David R. Walker

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Afire

Director: Christian Petzold

Cast: Thomas Schubert (Austrian), Paula Beer, Eno Trebs (The White Ribbon dir Michael Hanneke), Langston Ubel, Matthias Brandt

Running Time: 1 hour 42 minutes

Film Rating: 8 out of 10

Language: German with English Subtitles.

Please note that this film has not had a commercial cinema release yet.

Acclaimed German film maker Christian Petzold returns with his new film Afire focusing discreetly on the wildfires that ravage Europe in the summer, wreaking havoc on remote holiday destinations. Petzold’s film Afire which premiered at the prestigious Berlinale, the 73rd Berlin International Film Festival, in February 2023 had its exclusive South African premiere hosted by the German consulate in South Africa at the Durban International Film Festival https://ccadiff.ukzn.ac.za/ on Sunday 23^rd July 2023 at Suncoast Cinemas and I was privileged to attend.

Afire contains only four main characters: tortured self-absorbed writer Leon superbly played by Austrian actor Thomas Schubert who was in attendance at the film premiere; the beautiful yet elusive Nadja wonderfully played with flirty desire by German actress Paula Beer; muscular lifeguard or swimming assistant Devid played by the gorgeous Enno Trebs who as a child actor appeared in director Michael Haneke’s brilliant Oscar nominated film The White Ribbon (2010) and lastly Felix played by Langston Ubel.

With the main location being a beach house near the Baltic Sea, initially Leon and Felix hire the beach house to get some work done during the summer. Much to the boy’s surprise is the appearance of the gorgeous Nadja who is mysterious at first until they soon discover more about her.

Then the athletic and buff Devid appears on the scene, initially presumed to be Nadja’s boyfriend but as Leon discovers that assumption is way off the mark.

The narrative that follows is a tragic comedy about four young adults struggling with their own artistic personalities and their limitations while their surroundings are slowly getting ravaged to the ground by extremely dangerous wildfires.

Director Christian Petzold holds the action tight and keeps the plot mainly between these four characters as they laugh, drink wine, sulk and go for swims. All of them except Leon brilliantly played by Thomas Schubert as a thoroughly dislikeable, self-absorbed and generally painful writer who is struggling to complete a novel which he knows is terrible.

Events take a deadly turn when Leon’s editor Helmut turns up for dinner one summer evening. The intellectually arrogant Helmut played by Matthias Brandt takes a shine to the gorgeous Nadja who flits around all these men riding a bicycle in a red dress, which becomes a motif for flaming hot desire and impending danger.

Afire is completely un-American and decidedly European in every respect. A contemporary tale about modern relations, complete with fluctuating sexualities, an existential threat of climate change which becomes real and a darkly tragic turn of events that inspired the writer to craft a more competent narrative around his fascination with the ice cream seller and the lovers that turn to ash.

Afire is a brilliant film, expertly crafted with effortless acting by all the four main stars. It is highly recommended viewing for those that enjoy premium European cinema content.

Afire gets a film rating of 8 out of 10 and catch it at a cinema when it comes on general release.

Barbie

Director: Greta Gerwig

Cast: Margot Robbie, Ryan Gosling, America Ferrera, Emma Mackey, Issa Rae, Kate McKinnon, Michael Cera, Will Ferrell, Helen Mirren, Rhea Pearlman, Simu Liu, Kingsley Ben-Adir

Running Time: 1 hour 54 minutes

Film Rating: 7.5 out of 10

Toys as a consumer product are self reflexively explored with wit and sarcasm by Ladybird and Little Women director Greta Gerwig in the highly anticipated fantasy film Barbie starring Margot Robbie and Ryan Gosling as the dolls Barbie and Ken, who combined have multiple blonde moments.

It all starts off beautifully in the valley of the dolls aka Barbieland where like Pleasantville everything is perfect until Ken tries to reach the end of the wave and hits a dead-end and when Barbie’s doll like features start diminishing quickly including her high heel step and thoughts of death start seeping into her consciousness.

On consultation with weird Barbie wonderfully portrayed by Kate McKinnon, Barbie ventures off Barbieland through a portal which connects her to Los Angeles specifically the headquarters of Mattel, the manufacturers of Barbie where she confronts corporate doublespeak and patriarchy masquerading as profit.

Once in Los Angeles, Barbie is lost and confused whereas Ken, on the other hand revels in the patriarchy and rushes back to Barbieland to plot a revolution with the other Ken dolls, notably starring a range of male actors from Kingsley Ben-Adir to Simu Liu. Ken even discovers a liking for trucks and horses while Barbie discovers a fearless corporate secretary Gloria superbly played by Ugly Betty star America Ferrara, who unlocks the secret of Barbie’s beautiful transformation.

Ryan Gosling is superb as Ken, carefully crafting a narrative arc for his character from naivety to tyranny and then back to nostalgia. Gosling deserves an Oscar nomination for his role as Ken, from the jiving dance numbers to the villainous revenge he plots against the Barbies played by numerous actresses including Emma Mackey (Eiffel, Emily, Death on the Nile) and Issa Rae.

Despite all the hype and publicity, Barbie is not a sweet children’s film for small little girls, but a scathing allegorical tale on the nature of capitalism and how the gender roles have been structured to suit profit over flexibility, often pushing women out of the workplace in favour of men. Writer and director Greta Gerwig does the full range of jibes against her male counterparts from toxic masculinity to man explaining and from suffrage to male preening, questioning specifically assigned gender roles. In this respect her casting of the hottest star in the world Ryan Gosling is spot on as Ken and his performance elevates Barbie from a vivacious almost perfect land to a treacherous battle of the sexes whereby both Barbie and Ken have to discover their own identities.

Barbie is a candy coloured condemnation of the social roles assigned to men and women and how little children are socialized into specific gender roles through toys manufactured by shady multi-million dollar corporations. While Margot Robbie looks like Barbie, it is really her supporting cast that does the heavy lifting particularly America Ferrera as a contemporary woman juggling a career and raising a difficult daughter.

Where Gerwig falters in Barbie is that a toy is a difficult subject matter to adapt into a big screen unlike a novel such as Louisa May Alcott’s Little Women. Her directorial faults include crass excess and some really silly scenes especially those with Will Ferrell.

Barbie is a fun enjoyable fantasy but it is a film that takes itself too seriously in parts and not seriously enough as a sustainable narrative. Fortunately Ryan Gosling is talented enough to make Barbie’s counterpart, vain and idiotic. However, Kenough is not sufficient to stop the Barbie force.

Barbie gets a film rating of 7.5 out of 10 and is elevated by excellent supporting performances and fabulous kaleidoscopic costumes by double Oscar winning costume designer Jacqueline Durran (Little Women, Anna Karenina).

See it for the costumes, the dance moves and the music particularly the retro disco scene at the Barbie house party.

Mission: Impossible – Dead Reckoning Part 1

Director: Christopher McQuarrie

Cast: Tom Cruise, Hayley Atwell, Vanessa Kirby, Rebecca Ferguson, Simon Pegg, Ving Rhames, Pom Klementieff, Esai Morales, Shea Wingham, Henry Czerny, Frederick Schmidt, Cary Elwes

Running Time: 2 hours and 43 minutes

Film Rating: 9 out of 10

Taking much inspiration from the original Mission Impossible released in 1998 and directed by Brian de Palma (The Untouchables, Dressed to Kill), director Christopher McQuarrie skilfully and efficiently returns to the Mission Impossible franchise with the final two films to be split up.

Mission: Impossible – Dead Reckoning Part 1 stars the usual suspects, Simon Pegg, Rebecca Ferguson, Ving Rhames and Vanessa Kirby who were all in the previous film which provide a perfect ensemble to the superstar that is Tom Cruise who reprises his most famous role as IMF agent gone rogue Ethan Hunt.

What really sets this Mission Impossible completely apart from the previous films are two things: the digital tech stuff including augmented reality and artificial intelligence and the action. The stunts in this Mission Impossible are unbelievable from the exhilarating train sequence in the Austrian Alps to the unbelievably well shot car chase sequence through the streets of Rome.

Throughout Mission: Impossible – Dead Reckoning Part 1, the audience can see that these are filmmakers and actors that know what they are doing, brilliantly crafting an old fashioned spy drama complete with the Orient Express and some fabulous locations including Rome, the Arabian desert and Venice and imbuing this scintillating narrative with digital deception, technological spy craft and the dire prediction that if humans leave AI unchecked, that entity could become a nefarious enemy.

From the augmented reality sequence in the Abu Dhabi International airport to the unbelievable train sequence in the Austrian Alps, Mission: Impossible – Dead Reckoning Part 1 delivers on every level, from sophisticated production values to a top class cast including the gorgeous British star Hayley Atwell (Brideshead Revisited, The Duchess) as renegade international thief Grace and Easi Morales as the slippery and ruthless villain Gabriel who will command destruction as he tries to find the fabled digital key that can unlock and control a mysterious rogue AI known as the entity.

Tom Cruise as the fearless Ethan Hunt once again delivers a premium spy film, as brilliant as the Bond films and cements his status even at 61 as one of the top Hollywood action stars of the last three decades. Every scene is perfectly constructed, brilliantly filmed and beautifully packaged and paced with enough action to keep audiences absolutely mesmerized for 2 hours and 43 minutes.

French actress Pom Klementieff (Guardians of the Galaxy) holds her own superbly as Gabriel’s duplicitous assassin as does American actor Shea Wingham (Take Shelter, Joker) as government agent Briggs eternally chasing after the elusive Ethan Hunt.

Mission: Impossible – Dead Reckoning Part 1 gets a film rating of 9 out of 10 and is a supremely entertaining action film filled with incredible action and innovative technology.

Highly recommended viewing. Audiences should see this film on a Big Screen.

Indiana Jones and the Dial of Destiny

Director: James Mangold

Cast: Harrison Ford, Phoebe Waller-Bridge, Antonio Banderas, Mads Mikkelsen, Boyd Holbrook, Thomas Kretschmann, Shaunette Renee Wilson, Karen Allen, John Rhys-Davies, Toby Jones, Ethann Isidore

Running Time: 2 hours and 34 minutes

Film Rating: 8 out of 10

Languages: English & German

3:10 to Yuma and Ford v Ferrari director James Mangold tackles the Indiana Jones franchise bringing an old fashioned charm to the adventure series as he reunites Indiana Jones with his wayward goddaughter in the new film Indiana Jones and the Dial of Destiny.

If viewers enjoyed the Indiana Jones films from Raiders of the Lost Art back in 1981 followed by the Temple of Doom in 1984 starring Oscar winner Ke Huy Quan (Everything, Everywhere all at Once) to the Kingdom of the Crystal Skull in 2008, then they will love this new film and probably the last in the franchise.

The Dial of Destiny opens with a de-aged Indiana Jones played by Harrison Ford (Witness, Blade Runner, Star Wars) facing off against the Nazi’s in a terrific opening scene aboard a train in the French alps whereby Indy and his friend Basil Shaw played by British character actor Toby Jones are fighting Nazi’s as they both battle to get their hands on an ancient relic.

The Nazi’s headed up by Colonel Weber played by German actor Thomas Kretschmann (King Kong, Wanted) attempt to fend off the American spy and his British counterpart while the real villain Dr Voller wonderfully played by Danish actor Mads Mikkelsen (Another Round, Casino Royale) spots the Dial of Destiny and realizes it’s true potential.

Fast forward from the 1940’s to New York in 1969 and Dr Jones sees himself retiring gracefully until his feisty goddaughter Helena wonderfully played with panache by British star Phoebe Waller-Bridge accosts Dr Jones and requests his help to locate the hidden dial of destiny which could be resting in the tomb of Archimedes in Sicily.

After a riveting chase sequence through the Manhattan streets during a parade, Indy and Helena escape the likes of the evil Dr Voller and his henchman Klaber brilliantly played by Boyd Holbrook (Logan, Gone Girl, Milk) and travel to Tangier in Morocco whereby they enlist the help of Teddy energetically played by French Mauritian actor Ethann Isidore.

For the rest of the action packed adventure, director James Mangold keeps audiences guessing as the heroes are chased by the villains from Tangier to the Aegean Sea while everyone is unaware of the true potential of the Dial of Destiny and its uncanny ability to change history.

While the narrative is completely implausible, the action is brilliantly orchestrated and the entire film has a great supporting cast ably assisted by solid direction by James Mangold who soaks the entire film in a sepia colour which only makes sense in the climactic scene at the battle of Syracuse.

Suspend your disbelief and go and watch a riveting adventure film, Indiana Jones and the Dial of Destiny gets a film rating of 8 out of 10.

Fresh from its glittering premiere at the 2023 Festival de Cannes, Indiana Jones and the Dial of Destiny is an enjoyable cinematic ride, an old fashioned caper about archaeologists who go on the Archimedes Trail, from New York City to Sicily.

The Flash

Director: Andy Muschietti

Cast: Ezra Miller, Michael Keaton, Ben Affleck, Michael Shannon, Sasha Calle, Jeremy Irons, Ron Livingston, Saoirse-Monica Jackson, Kiersey Clemons, Gal Gadot, Maribel Verdu

Running Time: 2 hours and 24 minutes

Film Rating: 8 out of 10

Argentine director Andy Muschietti tackles the origin story of The Flash in Warner Brothers standalone film of the same title featuring the tremendously talented Ezra Miller as Barry Alan aka The Flash, whose best friend is Batman. Which is really cool.

The Flash has popped up as a secondary superhero character in numerous DC films including Justice League in 2017, Batman v Superman and Suicide Squad in 2016. The Flash gives Ezra Miller (The Perks of Being a Wallflower, Fantastic Beasts and Where to Find Them) a perfect chance to shine as an actor and he certainly does as he plays two versions of himself quite brilliantly with perfectly nuanced dexterity. He plays the current version of Barry Alan and a much younger more naïve version of the same character as they both battle to go back in time and reverse the crucial moment when their mother Noah Allan played by Spanish actress Maribel Verdu (Pan’s Labyrinth, Y Tu Mama Tambien) is murdered at home while their father Henry played by Ron Livingston is wrongly convicted of the crime.

Despite warnings from the rest of the Justice League including Batman and Wonder Woman, The Flash messes with the space time continuum and changes the past releasing multiple versions of Batman and General Zod, a Kryptonite after Superman’s cousin Kara Zor-El played by Sasha Calle, commonly known as Supergirl.

The Flash loses his known version of Batman played by Oscar winner Ben Affleck (Argo, Good Will Hunting) and discovers an older, wiser version of Bruce Wayne played with panache by Oscar nominee Michael Keaton (Birdman) complete with a cavernous Bat Cave, possibly one of the coolest scenes in the film. Together they band up and rescue Supergirl and attempt to fight the mighty evil General Zod, perfectly played by Oscar nominee Michael Shannon (Revolutionary Road, Nocturnal Animals).

While the first half of director Andy Muschietti’s superhero film is slightly shambolic, the second half is where the director finds his groove and he relies heavily on the screen presence of Ezra Miller who really is brilliant as The Flash. Let’s hope Warner Bros makes a sequel with Ezra Miller.

The screenwriters keep the narrative tight and the action constant, but always return to the pivotal moment of when Barry loses his mother, emphasizing that even superheroes have moms.

With high production values and a solid supporting cast, The Flash is a slightly gothic and very twisty addition to the DC Comics universe but a worthy attempt at establishing The Flash as a tangible superhero who should in time gain as much notoriety as Batman, Superman and the rest of the gang.

At 2 hours and24 minutes, The Flash is long, but Ezra Miller sustains the pace and this superhero action film, despite some repetitive visual effects, gets a film rating of 8 out of 10. Audiences should wait for the film’s final scene as there is a surprise cameo appearance of another Batman…

Asteroid City

Director: Wes Anderson

Cast: Jason Schwartzman, Scarlett Johansson, Tom Hanks, Tilda Swinton, Edward Norton, Willem Dafoe, Adrien Brody, Jeffrey Wright, Bryan Cranston, Liev Schreiber, Hope Davis, Steve Park, Hong Chau, Rupert Friend, Maya Hawke, Steve Carell, Matt Dillon, Margot Robbie, Tony Revolori, Jake Ryan, Jeff Goldblum, Grace Edwards, Sophia Lillis, Bob Balaban

Running Time: 1 hour and 44 minutes

Film Rating: 7.5 out of 10

Celestial flirtations abound in director Wes Anderson’s latest fluorescent theatrical film, Asteroid City featuring a blossoming cast headlined by two excellent performances by Jason Schwartzman and Oscar nominee Scarlett Johansson (Jojo Rabbit, Marriage Story) as theatre actors Augie Steenbeck and the glamorous Midge Campbell who find themselves acting in the eccentric playwright Conrad Earp wonderfully played with deadpan flamboyance by Oscar nominee Edward Norton (Primal Fear, American History X, Birdman)’s new play Asteroid City set in a one horse town in Arizona in 1955 complete without a candy coloured diner and a nuclear testing site.

Asteroid City has a population of 69.

Visually and aesthetically, Asteroid City is beautiful to watch as a film, like a trippy popup book with fabulous colours and eccentric characters from singing cowboys and random socialites, from military personnel to perilous children who comprise the space cadets of the town.

At a random event celebrating the arrival of an asteroid in a desert, the entire town is gathered and listening to an articulate speech by General Grif Gibson played by Jeffrey Wright (No Time To Die) when out of nowhere a cheeky alien arrives in a garish green UFO and unexpectedly steals the asteroid while the town looks on in horror and curiosity.

Luckily Augie who is a reluctant father of four children, a son named Woodrow wonderfully played by Jake Ryan and triplet daughters known collectively by their grandfather as The Witches, managed to photograph the alien. Then the military step in and quarantine the town, a suitable jibe by screenwriter Wes Anderson at the weird lockdown restrictions imposed by Governments across the world during the Covid19 pandemic in 2020.

Despite the ensemble cast, it is really Jason Schwartzman and Scarlett Johansson’s film as they both shine in a complex self-reflexive narrative which takes inspiration from American playwright Thornton Wilder’s play Our Town. Jason Schwartzman who played King Louis XVI opposite Kirsten Dunst in Sofia Coppola’s Marie Antoinette and is soon to star in his uncle Francis Ford Coppola’s new film Megalopolis, really shines as a talented stage actor and part time homosexual Augie Steenbeck in a role which is equally quirky and subversive.

Asteroid City is a highly theatrical comically absurd film serving as a dazzling critique on the bizarre nature of events in 2020 and cleverly presents the concept of The West as a construct to be interchanged and taken down again, much like a cardboard city. Notable turns in the film go to Tom Hanks as Grandfather Stanley Zak, Oscar winner Tilda Swinton (Michael Clayton) as Dr Hickenlooper and Oscar nominee Bryan Cranston (Trumbo) as The Host.

Take yourself on a journey and see the visually splendid Asteroid City, which is not perfect as a film, but it is enchanting in a celestial way and will find a cult following everywhere much like the Space Cadets that follow the Milky Way. With impressive set designs, Asteroid City should win an Oscar for Production Design in the 2024 Academy Awards.

Not as brilliant as The Grand Budapest Hotel, but Asteroid City gets a film rating of 7.5 out of 10, a quirky self-reflexive play about a city that doesn’t exist and an alien that possibly does.

Wes Anderson outdoes himself with a script and a bizarre film which received a 6 minute standing ovation at the film’s glittering premiere at the 2023 Festival de Cannes.

Transformers: Rise of the Beasts

Director: Steven Caple Jr

Cast: Anthony Ramos, Dominique Fishback, Michelle Yeoh, Peter Dinklage, Peter Cullen, Dean Scott, Vazquez, Tobe Nwigwe, Ron Perlman, Liza Koshy, John DiMaggio, David Sobolov, Michaela Jaé Rodriguez, Pete Davidson, Colman Domingo, Cristo Fernández

Running Time: 2 hours and 7 minutes

Film Rating: 6.5 out of 10  

Creed II director Steven Caple Jr provides a fresh directorial vision for the new Transformers film, Transformers: Rise of the Beasts set in a pre-9/11 world in New York City in 1994 and in Cuzco in Peru.

Far removed from the days of Victoria Secret model Rosie Huntington-Whiteley hanging helplessly off a glistening yet menacing Autobot in Transformers: Dark of the Moon back in 2011, Rise of The Beasts has a completely new vision with two new rising stars featuring Anthony Ramos (A Star is Born, In The Heights) as the hero Noah Diaz, a struggling young Latino man trying to find a job and look after his little brother Kris played by Dean Scott Vazques and Dominique Fishback (Judas and the Black Messiah) as museum researcher Elena Wallace.

Together Elena and Noah must team up with the Autobots as they have to prevent a new Galactic catastrophe as the evil Terrorcon Scourge wonderfully voiced by the Game of Thrones star Peter Dinklage seeks to unlock a mysterious artefact to allow the ruthless Unicron voiced by Colman Domingo to devastate the Earth. Besides all this post-apocalyptic threat taking place ironically set before 9/11, Transformers: Rise of the Beasts has a really cool 1990’s vibe especially the scenes set in New York complete with hip music and a slightly retro production design.

For all Transformers fans, the really thrilling part of these films is watching the cars transform into robots and vice versa, but unfortunately in this version there isn’t enough of that. The script while interesting does go slightly off the reservation, actually way off as the action moves to Cuzco in Peru near the site of the ancient ruins of Machu Picchu in South America.

What is lacking in storyline or characterization in this version is definitely made up for in dazzling special effects which will help Transformers: Rise of the Beasts maintain its popularity throughout the 2023 American summer block buster season.

Noah has a better storyline in the film than Elena, although Anthony Ramos and Dominique Fishback do exceptionally well in a storyline in which 95% of the dialogue is with CGI robots.

Transformers: Rise of the Beasts needed some more human intervention even some quirky characters to spice up a rather clunky storyline, nevertheless it is an entertaining film saved by superb visual effects which will be sure to attract audiences to this film.

Transformers: Rise of the Beasts gets a film rating of 6.5 out of 10 and see it for the catchy music and imaginative visual effects.

Be kind to cinemas and watch Transformers: Rise of the Beasts on a Big Screen now.

The Little Mermaid

Director: Rob Marshall

Cast: Halle Bailey, Jonah Hauer-King, Javier Bardem, Melissa McCarthy, Noma Dumezweni, Art Malik, Akwafina, Jacob Tremblay, Daveed Diggs

Running Time: 2 hours and 15 minutes

Oscar nominated director Rob Marshall (Chicago, Mary Poppins Returns, Memoirs of a Geisha) returns with another Disney classic live action musical The Little Mermaid  featuring the gorgeous and talented Halle Bailey as the mermaid that causes all the trouble.

Ariel lives down in the Ocean but is constantly fascinated by the humans above sea level collecting items off their ships that sink to the cavenous ocean’s floor. Banished by her overbearing father, King Triton, God of the seas, played by Oscar winner Javier Bardem (No Country for Old Men) from going to the land, Ariel willingly defies her father when she makes a dangerous deal with her aunt, the evil sea witch Ursula superbly played by Oscar nominee Melissa McCarthy (Can You Ever Forgive Me?, Bridesmaids) to trade in her fins for legs so she can approach land.

Ariel is desperate to meet up with a handsome prince because this is Disney, and there is always a handsome prince lurking about! In this case Prince Eric is played by Jonah Hauer-King (Little Women) who defies his own mother, the Queen played by Noma Dumezweni (Dirty Pretty Things) and is keen to see the beautiful mermaid that saved him during a storm which shipwrecked his vessel.

Ariel is unaware that Ursula has cast a spell when she arrives on land and is generously taken in by Eric except she cannot talk and her only assistance are a crab voiced by Daveed Diggs, a fish could Flounder voiced by Jacob Tremblay and Scuttle voiced by Awkwafina.

The Little Mermaid is pure Disney fantasy assisted by some amazing songs and brilliant special effects particularly the underwater sequences of which there are many. If audiences suspend their disbelief then The Little Mermaid will be a delightful film to be enjoyed by the whole family.

Despite lavish sets and production design, Rob Marshall’s The Little Mermaid lacks pace in certain aspects of the storyline and the film could have been edited properly, shaving at least twenty minutes off the running time.

The real treat of the film is Melissa McCarthy as Ursula who is suitably villainous and camp as the evil witch complete with pearls and a dreadful hairdo. Javier Bardem’s acting talents are underutilized in a film which his character does not feature prominently. There are also some issues with questionable casting but if audiences focus on the fantasy narrative then they will find this film enjoyable.

Halle Bailey holds her own in the title role although Jonah Hauer-King could have been more masculine as the Prince. His performance comes off as boyish and naïve.

If audiences love a Disney musical, then go and watch The Little Mermaid, it will either infuriate or dazzle the viewers. Unfortunately not as brilliant as one expected, The Little Mermaid gets a film rating of 7 out of 10. It’s as light as a mermaid staring at an idyllic sunset.

Fast X – Fast and Furious 10

Director: Louis Leterrier

Cast: Vin Diesel, Michelle Rodriquez, Jason Momoa, Jason Statham, Charlize Theron, John Cena, Rita Moreno, Scott Eastwood, Tyrese Gibson, Helen Mirren, Jordana Brewster, Chris Bridges, Nathalie Emmanuel, Sung Kang, Brie Larson, Alan Ritchson

Running Time: 2 hours and 21 minutes

Film Rating: 7 out of 10 

French film director Louis Leterrier who did the first two Transporter films goes really mammoth for the 10^th film of the Fast and Furious franchise as he assembles all the cast from the last film together with Vin Diesel leading the cast as Dominic Toretto.

Unlike in the previous couple of films where there hasn’t been a clear villain in Fast X, the villain is Dante Reyes, the son of a Brazilian crime family who decides to avenge his father’s death in Rio de Janeiro ten years ago. Except Dante is really crazy and not in a good way.

Brilliantly played with a dazzling flamboyance which borders on madness, Jason Momoa (Aquaman, Justice League) really does the entire eccentric villain character from blowing up parts of Rome to drawing out Toretto, Lettie and the rest of his crew away from Los Angeles to the streets of Rome, Rio de Janeiro and finally to the highways of Portugal.

Toretto’s L. A. home and warns him that an incredibly dangerous villain is after Toretto and his family, the action hots up fast and swiftly. Bringing in the usual gang headed by Roman played by Tyrese Gibson along with Tej played by Chris Bridges, Toretto must use all his strength and determination to elude the clutches of the crazy Dante. All the usual suspects from previous films pop up including Shaw played by Jason Statham, Shaw’s mother Queenie played by Oscar winner Helen Mirren (The Queen) and some newcomers including the gorgeous Oscar winner Brie Larson (Room) as Tess, daughter of the head of the covert agency who assists Lettie and Dominic in trying to bring down Dante.

Luckily Fast X is not heavy on dialogue and Leterrier makes this film entirely action driven with planes, cars and even buses blowing up and there are enough car chases to satisfy the legions of fans which made this franchise so popular. Basically, a cult of cars.

Fast X is explosive, loud and never boring but despite the heavy A-list cast, the storyline is repetitive with few plot twists or surprises. The best surprise is how good Jason Momoa is at playing the villain Dante who creates an urban inferno. Dante is a brash, painted and sociopathic man-child complete with gadgets, bombs and an absolute hatred of everything vaguely normal. Dante is chaos incorporated even killing the two tech guys who assist him and then painting their dead toe nails.

The rest of the cast is the same except for a lovely Brie Larson who adds some femininity to an otherwise very macho cast including John Cena as Jacob, Jason Statham as Shaw and Alan Ritchson as Aimes. Fast 10 is made in two parts and this is the first film which ends on a literal cliff-hanger.

Recommended viewing for those that love fast cars, exotic locations and brash action sequences, Fast X will dazzle and entertain audiences globally and gets a film rating of 7 out of 10. This is a high octane, fast paced action film which already has a loyal following. Best viewed in an IMAX cinema.

Book Club: The Next Chapter

Director: Bill Holderman

Cast: Jane Fonda, Diane Keaton, Candice Bergen, Mary Steenburgen, Craig T. Nelson, Andy Garcia, Don Johnson, Giancarlo Giannini, Hugh Quarshie, Giovanni Esposito, Vincent Riotta.

Running Time: 1 hour and 47 minutes

Film Rating: 6.5 out of 10

One thing admirable about America is that they don’t believe in ageism. In actual fact director Bill Holderman’s hilarious if slightly quirky sequel to 2018’s Book Club, entitled Book Club: The Next Chapter is testament to that.

This sequel reunites the four elderly best friends from the first film, Diane, Viv, Sharon and Carol played respectively by Oscar winners Diane Keaton (Annie Hall), Jane Fonda (Coming Home, Klute) and Oscar nominee Candice Bergen (Starting Over) and Oscar winner Mary Steenburgen (Melvin and Howard).

As the four best friends emerge out of lockdown in the early 2020’s they decide that it is a fitting time to travel to Italy before Viv weds her gorgeous boyfriend Arthur played by Don Johnson (Django Unchained).

Book Club: The Next Chapter takes the four friends from the familiar ground of New York City to the beautiful sites of Italy starting off in Rome in which they think that their holiday is going well. That is until their luggage gets stolen as they board a train to Venice.

It is in the deceptive beauty of Venice that things go awry as Sharon chats up an interesting man at the local bar Ousmane played by Hugh Quarshie and Carol reunites with an old Italian flame at his restaurant in Venice, Chef Gianni played by Vincent Riotta. While Diane has to reassure Viv about having pre wedding jitters. The scene with acting legends Diane Keaton and Jane Fonda is worth seeing but ironically out of the four main stars, it the raspy voiced and slightly cynical Sharon wonderfully played by Candice Bergen who steals the show and is the best in the film.

After the Venetian adventures, the four ladies set off for Florence and Tuscany for Viv to fulfil her destiny only to be stopped short by some gorgeous looking buff Italian cops. Fortunately an unlikely knight in shining armour, the Italian Police Chief played by Oscar nominee Giancarlo Giannini (Seven Beauties) rescues them and safely transfers them to Tuscany, whereby the men in their lives are there to meet them.

Book Club: The Next Chapter is a very light hearted romantic comedy specifically aimed at the older generation featuring a host of A list stars who seem effortlessly at ease in front of the camera. Let’s face it Jane Fonda has been acting since she appeared as Roger Vadim’s Barbarella in 1968.

While the film’s script needed some work, the Italian scenery certainly makes up for any faults and is gorgeous to look at. Book Club: The Next Chapter is an enjoyable romantic comedy set in Italy and just proves that it’s never too late to find love. Book Club: The Next Chapter gets a film rating of 6.5 out of 10 and is as whimsical as a gelato, but just as enjoyable.