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The Expendables 3

Director: Patrick Hughes

Cast: Sylvester Stallone, Jason Statham, Harrison Ford, Antonio Banderas, Mel Gibson, Wesley Snipes, Kellan Lutz, Kelsey Grammer, Dolph Lundgren, Victor Ortiz, Terry Crews, Glen Powell, Ronda Rousey, Randy Coutoure, Jet Li, Arnold Schwarzenegger, Randy Coutoure

Sylvester Stallone reunites with all his 80’s action hero stars for a reminiscent action adventure film culminating in Zorro, the guy from Lethal Weapon along with Arnie, Indiana Jones and of course Rambo all fighting it out on the big screen.

The Expendables 3 is a fun action romp with lots of old and new cast members following on the success of the two previous films which basically gave a very flimsy premise for all these aged action stars to have an onscreen reunion amidst blowing everything in sight. The fact that all 3 Expendables movies is always released on South African screen during woman’s month is ironic to say the least. One has to satisfy the male population some how.

Stallone plays Barney with Jason Statham as Lee Christmas who along with the rest of the Expendables cast add some new younger and savvy crew led by the cocky Smilee played by a buffed up Kellan Lutz who has come along way from the Twilight Days. Together both crews set out to destroy the evil and manic arms dealer Conrad Stonebanks, wonderfully played by Mel Gibson, a former Expendables co founder and now nefarious and ruthless criminal with a penchant for expensive art.

As the action moves swiftly from all the usual international honeymoon spots like Mogadishu, Somalia to Armenia, (actually Bulgaria) in the film, The Expendables 3 does not pretend to be anything more than popcorn fodder with loads of action some witty one liners and a flimsy plot thrown in. Its also a fantastic chance for Wesley Snipes (The Blade Trilogy) and Arnold Schwarzenegger (Terminator) to redeem their forsaken Hollywood careers along with Antonio Banderas (The Legend of Zorro) and more importantly Mel Gibson (Lethal Weapon).

The real question is what was Harrison Ford doing in a film like this? Surely he made enough money as Indiana Jones or is this a revival pending the next Star Wars Trilogy where Ford is rumored to reprise his role as Han Solo (40 years on!)

The Expendables 3 is great entertainment if viewers enjoy a bunch of old dogs of cinema blowing things up and getting the bad guys. There are some amazing stunts, the narrative is flimsy punctuated by some hilarious moments provided by Banderas, Snipes and of course Oscar Winner Mel Gibson.

It is also evident that clearly the 2008 economic recession is still affecting Hollywood if all these actors from the eighties and nineties still need to take part in sequels. The main thing is, at least they haven’t retired and are still entertaining audiences 30 years later as the cinema was packed when watching this action flick. Recommended viewing for serious action stars and clearly not aimed at female audiences despite the presence of female wrestler Rhonda Rousey who adds some glamour to this aged group of bandits.

Watch out for Kelsey Grammer (last seen in Transformers: Age of Extinction) as Bonaparte, a sort of mercenary recruiter who is always good value.

Guardians of the Galaxy

Director: James Gunn

Cast: Chris Pratt, Zoe Saldana, Michael Rooker, Glenn Close, Djimon Hounsou, Benicio del Toro, Lee Pace, Brad Cooper, Dave Bautista, John C. Reilly

Marvel’s sci fi action adventure Guardians of the Galaxy is like Star Wars on acid with an exceptionally cool soundtrack, featuring some 70’s and 80’s classics. Part comedy, part adventure, director James Gunn successfully mixes comic adventure with intergalactic chaos and mischief.

Featuring a suitably toned down Chris Pratt (Zero Dark Thirty) superbly cast as rebel Starlord, Peter Quinn who while rummaging on an abandoned planet discovers a mysterious orb which soon elicits a whole bunch of ragtag and riotious characters from all corners of the Galaxy as they race to claim the orb for themselves. The Guardians of the Galaxy featuring the amiable and funny Peter Quinn with some serious mommy issues, along with green skinned Gamora, played by Avatar star Zoe Saldana along with a talking racoon (yes you read that right) voiced by Bradley Cooper and a walking tree, with a severely limited vocabulary, voiced by Vin Diesel.

Guardians of the Galaxy is psychedelic sci-fi and not visionary like Elysium or Blade Runner, making no attempts to conceal its main target audience – teenage boys who have followed the comic book series of the same name. The film even retains a comic book feel and with some exceptionally interesting visual effects, Guardians certainly does make use of its 3D appeal.

This is like Star Wars on LSD for a younger generation, but hugely enjoyable, thanks to the casting of comic actor Chris Pratt and Zoe Saldanha as Gamora, who are both after the powerful and illustrious infinity stones, which they soon hand over to the Collector, a wonderful cameo by Benicio del Toro, who was also seen in the closing credits of Thor: The Dark World.

Veteran actress Glenn Close (101 Dalmations) makes a camped up appearance as Prime Nova, a cipher of her Cruella de Ville character along with John C. Reilly and Djimon Hounsou of Blood Diamond fame.

Lee Pace plays the evil Ronan who with his extraordinary makeup and pharaoh like costume is hellbent on destroying the Universe along with his adopted daughter Nebula played by Karen Gillian. Naturally the ragtag bunch of Guardians band together and fight the onslaught of the Kree against the fabulous planet Xander, which looks like Dubai on steroids.

Guardians of the Galaxy must have been a massive hit at San Diego’s Comicon and it’s not difficult to see why, humour mixed with romance, good versus evil all enveloped in a wildly over the top action adventure which makes the first Star Wars positively tame. Except that Star Wars was a classic and this sci-fi is not aiming to be anything more than merely fun and amusing much like the comics the story is based on. Marvel definitely got the concept right.

Recommended viewing for geek freaks and not to serious sci-fi fans, making Guardians definitely fall into the frivolous popcorn fodder category. Hugely enjoyable, with lots of implied moral messages, but this film does not aspire to be Alphonso Cuaron’s Gravity, this is Guardians of the Galaxy featuring Gamora and the infinity stones! Besides who can take this film seriously when there is a talking racoon and a tree in it?

The Hundred Year Old Man who

Climbed out the Window and Disappeared

Director: Felix Herngren

Cast: Robert Gustafsson, Georg Nikoloff, Cory Peterson, Kerry Shale, Alan Ford.

Definitely one of the highlights of DIFF 2014 http://www.durbanfilmfest.co.za/ was the film adaptation of the Swedish novel, The Hundred Year Old Man who Climbed out the Window and Disappeared. A hugely entertaining and entirely Scandinavian tale about a pyromaniac pensioner Alan Karlsson delightfully played by Robert Gustafsson who after blowing up a foxhole near his home in rural Sweden, is untimely placed in a seemingly secure retirement village.

On his hundredth birthday, Alan decides that this confinement is for the birds and literally climbs out the window and misses his hundredth birthday party. So begins a marvellous adventure in which Alan gets mistakenly mixed up with a gang of Neo-Nazi criminals, an elephant, an undecided student and a mischievous train station manager who are all after a suitcase filled with loads of cash.

Based on the internationally bestselling novel by Jonas Jonasson The 100 Year Old man is a delightful subtitled film as the audience follows the sweet natured Alan who whilst going on his escapades also reminisces about his life as an explosives expert, who happens to quite literally cross paths with some of the 20^th century’s most ruthless dictators including Spain’s General Franco and Russia’s Stalin.

Through espionage and countless subterfuge, Alan also becomes involved with the Manhattan project about the building of the nuclear bomb by the Americans, gets drunk with President Franklin D. Roosevelt and even receives an invitation to the Atomic Energy Commission by the Swedish prime minister.

The 100 Year Old Man is truly a cinematic gem and a clever statement and parody on Sweden’s apparent neutrality throughout some of the last centuries most brutal, menacing and socially disruptive geo-political conflicts including the Spanish Civil War, World War II, the Cold War and even the 1968 counter-culture youth rebellion in Paris.

This is recommended viewing and whilst some of the jokes would miss an English speaking audience, the 100 Year Old Man is a definite must see and certainly totally different to the dark Swedish thriller trilogy starting with The Girl with the Dragon Tattoo.

The 100 Year Old Man is a charming, hilarious and poignant journey through a century by a naïve likable character who keeps things simple by blowing things up or dancing with dictators. A must see Swedish comedy featuring lovable characters with a clever script and a highly amusing plot.

Belle

Director: Amma Asante
Cast: Gugu Mbatha-Raw, Tom Wilkinson, Penelope Wilton, Miranda Richardson, Emily Watson, Tom Felton, Sam Reid, Matthew Goode, Sarah Gadon, James Norton

South African British actress Gugu Mbatha-Raw stars as Dido Elizabeth Belle, a mixed race woman who has the fortune to be rescued by her father and installed at the Hampstead home of his Uncle William Murray, the 1^st Earl of Mansfield, who also happens to be the Lord Chief Justice for the infamous Zong trial which featured prominently in British society at the end of the 18^th century.

The Zong Massacre – http://en.wikipedia.org/wiki/Zong_massacre revolved around a British slave ship which jettisoned half its cargo including a great many slaves in the West Indies, drowning them in the Caribbean Sea because there was not enough drinking water on board the slave ship while heading from modern day Ghana to Jamaica.

The Liverpool merchant owners of the slave ship sought insurance compensation for lost cargo which caused a public trial and an outcry back in England as it highlighted the horrors of the 18^th century slave trade, naturally bringing up the age old question of can there ever be a price put on a human life. The history of the Zong trial and the massacre of the slaves on board takes centre stage in director Amma Asante’s riveting and slightly contrived social-historical drama Belle.

Like Amazing Grace, Belle centres on the last decades of the British slave trade and portrays a society on the brink of change. Set in England in the 18^th century under the reign of King George III (the mad one!), Dido Elizabeth Belle –  http://en.wikipedia.org/wiki/Dido_Elizabeth_Belle tells the story of Dido Belle a mixed race heiress and under the guardianship of Lord Mansfield must navigate her way despite her title and wealth through the apparent prejudices of 18^th century British society.

Painting by Johann Zoffany, 1779

Accompanied by her first cousin Elizabeth Murray, played by Canadian actress Sarah Gadon (Cosmopolis, A Dangerous Method), who was without a dowry, Belle and Elizabeth need to secure suitable husbands, both of which apparently come in the form of the Ashford brothers James and Oliver played by British actors James Norton (Rush) and Tom Felton of the Harry Potter franchise.

However Belle or Dido as she is referred to in the film has her sights set on an ambitious abolitionist lawyer John Davinier, played by Australian actor Sam Reid (Anonymous) who is assisting the 1^st Earl of Mansfield in the legal case regarding the Zong Question as it was politely known in 1783.

Ably assisted by a consummate script written by Misan Sagay, Belle is an absorbing and intelligent social-historical drama, similar to the Michael Apted film Amazing Grace with less of the apparent cruelty of Steve McQueen’s Oscar winning film 12 Years a Slave.

Belle, along with a nuanced performance by Gugu Mbatha-Raw features a superb supporting cast including Emily Watson (The Book Thief), Penelope Wilton (The Best Exotic Marigold Hotel & Downton Abbey series) and the brilliant Tom Wilkinson (Michael Clayton) as the Earl of Mansfield who takes Belle under his guardianship at Kenwood House, Hampstead.

This is a fascinating portrait of England at the end of the 18^th century, whereby race and politics as well as class and legitimacy ruled a conservative society constricted further by prejudice and ruled by desire for European commercial superiority, which despite its horrors was the main reason that the slave trade come into existence and historically changed  the West African, European and Caribbean demographics. For lovers of historical drama with a social conscience, Belle is recommended viewing and an exceptionally interesting film.

Million Dollar Arm

Director: Craig Gillespie

Cast: Jon Hamm, Alan Arkin, Suraj Sharma, Bill Paxton, Lake Bell, Aashif Mandvi, Maddhur Mittal

Disney’s take on baseball meets Danny Boyle’s Slumdog Millionaire comes in the form of the charming sports film, Million Dollar Arm featuring Mad Men’s Jon Hamm teaming up with Life of Pi’s Suraj Sharma and Alan Arkin from Argo.

Set in India and Los Angeles, director Craig Gillespie’s Million Dollar Arm premiering at the Durban International Film Festival 2014 – http://www.durbanfilmfest.co.za/ tells the true story of a down on his luck sports agents J. Bernstein, played by Hamm who while channel surfing flicking between Britain’s Got Talent and cricket in India on late night TV, comes up with an epiphany to travel to India to find the next big baseball player.

The only problem is that in India, once the jewel of the British colonial empire, the main sport is cricket as it in the rest of the Commonwealth and the general male population there do not play baseball. With the help of a shady Chinese business investor Chang played by Tzi Ma, J. B. Bernstein travels to chaotic Mumbai to discover a world so alien and different to his lavish and ordered Californian lifestyle, one in which he was a once successful sports agent.

Spurred on by his tenant, Brenda played by Lake Bell, J. B. Bernstein travels the length and breadth of India in search of a cricket player with a million dollar arm. He is helped by a retired baseball talent spotter Ray wonderfully underplayed by Alan Arkin (Little Miss Sunshine) who discover two young men Rinky and Dinesh, played by Suraj Sharma and Maddhur Mittal respectively who each possess a million dollar arm, or an above average ball throwing speed.

Part of the enticement for these two young players is the opportunity of traveling to the United States and play a game that they have never played before. Leaving the rural confines of Lucknow, India, they are suddenly transplanted in University of Southern California’s baseball fields where they are coached by the cautious yet optimistic coach Tom House played by Bill Paxton.

Naturally as a Disney film, director Gillespie in Million Dollar Arm aims for a general feel good sports film while making insightful observations about the massive cultural differences between India and America and highlighting each society’s similarities.

Jon Hamm is excellent as the exasperated JB Bernstein supported by a great cast especially Oscar winner Arkin and the always amiable Lake Bell, along with Aashif Mandvi as Aash while Suraj Sharma and Maddhur Mittal make the most of their roles as young Indian boys caught up in an essentially American sporting dilemma. Watch out for a superb musical score by A. R. Rahman (Slumdog Millionaire).

Unlike the very specific baseball films Moneyball or Field of Dreams, Million Dollar Arm is enjoyable family viewing and will appeal to sporting enthusiasts both in America and the commonwealth highlighting Hollywood’s increasing desire to deliver more international fare. A thought provoking and fascinating film about the increasing globalization of sport and the desire for all people to achieve seemingly impossible dreams. Like Indian hockey players trying out for the American National Baseball league. Recommended viewing especially as it is a true story.

Frank

Director: Lenny Abrahamson

Starring: Michael Fassbender, Maggie Gyllenhaal, Domhnall Gleeson. Scoot McNairy, Francois Civil, Tess Harper

Director Lenny Abrahamson’s quirky film Frank which premiered at the Durban International Film Festival examines the pressures of belonging to a rock band and the celebrity status attached to its lead singer. The fact that this lead singer Frank wears a giant false head for three quarters of the film is both alienating and annoying and serves its point about the underlying pressures of mounting celebrity facing a bands lead singer or frontman. Take Adam Levine of Maroon 5 or Harry Styles from One Direction for example. Except with these bands unlike Frank’s bands obscure name, at least the music is palatable, not to mention commercially viable.

Frank as a film was so bizarre and utterly random as the narrative follows Jon played by Domhnall Gleeson (Anna Karenina, Dredd, True Grit), son of Irish actor Brendan Gleeson, an aspiring songwriter who becomes the keyboardist and journeys with the band from a remote Irish location to the hippie South by South West music concert in Austin Texas. The band members are all clearly deranged and part of some grand lunatic fringe reinforced by the irrepressible Clara, wonderfully played by Maggie Gyllenhaal (Hysteria) and by the lead singer Frank played by Fassbender, which clearly begs the question what was he thinking after being attached to such prestigious films as 12 Years a Slave, Shame and Jane Eyre.

Although parts of the film are hilarious and very funny, other parts are equally irritating and stupid which just goes to show how Youtube got such a massive following so quickly. Post any ridiculous video online as a social media experiment and there will always be a plethora of bored American teenagers waiting to watch it on Youtube. Then maybe that is the point of this film.

Only towards the films end are explanations given as to why the lead singer is wearing this massive false head as seen in the poster after Jon tracks him down to his parent’s home in Bluff City, Kansas and Frank’s mother played by indie star Tess Harper explains the singers childhood trauma which lead to some deviant form of mental obsession.

Frank is well executed as a film about band members on the road, but too bizarre to be taken seriously and lacks the visual punch of Paolo Sorrento’s spectacularly weird road trip film This Must Be the Place. Viewers will differ in opinion regarding Frank, as there was much laughter coming from the cinema auditorium at a DIFF http://www.durbanfilmfest.co.za/ screening.

Director Lenny Abrahamson’s Frank will have a very limited appeal, not helped by the onscreen presence (or lack there of) of Gyllenhaal and Fassbender, whose chemistry together is pointlessly obliterated and nullified by a giant false head. Frank will definitely not be everyone’s cup of tea, but will have comic appeal for those that appreciate deadpan humour and the effortless blending of banal social media.

Cold Harbour

Director: Carey McKenzie

Starring: Tony Kgoroge, Deon Lotz, Fana Mokoena, Yu Nan

South African actor Deon Lotz first came to prominence in Oliver Schmidt’s award winning impressive film Skoonheid. The actor is now back starring in Cold Harbour a noir thriller about nefarious Perlemoen trading in Cape Town along with Tony Kgoroge (Mandela, Long Walk to Freedom) as conflicted detective Sizwe Miya and Fana Mokoena as the Cape gangster Specialist.

South African director Carey McKenzie film Cold Harbour which premiered at the Durban International Film Festival http://www.durbanfilmfest.co.za/ Should really take a leaf out of the more sophisticated 1985 Michael Cimino film The Year of the Dragon which dealt with the infiltration of Chinese Triads in New York.

It seems the Chinese have been painted as one of the bad guys along with a host of morally dubious characters in this ominously lit film Cold Harbour which in true film noir tradition there is no clear cut hero versus villain, especially in McKenzie’s uneven and contrived portrayal of the Cape Town crime world.

McKenzie’s version of Cape Town as depicted in Cold Harbour is another reason not to visit the mother city in winter as she paints the supposed design capital as a bleak and unsettling city with unfinished highways surrounded by the freezing and unforgiving Atlantic Ocean. The director does not even give the much celebrated Marina del Gama complex in Cape Town near Muizenberg a forgiving depiction, a place where Lotz’s character Venske resides.

Cold Harbour is an unevenly scripted and confusing crime drama with several characters muddling through an unforgiving landscape and not really coming to any cathartic release.

Instead it’s a mismatch of cultures and characters speaking a range of languages from English, Afrikaans, Xhosa and Chinese without the subtitles being removed once, so even when the characters spoke in South African English subtitles still remained on the screen? This must be to hopefully market Cold Harbour to American audiences who will surely not find any comfort in this thriller and reaffirm the international notion that South Africa is indeed a nation ravaged by crime, poverty and corruption.

As a film about illegal international Perlemoen trading, Cold Harbour had great potential but unfortunately got muddled in its film noir aspirations. Not recommended viewing.

Boyhood

Director: Richard Linklater
Starring: Ethan Hawke, Patricia Arquette, Ellar Coltrane, Lorelei Linklater, Marco Perella, Jamie Howard

https://www.youtube.com/watch?v=Ys-mbHXyWX4

Texan director Richard Linklater’s 12 year cinematic achievement, Boyhood comes to life in a 164 minute film which seamlessly blends the course of existence for Mason from aged 6 to aged 18 is both fascinating and compelling. The fact that the director used the same four actors to make up the quasi nuclear family is equally impressive.

Ellar Coltrane plays Mason, the central character in Boyhood along with the director’s daughter Lorelei Linklater who plays Mason’s on screen drama queen sister Samantha and Hollywood veteran actress Patricia Arquette as his struggling unpredictable mother along with Linklater favourite Ethan Hawke (Before Sunrise, Before Sunset) as Mason’s drifter musician father Mason Senior.

In that rambling talkative style which has become a trademark of Linklater’s films, Boyhood as seen at the Durban International Film Festival is shot all over the director’s home state of Texas from Houston to Austin and even rural parts of the state, as the journey from innocence to experience for Mason as he along with his sister is dragged by his mother to many step-families with a variety of equally unimpressive stepfathers from the cruel and vicious psychology lecturer to the Afghanistan war veteran.

As the children change schools as the mother moves around in search of a better life and career opportunities, cinema goers gradually see the development of the central character as he charts the difficult teenage years, while Linklater provides a fascinating socio-political commentary of American daily life, from the effect of foreign wars on the average population, to the financial crisis, to the usurping influence of technology on the children’s lives as they become teenagers.

The three sections of the film is separated by the family or one of the family members making road trips signifying a different phase of their average but equally interesting lives. The viewer follows Mason’s school years as he succumbs to peer pressure, discovers the mysteries of the opposite sex to eventually having his first sexual experience in his sisters college dorm room.

Despite the length of Boyhood, Richard Linklaters script remains pertinent and fascinating as he provides an insightful analysis of the cultural cornerstones of American 21^st century society from religion to guns to politics and even to the environment. Fans of Linklaters triptych, Before Sunrise, Before Sunset and Before Midnight, will be in familiar territory and will surely acknowledge that this is the directors most significant and ambitious cinematic achievement especially because of his lack of any aging makeup or special effects, the mere fact that this film, Boyhood was imagined and conceived in real time makes it even more remarkable, one of the reasons that Richard Linklater won the Best Director prize at the 2014 Berlin Film Festival.

Patricia Arquette (True Romance) and Ethan Hawke are clearly competent actors to hold their own in such a cinematic canvas as are the two child leads with Ellar Coltrane’s nonchalance clearly perceived at every transformation of Mason’s character as he goes from childhood innocence to young adult experience. Boyhood is highly recommended art house viewing and a dynamic cinematic tribute to American socio-political commentary, while remaining a classic Richard Linklater masterpiece.

Dawn of the Planet of the Apes

Director: Matt Reeves

Cast: Jason Clarke, Keri Russell, Gary Oldman, Kodi Smit-McPhee, Andy Serkis, Toby Kebbell, Judy Greer

In a post-apocalyptic San Francisco where much of the human population has been decimated by a simian virus, the apes rule north of the Golden Gate Bridge, which would be modern day Sausalito. These apes are wily, intelligent and they are packing, ready to defend their reclaimed territory.

In Cloverfield director Matt Reeves’s impressive and handsome sequel to the 2011 film Rise of the Planet of the Apes, Dawn of the Planet of the Apes shows a different world where the remnants of humanity are threatened by gangs of warring apes. These apes are ruled by Caesar a compassionate commander who has a soft spot for humanity as he was the original ape in the first film.

Into their simian territory ventures a group of humans eager to restore power to a hydroelectric plant in Sausalito lead by Malcolm, a brave and compassionate man, played by Zero Dark Thirty’s Jason Clarke. Accompanying Malcolm is his wife Ellie played by Keri Russell (from the short lived TV Series The Americans) and his son Alexander played by Kodi Smit-MacPhee.

Malcolm and his family have to answer to the leader of the human enclave Dreyfus played by Gary Oldman last seen in Robocop who is more inclined to destroy the nearby ape population than befriend them.

The encounter between apes and humans starts off fairly smoothly but soon tyranny and violence takes over as an insurgency against Caesar lead by a rather mean monkey Koba (played by Toby Kebbell) threatens to destroy both the apes and humans. Caesar’s reign is naturally disrupted and warfare ensues.

Dawn of the Planet of The Apes is superbly done with outstanding visual effects and a brilliantly executed plot line featuring likable characters giving both the humans and apes equal attention and justifiable screen time. As with both humans and apes, there is lurking the potential for conflict which naturally exists in any seemingly homogenous community. If viewers don’t like seeing Apes on horseback wielding automatic weapons then they best miss this film.

More significantly in anthropological terms this film represents in real and fictitious terms the relationship between two species or them and us and how each group perceives the other. Points to director Matt Reeves who really makes this sequel credible, exciting and intuitive. Recommended viewing for those that enjoyed Rise of the Planet of the Apes.

The Invisible Woman

Director: Ralph Fiennes

Cast: Ralph Fiennes, Felicity Jones, Kristin Scott Thomas, Tom Hollander, Michelle Fairley, Michael Marcus, Joanna Scanlan, Amanda Hale

Oscar nominated actor Ralph Fiennes follows up his first directorial debut Coriolanus with a film adaptation of a novel by Claire Tomlin, The Invisible Woman, which centres on the brief but doomed love affair between celebrated Victorian novelist Charles Dickens and Nelly, known as Ellen Tiernan a young actress half his age, superbly played by Felicity Jones of Hysteria fame.

As a director Ralph Fiennes seems to find his creativity for portraying the Victorians from skilled director Jane Campion with many shots looking like a pastiche of scenes from her hit film The Piano and the later film Bright Star.

As an actor Ralph Fiennes who also plays Charles Dickens is naturally brilliant, inhabiting a larger than life famed author who clearly desired literary attention and popularity more than the love of his massive family. Fiennes does not detract from Dickens reputation as one of the greatest Victorian novelists of the 19^th century who went to detailed efforts to document through literature the hardships of the British population during the Industrial Revolution especially illustrated in his celebrated novels Oliver Twist, Hard Times and Bleak House.

This period of literature especially during the mid 19^th century and which characterized the reign of Queen Victoria was called realism and along with Dickens, spawned a range of brilliant social commentators including George Eliot, Elizabeth Gaskell and Thomas Hardy who all highlighted the plight of the poor especially the appalling conditions of child labour.

The Invisible Woman centres on the period of friendship between Charles Dickens and the novelist and playwright Wilkie Collins, http://en.wikipedia.org/wiki/Wilkie_Collins played by Tom Hollander who wrote The Woman in White in the early 1850s. Here Dickens, aged 45 in rehearsal for The Frozen Deep, a collaborative play written with Collins he meets the gorgeous Nelly (Ellen Tiernan) along with her supportive mother Mrs Frances Tiernan played by Kristin Scott Thomas, ironically Fiennes co star in the Oscar winning film The English Patient.

Despite being married with 10 children, and a 27 year age difference Charles Dickens is scandalously captivated by Nelly who is actually the same age as his oldest son Charles Junior played by Michael Marcus and there is an awkward scene in the film whereby Dickens Sr having resolved to separate from his wife is walking with Nelly through Hampstead and comes across his oldest son Charles, who discover the affair.

Unfortunately as illustrated in The Invisible Woman the love affair between Dickens and Nelly is short lived but she remains the muse for Estella the female character in Dickens most accessible and famous work Great Expectations (published in 1861) who Pip falls in love with.

Felicity Jones adds layers of subtlety and complexity to the character of Nelly a woman who becomes the object of the great novelist’s affection who soon realizes that their affair is ultimately doomed and she will be the one most affected by this relationship. For Dickens, his love of fame and literary greatness trumps any real devotion to Nelly and naturally divorce was out of the question. Nelly realizes that she is living in the shadow of a literary giant and her role in his success will be eclipsed by his fame and popularity.

The Invisible Woman is a thought-provoking and intelligent period piece which at times lacks variety and is slow moving. Fiennes as a director makes a fatal decision not to use much soundtrack in the film, which clearly needs a more suitable musical score. At least The Invisible Woman got nominated for Best Costume Design but lost out to The Great Gatsby at the 2014 Academy Awards.

Viewers get the impression that if Ralph Fiennes had been content on just playing Dickens and letting a more experienced director like Mike Newell or Jane Campion remain behind the camera, The Invisible Woman could be a remarkable film.

This engaging if slightly uneven period piece is saved by the sustaining performance of Felicity Jones who carries the subject matter of the film beautifully. The Invisible Woman is recommended viewing but not absolutely essential and will most likely appeal to literary scholars who are familiar with the writers of Victorian social criticism and ardent Charles Dickens fans.

http://en.wikipedia.org/wiki/Charles_Dickens