A Siege of Elegant Brutality

The Dark Knight Rises

Christian Bale as Batman

As skilled a director as Christopher Nolan, he manages to assemble some of his cast from the 2010 hit Inception including the brilliant Joseph Gordon-Levitt, Oscar winner Marion Cotillard (La Vie en Rose) and the formidable Tom Hardy and gives them starring roles in The Dark Knight Rises along with Oscar nominee Anne Hathaway (BrokeBack Mountain) as the elusive and sleek Catwoman.

In The Dark Knight Rises, Nolan clearly has an opera in mind, a three act narrative of epic proportions about characters regaining their honour, losing the shackles of structured employment and giving heroism a whole new twist. Whilst the late Heath Ledger stole the show in The Dark Knight as the clearly unhinged and psychopathic Joker, it is Tom Hardy’s portrayal of Elegant Brutality as the urban warrior Bane who rises from the depths of Gotham to terrorize the city once more as a fitting yet all together different advisory. While The Dark Knight made use of Chicago’s urban landscape, Nolan firmly roots The Dark Knight Rises in the island of Manhattan a grimy 21st century simulacrum of New York known as Gotham.

Tom Hardy as Bane

The Dark Knight Rises visually is outstanding as all the strands of the narrative splinter in act two and then elegantly reconnect in a way in which each character realizes their true potential in the explosive third act, where Nolan weaves themes of heroism, fear, despair and loyalty into a stunning conclusion whilst all the time shaping the appearance of not one but two new superheroes with a sly nuanced touch hinting at a possible fourth film in this hugely successful reboot of the Batman franchise. The screenplay by Nolan and his brother Jonathan is sharp, articulate and beautifully written if the viewer listens for the wise words between the clashing warlords and not too dazzled by the unbelievable action sequences.

Naturally the teaming of such a brilliant cast from Gary Oldman to a brief cameo by Cillian Murphy (Batman Begins) gives hefty weight to Nolan’s epic vision of a city under siege assisted by a superb script giving each of the main characters (and there is a lot of them) enough opportunities to develop around the myth of Batman and his superhero status. Bruce Wayne himself has to truly dispel all his demons, face his fears and rise out of the pit of popular heroism to become a true pillar of a man not measured by wealth, his tortured past or fame, but by how far his experiences have taken him.

Anne Hathaway as Catwoman

For action fans, this film will not disappoint and whilst the violence is at times seemingly excessive there are moments of clear cinematic pace as only director Christopher Nolan knows how to achieve. Whilst the second act might seem long-winded, it’s the third act which is truly thrilling and if viewers have not seen Batman Begins or The Dark Knight its best to brush up on the fable of Bruce Wayne and his epic transformation as Batman. As for Catwoman and Robin they are truly supportive of Batman’s statue as one of the most iconic superheroes around. Look out for wonderful performances by Michael Caine, Tom Hardy, Morgan Freeman and of course Christian Bale, yet it is really Joseph Gordon-Levitt and Anne Hathaway who rise superbly in this possible final chapter of Christopher Nolan’s dark sophisticated Gothic superhero trilogy about Batman and the League of Shadows.

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