Archive for the ‘European Film Festival’ Category

Separate Communities

Ali and Ava

Director: Clio Barnard

Cast: Claire Rushbrook, Adeel Akhtar, Shaun Thomas, Ellora Torchia

Film Rating: 6 out of 10

Running time: 1 hour 35 minutes

This film has no subtitles

The British entry for the European Film Festival is director Clio Barnard’s intimate film Ali and Ava set in an unnamed dreary Yorkshire city. Claire Rushbrook (Secrets and Lies) stars an Irish emigrant and Grandmother Ava who inadvertently falls in love with Ali, a Pakistani emigrant played by Adeel Akhtar (Victoria and Abdul, The Big Sick).

Ava is living with her youngest son Callum and his girlfriend and baby. Callum is played by rising British star Shaun Thomas, who is angry when his mother Ava brings home Ali for the first time. Both Ali and Ava come from almost closed separate communities. Ava from a white, working class Irish catholic neighbourhood and Ali from an emigrant Muslim neighbourhood. Ali is recently separated from his wife Runa played by Ellora Torchia.

Ava, on the other hand, is recently widowed from Callum’s father who she later confesses was an abusive alcoholic that used to beat her up.

Despite coming from different cultural backgrounds Ali and Ava find a tentative connection through Ali’s tenant’s daughter who Ava teaches, a young Slovakian girl with behaviour problems.

Ali was a DJ before getting married and his love of music is what makes the mutual connection with Ava although her hesitancy at getting involved is not unfounded after her son Callum finds out that she is dating someone from outside the community.

Writer and director Clio Barnard skirts over so many issues in this film and never really finds the right tone for such an intimate love story, often resorting to music as a method for replacing dialogue.

Although both Claire Rushbrook and Adeel Akhtar act really well, although there is not much to work with beyond the usual cross-cultural love story within the same town in contemporary Britain.

Issues such as abuse, domestic violence and cultural exclusion are never properly addressed and only really pinpointed in the last 40 minutes of the film. The first half of the film meanders with too much music and not enough storyline or character development.

Ali and Ava is a slightly disappointing film which could have been so much better, considering that the British are normally renowned for making really brilliant films.

Ali and Ava gets a film rating of 6 out of 10 and will have a limited appeal but does address cross cultural love and unlikely couples finding true happiness. This film will find a limited audience.

Don’t Kill the Pool Boy

Silent Land

Director: Aga Woszczynska

Cast: Dobromir Dymecki, Agnieszka Zuleska, Jean-Marc Barr, Alma Jodborowsky, Marcello Romolo, Elvis Esposito

Film Rating: 6.5 out of 10

Running Time: 1 hour 53 minutes

Language: Polish and Italian with English Subtitles

Having premiered at the 2021 Toronto International Film Festival, first time Polish director Aga Woszczynska creates an angst filled character study about a seemingly perfect polish couple who rent a villa on a nameless Italian island complete with a swimming pool and beautiful views of the Mediterranean.

The couple in question are the beautiful Adam and his equally gorgeous wife Anna played respectively by Polish actors Dobromir Dymecki and Agnieszka Zuleska, a blond haired blue eyed couple whose beautiful vacation in Italy takes an unexpectedly weird turn, when the pool boy who comes to fix the villa’s broken swimming pool mysteriously drowns in the pool.

The pool boy’s untimely death sparks a communal interest from the swarthy locals especially the villa’s owner Fabio wonderfully played by Marcello Romolo and the kind police officer, the dashing Riccardo played with zest by Romanian Italian actor Elvis Esposito who appeared in the excellent  Italian series My Brilliant Friend.

As the investigation into the mysterious death continues, the brittle relationship between Adam and Anna begins to unravel. They make friends with a couple that run a diving school Arnaud and Claire, played by French actor Jean-Marc Barr who become famous with the spectacular 1988 film The Big Blue and went on to play Jack Kerouac in Big Sur. His wife Claire is played by French actress Alma Jodborowsky who was last seen in the Netflix series The Serpent opposite Tahar Rahim and Jenna Colman.

Director Aga Woszczynska’s slightly slow moving film Silent Land is similar to Maggie Gyllenhaal’s Oscar nominated film The Lost Daughter although not nearly as good. In both films, characters are placed in foreign lands and begin to unravel emotionally when something menacing occurs.

In Silent Land, it is really the disintegration of Adam and Anna’s relationship that transpires amidst the lustful and hot landscape of Mediterranean Italy, as their Polish sensibilities break down in a foreign environment and their inner selves are revealed.

Silent Land is a fascinating character study and a revealing mystery tale, although the film’s editing could have been more effective.

Despite its drawn out length, this Polish film ironically set in Italy is revealing and fascinating particularly the two main stars that hold the suspense together. Silent Land gets a film rating of 6.5 out of 10 and is recommended viewing as an art house film.

Manufactured Desire

I’m Your Man

Director: Maria Schrader

Cast: Maren Eggert, Dan Stevens, Sandra Huller, Hans Low, Jurgen Tarrach

Film Rating: 7 out of 10

Running Time: 1 hour and 48 minutes

Language: German with English Subtitles

This film is being screened as part of the European Film Festival from 13th to the 23rd October 2022.

German actress Maren Eggert won Best Leading Performance at the 2021 Berlin International Film Festival for her central role as Alma an anthropologist who indulges in a scientific experiment of taking on a humanoid or robotic man as her partner in director Maria Schrader’s fascinating comedy drama I’m Your Man starring the delectable British actor Dan Stevens (Beauty and the Beast, Blithe Spirit, The Man who invented Christmas) as the gorgeous looking rather robotic Tom, complete with startling blue eyes and a good physique.

In a rather strange opening sequence in which Alma is first introduced to Tom at a bizarre social event complete with jazzy music, martini’s, holograms and humanoids, she is not completely taken with the idea of spending time with a robot who is not essentially a pulsating, lustful man, complete with conflicting emotions like aggression, compassion and righteousness.

Director Maria Shrader’s fascinating narrative about the complex relationships between humans and artificial intelligence is intelligently explored in I’m Your Man as Alma eventually agrees to take the beautiful Tom home with her but she has limits about her companionship with this humanoid, not allowing him to share a bed and limiting his capacity for neatness, an algorithm in which he is programmed to provide happiness for the associated human.

When a long awaited Anthropological research paper about love and metaphors in ancient civilizations surrounding Persia is debunked by another author, Alma’s career stumbles and she decides to take Tom out of the city to meet her demented father and sister in the country. There is a stunning scene whereby Tom is wondering around the deer in the park, who are oblivious to any threat as he has no human odour as he is a robot.

On the sexual front, things are far more complex, as Alma discovers that while Tom is programmed to stimulate her, he cannot actually impregnate her. Alma’s initial revulsion to Tom is overcome when loneliness is replaced with curiosity and she does share a bed with Tom. Dan Stevens’s performance as the expressionless Tom is brilliant, creepy and pitch perfect, like the cipher of a man without any of the complexity or emotional nuance.

While Alma decides from an anthropological point of view that it is extremely unwise for humans to become attached to robotic companions, she herself falls into the same trap when she travels to Denmark to reignite a forgotten childhood memory. Director Maria Shrader’s I’m Your Man is a thought-provoking tale about companionship, love and the ethical complications of humans attaching themselves to artificial intelligence.

I’m Your Man gets a film rating of 7 out of 10 and is held together by two brilliant performances from Maren Eggert and Dan Stevens. Recommended viewing.  

The Mermaid and the Magic Lotion

Save Sandra

Directors: Jan Verheven & Lien Willaert

Cast: Sven de Ridder, Darya Gantura, Rosalie Charlies, Charles Aitken, Kaisa Hammerlund, Christopher Dane

Running Time: 100 minutes

This film is in Flemish, French, Dutch and English with English Subtitles

Despite this film being a true story, the co-directors of this interesting Belgian film Save Sandra Jan Verheven and Lien Willaert have created quite a schizophrenic narrative.

Is this film about Palliative Care? Is this film about the media? Is this film about the evil multinational drug companies that create orphan drugs to treat rare diseases?

Aspects of Save Sandra are beautifully told, centering on the heartbreaking plight of the parents of six year old girl Sandra who receive the shocking diagnosis that their only daughter has a rare muscular degenerative disease. The parents are a young couple in Belgium, William and Olga Massart played by Belgian actors Sven de Ridder and Darya Gantura and Sandra is played by Rosalie Charles.

Olga is devastated that her daughter could possibly die within a year, while her energetic husband William decides to investigate every drug available to arrest Sandra’s degenerative disease coming across a rare drug which has not been properly patented in Belgium.

William and Olga travel to Copenhagen and then to Rotterdam to plead with the drug company to allow Sandra to qualify for this orphan drug, however the problem lies in the prohibitive cost per dose in Euro’s, which is money the young couple do not have.

To complicate matters further, the original drug company gets bought out by a massive multinational company based in Basingstoke in the United Kingdom. So the film’s action moves from Belgium to the British countryside and the white cliffs of Dover.

William Massart starts raising funds for Sandra’s treatment through various events in Belgium soon attracting media attention and even that of the Belgian Princess. Unfortunately, the more awareness he creates about his daughter, the worse Sandra gets, quickly becoming confined to a wheel chair.

The best parts of the film are the bed side stories that William, a devoted father tells Sandra covering up her muscular disease in fantasy and fairytales about princesses and mermaids, wonderfully illustrated through animation.

Save Sandra is worth seeing although at times the subject matter is heavy going especially regarding the entire story being about a sick child that isn’t going to recover. Unfortunately with two directors, the film lacks a unifying version and becomes a much lesser version of similar films like 1992’s Lorenzo’s Oil or the Oscar winning The Constant Gardener in 2005, which expertly tackled the lack of ethics associated with big multinational drug companies.

Based on a true story, Save Sandra is an interesting Belgian film but it is not brilliant. It gets a film rating of 7 out of 10.

The Actor and the Wrestler

Robust

Director: Constance Meyer

Cast: Gerard Depardieu, Deborah Lukumena, Lucas Mortier

Film Rating: 7 out of 10

This film is in French with English subtitles

Screened virtually at the 2021 European Film Festival

Oscar nominee for Cyrano de Bergerac Gerard Depardieu returned to the 2021 Cannes Film Festival with a self-reflexive film entitled Robust also starring an amazing Deborah Lukumena as Aissa a trained wrestler who takes on the rather strange job of protecting a famous actor past his prime Georges.

Gerard Depardieu as aging actor Georges

Georges is wonderfully played by the bad boy of French cinema Gerard Depardieu (The Life of Pi, The Secret Agent, La Vie en Rose), a character that is larger than life and is essentially a spoilt and needy actor who constantly requires attention and someone to assuage his prickly ego.

A fretful hypochondriac, Georges is preparing for a new role in a 19th century period film in which he is required to play a French land owner who is timid, vanquished and lost. And he must learn fencing.

Yet like all aging film stars, Georges who lives in a plush apartment in Paris is constantly misbehaving until he gets assigned a new protector the aspiring female wrestler Aissa who takes none of his nonsense or his masculine foibles.

Deborah Lukumena as Aissa

Aissa is trying to make a life for herself in Paris as she casually dates her co-worker the vacuous Eddy played by Lucas Mortier who is really using Aissa for sex.

Directed by Constance Meyer, Robust is essentially a slow moving study of two completely opposite characters who find an unlikely connection and form a bond. Aissa is not bothered by Georges supposed fame, while Georges feels secure knowing that Aissa is available even when he frequently disappears or goes off the rails.

Robust is not a dazzling film, but a wonderful character study of two fascinating people at the opposite end of their lives. Aissa is just starting out as a body guard and protector while Georges is constantly fretting over his fading stardom, even though he takes his wealth and privilege for granted, falling off motorbikes and getting inebriated.

The best scene in the film is when Georges gate crashes Aissa and Eddy’s romantic dinner at a Chinese restaurant in the 20th arrondisement of Paris and the young Eddy does not take to the cantankerous actor who is oblivious to how he burdens other people with his demands.

Robust gets a film rating of 7 out of 10 and is an enjoyable and light hearted French film and viewers will relish watching the delightful Depardieu on the screen again.

The Provider for Both Worlds

After Love

Director: Aleem Khan

Cast: Joanna Scanlan, Nathalie Richard, Talid Ariss, Nasser Memarzia

This film is in English, French and Urdu with subtitles

Screened virtually at the 2021 European Film Festival

British Pakistani film director Aleem Khan makes his impressive feature length debut with his thought provoking film After Love starring the amazing British actress Joanna Scanlan (Tulip Fever, Notes on a Scandal, Testament of Youth) and French actress Nathalie Richard who share a unique bond, which is complicated, maternal and at times malicious.

After Love shot mainly in Dover and in Calais, centres on a British woman who converted to Islam to marry her adoring Pakistani husband Ahmed briefly played by Nasser Memarzia.

Unfortunately, Ahmed dies of a sudden heart attack leaving his wife Mary beautifully portrayed by Joanna Scanlan who inhabits every frame of the screen, is left adrift.

Mary soon discovers that her late husband had a lover living in Calais, France just 21 miles away across the English Channel. Summoning all the courage in the world, Mary makes the journey to Calais to meet her late husband’s lover, a vivacious blond named Genevieve wonderfully played by Nathalie Richard who is not only coping with being a single mother but is in the process of moving to a bigger home in Calais.

Genevieve has to contend with Ahmed’s biological son Solomon played by Talid Ariss who constantly resents his mother and is harbouring sexual secrets of his own, a teenager bristling with attitude and deceit as he constantly wonders where his wayward father is.

In a careful plot twist, Genevieve mistakes Mary as an agency housekeeper coming to help her tidy up and move home. Mary knowingly insinuates herself into the complex lives of Genevieve and her obstreperous teenage son, while keeping her real identity private until all the secrets and lies are revealed in one final family dinner.

Joanna Scanlan is amazing in her first major role as the protagonist playing a white British Muslim woman who has to not only deal with her late husband’s death but the wider implications of discovering that he had a mistress and son across the Channel.

After Love is a careful study of the complex lives people live without becoming preachy or didactic, held together by a superbly understated performance by Scanlan who holds the entire film together even as her character’s world is both figuratively and literally changing around her. Joanna Scanlan deserves an Oscar nomination for this role. She is absolutely superb.

After Love debuted at the Cannes and Thessalonki Film festival in 2020 and now viewers can catch this fascinating film at the 2021 European film Festival online.

It’s highly recommended viewing and gets a film rating of 7.5 out of 10.

The Skarderud Hypothesis

Another Round

Director: Thomas Vinterberg

Cast: Mads Mikkelsen, Thomas Bo Larsen, Magnus Millang, Lars Ranthe, Maria Bonnevie, Albert Rudbeck Lindhardt

Film Rating: 9.5 out of 10

This film is in Danish with English Subtitles

Running time 1 hour and 55 minutes

Watch Another Round without any moral prejudice. Watch this film without judgement, because Danish director Thomas Vinterberg’s stunning film Another Round is truly superb, expertly exploring the psychology and comraderies’ of male friendships.

Focusing on four male friends in their mid-forties, they decide as teachers at a local college in Copenhagen to explore the Skarderud Hypothesis, based on Norwegian psychotherapist Finn Skarderud who believed that human beings are born with a 0.5% alcohol level too low, which in turn is based on an untested premise from an 1880 book called “On the psychological effects of wine” written by Edmondo de Amicis.

Another Round follows the raucous misadventures of Martin brilliantly played by BAFTA nominee Mads Mikkelsen (Casino Royale, Rogue One: A Star Wars Story, Charlie Countryman, Doctor Strange) as he and his friends test this hypothesis with vodka, wine, absinthe and many other intoxicating drinks all during the day, when they are meant to be functioning as productive and intelligent college lecturers.

While the inebriating effects of their experiment start affecting their relationships with their wives and with their students, director Thomas Vinterberg expertly shoots this film without taking any moral stand. He shows the actors in a film which is both raw, nuanced and utterly plausible. There is no American slant on this film. It is refreshingly Scandinavian and perfectly Danish.

While the men slightly drunk become better teachers and coaches, they even begin to inspire some of their students specifically the extremely anxious Sebastian played by Danish actor Albert Rudbeck Lindhardt. Then tragedy occurs unexpectedly, because life isn’t hypothetical. It is messy, real and unpredictable.

Then Another Round does something brilliant, the film ends on a triumphant note celebrating life and all its subsequent misdemeanours, its irreverent messy complicated affairs but also everything that makes being human a celebration and something to applaud, despite our complex flawed existence. Catch the astounding dance sequence at the end of Another Round as the students celebrate their graduation. This is European cinema at its best.

Another Round deservedly won the Best Foreign Language Film Oscar at the 2021 Oscar Awards and is by far one of the best films I have seen this year and is available at this year’s European Film Festival online. Another Round gets a film rating of 9.5 out of 10 and is exceptionally brilliant.

This Danish film is highly recommended viewing, beautifully photographed, with superb acting by Mads Mikkelsen who deserved to get an Oscar nomination for his role as Martin.

Casting for Confidence

The Bright Side

Director: Ruth Meehan

Cast: Gemma-Leah Devereaux, Siobhan Cullan, Karen Egan, Tom Vaughan-Lawlor, Kevin McGahern, Barbara Brennan, Claire O’Donovan

European Film Festival 2021https://www.eurofilmfest.co.za/films/

This film is from the Republic of Ireland and has no subtitles

This film gets a rating of 7.5 out of 10

Irish director Ruth Meehan tackles the subject of breast cancer in her charming first full length feature film The Bright Side, starring a wonderfully off beat performance by rising star Gemma-Leah Devereaux (Judy) as thirty something Kate McLoughlin who has a budding career as a stand-up comedian and is the reckless sibling of responsible brother James played by Kevin McGahern.

Kate’s career is stopped dead in her tracks when she is diagnosed with breast cancer and has to undergo chemotherapy and a partial mastectomy. Kate’s wicked sense of humour endears her to her fellow breast cancer sufferers who she meets during chemotherapy including Tracey played by Siobhan Cullen and the ever glamourous Fiona played by Karen Egan.

Writers Ruth Meehan and Jean Pasley do not gloss over any of the psychological trauma of women undergoing treatment for breastcancer especially the effects of chemotherapy and the associated body image issues that women might have with losing their hair or having their breasts removed.

There is a wonderful scene, both empowering and beautiful when Kate decides to go for a night on the town and in the ladies room at the local disco, she is standing next to voluptuous young women in their twenties who are glamourizing themselves in front of the mirror, when Tracey appears. Both Kate and Tracey take off their wigs, much to the horror of the young women and stand together in solidarity, looking at their reflection in the mirror.

Obviously this is a female focused story, but there is room for a male character, the shy pharmacist Andy played by Tom Vaughan-Lawlor who takes a shine to Kate and then even offers to take the chemotherapy group on a fly fishing excursion in his van which has the words Casting with Confidence on the side. Andy has lost his wife to breast cancer and he decided to encourage breast cancer sufferers to take up fly fishing to help their lymphatic glands get better, with casting for confidence.

The Bright side is a bitter-sweet comedy featuring an amazing performance by Gemma-Leah Devereaux which encompasses all the dark humour that the Irish are known for.

The Bright Side gets a film rating of 7.5 out of 10 and is worth seeing, held together firmly by some strong female performances.

Both courageous and hilarious, this charming Irish film is highly recommended viewing for both men and women.

The Prague Remedy

Charlatan

Director: Agnieska Holland

Cast: Ivan Trojan, Josef Trojan, Juraj Loj, Jiri Cerny, Jaroslava Pokorna

Film Rating: 7 out of 10

Czech and German with English Subtitles

Running Time: 118 minutes

Charlatan is screened virtually at the 8th European Film Festival from 14th – 24th October 2021 – https://www.eurofilmfest.co.za/films/

In a similar vein to director Morten Tyldum’s The Imitation Game, Polish director Agnieska Holland’s handsome period drama Charlatan tackles the life and love of famed Czech healer Jan Mikolasec  played by Ivan Trojan who developed an uncanny knack for prescribing herbal remedies to patients based on their urine, a diagnosis determined by age and gender.

Ivan Trojek stars as Jan Mikolasec

Most notably, Mikolasec managed to navigate the political and social turmoil of mid 20th century Czechoslovakia as the country was first invaded and by the Nazi’s and then after World War 2, Czechoslovakia fell into the grip an equally totalitarian regime, the soviets as it got incorporated into the Iron Curtain until its liberation into glorious freedom during the Velvet Revolution in 1989.

Oscar nominated screenwriter and director of Europa Europa (1990), Agnieska Holland returns to the big screen with this touching film Charlatan about the tormented journey of Mikolasec and his hidden and rapturous love affair with his beautiful assistant Frantisek Palko, a truly stunning and muscular young man perfectly played by Slovakian actor Juraj Loj.

Both Mikolasec and Palko are married to women as a means to conceal their homosexuality as it was completely illegal both under the Nazi’s and under the equally cruel Soviet regime.

What director Agnieska Holland perfectly does is capture the conflicting emotions of this fascinating man, Mikolasec as he is tormented, cruel and gifted. Agnieska Holland who has featured prominently in directing several episodes of the brilliant political series House of Cards, once again highlights the slippery boundaries of sexuality amidst the shifting geo-political landscape in Czechoslovakia from the late 1930’s until the late 1950’s through the Nazi era and onto the Soviet era, a theme she returns to as she did so brilliantly in House of Cards.

Charlatan is a tough watch, it is both beautiful and horrific, and equal parts a semi-mythical tale of a talented herbalist and his beautiful assistant and their forbidden love affair, as they set up a business prescribing herbal remedies to the local population and earning money off their respective ailments.

The narrative is told in a series of flashbacks to Mikolasec’s youth, the younger version of himself ironically played by Ivan Trojan’s son Josef Trojan as he learns the secret of his tradecraft from a mysterious herbalist Mrs Muhlbacherova played by Jaroslava Pokorna.

Beautifully filmed, Charlatan gets a film rating of 7 out of 10 and is a fascinating period piece about a Czech herbalist who didn’t achieve fame outside of Eastern Europe but went through a harrowing time in his own country. This film is recommended viewing.

A Mother’s Anguish

Quo Vadis, Aida?

Director: Jasmila Zbanic

Cast: Jasna Djuricic, Izudin Bajrovic, Boris Ler, Dino Bajrovic, Johan Helderbergh, Raymond Thiry, Boris Isakovic

Running Time: 102 minutes

This film is in English, Serbian, Dutch and Bosnian with English Subtitles

Please note that this film is not for sensitive viewers

In possibly the toughest watch in the 2021 European Film Festival is the Bosnian war film Quo Vadis, Aida? Which translates to Where are you going Aida?

Nominated for Best Foreign Language Film at the 2021 Oscars, is director Jasmila Zbanic’s heartwrenching retelling of the Srebrenica massacre in Quo Vadis, Aida? featuring a brilliant performance by Jasna Djuricic as the English speaking Bosnian translater Aida.

Jasna Djuricic should have received an Oscar nomination for Best Actress at the 2021 Academy Awards because her performance rivals that of Oscar winner Meryl Streep in Sophie’s Choice.

Quo Vadis, Aida? had it’s world premiere at the 2020 Venice International Film Festival and then was also screened at the Toronto Film Festival the same year.

As the Serb and Bosnian conflict reached its peak in the summer of 1995, the Serbian army overran the town of Srebrenica and immediately Aida who works as a Translator for the UN realizes that the population of this town is in desperate need of being saved.

Unfortunately, an ill-equipped Dutch run UN base is all that is guarding the inhabitants of Srebrenica from being annihilated by the Serbian army. On the 11th July 1995, the Srebrenica massacre occurred in which over 8000 men and boys were murdered and then buried in mass graves.

Told through the unflinching eyes of a desperate mother, Aida, a UN Translator is desperately trying to protect her husband Nihad played by Izudin Bajrovic and her two sons, Hamdjia played by Boris Ler and Sejo played by Dino Bajrovic from the Serbian army as the defenceless Dutch make a devil’s bargain with the Serbian army and allow them into the UN compound which is meant to be a safe zone.

Colonel Karremans played by Belgium actor Johan Heldenbergh (The ZooKeeper’s Wife) is out of his depth in a humanitarian crisis which is rapidly spiraling into a complete disaster receiving no guidance or support from those organizational superiors in the UN at the time, all of whom seem to be away on summer holidays.

Aida pleads with Colonel Karremans to save her two sons and her husband, sensing that something utterly tragic is about to unfold.

Director Jasmila Zbanic makes a sharp and harrowing film about a terrible event, which highlights more the ineffectiveness of a huge organization like the United Nations in times of ethnic cleansing, conflict and genocide in the face of humanity’s diabolical capacity for cruelty and violence.

Quo Vadis, Aida? gets a film rating of 9 out of 10 and is a superb film, but not for sensitive viewers. Highly recommended viewing about a horrific period of human history in the mid 1990’s.

Historical source:

https://en.wikipedia.org/wiki/Srebrenica_massacre

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