Posts Tagged ‘Callum Turner’

Prosperity and Indulgence

Emma

Director: Autumn de Wilde

Cast: Anya Taylor-Joy, Johnny Flynn, Mia Goth, Bill Nighy, Miranda Hart, Josh O’Connor, Callum Turner, Rupert Graves, Gemma Whelan, Amber Anderson, Connor Swindells

Thank you to United International Pictures for the UIP Film Preview of Emma held on Wednesday 4th March 2020 at Suncoast CineCentre in Durban, South Africa.

Director Autumn de Wilde’s sassy interpretation of the Jane Austen novel Emma into a gloriously lavish film version is not to be missed.

Mia Goth (left) as “Harriet Smith” and Anya Taylor-Joy (right) as “Emma Woodhouse” in director Autumn de Wilde’s EMMA, a Focus Features release. Credit : Focus Features

This delightful and devilishly romantic comedy of manners set in the early part of the 19th Century in rural England before the Napoleonic wars during the crest of romanticism in English Literature features a fabulous cast of hot young American and British film stars including Anya Taylor-Joy as Emma, handsome and blonde blue-eyed British actor Johnny Flynn as George Knightley, Mia Goth (A Cure for Wellness) as the impressionable Harriett Smith and Callum Turner as the dashing and incorrigible Frank Churchill who survived solely on prosperity and indulgence.

Emma ill-advises the sweet and innocent Harriett not to accept the marriage proposal of tenant farmer Mr Martin played by Connor Swindells, while into the mix of romantic intrigue is thrown the fascinating and musically accomplished Jane Fairfax played by Amber Anderson (The Riot Club) whose talents prove to rival that of our rich and clever heroine.

Anya Taylor-Joy (left) as “Emma Woodhouse” and Johnny Flynn (right) as “Mr. Knightley” in director Autumn de Wilde’s EMMA, a Focus Features release. Credit : Focus Features

Through gorgeous balls, dinners and sumptuous afternoon teas and the obligatory summer picnic, romances blossom and are duly crushed while throughout Emma Woodhouse has to re-evaluate her own feelings for the ubiquitous George Knightley who has a convivial relationship with Emma’s hypochondriac father Mr Woodhouse wonderfully played with sly comic genius by Bill Nighy (Love Actually, The Bookshop).

Other superb supporting actors in Emma include Rupert Graves (A Room with a View, Death at a Funeral, Maurice,) as Mr Weston, Miranda Hart (Spy) as Miss Bates and Gemma Whelan from HBO’s hit series Games of Thrones as Mrs Weston.

Director Autumn de Wilde’s refreshingly bright and gorgeous cinematic retelling of Emma is definitely worth seeing and gets a film rating of 7.5 out of 10.

Highly recommended viewing for those that enjoy clever romantic comedies especially inspired by the smart writings of Jane Austen naturally infused with the dry British sense of humour.

Hopefully, this version of Emma will inspire the millennials to pry their eyes away from smartphones and rediscover the witty literature of Jane Austen whose refined comedy of manners included an array of famous romantic novels including Pride and Prejudice, Persuasion and Sense and Sensibility.

The French Ministry of Magic

Fantastic Beasts 2: The Crimes of Grindelwald

Director: David Yates

Cast: Eddie Redmayne, Johnny Depp, Katherine Waterston, Zoe Kravitz, Jude Law, Dan Fogler, Ezra Miller, Kevin Guthrie (Dunkirk), Carmen Ejogo, Callum Turner (Assassin’s Creed, Victor Frankenstein), Alison Sudol, Poppy Corby-Teuch

Harry Potter and the Deathly Hallows director David Yates who was at the helm of the original stylish Oscar winning Fantastic Beasts film returns to direct the highly anticipated sequel Fantastic Beasts 2: The Crimes of Grindelwald featuring a star studded cast including Oscar winner Eddie Redmayne who reprises his role of the magical creature loving Newt Scamander and Oscar nominee Jude Law as a young and decidedly flamboyant Dumbledore, who makes an audacious cameo.

This time Scamander has to contend with the malignant and mysterious wizard Grindelwald wonderfully played by Oscar nominee Johnny Depp who is determined to upset the delicate balance between the real and magical realms.

Katherine Waterston returns as the elusive Tina Goldstein as does Dan Fogler as Scamander’s faithful American sidekick Jacob Kowalski. Other regulars include Zoe Kravitz as Leta Lestrange and Alison Sodol as Queenie Goldstein along with Ezra Miller as the troubled Credence Barebone who is on a quest to discover his parentage.

Whilst the plot of The Crimes of Grindelwald is as mystifying as Credence’s real identity, Fantastic Beasts 2 is visually impressive particularly in the second half of the film.

Some of the dialogue in the film was stilted, yet Fantastic Beasts like any Franchise film speaks mainly to its fans and those that have religiously followed all the Harry Potter films will be equally satisfied with this exotic sequel set mainly in Paris. The French Ministry of Magic sequence is spectacular and a cinematic highlight.

Whether Fantastic Beasts 2 will garner any attention in the 2019 awards season remains to be seen, although the production design is beautiful, I did find the first half of the film particularly dim or perhaps it was my limited understanding of this convoluted plot which made numerous references to the original Harry Potter films.

If viewers loved Fantastic Beasts and Where to Find Them, then they will certainly cherish this magnificent sequel especially Johnny Depp as the villainous Grindelwald whose numerous crimes include recruiting Credence for more diabolical mischief…

For purely technical reasons, Fantastic Beasts: The Crimes of Grindelwald gets a film rating of 7.5 out of 10.

It’s a magical and visually dazzling fantasy film hinting at many sequels in the works. Highly recommending viewing for serious J. K. Rowling fans and those that loved the first Fantastic Beasts.

The Cure for Violence

Assassin’s Creed

Director: Justin Kurzel

Cast: Michael Fassbender, Marion Cotillard, Jeremy Irons, Charlotte Rampling, Michael K. Williams, Denis Menochet, Khalid Abdalla, Callum Turner, Brendan Gleeson, Brian Gleeson.

Whilst Australian director Justin Kurzel’s Assassin’s Creed does not match up to the theatricality of his cinematic version of Macbeth featuring the same two leads, Oscar nominee Michael Fassbender (12 Years a Slave) and Oscar winner Marion Cotillard (La Vie en Rose), the film version of the popular videogame Assassin’s Creed is by no means boring.

Assassin’s Creed like Warcraft does justice to the videogame and with glossy production values and a superb supporting cast including Oscar winner Jeremy Irons (Reversal of Fortune) as Rikkin and Oscar nominee Charlotte Rampling (45 Years, Angelheart) as High Priest of the Knights Templar Ellen Kaye, the film has an atmospheric quality as the action shifts from contemporary Madrid to the Spanish Inquisition in Seville to a gloomy rain drenched London.

Fassbender all muscled and taut, plays convicted murderer Callum Lynch who is about to be sentenced to death via lethal injection in Huntsville, Texas only to wake up in a specialist facility run by Abstergo Industries on the outskirts of Madrid where the gorgeous and sleek, Sofia Rikkin played by Cotillard administers him in a bizarre program to cure him of his inborn tendency for violence. The program includes the hunky and shirtless captive (Fassbender) being plugged into the animus which allows Lynch to channel the vivid experiences of his violent ancestors.

As for the rather confusing time-jumping narrative, the whole story hinges on the Assassins protecting the key to freewill the Apple of Eden from the Knights Templar, whose contemporary equivalent appears to be the shady corporation behind Abstergo Industries headed up by the mysterious Rikkin, who Irons embodies with a silky velvet voice filled with menace reminiscent of his creepy portrayal of Claus von Bulow in Reversal of Fortune.

As video game adaptations go, Warcraft was a better film, while Kurzel’s Assassin’s Creed does justice to the genre although the film would only really appeal to fans of the game familiar with the basic premise of the elaborate sword wielding fight sequences which are mostly set in 15th century Seville.

Whilst it is a cinematic pleasure to see Irons, Rampling, Fassbender and Cotillard all share the same screen, one wishes it was for a masterful spy drama or a film about political intrigue rather than a video game adaptation. Fassbender and Cotillard acting abilities are naturally not put to such good use as they were in Kurzel’s visionary production of Macbeth, Assassin’s Creed will no doubt appeal to the gamers most of whom are male, judging by the patriarchal nature of the plot.

After all, Man’s free will was exercised by his taking of the apple in the Garden of Eden which the voluptuous Eve offered to him according to biblical legend. The key to freewill and the power to control it is all that the Knights Templar are after.

Assassin’s Creed is recommended for those gamers which enjoy a cinematic pastiche of the future and the ancient worlds moulded together in a Spanish setting as the Assassins battle the Knights Templar in a vicious bid to halt the cure for violence. Audiences should look out for cameo appearances by Brendan Gleeson as Callum’s father Joseph Lynch and Michael Kenneth Williams as Moussa.

 

The Lazarus Conversion

Victor Frankenstein

victor_frankenstein_ver2

Director: Paul McGuigan

Cast: James McAvoy, Daniel Radcliffe, Freddie Fox, Charles Dance, Jessica Brown Findlay, Andrew Scott, Bronson Webb, Callum Turner, Daniel Mays

Lovers of the Victorian Gothic should watch the brilliant combination of James McAvoy (Last King of Scotland, Atonement) and Daniel Radcliffe (Kill Your Darlings) as the budding medical duo, Frankenstein and his faithful assistant Igor in Scottish director Paul McGuigan’s period thriller Victor Frankenstein.

The action starts off in the outskirts of 19th century Victorian London at Barnaby’s Circus where Dr Frankenstein first glimpses the nameless hunchback as a circus clown, cruelly treated and vilified, until a moment in the performance when the beautiful trapeze artist Lorelei falls off her swing above a crowd of shocked spectators.  Naturally Frankenstein and the hunchback rush to her rescue.

The delusional Frankenstein assists Igor in escaping the circus and brings him back to his cavernous laboratory where he is hell bent on recreating life from stolen animal parts curtesy of the London Zoo. Frankenstein names the hunchback Igor and after a very muscular scene in which he drains the fluid from Igor back and urges him to wear a brace to straighten his posture. Igor is initially taken in by the passionate Frankenstein although he soon realizes that his new found friend is slightly obsessed, delusional and not to mention reckless.

After a failed experiment at the Chiswick Hospital in which Frankenstein attempts to revive an ape like creature much to everyone’s horror, the potential of what they are trying to achieve is recognized by the wealthy and aristocratic Finnegan played with relish by Freddie Fox (The Riot Club).

Despite being admonished by his father Dr Frankenstein, a brief cameo by Charles Dance, for his reckless medical experiments as well as being chased by a determined God-fearing detective Inspector Turpin played by Andrew Scott (Spectre), Victor Frankenstein proceeds with his determined quest to recreate human life using the Lazarus conversion, an electrical method of reviving a reconstructed being and bringing it to life. This would be the hideous and dreaded monster.

Igor in the meantime is flirting with the gorgeous Lorelei played by Downton Abbey’s Jessica Brown Findlay, and in a very theatrical scene takes her to a lavish Victorian ball, yet he is drawn back to rescuing Frankenstein from his obsessive and dangerous behaviour.

victor_frankenstein

The film’s climax moves to a Castle in the dramatic Scottish Highlands, where the final preparations for the revival of Frankenstein’s monster is to take place with much assistance from the creepy Finnegan and huge amounts of electricity.

Victor Frankenstein is not a superb film, but a fun filled revival of the Victorian Gothic genre in the same vein as The Wolfman starring Benicio del Toro and Emily Blunt although not quite as scary.

The costumes designed by Jany Temime who also did Spectre are brilliantly done as well as the inventive production design by Eve Stewart, recreating 19th century London in a similar fashion to Guy Ritchie’s Sherlock Holmes.

The combination of Radcliffe and McAvoy as mad doctors is a stroke of genius and their onscreen adventures make Victor Frankenstein an enjoyable Victorian action thriller. This is recommended viewing for those that like a bit of dark horror, an intriguing tale told from Igor’s perspective which adds sympathy to the overall image of Frankenstein as more than just a deranged doctor with a God complex.

 

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