Dante’s Death Mask

Inferno

inferno

Director: Ron Howard

Cast: Tom Hanks, Felicity Jones, Ben Foster, Omar Sy, Irrfan Khan, Sidse Babett Knudsen, Ana Ularu

Screenwriter David Koepp intentionally disorientates the viewer in a disrupted narrative through a series of flashbacks and blurred images in the first half of director Ron Howard’s historical thriller Inferno as Professor Robert Langdon played again by Tom Hanks wakes up bewildered like Jason Bourne in a hospital in Florence. There Langdon is initially tended to by Dr Sienna Brooks played by Oscar nominee Felicity Jones (The Theory of Everything).

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Soon the couple are shot at by a vicious but gorgeous female carabinieri Vayentha played by Romanian beauty Ana Ularu. As Langdon and Brooks seek shelter in her Florence apartment they soon discover that crazed Billionaire Bertrand Zobrist played by Ben Foster (Warcraft, Hell or High Water), seen only through a series of mediated images like a televised lecture and numerous flashbacks has decried the world’s overpopulation and plans on letting off a deadly virus killing more than half the world’s population as a form of human culling.

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Langdon and Brooks travel to the Hall of the Five Hundred within the Palazzo Vecchio https://en.wikipedia.org/wiki/Palazzo_Vecchio to discover that Dante’s death mask has been stolen. Hot on their heels is Brouchard played by French actor Omar Sy as well as a tactical team from the World Health Organisation headed by the beautiful Dr Elizabeth Sinskey played by Danish actress Sidse Babett Knudsen last seen as the doomed corporate executive in the thrilling HBO Sci-Fi series Westworld.

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As the action moves from Florence to San Marks Square in Venice, Koepp’s script strips away the confusion and reveals an enlightening moment as a significant plot twist occurs in the Venetian Piazza reminiscent of Casino Royale and Professor Langdon soon realizes who he can really trust.

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With high production values and lots of flashing images of blood soaked streets and corpses writing in hell, the cinematic depiction of Dante’s Inferno adds to the already suspenseful narrative as Langdon races against time taking in some of the ancient world’s most iconic tourist attractions including Florence’s Duomo and Istanbul’s Hagia Sophia.

The second half of Inferno is captivating as the denouement is revealed and the true danger identified in a thrilling finale in Istanbul’s Sunken Palace where a Solstice concerto is taking place amidst the possibilities of a dangerous virus being released into the ancient city’s water supply.

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It is a pity that Ben Foster and Tom Hanks did not have any screen time although like with Angels and Demon’s and The Da Vinci Code, Inferno does not faithfully follow the thriller genre. Instead using a combination of visual clues heavily reliant on art history and a sense of urgency, the hero Professor Langdon in Inferno covers a touristic journey through some of the most cultural cities in Europe and Asia Minor.

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Whilst Hanks and Jones are suitably impressive in their roles it is the supporting roles particularly played by Knudsen and Indian actor Irrfan Khan (Slumdog Millionaire, Life of Pi) which add a sense of diversity to this extraordinary tale. Inferno is a fast paced historical thriller boosted by contemporary fanaticism which makes the story all the more relevant within the global context of terrorism and unsuspecting horrors.

Inferno is a captivating thriller which by far is one of the best in the Dan Brown inspired cinematic franchise, transforming into a fitting third act to The Da Vinci Code and Angels and Demons.

 

 

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