Posts Tagged ‘Ryan Gosling’

The Place Beyond the Pines

Director: Derek Cianfrance

Cast: Bradley Cooper, Ryan Gosling, Rose Byrne, Dane DeHaan, Eva Mendes, Ray Liotta, Ben Mendelsohn, Bruce Greenwood, Mahershala Ali, Emory Cohen

Critically acclaimed Blue Valentine director Derek Cianfrance’s absorbing and poignant three act family drama, The Place Beyond the Pines is almost Shakespearean in nature as the narrative delves into the psyche of contemporary masculinity and the legacy that men leave behind for their sons. That legacy is naturally shaped by the actions and deeds that a man did whose triumphs or sins will haunt the next generation.

The film opens with a motorbike stunt sequence in a metal ball in which three stunt riders’ ride around in a seeming and noisy symmetry. Ryan Gosling (Drive, Gangster Squad) is introduced as Luke who as a down on his luck, tattooed stunt driver earns money at the local fairs in upstate New York, Schenectady to be exact. After a brief one night stand with a local waitress Romina played by Eva Mendes, the itinerant stunt rider Luke returns to the town a year later to discover that he has fathered a one year old son.

Cash-strapped and desperate, he befriends a local two bit mechanic who says that the quickest way to make some serious cash is to rob a couple of local banks using his unique stunt riding skill set. Desperate to offer some form of financial support to Eva and his newborn baby, Gosling soon goes on a Bank robbing spree. After a serious of successful stints, one last job goes horribly wrong and Gosling’s fate as a man and a father gets inextricably tied in with a young and ambitious local cop Avery Cross, superbly played by Bradley Cooper (who really has excelled in the serious acting stakes since his remarkable Oscar nominated performance in Silver Linings Playbook).

The Place Beyond the Pines is an intimately shot and skilfully directed study of masculinity by Derek Cianfrance and the intricate sprawling story line is both riveting and powerful as the actions of both men, Gosling and Cross reverberate for the next two decades.

This is a brilliant piece of film noir assisted by a remarkable supporting cast including a wonderfully menacing performance by Ray Liotta as a corrupt cop Deluca and Dane DeHaan as Gosling’s confused but vulnerable teenage son Jason. Whilst the female characters are intentionally underwritten, it really is Mendes who excels in a grittier role as a mother who has to bring up a son whilst keeping a secret about his real father’s criminal past.

The Place Beyond the Pines is about legacy, betrayal, corruption, aggression and ambition in a small town American community which sees two men from opposite social spectrums both portrayed alternatively as victim and hero in the narrative who make the wrong choices for all the supposedly right reasons, only to have those choices impact their own son’s destinies.

Cianfrance deserves an Oscar nomination for his gripping direction as he deftly captures the intensity and brooding atmosphere of small town America where every man is angling for a better life despite the consequences and their own circumstances. The Place Beyond the Pines is a highly recommended film which will firmly elevate Oscar Nominees Ryan Gosling and Bradley Cooper as two of the most promising actors of their generation. This gripping crime drama also stars Rose Byrne as Avery Cross’s wife Jennifer and Bruce Greenwood as District Attorney Bill Kilcullen.

Gangster Squad

Director: Ruben Fleischer

Cast: Josh Brolin, Ryan Gosling, Emma Stone, Anthony Mackie, Giovanni Ribisi, Holt McCallany, Michael Pena, Sean Penn, Sullivan Stapleton, Nick Nolte, Mireille Enos, Josh Pence

Based upon the fascinating non-fiction book, Gangster Squad by Paul Lieberman, the beautifully yet violent cinematic rendition of the story of how an elite group of LA cops formed a Gangster Squad to tackle the effects of organized crime in post-wars Los Angeles, is thrilling to watch, engrossing and thoroughly entertaining. Featuring an all star cast including Ryan Gosling as Jerry Wooters, Josh Brolin as Jack O’Mara, Emma Stone as Grace Faraday and Sean Penn as the malevolent gangster Mickey Cohen who terrorized the Hollywood Boulevard in the early days of the city of angels growth is both visceral and heartfelt.

Giovanni Ribisi and Michael Pena also star as electronics expert Conwell Keeler and Officer Navidad Ramirez respectively in this brotherhood tale of elite cops fighting the influences of organized crime in the form of the vicious New York immigrant Mickey Cohen. Whilst Paul Lieberman’s novel goes into a truly in depth analysis of the origins of organized crime in Los Angeles, before and after the 2nd World War especially as California and Nevada become ripe for the East Coast families to increase their criminal activities. In this case Chicago crime emissary Jack Dragnet, played by Jon Polito is soon wiped out by Mickey Cohen who will go to any lengths to become Los Angeles’s crime boss.

Directed by Ruben Fleischer, Gangster Squad skips over much of the social history in favour of making a sleek, glamorous and violent film about the sharp shooting and mischievous Squad which successfully undermined Mickey Cohen’s grip on the city of Angels in the late 40’s and early 50’s. Not nearly as measured and brilliant as Barry Levinson’s film Bugsy about Bugsy Seigel’s establishment of Las Vegas in the late 40’s, Gangster Squad comes off more as a nostalgic pastiche of all great Gangster films from the same genre most notably The Untouchables, Bugsy and the brilliant L. A. Confidential.

Gangster Squad features a smooth talking Ryan Gosling in what is really an ensemble piece about a group of men who go to any lengths to undermine the mob king in their town often at their own personal costs. Gosling’s screen time with Emma Stone is fabulous along with some particular brilliant and captivating action sequences, Gangster Squad is held together by a brilliant cast, fabulous sets and a superb retelling of an emerging city out of the clutches of crime and into those of glamour and cinema, which is what Los Angeles is more famous for today.

Recent more grittier films about Los Angeles downtown crime film like End of Watch also starring Michael Pena shot in a Southlands TV series style has not changed the image that LA is still a city plagued by foreign criminal organizations or crazy criminals as immortalized in Quentin Tarantino’s Pulp Fiction and not so much by East Coast immigrants as it was in the first half of the 20th century.

Paul Lieberman’s book Gangster Squad is a brilliant read as his detailed history of the city of Angels in the mid 20th century is perfectly captured and exceptionally well researched.  The Hollywood film version of Gangster Squad is by all respects a brilliantly recreated 1940’s handsome cinematic experience complete with Slapsy Maxies also starring Nick Nolte as Chief Parker and Anthony Mackie as Officer Coleman Harris and worth watching for the quirky dialogue, well orchestrated action sequences,  and will surely delight those fans who loves similar styled mobster movies!

Drive

Nicholas Winding Refn’s noir cinematic version of the James Sallis novel Drive is an intoxicatingly brutal thrill ride, with superb stunts, minimal dialogue and hectic violence. Machismo has always been linked with knifes, guns and naturally cars symbolizing the American culture of survival, greed and the right to bear arms.

Drive is set in urban Los Angeles and follows the bizarre story of Driver played with a cool lethal charm by Ryan Gosling (The Ides of March, Blue Valentine) who befriends a next door neighbour sultry diner waitress Irina played by Carey Mulligan (An Education). Driver becomes the protector of Irina and her young son Benicio while the father is away in prison. Upon the father’s return, Standard played by Oscar Isaac (W/E) persuades Driver to help him out with one last heist of a pawn shop in the San Fernando Valley in a bid to pay off some protection money. The heist goes horribly wrong and much blood is shed and in a series of horrifically violent scenes, Driver goes to any lengths to protect the girl from the vicious mob boss Mr Rose played with an elegant urbanity by Albert Brooks.

Nicholas Winding Refn scooped the Best Director prize at the 2011 Cannes Film Festival and upon a second viewing of Drive it is easy to see why. Each shot is gorgeously framed, from the car chases to the aerials shots of Los Angeles at night. As the first half of the film moves from a romance and some character building the second half of Drive is thrilling to watch with some unbelievable sequences especially the nefarious nightclub sequence whereby man’s capacity for violence is framed against beautiful shots of voluptuous strippers and Nino’s restaurant sequence whereby Driver donning the mask from his former stunt car driving days eerily takes a glimpse inside the pizzeria before preparing for the kill.

In the final sequence of the film, Driver in his blood spattered scorpion jacket, framed by a city skyline tells Mr Rose of the parable of the Scorpion and the Frog. Drive is pure 21^st century film noir with just the skilful balance of violence, suspense and drama, making it one of the most engaging films about man’s obsession with cars and his primal need for violence and survival. Riveting and memorable, Drive also stars Ron Perlman, Christina Hendricks and Bryan Cranston as Driver’s boss Shannon.

Crazy Stupid Love

Reclaiming his Manhood

The lack of a single director for this convoluted and at times funny romantic comedy owes very much to the obvious plot contrivances of Steve Carell’s latest film Crazy Stupid Love. Directed by Glenn Ficarra and John Requa who excelled in the more flamboyant film I Love You Philip Morris, and written by Dan Fogelman Crazy Stupid Love is a familial take on Loves Labours Lost but does not match up to the brilliant script of Friends with Benefit, despite having an enormously talented all star cast including Ryan Gosling as the playboy Jacob Palmer, the new hip girl Emma Stone as the quirky law graduate Hannah and Julianne Moore as Carell’s weak and superficial wife Emily Palmer.

Where this oddly titled romantic comedy does excel is in showing that love across the generational divide is unpredictable, quirky and sometimes comical. The best scenes in the film are when Cal Weaver, a frumpy mid-forties office worker played with the usual lack of appeal by Steve Carell is challenged by Gosling’s character, the smooth talking womanizer Palmer to rediscover Cal’s manhood and assert his sexual dominance in the dating arena. It is Gosling who shines in this role, along with Emma Stone as the cautious Hannah who eventually couple up much to the horror of Hannah’s parents. The ensemble cast of Crazy Stupid Love resemble a more cinematic version of a Shakespearian comedy and while like any ensemble cast, supporting characters often outshine the leading players.

Watch out for Josh Groban as Hannah’s boring lawyer boyfriend, Marisa Tomei as a depraved school teacher and Kevin Bacon as a thoroughly unattractive accountant. While the talents of Kevin Bacon and Marisa Tomei not to mention Julianne Moore are largely wasted on a script with shallow character development, Crazy Stupid Love is another version of Steve Carroll’s breakthrough comedy The 40 year Old Version. Steve Carell should perhaps play a villain in his next film role, while Ryan Gosling should really stick to more profound cinematic roles as in Half Nelson and Blue Valentine, although his brilliant role in Crazy Stupid Love is one of the films’ redeeming features.

Blue Valentine

Director: Derek Cianfrance

Cast: Ryan Gosling, Michelle Williams, Mike Vogel, Ben Shenkman

Running Time: 1 hour and 52 minutes

Film Rating: 7 out of 10

Blue Valentine is a 21st century Kramer vs Kramer anchored with a superb performance by Michelle Williams as Cindy, an aspiring doctor whose potential is thwarted by a sudden marriage to Dean, a slacker not too serious house painter.

Fireworks that Fade

Set in suburban Pennsylvania, Blue Valentine is a depiction of a nonlinear disintegration of romance and marriage, made more intense by extreme closeup shots of Gosling and Williams as a young married couple whose love has clearly reached the end of its journey typified by a romantic night away from the domestic grind as a last ditch resort for their failing marriage.

Cindy and Dean’s love for each other is clearly precarious as they check into the Future Suite at a tacky motel upstate, and in between various stages of inebriation try to arouse each other again to the same levels of intensity that characterized their early dating sessions. While Gosling is brilliant and evokes a similar performance to that of his Oscar nominated role in Half Nelson, it is Michelle Williams who maintains the emotional gravity of the film with a poignant, slightly gloomy and always quirky performance as Cindy, a woman who is desperate to avoid the marital pitfalls of her bickering parents.

Blue Valentine is at times gloomy, deeply intense, but brilliantly acted and a must for viewers who appreciate independent American cinema.