Immune to the Ravages of Time

The Age of Adaline

age_of_adaline

Director: Lee Toland Krieger

Cast: Blake Lively, Harrison Ford, Michiel Huisman, Kathy Baker, Ellen Burstyn, Amanda Crew, Mark Ghanime, Peter J. Gray

Set in San Francisco, The Age of Adaline gives Blake Lively a chance to play her hand at romance after being seen in Oliver Stone’s film Savages. It’s also the first major commercial film for rising Dutch star Michiel Huisman who has become famous for his sexy appearances in HBO’s Game of Thrones and Nashville.

Huisman and Lively make a beautiful couple onscreen even if there is no real tangible chemistry between them. It also does not help that The Age of Adaline is trying to emulate David Fincher’s Oscar nominated film about aging The Curious Case of Benjamin Button, which while beautifully shot was really a homage to New Orleans.

age_of_adaline_ver13

In this rather sepia light, director Lee Toland Krieger’s romantic drama The Age of Adaline is a homage to probably the most romantic city in America, San Francisco, as the film beautifully captures some wonderful aerial shots of the Golden Gate Bridge and San Francisco Bay. Early on in the film due to a unique scientific accident, the heroine Adaline Bowman discovers quite extraordinarily that she is immune to the ravages of time.

The ageless Adaline due to her gorgeous appearance is forced to change her identity every ten years which is going swimmingly well until she meets a tall dark handsome stranger Ellis Jones, sensitively played by Huisman, who let’s face it, like Lively, looks stunning onscreen.

The determined Ellis Jones encourages Adaline to come home with him one weekend to meet his parents and celebrate their 40th wedding anniversary. In an entirely contrived and almost implausible Danielle Steele sort of way, upon their arrival at the upstate home of Ellis’s parents, his father suitably played by Harrison Ford (Regarding Henry, Star Wars) recognizes Adaline as the girl he once fell in love with back in the early 1960’s in England.

In the hands of a more skilled director, The Age of Adaline would have become a very intriguing romantic drama, but unfortunately the central contrivance of the entire narrative is so glaringly obvious that only for the sake of vanity could this film conclude with a happy ending. Vanity and memory are two themes that the film explores in depth.

Nevertheless, despite the plot shortages on both sides of the San Francisco Bay, The Age of Adaline is a stunning film to watch and will appeal to all lovers of romance and those that enjoyed such films as the quirky Richard Curtis comedy About Time and of course The Curious Case of Benjamin Button.

Unfortunately, such talented actresses as Oscar winner Ellen Burstyn (Alice Doesn’t Live Here Anymore, Requiem for a Dream) and Kathy Baker (Jacknife, The Cider House Rules, Saving Mr Banks) are wasted in this foggy romantic drama, which is as vague as the sighting of a comet near earth in the distant future.

The Age of Adaline had two gorgeous stars, plus an A-List megastar like Ford but unfortunately while beautiful to watch, lacked a firmer direction, which is a pity since the film did not fulfill its complete potential.

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