Archive for October 3rd, 2016

Deepwater Horizon

Director: Peter Berg

Cast: Mark Wahlberg, Kate Hudson, John Malkovich, Kurt Russell, Gina Rodriguez, Dylan O’Brein, Ethan Suplee, J. D. Evermore, Jason Kirkpatrick

Good films often work because of professional partnerships between an actor and director. This is the case in the second collaboration between Lone Survivor director Peter Berg and Mark Wahlberg.

Deepwater Horizon graphically depicts the horrific events which went horribly wrong on the night of 20^th April 2010, when the Transocean oil rig run by BP, Deepwater Horizon exploded and eventually caused one of the worst ecological disasters in American history as the coastline states on the Gulf of Mexico were damaged by millions of litres of Brent crude oil which washed up on the beaches from Florida to Louisiana.

As in Lone Survivor, Peter Berg likes to tackle real and recent historical events. His version of Deepwater Horizon is both visually impressive, with stunning sound and visual effects as well as absorbing to watch, without going too deeply into the ecological side of the disaster.

As a director Berg chooses to rather focus on what went wrong at Deepwater Horizon. This is graphically explained in an earlier scene with Wahlberg and his wife Felicia played by Kate Hudson (The Reluctant Fundamentalist), when his young daughter explains to Wahlberg’s real life character Mike Williams as part of a show and tell, what her father does on an oil rig. She illustrates this by using a coke can, punctuating it with a straw then filling the straw with honey. Eventually the pressure builds and the coke explodes all over the dining room table.

Without delving too deeply into the technical aspects of went wrong, basically Deepwater Horizon was a faulty rig, or as one mechanic states this is “The Well from Hell”.

Under pressure from corporate bosses, and after several negative pressure tests, they attempt to start drilling for oil and soon everything goes horribly wrong and the flammable oil starts shooting up through the rig and with a combination of leaking gas causes a massive explosion and widespread devastation.

The best part of the film, is the actual explosion on Deepwater Horizon and how Williams and his colleague Andrea Fleytas played by Gina Rodriguez eventually escape off the oil rig, which soon resembles a floating towering inferno. The scene between Wahlberg and Rodriguez as the two have to psyche each other up to escape this disastrous oil rig which is rapidly being engulfed in flames is absolutely riveting.

Audiences should look out for an impressive performance by Oscar nominee John Malkovich (Dangerous Liaisons, In the Line of Fire) as a pushy corporate boss Vidrine complete with a southern drawl.

Kurt Russell has an opportunity to act with his stepdaughter Kate Hudson in Deepwater Horizon, both actors playing supporting roles.

Deepwater Horizon is a visually impressive account of the worst oil disaster in American History which led to one of the most devastating ecological disasters planet Earth has ever had to endure. The explosion of Deepwater Horizon, eventually led BP to pay millions of dollars in damages.

While Peter Berg chooses to focus on the actual event instead of its aftermath, Deepwater Horizon is a gripping film to watch especially considering that this disaster only occurred six years ago in 2010. In the factual film drama genre, Deepwater Horizon is highly recommended viewing, similar to Thirteen Hours: The Secret Soldiers of Benghazi.

The Magnificent Seven

Director:  Antoine Fuqua

Cast: Denzel Washington, Chris Pratt, Ethan Hawke, Vincent D’Onofrio, Haley Bennett, Peter Sarsgaard, Manuel Garcia-Rulfo, Luke Grimes, Matt Bomer, Martin Sensmeier, Cam Gigandet

Antoine Fuqua gathers his favourite actors into his latest impressive film.

In Fuqua’s bespoke remake of John Sturgeon’s 1960 classic film The Magnificent Seven, as an African American film director he reclaims the Western genre in a bold step towards reimagining American Western mythology which will surely shape how cinema goers view the Western film genre.

Gone are the days of Western films primarily being made up of morally dubious cowboys mostly played by dashing European actors fighting savage Red Indians or each other in high noon stand offs.

Director Fuqua’s superb The Magnificent Seven is as diverse as Westerns come, showing that while perceptions of the American West have largely been Eurocentric, the real history of the American West was far more complex.

The setting is Rose Creek, California in 1879. A small dusty town a three day ride away from the Californian state capital Sacramento, at the height of the Gold Rush.

Rose Creek is being tormented by a malicious industrialist Bartholomew Bogue wonderfully played against type by character actor Peter Sarsgaard (Blue Jasmine), who not only burns down the moral centre of the town, the church, but casually kills some its town folk, much to the horror of the remaining witnesses.

Rose Creek’s town representative, a feisty widow Emma Cullen, played by rising star Haley Bennett enlists the help of sharp shooter Chisolm, expertly played by Oscar winner Denzel Washington (Training Day, Glory).

Chisolm gathers a motley crew of cowboys and one red Indian, consisting of the heavy drinking Irishman Josh Faraday, comically played by Chris Pratt, sharp shooter Goodnight Robicheaux played by Ethan Hawke (Training Day, Before Sunrise), lonesome tracker Jack Horne played by Vincent D’Onofrio, Billy Rocks played by Korean star Byung-hun Lee, Vasquez, played by rising Mexican star Manual Garcia-Rulfo last seen in Cake opposite Jennifer Aniston and finally Native American actor Martin Sensmeier who plays Comanche Indian Red Harvest.

With the gang in tow and the town folk galvanized for action, audiences should expect the final gun battle of Rose creek to be thrilling. Fortunately this is where The Magnificent Seven delivers as the final act of the film is truly brilliant, with superb sound editing and haunting production design, Fuqua pays homage to the original version and to the genre as a whole while deftly reimagining Westerns as a more diverse and multi-cultural affair.

Not since the Coen brothers reworking of the Oscar nominated True Grit, have I enjoyed a Western as much. The Magnificent Seven does justice to its genre assisted by superb performances by Washington and Sarsgaard as opponents with a vicious score to settle.

Audiences that enjoyed James Mangold’s 3:10 to Yuma and the Coen brothers True Grit, will love Antoine Fuqua’s The Magnificent Seven as he reclaims the Western genre and hopefully opens the doors for this much loved film genre to be bravely re-explored in the 21^st century. This is a genre which desperately needs a Hollywood resurgence.

Now if only a director could tackle a film version of Cormac McCarthy’s brutal tale of the Mexican frontier wars in his gripping Western novel, Blood Meridian, then that would be a film worth seeing.