Posts Tagged ‘Walton Goggins’

The Croft Legacy

Tomb Raider

Director: Roar Uthaug

Cast: Alicia Vikander, Dominic West, Kristin Scott Thomas, Derek Jacobi, Daniel Wu, Walton Goggins, Alexandre Willaume, Hannah John-Kamen

Norwegian director Roar Uthaug reinvents the Tomb Raider franchise with Oscar winner Alicia Vikander (The Danish Girl) as Lara Croft.

Filmed primarily in South Africa, which exotic locations doubled for a mysterious island in the sea of Japan, Tomb Raider moves away from the popcorn CGI laden films of its previous inventions featuring Angelina Jolie, Lara Croft: Tomb Raider (2001) and Lara Croft: Tomb Raider – The Cradle of Life (2003).

While Vikander is not as physically striking as Angelina Jolie, she brings a different more nuanced perception of Lara Croft as a rebellious and fiercely independent young British woman who is reluctant to take over the Croft Legacy until she can solve the mystery of her father Sir Richard Croft’s strange disappearance.

Richard Croft is played by Dominic West and Lara goes in search of her father in a tumultuous adventure which takes her from Hong Kong where she is accompanied by drunken sailor Lu Ren played by Daniel Wu (Warcraft) to a mysterious island housing the tomb of Hirimo, a Japanese death goddess who is fabled to bring destruction on the planet if the tomb is ever opened.

This Tomb Raider which clearly takes inspiration from the Indiana Jones films, mainly features Lara Croft pitted against a vindictive Matthias Vogel played with ruthless intent by Walton Goggins (Django Unchained) who is also planning to unlock the mythical tomb, while reporting to an elusive benefactor.

The emotional arc of the film is sufficiently carried by Alicia Vikander’s sustained acting as she conveys all the determination and intelligence of a brave and fearless heiress who needs to unlock the mystery of her father’s disappearance before rightfully claiming her vast inheritance from Croft Enterprises, which is eagerly guarded by the duplicitous Ana Miller played by Kristin Scott Thomas (Darkest Hour, The English Patient, Gosford Park).

While the rest of the cast pales in comparison to Vikander, director Roar Uthuag clearly stays within the confines of an adventure genre and does not rely heavily on CGI to embellish Tomb Raider to unbelievable proportions. Which makes Tomb Raider more a psychological adventure story than a physical one, although Vikander does undergo some gruelling stunts to live up to the Lara Croft reputation.

My only criticism is that George Richmond’s cinematography in Tomb Raider is very dark and could inadvertently lull the audience into boredom, especially the extended tomb sequences, which fortunately does not detract from the circular narrative which sustains the film’s pace if viewers concentrate properly.

Tomb Raider gets a film rating of 7.5 out of 10 and is recommended viewing for those that enjoy an old fashioned adventure film with a distinctly feminine edge.

Whether a Tomb Raider sequel will appear, remains to be seen.

 

Slave to the Rhythm

Django Unchained

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Director: Quentin Tarantino

Cast: Jamie Foxx, Christoph Waltz, Don Johnson, Leonardo DiCaprio, Jonah Hill, Bruce Dern, Kerry Washington, Robert Carradine, Samuel L. Jackson, Walton Goggins, James Russo

Django Unchained can be compared to a three act Southern Opera and whilst Tarantino’s distinctive style comes through, his real intention is to invert the Cowboy myth so associated with the American Wild West, channeling spaghetti Western Sergio Leone films and tackling a very prickly subject of slavery prior to the American Civil War without much sensitivity.

Django

Django Unchained, loosely based on the 1966 Sergio Corbucci Western Django, starts off in Texas in 1858, two years before the outbreak of the American Civil War and features the eloquent and unorthodox Dr King Schultz played with superb panache by Christoph Waltz, who won a Oscar for Best Supporting Actor for 2009’s Inglourious Basterds who frees Django from a chain gang as he needs him to identify three brothers which have a mortal bounty on their heads. Jamie Foxx (Collateral, Ray) is wonderfully cast as Django and throughout the two and a half hour film really displays his range as an actor complimenting the always competent Waltz as the German speaking bounty hunter.

Together Schultz and Django go in search of Django’s entrapped and estranged wife, oddly named Broomhilda, as she was bought as a slave by German immigrants. Broomhilda is now the possession of sadistic cotton plantation owner Calvin Candie, played with flourish by Leonardo di Caprio whose Mississippi plantation aptly named Candieland provides the final act in an utterly bizarre and bloody showdown between Django, Schultz and Candie.

For sheer originality, Tarantino’s films are always enjoyable and never dull, but like Inglourious Basterds and his most famous film Pulp Fiction, along with profanity there is a serious dose of vicious bloodshed. Django Unchained lacks some of the brilliance of the first two films, but the startling sound effects, outlandish scenes and revisionist plot is enough to make Django Unchained Oscar worthy especially the two central performances by Waltz and Foxx. Two criticisms’ of the film is the overuse of racist profanity which the plot revolves around especially being set in the Slave trade of the Deep South and also the film’s considerable length.

Django Unchained has some startling scenes but one got the sense that because of Tarantino’s previous successes, Harvey Weinstein has given Tarantino free reign. Free reign on the subject of the America’s Deep South from Texas to Mississippi and their sanctioning of slavery as a form of economically binding both master and slaves into a hideous socio-geograhic relationship of brutal proportions demonstrated in the cotton and tobacco plantations below the Mason-Dixon line.

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Django Unchained has a fantastic musical score and soundtrack along with brilliant sound effects and sound editing especially noticeable in the showdown at Candieland. Tarantino’s old favourite Samuel L. Jackson (Pulp Fiction) is wonderfully cast as Calvin Candie’s butler Stephen and look out for Don Johnson as Big Daddy and of course the versatile Kerry Washington (The Last King of Scotland) who undergoes all sorts of torture as enslaved Broomhilda, Django’s estranged wife. Watch out for a brief appearance by Jonah Hill (Moneyball) as part of inadequate group of Ku Klux Klan members.

Warning this film is not for sensitive viewers and Django Unchained could be Tarantino’s most controversial film to date especially as he recasts the mythical American cowboy as a sharp shooting freed slave from Texas. Yet Quentin Tarantino won the 2013 Golden Globe  and BAFTA Awards for Best Original Screenplay for Django Unchained so his talent is definitely acknowledged in both America and Britain.

Why District 9 beat GI Joe at the US Box office…

Don’t get me wrong,  both films were worthy of some merit, but what is interesting is why a New Zealand produced, South African set Sci-Fiction Film, District 9 beat GI Joe at the US Box Office – one word – ORIGINALITY!!!

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District 9 directed by Neill Blomkamp was so original in its concept and form and turned the blockbuster Independence Day on its head and reversed all the usual ingredients of a sci-fi Aliens landing film. Brilliantly shot in a dusty, mine-dumped surroundings of the one of the largest African metropolises, Johannesburg, one almost feels that the city is as much a character in the film as the wonderfully funny South African cast who take on the slippery alien Prawns as they are left stranded on earth! Not going to give away too much more, suffice is to say, go and see an original and cleverly shot film! Worth watching for its genre-defying satire.

*****

Rise of Cobra or the Return of the Spies who loved each other...

Rise of Cobra or the Return of the Spies who loved each other…

GI Joe, Rise of Cobra directed by Stephen Sommers follows the classic James Bond narrative of hero’s battling villains with a seemingly dangerous damsel who oscillates between the enemy and the GOOD  side and with an ending out of The Spy Who Loves Me, swopping the Mediterranean for the Polar Ice Caps, it was glossy, slick but nothing exceptionally different. Saving grace of the film was the great chemistry between Channing Tatum’s Duke and Sienna Miller’s sexy Baronness. Great viewing for a Sunday afternoon, but don’t expect anything unusual in terms of plot and storyline, just the establishment of another CGI-filled, location jumping and action-orientated film trilogy based on toys politely following in the Transformers tradition. GI Joe: Rise of the Cobra also stars Dennis Quaid, Joseph Gordon-Levitt as The Doctor and Christopher Eccleston as Destro.

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    Patrick Frater
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    Daniel Holloway
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    You can’t go home again — or can you? Amy Adams reluctantly finds herself proving the old adage wrong in the first trailer for HBO’s adaptation of Gillian Flynn’s “Sharp Objects,” which was released ahead of the premiere of “Westworld” season 2. “Ma says she saw a ghost once,” a voice narrates, likely Adams’ character’s […]
    Erin Nyren