Posts Tagged ‘Carmen Ejogo’

Title of Dignity

Roman J. Israel, Esq.

Director: Dan Gilroy

Cast: Denzel Washington, Colin Farrell, Amanda Warren, Carmen Ejogo, Sam Gilroy, Tony Plana

Oscar winner Denzel Washington (Glory, Training Day) received another Oscar nomination for Best Actor at the 2018 Academy Awards for his betrayal of human rights lawyer Roman J. Israel Esq. in a film of the same name perceptively directed by Nightcrawler director Dan Gilroy.

Dan Gilroy expands his notion of urban cinema further in the compelling legal drama Roman J. Israel Esq. whereby the city in this case Los Angeles becomes another character in his film like it did so vividly in the disturbing Nightcrawler.

Its Roman who is living in downtown L.A. who doesn’t drive and catches public transport, living in an old apartment building next to a condominium construction site whereby he continually complains to city authorities about the after all hour noise levels.

Roman J. Israel Esq follows the story of an out of touch human rights lawyer who is unwillingly thrust into the legal limelight when his more esteemed partner has a sudden heartache. Roman takes on a case about a young African-American boy who is accused of killing an Armenian drugstore worker.

However, Roman’s case soon is not what it seems when he falls under the guidance of hotshot attorney George Pierce, a slick oily performance by the impressive Colin Farrell (The Beguiled).

Pierce soon lures Roman into the corporate legal world with plush offices in a downtown skyscraper overlooking a busy Californian highway. Roman also has to contend with his own ethical and moral convictions as he battles with the idea of being seduced by the trappings of wealth and commercialism, which conflict so sharply with his idealistic human rights beliefs.

These beliefs are embodied in Roman’s awkward relationship with the head of a civil rights Non-Profit organisation, Maya Alston played by Nigerian British actress Carmen Ejogo (Fantastic Beasts and Where to Find Them).

Roman’s former law firm is being wrapped up by his incapacitated partner’s niece Lynn Jackson played by Amanda Warren last seen in the Oscar winning Three Billboards outside Ebbing, Missouri.

As the case of the young accused becomes increasingly more complex and Roman J. Israel Esq in a desperate bid to earn fast cash does something illegal against all ethical considerations, the consequences of which come crashing down on a L. A. lawyer who like the inner city he dwells in, eventually consumes his entire existence.

Roman J. Israel Esq is a compelling examination of dignity, career ethics and the seduction of wealth, held together by a mesmerizing performance by Denzel Washington who plays the civil rights lawyer grappling to adapt to the changes of a millennial environment, while still listening to his Walkman and clutching a bulging briefcase on a legal motion to transform the Federal law system by giving each defendant a stronger chance of being represented equally and fairly before the law.

Roman J. Israel Esq gets a film rating of 8 out of 10 and is highly recommended for those viewers that savour a complex and ethically dubious legal thriller filled with conflicting images of paranoia and idealism. 

Magical Manhattan

Fantastic Beasts and Where to Find Them

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Director: David Yates

Cast: Eddie Redmayne, Katherine Waterston, Colin Farrell, Samantha Morton, Dan Fogler, Ezra Miller, Jon Voight, Carmen Ejogo, Faith Wood-Blagrove

J.K. Rowling made an absolute fortune out of the Harry Potter novels and now to capitalize on her continued success she attempts to write the screenplay for a spinoff series Fantastic Beasts and Where to Find Them.

The Legend of Tarzan director David Yates is pulled in to coerce all the elements of an ultimately bland screenplay into a presentable and visually impressive fantasy film.

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Yates who helmed the last three Harry Potter films, does an impressive job with Fantastic Beasts even though Oscar winner Eddie Redmayne (The Theory of Everything) maintains a continued perplexed expression on his face throughout this film as he plays the British wizard Newt Scamander who arrives in New York with a suitcase brimming with diabolically strange creatures.

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Redmayne is joined by British actresses Katherine Waterston (Steve Jobs, Inherent Vice) as Tina Goldstein and Oscar nominee Samantha Morton (Minority Report, In America) as the cruel Mary Lou along with Colin Farrell as an American wizard Graves who is chief enforcer of Macusa or the Magical Congress of the United States of America.

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Dan Fogler plays the hapless wannabe baker Jacob Kowalski who effectively serves as a sidekick character to the infinitely cooler Newt Scamander.

Whilst Fantastic Beasts and Where to Find Them is visually impressive and for once the filmmakers make effective use of the 3-D format and all the Beasts are both alluring and comical, the film itself suffers from a badly written script and an overdose of visual effects and a lack of critical editing.

Redmayne is far better in brilliant period films like My Week with Marilyn and The Theory of Everything and comes across throughout Fantastic Beasts with the impression of how the hell did I land up in a Harry Potter spin off franchise set in New York?

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Unfortunately the rest of the characters do not get sufficient back story including the talented Samantha Morton’s portrayal of a cruel orphanage mistress Mary Lou who constantly punishes the repressive Credence Barebone played by Ezra Miller (The Perks of Being a Wallflower, Suicide Squad).

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Colin Farrell (Total Recall, Crazy Heart) is suitably bland as Percival Graves but that is perhaps due to Rowling’s script not giving him much to work with.

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Whilst there is an inherent fan base, Fantastic Beasts and Where to Find Them is not as dazzling as one expects although the visual effects are superb. Let’s hope the Fantastic Beasts sequels which Warner Bros intends making employs a better scriptwriter. No offense to Rowling but she does not possess a talent for snappy dialogue. Then again who needs brilliant dialogue when the audience is constantly overwhelmed by magical creatures roaming 1920’s Manhattan?

 

 

 

 

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