Posts Tagged ‘Sylvia Hoeks’

Twisted Sisters

The Girl in the Spiders Web

Director: Fede Alvarez

Cast: Claire Foy, Sylvia Hoeks (Blade Runner 2049), Lakeith Stanfield (Get Out), Stephen Merchant (Logan), Vicky Krieps (Phantom Thread), Sverrir Gudnasson (Borg McEnroe)

For some reason I find Scandinavian films particularly dark and bleak. Maybe it’s their weather.

Director Fede Alvarez’s brutal retelling of Lisbeth Salander’s twisted family in The Girl in the Spiders Web is more like a female Bourne film than something as disturbing as the original 2011 English version film The Girl with the Dragon Tattoo featuring an outstanding performance by Rooney Mara opposite Daniel Craig.

This time The Crown star Claire Foy fresh from her brilliant performance in Damien Chazelle’s First Man takes up the diverse role of Lisbeth Salander the tattooed hacker with a penchant for being one step ahead of her evil adversaries.

Blade Runner 2049 star Sylvia Hoeks plays Lisbeth’s malicious sister Camilla who trots around Stockholm in a fabulous red outfit and feels nothing for slitting people’s throats.

Swedish star Sverrir Gudnasson plays the young Mikael Blomkvist, the Millennium investigative journalist who comes to Lisbeth’s aid. Phantom Thread star Vicky Krieps plays a younger version of Erika Berger whose screen time is unfortunately severely limited.

The Girl in the Spider’s Web is not as palatable or exciting as the 2011 film or the excellent Swedish versions of the original trilogy although Claire Foy demonstrates her range as Lisbeth Salander and her unquestionable ability to play an action star.

The violence is ruthless, the plot slightly confusing especially for audiences that have not seen The Girl with the Dragon Tattoo, but this updated film gives a fresh crop of young European and British actors a chance to tackle a nefarious Swedish thriller.

The Girl in the Spiders Web is really held together by Claire Foy and an exceptional Sylvia Hoeks aided by a superb performance by Christopher Convery as child prodigy and code breaker August Balder.

Given the excellent cast, The Girl in the Spiders Web could have been so brilliant, but Uruguayan director Fede Alvarez doesn’t quite held the intricate thematic strands of this web together.

The Girl in the Spiders Web gets a film rating of 6 out of 10 and is recommended for those that enjoy a murky Swedish thriller, which ultimately lacks panache and passion.

 

 

Replicants Rising

Blade Runner 2049

Director: Denis Villeneuve

Cast: Ryan Gosling, Harrison Ford, Robin Wright, Jared Leto, Dave Bautista, Ana de Armas, David Dastmalchian, Edward James Olmos, Barkhad Abdi, Sylvia Hoeks, Tomas Lemarquis, Mackenzie Davis, Sean Young

When Ridley Scott’s original Blade Runner appeared on cinema screens in 1982 it was hailed as a visionary science fiction film about replicants in Los Angeles in 2019.

The film developed an instant cult following and become a prime example of Post Modern Film Noir, with its blend of 1940’s costumes coupled with a dystopian future of a vast city laid bare by global warming and sinister corporations filled with surreal images of a multi-national world overtaken by replicant animals and a rapidly depleting human population most of whom had gone off world to the colonies in outer space.

Thirty five years later, there is finally a sequel, the highly anticipated Blade Runner 2049 featuring Ryan Gosling as K and veteran actor Harrison Ford reprising his role as Deckard.

Directed by French Canadian Denis Villeneuve, who brought cinema lovers his excellent impressionistic films Arrival and Sicario, this is by far his best and most ambitious film yet.

With Blade Runner 2049 he had a lot of visionary expectations to live up to and with the able assistance of Oscar nominee cinematographer Roger Deakins, Blade Runner 2049 is a visual feast, a mind blowing and sophisticated contemplation on the nature of what humanity is, of what fabricated genealogy is and more significantly where our species are heading in a future increasingly popularized with invasive technology. Artificial intelligence, virtual reality, augmented operating systems to name a few.

If contemporary audiences are expecting a straight forward sci-fi sequel then don’t watch Blade Runner 2049. It’s advisable to watch the first film so that you as a viewer can understand all the cinematic references to the original that Villeneuve densely packs into this version along with some stand out performances particularly by Harrison Ford as the older Deckard as he appears exiled in an abandoned casino in a vacated Las Vegas to Dutch actress Sylvia Hoeks as the uber-cool yet vicious replicant Luv along with Robin Wright as K’s LAPD hard-drinking superior Lieutenant Joshi. Cuban actress Ana de Armas (War Dogs) also stars as a virtual projection of K’s love interest Joi to compensate for his increasing alienation in this post-apocalyptic landscape.

What is most captivating about Blade Runner 2049 is the subliminal images and the dexterous use of colour filters particularly in the chic scenes with new arch villain Niander Wallace played with a psychopathic God complex by Oscar winner Jared Leto (Dallas Buyer’s Club).

The ratcheting up of the pace in Blade Runner 2049 is remarkable especially in the film’s second half elegantly assisted by a phenomenal original score by Hans Zimmer and Benjamin Wallfisch.

To tell audiences anything else about Blade Runner 2049, would be to reveal vital spoiler alerts and sinister plot twists.

Blade Runner 2049 is fantastic cinema on an epic, visionary scale and its magnitude would be lost if viewers saw the film on anything smaller than a massive screen complete with surround sound.

Blade Runner 2049 is superb viewing and gets a film rating of 9 out of 10.

A ravishing tour-de-force in post-modern semiotic brilliance, this film is not to be missed by those that loved the original Blade Runner.

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