Archive for the ‘Derek Cianfrance’ Category

Roofman

Director: Derek Cianfrance

Cast: Channing Tatum, Kirsten Dunst, Peter Dinklage, LaKeith Stanfield, Ben Mendelsohn, Uzo Aduba, Juno Temple, Tony Revolori

Running Time: 2 hours and 6 minutes

Film Rating: 7.5 out of 10

Derek Cianfrance returns to the director’s chair after a nine year absence in his new film Roofman starring Channing Tatum and Oscar nominee Kirsten Dunst (The Power of the Dog).

Unlike his previous films The Place beyond the Pines and Blue Valentine which both starred Ryan Gosling, Roofman is much lighter in tone and focuses on the bizarre escapades of an unmanageable father Jeffrey Manchester superbly played by Channing Tatum (Foxcatcher) in an Oscar worthy performance who robs a McDonalds in North Carolina, gets arrested for that crime then escapes out of jail.

The escaped convicted then hides in plain sight in a massive Toys R Us store in Pineville, North Carolina on the outskirts of Charlotte, the state’s biggest city.

Roofman follows the captivating but ultimately heart breaking story of Jeffrey who falls in love with single mother Leigh Wainscott brilliantly played by Dunst in a role which is so opposite to her previous film roles. Kirsten Dunst was once the art house darling of such directors as Lars von Trier and Sofia Coppola. Think Melancholia or Marie Antoinette.

She is now playing a regular mother and employee at a toy store which ironically is managed by the evil boss Mitch superbly played by Peter Dinklage (Game of Thrones). When Leigh asks her boss for toys for a local toy drive for her church, he abruptly tells her that Toys R Us are in the business of selling toys and not giving them away.

Leigh belongs to a North Carolina church in which she finds comfort and community. The congregation is run by Pastor Ron and his wife Eileen, played by Ben Mendelsohn and Uzo Aduba. Leigh introduces Jeffrey to this church and integrates him into her life, not knowing that he is a wanted criminal.

Jeffrey’s contact in the criminal underworld is a forger Steve played by Oscar nominee LaKeith Stanfield (Judas and the Black Messiah) and his girlfriend Michelle played by Juno Temple (Atonement).

Roofman is a character driven film about a charismatic thief who falls in love with a divorcee who is desperately looking for Mr Right. Channing Tatum is excellent in a role which requires him to bare all both physically and emotionally. There is a hilarious scene with him naked in the Toys R Us store being discovered by Mitch, the store manager.

The slow pacing of Roofman is a trademark of Derek Cianfrance’s films, yet the crime comedy delivers a fascinating tale of a criminal falling in love with a regular citizen whose love affair is ultimately doomed. As Steve, the forger, advises Jeffrey that once you get a new forged passport and plan on leaving the country don’t go back and say goodbye to anybody that you have become attached to.

With great performances by Channing Tatum and Kirsten Dunst, Roofman gets a film rating of 7.5 out of 10 and is a true American story of love, escape and destiny set in Charlotte, North Carolina. Bizarre but worth seeing.

The Place Beyond the Pines

Director: Derek Cianfrance

Cast: Bradley Cooper, Ryan Gosling, Rose Byrne, Dane DeHaan, Eva Mendes, Ray Liotta, Ben Mendelsohn, Bruce Greenwood, Mahershala Ali, Emory Cohen

Critically acclaimed Blue Valentine director Derek Cianfrance’s absorbing and poignant three act family drama, The Place Beyond the Pines is almost Shakespearean in nature as the narrative delves into the psyche of contemporary masculinity and the legacy that men leave behind for their sons. That legacy is naturally shaped by the actions and deeds that a man did whose triumphs or sins will haunt the next generation.

The film opens with a motorbike stunt sequence in a metal ball in which three stunt riders’ ride around in a seeming and noisy symmetry. Ryan Gosling (Drive, Gangster Squad) is introduced as Luke who as a down on his luck, tattooed stunt driver earns money at the local fairs in upstate New York, Schenectady to be exact. After a brief one night stand with a local waitress Romina played by Eva Mendes, the itinerant stunt rider Luke returns to the town a year later to discover that he has fathered a one year old son.

Cash-strapped and desperate, he befriends a local two bit mechanic who says that the quickest way to make some serious cash is to rob a couple of local banks using his unique stunt riding skill set. Desperate to offer some form of financial support to Eva and his newborn baby, Gosling soon goes on a Bank robbing spree. After a serious of successful stints, one last job goes horribly wrong and Gosling’s fate as a man and a father gets inextricably tied in with a young and ambitious local cop Avery Cross, superbly played by Bradley Cooper (who really has excelled in the serious acting stakes since his remarkable Oscar nominated performance in Silver Linings Playbook).

The Place Beyond the Pines is an intimately shot and skilfully directed study of masculinity by Derek Cianfrance and the intricate sprawling story line is both riveting and powerful as the actions of both men, Gosling and Cross reverberate for the next two decades.

This is a brilliant piece of film noir assisted by a remarkable supporting cast including a wonderfully menacing performance by Ray Liotta as a corrupt cop Deluca and Dane DeHaan as Gosling’s confused but vulnerable teenage son Jason. Whilst the female characters are intentionally underwritten, it really is Mendes who excels in a grittier role as a mother who has to bring up a son whilst keeping a secret about his real father’s criminal past.

The Place Beyond the Pines is about legacy, betrayal, corruption, aggression and ambition in a small town American community which sees two men from opposite social spectrums both portrayed alternatively as victim and hero in the narrative who make the wrong choices for all the supposedly right reasons, only to have those choices impact their own son’s destinies.

Cianfrance deserves an Oscar nomination for his gripping direction as he deftly captures the intensity and brooding atmosphere of small town America where every man is angling for a better life despite the consequences and their own circumstances. The Place Beyond the Pines is a highly recommended film which will firmly elevate Oscar Nominees Ryan Gosling and Bradley Cooper as two of the most promising actors of their generation. This gripping crime drama also stars Rose Byrne as Avery Cross’s wife Jennifer and Bruce Greenwood as District Attorney Bill Kilcullen.

Blue Valentine

Director: Derek Cianfrance

Cast: Ryan Gosling, Michelle Williams, Mike Vogel, Ben Shenkman

Running Time: 1 hour and 52 minutes

Film Rating: 7 out of 10

Blue Valentine is a 21st century Kramer vs Kramer anchored with a superb performance by Michelle Williams as Cindy, an aspiring doctor whose potential is thwarted by a sudden marriage to Dean, a slacker not too serious house painter.

Fireworks that Fade

Set in suburban Pennsylvania, Blue Valentine is a depiction of a nonlinear disintegration of romance and marriage, made more intense by extreme closeup shots of Gosling and Williams as a young married couple whose love has clearly reached the end of its journey typified by a romantic night away from the domestic grind as a last ditch resort for their failing marriage.

Cindy and Dean’s love for each other is clearly precarious as they check into the Future Suite at a tacky motel upstate, and in between various stages of inebriation try to arouse each other again to the same levels of intensity that characterized their early dating sessions. While Gosling is brilliant and evokes a similar performance to that of his Oscar nominated role in Half Nelson, it is Michelle Williams who maintains the emotional gravity of the film with a poignant, slightly gloomy and always quirky performance as Cindy, a woman who is desperate to avoid the marital pitfalls of her bickering parents.

Blue Valentine is at times gloomy, deeply intense, but brilliantly acted and a must for viewers who appreciate independent American cinema.