Posts Tagged ‘David Dastmalchian’

Replicants Rising

Blade Runner 2049

Director: Denis Villeneuve

Cast: Ryan Gosling, Harrison Ford, Robin Wright, Jared Leto, Dave Bautista, Ana de Armas, David Dastmalchian, Edward James Olmos, Barkhad Abdi, Sylvia Hoeks, Tomas Lemarquis, Mackenzie Davis, Sean Young

When Ridley Scott’s original Blade Runner appeared on cinema screens in 1982 it was hailed as a visionary science fiction film about replicants in Los Angeles in 2019.

The film developed an instant cult following and become a prime example of Post Modern Film Noir, with its blend of 1940’s costumes coupled with a dystopian future of a vast city laid bare by global warming and sinister corporations filled with surreal images of a multi-national world overtaken by replicant animals and a rapidly depleting human population most of whom had gone off world to the colonies in outer space.

Thirty five years later, there is finally a sequel, the highly anticipated Blade Runner 2049 featuring Ryan Gosling as K and veteran actor Harrison Ford reprising his role as Deckard.

Directed by French Canadian Denis Villeneuve, who brought cinema lovers his excellent impressionistic films Arrival and Sicario, this is by far his best and most ambitious film yet.

With Blade Runner 2049 he had a lot of visionary expectations to live up to and with the able assistance of Oscar nominee cinematographer Roger Deakins, Blade Runner 2049 is a visual feast, a mind blowing and sophisticated contemplation on the nature of what humanity is, of what fabricated genealogy is and more significantly where our species are heading in a future increasingly popularized with invasive technology. Artificial intelligence, virtual reality, augmented operating systems to name a few.

If contemporary audiences are expecting a straight forward sci-fi sequel then don’t watch Blade Runner 2049. It’s advisable to watch the first film so that you as a viewer can understand all the cinematic references to the original that Villeneuve densely packs into this version along with some stand out performances particularly by Harrison Ford as the older Deckard as he appears exiled in an abandoned casino in a vacated Las Vegas to Dutch actress Sylvia Hoeks as the uber-cool yet vicious replicant Luv along with Robin Wright as K’s LAPD hard-drinking superior Lieutenant Joshi. Cuban actress Ana de Armas (War Dogs) also stars as a virtual projection of K’s love interest Joi to compensate for his increasing alienation in this post-apocalyptic landscape.

What is most captivating about Blade Runner 2049 is the subliminal images and the dexterous use of colour filters particularly in the chic scenes with new arch villain Niander Wallace played with a psychopathic God complex by Oscar winner Jared Leto (Dallas Buyer’s Club).

The ratcheting up of the pace in Blade Runner 2049 is remarkable especially in the film’s second half elegantly assisted by a phenomenal original score by Hans Zimmer and Benjamin Wallfisch.

To tell audiences anything else about Blade Runner 2049, would be to reveal vital spoiler alerts and sinister plot twists.

Blade Runner 2049 is fantastic cinema on an epic, visionary scale and its magnitude would be lost if viewers saw the film on anything smaller than a massive screen complete with surround sound.

Blade Runner 2049 is superb viewing and gets a film rating of 9 out of 10.

A ravishing tour-de-force in post-modern semiotic brilliance, this film is not to be missed by those that loved the original Blade Runner.

Size Does Matter

Ant-Man

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Director: Peyton Reed

Cast: Paul Rudd, Evangeline Lilly, Michael Douglas, Michael Pena, Corey Stoll, Martin Donovan, Bobby Cannavale, Hayley Atwell, Anthony Mackie, Judy Greer

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Comedy star Paul Rudd (Our Idiot Brother, Wanderlust) embraces the role of Ant-Man, the latest superhero to join the Marvel Universe. In this case size does matter and Ant-Man’s unique ability to shrink to the size of an ant and evade capture while destroying intricate servers is something to marvel at.

Director Peyton Reed’s Ant-Man is humorous, hilarious and filled with spectacular moments which will find the audience rooting for the diminutive superhero who is desperate to join the Avengers team. Oscar winner Michael Douglas (Wall Street) plays quantum physicist Dr Hank Pym has developed a unique formula which can reduce a man to the size of an ant and cause damage along with his army of assistant ants. For once this is a superhero who is without any angst, but just an average guy who happens to be a convicted felon desperate to see his daughter again.

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Scott Lang, wonderfully played to perfection by Paul Rudd, and for once the casting could not have been better is a down and out cat burglar and at the request of his dumb friends, led by the dim-witted Luis hilariously played by Michael Pena breaks into the San Francisco home of Dr Pym to steal jewels and cash.

Instead, Lang steals an Ant-Man suit and unwittingly shrinks and realizes that this nifty ensemble enables him to escape from most situations, including jail, where he is arrested by his daughter’s stepfather Detective Paxton played by the ubiquitous Bobby Cannavale.

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Soon Lang is rescued by Dr Pym and his gorgeous daughter Hope van Dyne played by Evangeline Lilly (The Hobbit: Desolation of Smaug) who train Lang to be the elusive Ant-Man.

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The evil villain is the megalomaniac scientist Dr Darren Cross, played by Corey Stoll who is keen on developing his own shrinking suit and selling the sought after formula to the sinister Hydra which is out to destroy SHIELD, of whom the Avengers are a part of.

The fact that the final battle between Cross and Ant-Man takes place on top of a Thomas the Tank engine toy in Lang’s daughter’s bedroom is emblematic of who the target audience is. Nevertheless Ant-Man is visually spectacular, comical and often hilarious and a much better film than anticipated.

This is a superhero movie which does not take the entire genre too seriously, but has huge ambitions to join The Avengers. Fans should watch out for cameo appearances by Anthony Mackie as Falcon and Hayley Atwell as Agent Carter.

Ant-Man may not match up to the likes of Captain America or Iron Man but could certainly prove that size does count and in this case being smaller is infinitely better. The 3-D visual effects are amazing and Rudd keeps the entire film light and quirky. Ant-Man is recommended viewing for those that enjoyed The Avengers and Guardians of the Galaxy.

 

2015 Cannes Film Festival

2015 CANNES FILM FESTIVAL WINNERS

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Winners of the five main prizes at the 2015 Cannes Film Festival were as follows: –

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Palme d’Or– Dheepan directed by Jacques Audiard

The Assassin

Best Director – Hou Hsiao-Hsien for The Assassin

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Best Actor: Vincent Lindon – The Measure of Man

Best Actress: shared between

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Rooney Mara – Carol

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Emmanuelle Bercot for Mon roi

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Best Screenplay – Michel Franco for Chronic starring Tim Roth and David Dastmalchian

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Queer Palm Award: Carol directed by Todd Haynes starring Rooney Mara, Cate Blanchett, Sarah Paulson and Kyle Chandler

Source: 2015 Cannes Film Festival

 

 

Trapped in Suburbia

Prisoners

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Director: Denis Villeneuve

Cast: Hugh Jackman, Jake Gyllenhaal, Maria Bello, Terrence Howard, Viola Davis, Paul Dano, David Dastmalchian

French Canadian director of Foreign language film nominee Incendies Denis Villeneuve weaves a web of intrigue in the deeply disturbing suburban thriller Prisoners extracting a brilliant performance by his two central male leads, Oscar Nominees Hugh Jackman (Les Miserables) and Jake Gyllenhaal (Brokeback Mountain) set in a wintry landscape of Pennsylvania.

Prisoners bleak story revolves around two average American families (the Dovers and the Birches) whose daughters are best friends and after a relaxing Thanksgiving lunch, the girls are playing in the street where they are snatched in mysterious circumstances. The parents of the missing girls Keller Dover and his wife Grace played by Hugh Jackman and Maria Bello and the Birches played by Terrence Howard (Dead Man Down) and Viola Davis (Doubt, The Help) are naturally beside themselves with grief and worry.

In steps the local police Detective Loki, a superb performance by Jake Gyllenhaal who goes on a desperate mission to unravel the mystery of these vanished children, uncovering a whole web of secrets in the closely knitted Pennsylvanian community. The first suspect is the shy Alex Jones, wonderfully played by Paul Dano (Ruby Sparks, There will be Blood) who was parked in a RV that the abducted girls were playing on moments before they went missing, but upon questioning turns out to have a seemingly limited intelligence, covering up an even darker secret.

To complicate the investigation even further the fathers of the missing girls Keller Dover and Franklin Birch capture the scared Alex Jones soon after he is released from police custody and then start torturing him as a prisoner in an abandoned apartment convinced that he knows what happened to the little girls. Detective Loki is meanwhile hot on the trial of another suspect Bob Taylor played by David Dastmalchian, who has a penchant for buying children’s clothes at the local Valuemart.

Prisoners is a disturbing tale of how far a father will go to find his lost daughter and the also the ramifications that an abduction can have on a small town community. This is a disturbing film, slightly depressing as most of it is shot against a slate grey sky of an approaching Pennsylvania winter, but fortunately director Villeneuve has assembled a top notch cast including Oscar winner Melissa Leo (The Fighter) as Alex Jones’s mysterious aunt Holly Jones.

Viewers have to concentrate in this film as the narrative drops clues all the time about who the real culprit is and as the tension mounts a disturbing twist is revealed whereby the hunter becomes the prey, an analogy first introduced in the opening shot when the ultra prepared and slightly neurotic Keller Dover, a wonderfully different performance by Hugh Jackman is teaching his teenage son Ralph how to hunt deer.

Prisoners only crime is that the riveting, yet gap filled narrative could have been more tightly written by screenwriter Aaron Guzikowski and certain scenes definitely required some crisp editing  to make the emotional resonance of the film more astounding.

Prisoners runs for 153 minutes which is fairly long for a suspense drama about child abduction in a murky and seemingly soulless American suburbia. If film goers enjoyed the Oscar winning Mystic River then Prisoners is that type of film although not as good. Disturbing, compelling and scary, Prisoners will take viewers into a maze of intrigue…

Anarchy Reigns Supreme

The Dark Knight

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Christopher Nolan follows up his 2005 film Batman Begins with a darker, more sinister and entirely gripping sequel, The Dark Knight. At the end of Batman Begins the Gotham City police chief James Gordon played with great subtlety by Gary Oldman hands Bruce Wayne a calling card for the a new breed of criminal. Wayne, or his alter ego Batman flips over the card and all we see is The Joker, a suggestion that a sequel is definitely in the pipeline. With Christian Bale, Michael Caine and Gary Oldman reprising their roles, who was to be cast as the ultimate villain? The role of the Joker, first made famous by a more jovial and naughty Jack Nicholson in Tim Burton’s Batman in the late 1980’s was reinvented with a more anarchistic alacrity by the hugely talented Heath Ledger, fresh from his Oscar-nominated role in Ang Lee’s Brokeback Mountain.

So with the casting of the film pretty much sorted only with the slight change of Maggie Gyllenhaal taking on the role of female lead character Rachel Dawes, played in Batman Begins by the pre-Tom Cruise wedded Katie Holmes, all seemed clear sailing. In January 2008 tragedy struck with the unexpected and premature death of Heath Ledger, The Dark Knight’s main draw card, and an eerie and tragic shadow was cast over the release of the film, for it was to become Heath Ledger’s last completed movie and more significantly his final and most intense cinematic impression ever. So when The Dark Knight was released in July simultaneously in cinemas around the globe, the hype was not only about the best sequel ever, it was largely attributed to Ledger’s brilliant and overtly sinister portrayal of Batman’s arch nemesis, The Joker. Ledger deservedly won the Oscar post-humously for Best Supporting Actor for this film, the second actor in cinema history since Peter Finch won for Network.

So naturally, like any avid cineaste, I couldn’t wait to see the final movie. Having followed Christopher Nolan’s previous works from the bizarre Memento to the excellent 2006 film The Prestige

Magic is an illusion and ambition a killer

I knew that The Dark Knight would be in exceptionally talented hands. The Dark Knight, like the trailer suggests, will literally blow any audience viewer away or transfix them to their seat with visuals and cutting edge sound so spectacular it’s hard to realize that two and a half hours have passed. A high-octane and visually spectacular movie with one great action sequence followed by another, punctuated by superb performances not only by Ledger as the Joker, but by Christian Bale, Maggie Gyllenhaal and Aaron Eckhart who takes on the wonderfully ambiguous part of District Attorney Harvey Dent. Gotham is a simulacrum of any large American metropolis, a sinister and shadowy mix of New York, Chicago and Los Angeles, where corporate greed fits like a glove with psychotic criminals, ruthless mobsters and a city whose citizens have clearly lost their souls.

For this Joker, a spine-chillingly brilliant and maniacal performance by Heath Ledger, does not have a goal just as long as he is content with wreaking mass destruction, he is purely doing it so anarchy can reign supreme. Prisoners are not an option and nothing is spared as violent and malignant retribution for all the evil that was inflicted on him as a character. The Joker simply is a delusional psychopath with no particular empathy for any moral order or social consequence, let alone a superior and well-meaning hero like Batman, the once brave and fabulously wealthy Bruce Wayne. The Dark Knight is undeniably the best film in ages, for everything is of vastly superior quality from the superb action sequences, senseless and conniving villains, to the exhilarating aerial shots of Gotham and Hong Kong, combined with the elegance of the ultra wealthy urbanized set contrasted by the violent and devious criminals which seek to undermine all that was once sacred. The technical aspects of the film are brilliant from the sound editing, to the slick pace, insures that at  two and a half hours, one is never bored, one is shocked into a state of frenzied captivation, entranced by a film so expansive and devouring, refined and slick, scary and ultimately very intense. Don’t miss this spectacular sequel on the big screen, it is entirely beyond anything one can even comprehend. As for the late Heath Ledger, one really wonders who is having the last laugh.

The Joker?

Ledgers Iconic final performance

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