-headed dragon Ghidorah who likes to devastate cities like the Dragons in the HBO series Game of Thrones.

Godzilla II: King of the Monsters gets a film rating of 7 out of 10 and is extremely enjoyable for those that love monster movies as this cinematic piece is jam packed with crazy beasts ravaging the earth, which serves as an allegorical tale of the unprecedented effects of climate change on this planet.

History’s First Draft

The Post

Director: Steven Spielberg

Cast: Meryl Streep, Tom Hanks, Sarah Paulson, Jesse Plemons, Carrie Coon, Bob Odenkirk, Bruce Greenwood, Tracy Letts, Michael Stulbarg, Matthew Rhys, Bradley Whitford, Alison Brie

Before Julian Assange, before Edward Snowden, there was the Pentagon Papers.

A top level government study on how the Americans had been involved in Vietnam way before the infamous Vietnam War and how during that bloodletting fiasco, the Americans realized that they were losing the war in South East Asia, yet still continued to send troops in to fight the Viet Cong.

The leaking of the Pentagon Papers, firstly by the New York Times and then more pertinently by The Washington Post during the Nixon administration is the source of Oscar winning director Steven Spielberg’s fascinating film The Post starring two Oscar winners, Meryl Streep (The Iron Lady) as owner of the Post, Katherine Graham and Tom Hanks (Philadelphia) as Ben Bradlee, the executive editor of The Washington Post https://www.washingtonpost.com/ who seizes on the story of a decade and pushes for his newspaper to release the classified documents despite the possible legal or financial consequences.

Streep as usual, is superb as the doubtful and affluent socialite Katherine Graham who inherits her father’s newspaper The Washington Post upon her husband’s death and then is forced into an invidious position when she is called upon to make the critical decision on whether to let the newspaper publish the Pentagon Papers at a time when New York investors are eagerly awaiting The Washington Post Company’s IPO (Initial Public Offering) on the American Stock Exchange, which could hugely benefit the fortunes of the struggling newspaper.

Spielberg packs a lot into The Post, and it would be advisable for viewers to read up thoroughly about that crucial historical period in 1971 which was so decisive and widely regarded as the turning point of American press freedom. All these events occurred prior to the Watergate scandal.

The publication of the Pentagon Papers ultimately changed the American public’s sentiment on the viability of troops in Vietnam and the legal outcome after the Supreme Court ruling elevated Katherine Graham to a media doyenne, a feminist and a massively influential woman who changed the business world’s view on how a single woman can influence and transform a media empire.

There is a solid supporting cast of actors in The Post to add gravitas to a riveting tale of journalistic bravery, including Sarah Poulson as Bradlee’s wife Toni who gives her own feminine perspective on why what Katherine Graham was doing was vitally important and brave. Other supporting actors include Bob Odenkirk, Matthew Phys, Carrie Coon, Jesse Plemons and Tracy Letts.

In the age of the Internet, Fake News and a 24 Hour news cycle, The Post is a critical film to watch and be discussed and is especially relevant in 2018 as back then in 1971, which basically implies that at every historical junction, the media must always hold the country’s government accountable. After all, the news is History’s First Draft.

My only criticism is that screenwriters Liz Hannah and Josh Singer should have contextualized the dramatic events more efficiently so that a 21st century audience could appreciate the bravery of publishing critical information without fear or favour.

The Post is brilliant viewing and a highly recommended film about press freedom under a sinister government which makes the film’s ending all the more relevant. The Post receives a film rating of 8.5 out of 10.

Read more on Katherine Grahamhttps://en.wikipedia.org/wiki/Katharine_Graham

Read more on Ben Bradleehttps://en.wikipedia.org/wiki/Ben_Bradlee

 

 

 

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