Posts Tagged ‘Emily Blunt’

Whimsical Magical Musical

Mary Poppins Returns

Director: Rob Marshall

Cast: Emily Blunt, Ben Whishaw, Emily Mortimer, Meryl Streep, Colin Firth, Lin-Manuel Miranda, Pixie Davies, Nathanael Saleh, Joel Dawson, Dick van Dyke, Angela Lansbury

Chicago and Memoirs of a Geisha director Rob Marshall returns with another hit musical Mary Poppins Returns featuring Emily Blunt as Mary Poppins immortalized by Julie Andrews in the original 1964 hit film Mary Poppins.

Fortunately Emily Blunt is such an accomplished actress that she nails the part of Mary Poppins to absolute perfection ably assisted by Broadway star Lin-Manuel Miranda as Jack the lamplighter who between the two of them share most of the musical numbers.

Brideshead Revisited and Skyfall star Ben Whishaw plays Michael Banks and his sister Jane Banks is played by Emily Mortimer. The real stars of Mary Poppins Returns are the three Banks children John, Anabel and Georgie wonderfully played by Nathanael Saleh, Pixie Davies and Joel Dawson respectively.

Mary Poppins Returns is Disney in full swing for the 21st century and the musical numbers are brilliant especially the lamp lighters dance sequence as well as some well-placed cameo’s by Oscar winner Meryl Streep (Sophie’s Choice, Kramer vs Kramer and The Iron Lady) as the garish and outrageous cousin Topsy along with Oscar nominee Angela Lansbury (Gaslight, The Manchurian Candidate, The Picture of Dorian Gray) as the Balloon Lady and Golden Globe nominee Dick van Dyke (Mary Poppins) as Mr Dawes.

Other notable stars are Oscar winner Colin Firth (The King’s Speech) as the evil bank manager Wilkins who is completely unsympathetic to the plight of Michael Banks whose Cherry Tree Lane house in Depression era London is about to be repossessed unless Mr Banks can find share certificates which can prove he has some form of collateral to retain his family home.

Oscar nominee Julie Walters (Billy Elliott, Educating Rita) stars as the housekeeper Ellen who manages to keep the chaotic Banks household in some form of domestic stability.

Cleverly Mary Poppins Returns captures the magic of a whimsical musical for a 21st century audience while paying homage to the original 1964 film which made a star out of Julie Andrews who also won an Oscar for her iconic performance in 1965. Emily Blunt, with her pithy and clipped English accent, is superb as the no nonsense nanny who ignites imagination in the three young Banks children while handling all the brilliant musical numbers.

Highly recommended viewing for the entire family, director Rob Marshall does a brilliant job with Mary Poppins Returns and is definitely worth seeing.

Mary Poppins Returns gets a film rating of 8 out of 10 and is absolutely brilliant. If Disney is going to do a sequel so long after the original film you can bet that it’s going to be spit spot!

Off the Rails

The Girl on the Train

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Director: Tate Taylor

Cast: Emily Blunt, Haley Bennett, Rebecca Ferguson, Justin Theroux, Luke Evans, Edgar Ramirez, Laura Pepron, Allison Janney, Lisa Kudrow

The Help director Tate Taylor tackles the cinematic adaptation of Paula Hawkins shocking suburban thriller The Girl on the Train which had book clubs the world over guessing what really occurred.

Golden Globe nominee Emily Blunt plays the prying and lonely Rachel, a boozing thirtysomething woman who is recovering from her failed marriage to the malevolent Tom, played by the rakish Justin Theroux (Mulholland Drive).

As Rachel travels the trains between suburban New York and the city, she watches Megan Hipwell, wonderfully played by the gorgeous rising star Haley Bennett (The Magnificent Seven, The Equalizer) as she pouts from her sumptuous home while playing coy with her hunky husband, Scott played by Luke Evans.

The action of the novel takes place in suburban Oxford which is Americanized to suburban upstate New York in the film. Soon the plot begins to unravel as Megan through a series of flashbacks is portrayed as a mixed up bored housewife who appears to be having an affair with her dashing psycho therapist, played by Edgar Ramirez (Point Break, Zero Dark Thirty).

The manipulative Tom has moved on from the sad and pesky Rachel and is now living with the doll-faced Anna, played with an uncharacteristic blandness by Swedish star Rebecca Ferguson who was so brilliant in Florence Foster Jenkins and Mission Impossible: Rogue Nation.

Then the unthinkable happens in a seemingly ordinary suburb: the beautiful Megan goes missing and Rachel for her desire to get involved in a mystery besides the real reason she is sipping martinis all day, is soon embroiled in a dangerous murder where she can’t quite remember what really happened on that fateful night when Megan Hipwell disappeared.

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The Girl on The Train is a book club novel made into a Book club film, with a brilliant performance by Emily Blunt and suitably adequate performances by all three of the hunky male co-stars. However the best performance is certainly by Haley Bennett as the doomed but utterly sultry Megan Hipwell, who is the victim of a terrible crime.

Audiences should watch out for great supporting roles by Allison Janney as a tough cop and Lisa Kudrow as the woman who unlocks the real reason why Rachel and Tom’s marriage went off the rails.

The Girl on the Train is recommended viewing but audiences should be warned this film is not as gripping as the brilliant David Fincher suburban thriller Gone Girl, which featured an Oscar nominated performance by Rosamund Pike. Nevertheless this is an entertaining and watchable thriller saved by excellent performances by Emily Blunt and Haley Bennett.

 

 

Sisters of No Mercy

Huntsman: The Winters War

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Director: Cedric Nicolas-Troyan

Cast: Chris Hemsworth, Jessica Chastain, Emily Blunt, Charlize Theron, Nick Frost, Alexandra Roach, Sam Claflin, Rob Brydon, Sheridan Smith

The evil queen stakes just got higher in the prequel to Snow White and the Huntsman, Huntsman: Winter War which is directed by French visual effects supervisor turned director Cedric Nicolas-Troyan. His previous visual effects credits include Pirates of the Caribbean: Dead Man’s Chest, Snow White and the Huntsman and Solstice.

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Australian actor Chris Hemsworth returns as Erik the Huntsman along with South African Oscar winner Charlize Theron (Monster, Mad Max: Fury Road) as the vicious queen Ravenna.

New to the cast are Jessica Chastain (Zero Dark Thirty, Interstellar) as Erik’s estranged wife Sara and an equally evil queen, Ravenna’s sister the Ice Queen Freya wonderfully played by Emily Blunt (The Devil Wears Prada, Into the Woods).

Interestingly this is a female action film and that’s why Huntsman: Winters War works so well although it’s not as good as the original 2012 Rupert Sanders film Snow White and the Huntsman.

Visually, Huntsman is quite dazzling especially in the second half of the film, and director Cedric Nicholas-Troyan makes full use of all the latest CGI available especially when the gorgeous Ravenna emerges out of the illustrious gold mirror looking fabulous.

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In actual fact Ravenna’s outfit, which Charlize Theron naturally uses to its full potential is sure to inspire many a drag queen in the future, wonderfully emboldened with beautiful eye make-up and a fabulous gold head dress to match, a rival to Angelina Jolie’s outfits in Maleficent. Simply gorgeous. Who cares if she is an evil queen, when she looks so stunning!

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Jessica Chastain is suitably bold and kickass as Erik’s opinionated wife who manages to save his life from a collection of hideous goblins which looked as if they escaped from the set of Pan’s Labyrinth.

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Emily Blunt is wonderful as Ravenna’s younger sister Queen Freya whose heart has been turned to ice by the sudden and inexplicable death of her baby daughter who she naturally blames her husband for.

Audiences should watch out for British comedian Nick Frost as a smart-mouthed dwarf Nion and Alexandra Roach as Doreena last seen in Cuban Fury and The Iron Lady as well as Sam Claflin as William, Freya’s doomed husband.

Whilst Huntsman: Winters War is wonderful to watch, the dialogue could have been better written, yet the story is pure escapism, fantasy with a large dose of femme fatale and a couple Erik and Sara who eventually put aside their differences to defeat the evil sisters who are entirely without mercy and vicious to the core.

Huntsman: Winters War is recommended viewing for those that enjoyed Snow White and the Huntsman and should look forward to the third instalment in a film series which was clearly designed to be part of a fantasy trilogy.

Not So Happily Ever After…

Into the Woods

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Director: Rob Marshall

Cast: Anna Kendrick, Emily Blunt, Meryl Streep, James Corden, Chris Pine, Johnny Depp, Tracey Ullman, Christine Baranski, Lucy Punch, Tammy Blanchard, Daniel Huttlestone, Lilla Crawford, Billy Magnussen, Mackenzie Murzy

Memoirs of a Geisha and Chicago director Rob Marshall strikes gold with this cinematic adaptation of the Stephen Sondheim Broadway musical Into The Woods featuring a fabulous ensemble cast made all the better by Meryl Streep playing the meddling Witch.

Imagine Little Red Riding Hood teaming up with Jack the Giant Slayer, Cinderella and a forlorn Rapunzel, that is Into The Woods, a wonderful mixture of all the classic fairy tales thrown together in a delightful musical which is hinged with darkness and loaded with metaphors and familial moral codes about life’s unpredictability.

Director Marshall brings out the best in his cast including a superb performance by Emily Blunt as the barren Bakers Wife along with the irrepressible Meryl Streep as the evil Witch who asks the Baker, played by British actor James Corden to collect Cinderella’s golden slipper, a white cow, a lock of Rapunzel’s hair and a red cape naturally belonging to Red Riding Hood.

Oscar nominee Anna Kendrick (Up in The Air) holds her own as the doomed Cinderella who is wooed by a shameless prince played by Chris Pine (Jack Ryan, Shadow Recruit, Horrible Bosses 2). Cinderella’s evil stepmother is superbly played by Christine Baranski of The Good Wife fame and The Birdcage. Audiences should also watch out for British comedian Tracey Ullman who plays Jack’s exasperated mother. Child stars Daniel Huttlestone and Lilla Crawford are amazing as Jack the Giant Slayer and Little Red Riding Hood.

Three times Oscar winner Meryl Streep reunites with her Devil Wears Prada co-star Emily Blunt, and it is clear that both these actresses keep this wonderful musical firmly rooted in brilliance. Blunt is absolutely amazing, delivering some quick witted lines and belting out some wonderful songs while Streep relishes the chance to play the blue haired vain and selfish Witch who is desperate to reclaim her lost beauty by reversing a curse placed on her. The Witch also incidentally holds her daughter Rapunzel played by Mackenzie Murzy hostage in a tower and much to her horror, has fallen for a young but clumsy prince played by the gorgeous newcomer Billy Magnussen.

Oscar nominee Johnny Depp who was spine chillingly excellent in another Sondheim musical film, Tim Burton’s Sweeney Todd, the Demon Barber of Fleet Street makes a brief appearance as the cross dressing wolf who terrorizes Little Red Riding Hood.

Even though Into The Woods is aimed at children, there are certainly slightly darker adult undertones to this extraordinary film as unlike the fairy tales, not everyone lives happily ever after. For those that enjoy expertly directed and acted big screen musicals, like Chicago, Les Miserables and Hairspray, then Into The Woods is definitely recommended viewing.

Stephen Sondheim’s Into The Woods is a truly imaginative, witty and fabulous fable sure to enchant both adults and children alike and as a stage production it would be equally extraordinary to watch.

2012 Toronto Film Festival

2012 Toronto International Film Festival Winners

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Toronto International Film Festival (TIFF) takes place every year in September in Toronto, Canada.

Films which premiere at Toronto are often nominated for Academy Awards the following year.

TIFF does not hand out individual prizes for Best Actor or Actress but focuses on amongst others the following awards:
People’s Choice Award & Best Canadian Feature Film

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Opening Night Film: – Looper directed by Rian Johnson, starring Joseph Gordon-Levitt, Emily Blunt & Bruce Willis

Silver Linings Playbook

People’s Choice Award:Silver Linings Playbook directed by David O. Russell, starring Bradley Cooper, Jennifer Lawrence, Robert de Niro, Jacki Weaver & Chris Tucker

Laurence Anyways

Best Canadian Feature Film: Laurence Anyways directed by Xavier Dolan, starring ,

Source:

http://en.wikipedia.org/wiki/2012_Toronto_International_Film_Festival

 

Gothic Horror at its Bloodiest….

The Wolfman

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Beware The Wolfman, Director Joe Johnstone’s retelling of this classic horror transformation is not for the faint-hearted.

Featuring an all star cast including Anthony Hopkins, Emily Blunt and Benicio del Toro, The Wolfman is a 21st century Gothic Horror at its gripping edge of your seat best. Set in the exquisite ancestral location of Blackmoor in Victorian England, this Gothic tale of murder, intrigue and horrifying destiny is more horror than action and del Toro is perfectly cast as Lawrence Talbot aka The Wolfman with Hopkins playing his ruthless father Sir John Talbot.

Watch out for the particularly scary transformation scene at Lambeth Asylum with a guest appearance by Anthony Sher… dark, hairy and sinister! Not recommended for any viewer that does not like extreme violence or horror films. 

 

A More Impressive Mrs Brown

The Young Victoria

Regal, beautiful and rebellious to the point of gaining an Empire

Regal, beautiful and rebellious to the point of gaining an Empire

The Young Victoria is a treat for any dedicated royalist and purveyor of British history and shows Queen Victoria as she ascends the throne and deals with her first and only love, the marriage to Prince Albert of Germany, perfectly portrayed by Rupert Friend. Emily Blunt takes the part of the headstrong Victoria perfectly with the correct amount of poise and dedication and is supported by a fine cast such as Miranda Richardson as the Duchess of Kent, Mark Strong as Sir John Conroy and Paul Bettany as Lord Melbourne.

Previous film version about Queen Victoria only showed her as a reclusive widow hiding away in Balmoral as the 19th centure draws to a close while she is being wooed by a country groundskeeper played with Scottish tenacity by Billy Connolly with Dame Judi Dench taking the role in the superbly under-rated Mrs Brown.

Royalty and the birth of Victorian traditions in all its grandeur

In this film version with a wonderful script by Oscar winning screenwriter Julian Fellowes (Gosforth Park), captures the intrigue of the 19th century British court and how the Royalty then was so tied in with all European aristocracy demonstrating the formation of a strong consolidation of power, which eventually lead to the likes of King Leopold of Belgium, Prince Albert’s uncle and Queen Victoria’s government plundering Africa for the riches and expansions of a colonial empire, known as the scramble for that unknown continent giving historical insight into the treacheries and triumphs of the 19th century and the vast discrepancies which haunt the 21st century.

Nevertheless politics aside, The Young Victoria is a wonderful tale of a young girl who shrugs off the confinements of the Kensington system (a particular set of rules governing etiquette) and ascend the British thrown to become the second longest running monarch in British History second to only Queen Elizabeth I. The difference between the two Queens is while Elizabeth remained the epicentre of her own sovereignty and did not produce an heir, Victoria established a dynasty which is still surviving today.

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The Young Victoria is highly recommended as a fitting cinematic tribute to all that was once lavish where decorum reigned supreme and etiquette and conservation of dignity was regarded as the foundation of a powerful yet ultimately flawed civilization, to a nation that established its hegemony and was sure to lose that supremacy centuries later, only to be left with the vestiges of all those colonial expansions…

At the centre of any Empire was a ruler, in this case Victoria, like all charismatic leaders started off as impressionable and malleable but soon developed the skills of diplomacy and manipulation, especially playing the rules of power and politics on her own terms.

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